Attributed to J.W. Beaufort (fl. circa 1920-30) Full length portrait of a boy standing beside a collieoil on canvas121 x 91cm***CONDITION REPORT***Oil on original canvas in somewhat neglected untouched condition, a hole has been punched through the nose of the boy, crudely retouched with a patch behind, further to this there is some flaking of the paint running mostly in the dark paint down the right side of the work notably top right corner and alongside the boy's sleeve, apparently unsigned, housed in a later white painted frame, later stretcher used, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Circle of Willem Wissing (Dutch, 1656-1687) Half length portrait of a lady wearing a pearl necklace, red drapery beside her and a landscape beyondoil on canvas51 x 38cmCondition:Oil on canvas relined many years ago, canvas remains tight but paint affected by damp with white blooming through much of the background as well as some fine but apparently stable craquelure and some light surface scratching, very dark around the edges but apparently unsigned, housed in a period carved giltwood frame which is in fair order, a hint of a Christie's stencil number verso.
Charles Joshua Chaplin (French, 1825-1891) Portrait of a young beauty holding a bouquet of flowersoil on canvassigned45 x 37cm***CONDITION REPORT***Oil on canvas cleaned and relined 20 years ago or so, canvas remains tight and paint in good clean condition, signed at 9 o'clock and housed in an ornate gilt scroll frame which is in good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Attributed to John Wollaston (British, 1738-1775) Portrait of a gentlemanoil on canvas90 x 76cm***CONDITION REPORT***Oil on canvas cleaned and restored 30 - 40 years ago or so, paint remains in good order but with a fine stable craquelure running throughout, red drapery and details of both hair and costume all look to have been re-touched at some point, housed in a period gold painted carved wood frame, old Christie's and Edmiston's Ltd labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Pierre Carrier-Belleuse (French, 1851-1932) Portrait of a young ballerina seated upon a couch, holding a letterpastelsigned and dated 189099 x 71cm***CONDITION REPORT***Pastel on paper in essentially good condition, colours look good, perhaps a few tiny black specks showing across the top but no other faults noted, signed and dated lower right, under glass in an ornate giltwood frame, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Arthur William Devis (British, 1762-1822) ’The Weavers’oil on canvas44 x 59.5cm Painted in Bengal in 1792, as part of 26 studies illustrating the ‘’Arts, manufactures and agriculture of Bengal’’.The artist, who was both the son and pupil of the renowned portrait painter Arthur Devis (c.1711-1787), accompanied an expedition to the East Indies in 1784 as a draughtsman. He gained notable recognition for his work in India from 1785 to 1795, primarily for his portraits, also producing a notable series of thirty artworks depicting the 'arts, manufactures, and agriculture of Bengal'.Six of Devis’s Indian genre pictures are now in British public collections; they are:- ‘’A Blacksmith’s Shop beside Village Dwellings in Bengali’, oil on panel, 44.5 60cm, Victoria and Albert Museum; ‘’Assayer at Work in the Mint, Calcutta’’, oil on panel, 47 x 38cm, The Ashmolean Museum; ‘’Carpet Weaver, Patna’’, oil on canvas, 44 x 60cm, British Library, ‘’Potter Engaged in Throwing a Pot on a Wheel’’, oil on canvas, 43.5 x 59cm, British Library; ‘’Scene in a Brazier’s Shop in Bengal’’, oil on teak panel, 45 x 61cm, Victoria and Albert Museum; and ‘’Stamping Coinage in the Mint Calcutta’’, oil on canvas, 44.5 x 60cm.Provenance: Purchased by the current owners at Sotheby’s, 21st March, 1979, (catalogue front cover).***CONDITION REPORT***Oil on canvas relined 20 - 30 year or so ago, slight outward bulge to the canvas, paint looks clean with a fine but stable craquelure running throughout, housed in a modern gilt frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Late 18th century English School - Portrait of Sir William Eden, later 1st Baron Auckland, watercolour on card, 20 x 18cm. A sketch of the sitter verso. Note: Sir William was father to fourteen children, including Emily Eden and her brother George Eden, 1st Earl of Auckland, the Governor-General of India (1836-1842)***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
