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283284 Los(e)/Seite
Los 425
An early 20th Century large oil on canvas portrait picture painting study depicting a young gentleman in black jacket seated on shepherds hook armchair. The sitter facing forward with blue tie. Set to a large gilt gesso frame with Cardiff framers label to verso. Measures approx; 113cm x 93cm. 90cm x 69cm.
Los 313
A Pair of Sevres Style Twin-Handled Pedestal Vases, converted to oil lamps, ground in cobalt blue and each with an oval cartouche painted with a portrait of a lady, 49cm high including burner (2)Porcelain free from damage and restoration. Heavy gilt wear. Bronze collars are loose, not fitted. One shade lacking.
Los 251
Emil Wachter, "Mirjam", "Bileam", "Rodeo", und Blumenstillleben, vier Aquarelle, 1970-89Emil Wachter, 1921 Neuburgweier - 2012 Karlsruhe, Maler u. Bildhauer, studierte ab 1940 Theologie und Philosophie an der Universität Freiburg, dann Malerei und Bildhauerei an der Akademie Karlsruhe, ab 1954 als frei schaffender Künstler tätig und lehrte von 1958-1963 an der Staatlichen Akademie der Bildenden Künste Karlsruhe, hier: Halbfigurenbildnis "Mirjam", Aquarell, 51 x 34,5 cm, sign. u. dat. 2.1.70, verso bez.; Portrait "Bileam", Aquarell, 44 x 28 cm, sign. u. dat. 79, bez., "Rodeo", Aquarell, 31 x 18 cm, sign. u. dat. 76, bez.; Blumen in Vase auf Stuhl, Aquarell, 75 x 56 cm, sign. u. dat 89, alle o. Rahmen
Los 303
Hans Konrad Saffer, Portrait der kleinen Johanna Leykam, Aquarell von 1920, gerahmt, mit Original-FotosHans Konrad Saffer, 1860 Bamberg - 1940 ebd., Ausbildung an der Mayer’schen Hofkunstanstalt u. studierte 1880-82 an der Münchner Königlichen Akademie der Bildenden Künste bei Alexander von Liezen-Mayer, Wilhelm Dürr und Martin Feuerstein, hier: Brustbild der kleinen Johanna Leykam, Aquarell, weiß gehöht, sign., dat. u. bez. Bbg. (Bamberg), 50 x 39 cm, im ovalen Goldstuckrahmen hinter Glas gerahmt, beil. Originalfotos der Johanna als Kind und Erwachsene
Los 304
Hans Konrad Saffer, Portrait des Heinrich Th. Leykam (Bamberg), Vater der Johanna, Ölgemälde von 1919, gerahmt, mit Original-Fotos u. DokumentenHans Konrad Saffer, 1860 Bamberg - 1940 ebd., Ausbildung an der Mayer’schen Hofkunstanstalt u. studierte 1880-82 an der Münchner Königlichen Akademie der Bildenden Künste bei Alexander von Liezen-Mayer, Wilhelm Dürr und Martin Feuerstein, hier: Dreiviertelbildnis des stehenden Heinrich Th. Leykam (1865-1937 Bamberg), Öl/Lw., sign., dat. u. bez. Bbg. (Bamberg), 100 x 73 cm, im Goldstuckrahmen, beil. Original-SW-Foto des Ehepaars Josephine und Heinrich Th. Leykam, 32 x 26 cm, hinter Glas u. P.p. im schwarz gelacktem, ovalem Rahmen, dazu Menü der Hochzeitsfeier des Paars 1899 in Bamberg und Todesanzeige von 1937
Los 313
Madonnen-Schrein des 18. Jh. und Bleiglasfenster mit Vanitas-MotivWandschrein aus geschnitztem Holz mit Farbfassung und Vergoldung (67 x 46 x 13 cm), darin eine Hispano-koloniale Mondsichel-Madonna mit den drei Engelsköpfen auf Sockel, Ton mit Resten farbiger Fassung (H 19 cm), dazu ein Bleiglasfenster mit dem Portrait des belgischen Jesuiten Hermann Hugo (1588-1629) mit Sensenmann und Sanduhr (46 x 34,5 cm), 19. Jh.
