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Bloomsbury Auctions (London)
Los 225

Donne (John) Letters to Severall Persons of Honour first edition first issue engraved portrait frontispiece slight worming from O to X to upper left of ff. not affecting text marginal ink note to G4 ink inscriptions to endpaper bookplate to pastedown contemporary calf spine gilt rebacked with original backstrip laid down lightly rubbed [Keynes 55; Wing D1864] 4to for Richard Marriot 1651. *** “No more tantalising set of documents can be imagined.” - Sir Edmund Gosse.

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Bloomsbury Auctions (London)
Los 226

Dugdale (William) The Antiquities of Warwickshire first edition engraved portrait frontispiece (mounted) title in red and black 5 double-page engraved maps 11 engraved plates on 10 sheets some double-page or folding engraved illustrations and coats-of-arms throughout many full-page errata leaf at end additional engraved portrait mounted to endpaper few ff. with light marginal water-staining contemporary panelled calf rebacked new endpapers boards rubbed [Wing D2479] folio Thomas Warren 1656.

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Bloomsbury Auctions (London)
Los 227

Fuller (Thomas) The History of the Worthies of England first edition engraved portrait frontispiece (trimmed to image and mounted on endpaper) extra-illustrated with 12 engraved portrait plates later added some with margins trimmed others mounted on separate leaves hinges cracked contemporary diced calf rebacked preserving original spine corners rubbed boards marked [Wing F2440] folio J.G.W.L. 1662.

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Bloomsbury Auctions (London)
Los 236

[Swift (Jonathan)] Travels into Several Remote Nations of the World. In four parts. By Lemuel Gulliver 2 vol. first edition third issue engraved portrait frontispiece by Sheppard after Sturte 6 engraved plates engraved head and tail-pieces and initials offsetting short tear to vol.1 N5 bookplate to pastedowns contemporary panelled calf spines and joints rubbed corners bumped rubbed [Teerink 291(B); Rothschild 2108] 8vo for Benj. Motte 1726. *** Swift went to extraordinary lengths to avoid both prosecution and piracy. The manuscript was copied out in another`s hand to avoid identification of the real author and secretly delivered to Motte for publication. He printed the book in 5 different printing houses simultaneously even so the first edition sold out within the first week of publication necessitating the swiftly printed second and third issues which appeared in consecutive months.

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Bloomsbury Auctions (London)
Los 243

Johnson (Samuel) The Lives of the Most Eminent English Poets 4 vol. first London edition engraved portrait frontispiece 1p. advertisement at end of vol.4 bookplate to paste-downs contemporary ownership name to endpapers contemporary calf rubbed joints cracked small losses and restoration to spine ends 8vo for C.Bathurst et al 1781.

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Bloomsbury Auctions (London)
Los 244

Hunter (John) A Treatise on The Blood Inflammation and Gun-Shot Wounds first edition 9 engraved plates only (of 10 lacking portrait) Bedford General Infirmary stamps to title and elsewhere spotting to plates hinges repaired contemporary half calf rebacked preserving original spine corners and edges rubbed with small loss 4to for George Nicol 1794. *** Hunter collected material for this book while serving with the army at Belle Isle during the Seven Years War.

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Bloomsbury Auctions (London)
Los 255

Morgan (Sylvanus) The Sphere of Gentry: first edition additional engraved title numerous engraved plates portrait of William Camden and illustrations many full-page lacking folding Howard pedigree separate title and dedication to parts 3 margins of preliminaries repaired with some loss 4L2 and 4I2 trimmed with some loss later blind-stamped calf rebacked preserving original slightly worn backstrip [Wing M2743] folio by William Leybourn for the Author 1661. *** Provenance: Hugh W. Diamond 1830 (ink signature and notes re. book to front free endpapers).