F. Heufell Portrait of a gentleman architect or sculptor, half length holding a figure of Cupid and a set of dividers, a statue of Plenty showing beyondoil on canvassigned and dated 172896 x 92cm***CONDITION REPORT***Oil on canvas relined 20 - 30 years or so ago, canvas remains tight, paint a little flattened with some rubbing showing across the top of the work in the dark area above his head and small splash and dirt specks scattered throughout, signed and dated lower left, housed in an old ebonised frame, traces of Sotheby's yellow chalk verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Alfred Egerton Cooper (1883-1974) - “Profile for Victory-portrait of Sir Winston Churchill, seated half length’’, pencil, 35 x 29cm.The original work was painted for the Carlton Club in 1942 and exhibited at the Royal Academy in the following year.***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Thomas Williams of Barbados (19th C.) Portrait of a British army officer wearing a red uniform jacket and medalsoil on canvasinscribed verso and dated Barbados Octr 184027.5 x 22cm***CONDITION REPORT***Oil on original canvas in somewhat neglected condition, stretcher marks showing along with some fine and broad craquelure running throughout the paint, together with a number of small flaking patches, apparently unsigned to the front, housed in the rubbed probably original gilt frame, inscribed on the back of the canvas which is made by a New York supplier P.Caff..., top of the stretcher has a tantalisingly faint inscription which I would guess as being Lieut. Colonel W... Thompson, RA? Regt Oct 1840,PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Late 18th century English School Half length portrait of a young lady, seated with her arm resting upon a tableoil on canvas74 x 64cmCondition:Oil on canvas relined many years ago, canvas remains tight, paint rather dark and dirty with some scattered fine surface dents and scratches and a few small flakes of paint missing lower down, housed in what looks to be the original gilt frame which equally has a number of small losses, one hand inscribed label verso stating Property of E.H. Hewett.
After Leonardo Guzzardi (Italian, active 1798-1800) Full length portrait of Rear Admiral Horatio Nelson (1758-1805), standing gesturing to the Battle of the Nile beyondoil on canvassigned and dated 179959 x 41cm Provenance: These rooms, 6th June, 1989, lot 2507***CONDITION REPORT***Oil on canvas cleaned and relined 20 - 30 years ago, canvas remains tight, paint slightly dirty with a little fine but stable craquelure, stretcher marks showing, housed in a later frame, auctioneers chalk marks and Christie's stencil JK564 verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
J.W. Beaufort (fl. circa 1920-30) Portrait of three Scottish children in a drawing room, all wearing Cameron tartan kiltsoil on canvassigned and dated 193087 x 125cm***CONDITION REPORT***Oil on canvas cleaned and relined 10 - 20 years ago, canvas remains tight, paint possibly a little dirty with one or two small scuff marks lower down and perhaps a sign of retouching in the lower left corner, signed and dated lower right, housed in an ornate carved gilt frame, no inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Attributed to Pieter Nason (Dutch, 1612-1688) Portrait of a noble woman wearing a pearl set crown and elaborate embroidered dressoil on canvas80 x 63cm***CONDITION REPORT***Oil on canvas relined many years ago, canvas remains tight, paint looks rather dirty with a fine craquelure scattered throughout which is just starting to lift most notably on her forehead and has some flaking in the lower right corner, housed in probably the original carved giltwood frame which is now a little dusty and tatty. Formerly attributed to Willem Wissing, Christie's stencil number 379L? to the stretcher.Provenance: Formerly the property of the vendors’ great-great-grandparent the Abyssinian explorer Mansfield Parkyns (1823-1894), who had it reframed in the mid C19th on inheriting it from his father – so it is believed to have been in the one family for about 200 years. The painting was cleaned in March-May 1926 by Ayerst Hooker Buttery, who identified it as being a late C17th portrait of a Queen of Bohemia by Daniel Mytens (presumably D.M. the Younger 1644-1688). Mr Buttery’s letter (which can be included in the sale) does not say why he concluded this. More recently it has been suggested that it could alternatively be by Pieter Nason.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