Los 479
Katholische Bibel - Das ist die ganze Heilige Schrift Alten und Neuen Testaments..., Nürnberg 1763 4 Teile in einem Band, gedruckt bei Johann Joseph Fleischmann, ganzseitiger Titelkupfer, ganzseitiger Kupferstich mit Portrait des Fürsten Karl Albert von Hohenlohe und Waldenburg-Schillingsfürst, mit mehr als 200 Kupferstichen im Text von A. L. Wirsing, J. P. Funck, I. A. Joninger, F. P. Nussbiegel, J. M. Zell und anderen, Ganzledereinband, ca. 38,5 x 25 cm, teils stärkere Alters- und Gebrauchsspuren, restauriert
Los 923
Karlheinz Oswald, Portrait Hella Pachen, Bronzeplastik von 1993Karlheinz Oswald, *1958 Worms, 1981-90 Bildhauerstudium mit Diplomabschluss an der Johannes Gutenberg-Universität Mainz, 1983-88 in der Ateliergemeinschaft Römerberg des Bildhauers Thomas Duttenhoefer, lebt und arbeitet in Zürich u. Locarno; hier: Bildnisbüste der Hella Pachen, Bronzeplastik mit goldbrauner Patina, auf Steinsockel, verso signiert, datiert, H 33 cm (Pachen Inv. Nr. 0080)
Los 313
William Skilling (American/British, 1862-1964). Oil on canvas painting titled "Cheetah in a Red Harness," depicting the large wildcat with a studded red harness around its waist, red ties around its head, and a collar with a gold chain attached to a pillar. Signed along the lower right. Skilling, who lived and worked in San Francisco, California, was known for his portrait and landscape paintings, particularly those of animals.Sight; height: 47 1/2 in x width: 59 in. Framed; height: 54 x width: 65 1/2 in.
Los 314
William Skilling (American/British, 1862-1964). Oil on canvas painting depicting a zebra standing in a landscape next to a red marble pillar. Signed along the lower right. Skilling, who lived and worked in San Francisco, California, was known for his portrait and landscape paintings, particularly those of animals.Height: 48 in x width: 60 in.
Los 331
Charles Bosseron Chambers (American, 1880-1964). Oil on canvas painting depicting a portrait of Escamillo from Bizet's Opera "Carmen," ca. 1920s. This dramatic portrait, framed in wonderful ornate gold gilt frame, is a large, engaging, and exceptional example.Lot Essay:C. Bosseron Chambers, the famed illustrator of epic and Christian scenes, was dubbed ‘the religious Rockwell.’ Chambers’ "Light of the World" image was as famous and popular a print as Maxfield Parrish’s "Daybreak." He was known for figurative works in an illustrative manner, with many of them being either portraits or works with religious themes.An illustrator and teacher as well as painter, Chambers was born in St. Louis, Missouri on May 1882. His father, a young Irish captain in the British Army, was a convert to the Catholic Church and his mother was the daughter of a French family long established in St. Louis.Charles, the youngest of several children, was sent to the Preparatory and Grammar Schools connected with St. Louis University in his earliest years, and his education in his chosen art was begun under Louis Schultz of the Berlin Royal Academy, with whom he spent six years. His next master was Aleis Hrdliczka of the Royal Academy of Vienna, and he later studied with Johannes Schumacher of Dresden for six years.After matriculating at St. Louis University, Chambers began his professional career at Palm Beach, Florida, a place chosen because of his mother’s failing health.From this period in his artistic productions date the fantastic figure compositions exhibited at the St. Louis Exposition, together with portraits of Colonel Mitchell for the Missouri Historical Society; Joseph Jefferson, the great American actor; young Master Haven; Henry Phipps; Henry M. Flagler; Mrs. Voorhis and others.In 1916 he moved to New York City, and established himself in the Carnegie Studios, Carnegie Hall, where he occupied a splendid atelier. Here he produced the Light of the World, the most popular religious painting of the early 1900s in the USA.He was a member of the Society of Illustrators, established in 1901 in New York City, and the Salmagundi Club, an early important art club in New York City. He illustrated Sir Walter Scott’s, Quentin Durward, in the Scribner Classics for Young People.His work was exhibited at the well-known John Levy Galleries in New York City in the 1930s, and his work is now in several public collections in St. Louis and Chicago, including Chicago’s St. Ignatius’s Church, Missouri Historical Society in St. Louis, and the Osceola Club in St. Augustine, Florida.Sight; height: 30 in x width: 23 in. Framed; height: 39 in x width: 32 3/4 in.