° ° Eden, Emily - Letters from India, edited by her niece, 2 vols. 8vo, half calf, marbled boards, Richard Bentley, London, 1872; Dickinson, Violet (editor) - Miss Eden’s Letters, 8vo, blue cloth, Macmillan and Co., London, 1919; Trotter, Capt. L.J - Rulers of India: The Earl of Auckland, 8vo, blue cloth gilt lettered, with folding map, Clarendon Press, Oxford, 1893; Eden, Rev. Robert Allan - Some Historical Notes of the Eden Family, 8vo, vellum gilt, Blades, East & Blades, London, 1907; and [Eden, Franses?] - A Lady of Rank - The Glanville Family, 3 vols, 8vo, rebound quarter cloth, Henry Colburn, London, 1838 (8)i) - Letters to From India - half blue morocco, lacking titling labels, extremities scuffed, bookplates of William C. Stuart, text to each volume tight and clean. ii)- Miss Eden’s Letters - blue cloth, spine split and almost detached, spine and corners bumped, ink ownership inscription to front fly leaf (Blanche Millar Anstie), portrait frontis spotted, tissue shadow to title, text clean. iii) - Lord Auckland - blue cloth a little spotted, fly leaves spotted, title browned, map intact, text clean iv) - Some Historical Notes on the Eden Family - vellum boards browned and scuffed, split to front edge of spine, bookplate of Lord Auckland, folding family tree at end annotated and with small close tear, spotting to some margins, three black and white portrait photographs bound in at end. Text generally clean. v) - The Glanville Family - rebound quarter cloth with stiff paper boards, renewed endpapers, bookplate of Violet Dickinson, text clean, leaf edges untrimmed. PROVENANCE: Private collection Sussex ***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Thomas Beach (English, 1738-1806) Three quarter length portrait of Lewis Dymoke Grosvenor Tregonwell (1758-1832), the Founder of Bournemouth, wearing the uniform of a Captain in the Dorset Yeomanryoil on canvas46 x 37cm***CONDITION REPORT***Oil on canvas relined within the past 10 - 20 years or so, canvas remains tight with some blotchy marks over the paint perhaps where the varnish has dried unevenly, not signed, the start of a word written upon the bearskin hat Doro?, housed in probably the original gilt gesso frame which is now rather tatty, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Frank O. Salisbury (English, 1874-1962) Portrait of a brideoil on canvassigned and dated 193473 x 60cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, one or two light scuff marks but no real faults noted although would benefit from a clean, housed in probably the original frame but with overpainting bearing a trace of a label which is torn to an extent that one can no longer see the name of the sitter, looks to have been an exhibited work as it has a James Bourlet label on the stretcher.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Anthony Buckley (British, 1912-1993) A pair of framed black and white portrait photographs of Queen Elizabeth II and Prince Philip, each with the sitters signature reserved within a cartouche within the framing, photographs 51 x 39cm, frames overall 69 x 51cm***CONDITION REPORT***Both in very good clean condition, with gilt bordered card mounts and plain wooden framesPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Garnet Ruskin Wolseley (English, 1884-1967) Portrait of a lady wearing a lace capoil on canvassigned59 x 48cm***CONDITION REPORT***Oil on canvas in untouched condition, some slight scuff marks around the edges where in the past it has rubbed against a frame with a little more rubbing over the signature and near 10 o'clock, otherwise looks slightly dirty, a patched repair near the back left of her cap which can clearly be seen from our photograph of the back of the work, not framed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
18th Century Irish school, oil on canvas, half length portrait of a gentleman, unsigned, inscribed to the stretcher ' George Nickalson Esq. Antrim, 1775 ', 76 x 63.5cm, in a period gilt frame.Provenance: Formerly the property of Sir Robert and Lady Woods of Marino, Ballybrack, County Dublin.unable to supply UV imagesmeasurements including the frame 94cm x 80cm
Good 19th Century watercolour portrait miniature on ivory of a gentleman wearing a black coat, the reverse inset with a lock of hair on an opaque glass panel and bearing the initial 'L', surrounded by seed pearls, 65 x 55mm approximately (Ivory Self Declaration Submission Reference Number LXWTP661)
Leo Whelan, oil on canvas, three quarter length portrait of a mother and child before a curtain (Mrs Waterhouse with her daughter, Margaret), signed, 107 x 83cm, in a good quality antique gilt frameBoth the painting and the frame are in good condition, the painting has not been relined or patched with no sign of restoration
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