Los 335
Henry "Henno" Michael O’Connor (American, 1891-1975). Ashcan school watercolor on artist's paper depicting a stirring WWII battle scene showing the horrors of war and the individual’s heroic reckoning with certain death and the ‘never-back-down’ mentality of American spirit, ca 1940s.Lot Essay:Henry Michael O’Connor was born in Brookline, Massachusetts on March 5, 1891. Early references allude to O’Connor’s skill as a boxer, a favorite sport and source of revenue for his education. He studied at the Massachusetts Normal Art School in Boston and the Boston Museum of Fine Arts School under teachers such as Joseph Pennell, Joseph de Camp, and Frank Benson. O’Connor also assisted Abbot Thayer in Dublin, New Hampshire for two years who then encouraged the young artist to go abroad. In Europe, he studied at the Académie Julian in Paris and practiced etching at the Kensington School in London.Early in his career, O’Connor seems to have been influenced by the Ashcan School of Realists in New York, although he remained active in Boston. The working people and sites of Salem Street in Boston’s North End was a favorite early subject of which he made mostly drawings. His fluid and precise linear quality is evident in several of the early drawings dating from 1914 to1919, which depict working class scenes from Charlestown, Gloucester, and Rockport in addition to Boston. Urban monuments and architecture became more frequent subjects in subsequent works. Some Boston landmarks depicted by O’Connor include Faneuil Hall, State Street, the Massachusetts State House, Harvard, Paul Revere’s House and Trinity Church.Two lithographs dated 1918 provide the first evidence of O’Connor’s activity in New York, although the main body of his New York work begins in the 1920’s. Shortly after the First World War ended, O’Connor opened a studio in the city and soon met Regina Summer, a New York City designer, whom he married in 1924. Due to frequent visits, he was still listed as a Cambridge resident into the 1930’s while he lived and worked in New York City. One of his New York etchings, “Looking from New Jersey to New York†was similarly portrayed by Joseph Pennell and Martin Lewis. O’Connor is also known to have spent time working in Paris in the early 1920’s. Four Parisian etchings appeared at the National Academy of Design in New York City in the 1927 Annual Exhibition.Much of O’Connor’s graphic work reflects his frequent travels. Some of his known trips include Gloucester (MA), Rockport (MA), Philadelphia, Chicago, Memphis, Indianapolis, Paris, London, Nuremberg, Dresden, Rotterdam, Venice, Florence, Siena, and several Canadian cities.As shown in countless prints and drawings, O’Connor was also an avid marine enthusiast. He shared this interest with friend and author Jim Connolly and provided illustrations for two of his volumes, “The Book of Gloucester Fishermen†(New York: The John Day Company, 1927) and “Navy Men†(New York: The John Day Company, 1939). He also designed the cover for the November 1938 issue of ASIA, published by the American Asiatic Foundation. His affiliation with the naval community as a petty officer earned him a portrait painting commission for six naval officers in NACAL. A portrait of Admiral Charles Wellborn Jr. may be located at the United States Naval College in Norfolk, Virginia.Other O’Connor sitters include Franklin Delano Roosevelt, Governor Charles Hurley, Dr. William O’Hanlon (reportedly located at the Margaret Hague Hospital in Jersey City, New Jersey) the Honorable Joseph Tallent, and James Roosevelt. The Roosevelt picture was reported to be somewhere in Boston, Massachusetts, though it is not clear whether this refers to the James or Franklin D. Roosevelt portraitHenry O’Connor died suddenly on February 25, 1975. Funeral services were held in Cambridge Massachusetts, and he may have been buried at the site of the Lakewood Cemetery Association.Sight; height: 23 in x width: 17 1/2 in. Framed; height: 32 1/4 in x width: 26 1/4 in.
Los 429
Group of seven small decorative objects including: one gilt and enamel oval mirror; one gilt hand mirror with a painted portrait along one side; one pair of gilt metal frames with portraits; one gilt metal frame with a portrait of a woman; one square frame inset with mother of pearl and faux pearl decoration with a portrait of a woman; one rectangular wooden frame with a gilt metal border with a scene of a young child and a woman.Square; height ranges from 4 1/4 in to 7 1/4 in; width ranges from 3 1/2 in to 6 3/8 in. Hand mirror; height: 9 5/8 in x diameter: 3 7/8 in. Round mirror; diameter ranges from 5 1/2 in to 10 1/8 in.
Los 590
Agnes Hiorth (1899 - 1984), oil on canvas, portrait of Surgeon Captain F G Hitch Royal Navy, includes box of Harrods visiting cards for Captain Hitch, signed, 70cm x 60cm, framedVery small canvas impression on the right lapel and a few very minor surface paint abrasions, generally good condition
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283284 Los(e)/Seite