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Bloomsbury Auctions (London)
Los 259

Graham Memoirs (John of Claverhouse Viscount Dundee `Bonnie Dundee`) Memoirs of the Lord Viscount Dundee the Highland Clans and the Massacre of Glenco...by an Officer of the Army folding engraved frontispiece portrait little browning armorial bookplate of Michael Scott contemporary panelled calf rubbed front hinge broken 8vo Jonas Brown 1714. *** Early biography of `Bonnie Dundee` (1648-1689) the romantic Jacobite commander. According to the vendor this copy belonged to the historian E.M.Tenison author as Michael Barrington of Graham of Claverhouse Viscount Dundee (1911) who gave it to Michael Scott.

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Bloomsbury Auctions (London)
Los 262

Gibbon (Edward) The History of the Decline and Fall of the Roman Empire 6 vol. mixed edition (vol.1 fourth edition; vol.2&3 second edition and vol.4-6 first editions) half-titles to all but vol.1 engraved portrait frontispiece to vol.1 and 3 folding engraved maps (2 in vol.2 and 1 in vol.3) erratta ff. to vol.2 and 3 vol.1 title stained with a repair at foot just affecting part of 1 letter of imprint and with a short tear in all 4 ff. of sig.S no loss for W. [or A.] Strahan and T.Cadell 1781-1788; Miscellaneous Works 3 vol. 2 engraved frontispieces for A. Strahan T. Cadell and W. Davies 1796-1815 all vol. occasional foxing or spotting some mostly marginal water-staining uniformly bound in contemporary mottled calf rebacked preserving original gilt backstrips in compartments a few corners worn rubbed and scuffed 4to (9)

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Bloomsbury Auctions (London)
Los 268

Angelo (Henry Charles William) A Treatise on the Utility and Advantages of Fencing;... to which is added A Dissertation on the Use of the Broad Sword...and a Biographical Sketch of Chevalier St. George 47 engraved plates after John Gwyn a mezzotint portrait of Monsieur de St. George by W. Ward after Mather Brown and 6 aquatint plates by Thomas Rowlandson some foxing and spotting to engraved plates a few minor spots to aqauatint plates later half morocco gilt slightly rubbed [Thimm pp.10-11] oblong folio George Smeeton 1817.

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Bloomsbury Auctions (London)
Los 271

Walton (Izaak) and Charles Cotton. The Complete Angler 2 parts in 1 second Major edition large paper copy 2 engraved portrait frontispieces 12 plates printed on India paper and laid down (2 slightly loose) loose tissue guards bookplate to paste-down contemporary straight-grained morocco gilt by John Jones Liverpool a.e.g. spine faded small library sticker to head of spine [Oliver 23 Westwood & Satchell p.225] 8vo John Major 1824.

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Bloomsbury Auctions (London)
Los 284

Dickens (Charles) The Mystery of Edwin Drood first edition from the original parts 6 parts [all published] engraved portrait of the author additional vignette title and plates advertisements lacking 1 contents f. a few minor spots original pictorial wrappers bound in modern cloth-backed marbled boards [Eckle p96ff; Sadleir 694] an unusually fine set 8vo 1870.

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Bloomsbury Auctions (London)
Los 287

Churchill (Sir Winston Spencer) The Story of the Malakand Field Force first edition first issue without the errata slip preceding first folding map half-title frontispiece portrait 6 maps including 2 colour and folding 32pp. publisher`s catalogue at end some foxing to half-title and few other places original apple-green cloth gilt rubbed very slightly soiled [Woods A1(a)] 8vo 1898.

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Bloomsbury Auctions (London)
Los 293

(Arthur Conan writer 1859-1930) The Story of [S]Pedegue`s Dropper autograph manuscript signed 25pp. slightly browned edges creased with an A.L.s. 1984 from Jean Conan Doyle giving the manuscript to her solicitor “In appreciation of all the help and understanding and loyalty he has given me... in my efforts to protect my father`s words from those who were only interested in their exploitation” and another A.L.s. 4th June 1984 from Richard Lancelyn Green “Thank you very much for letting me read the manuscript...” [cf. Green & Gibson A47] folio [1928]; and a copy of Julian Symons` Portrait of an Artist: Conan Doyle signed presentation copy from Jean Conan Doyle with corrections 1979 folio & 8vo (2). *** Conan Doyle`s cricket story. First published in the Strand Magazine in 1928 and later published in book form in The Maracot Deep and Other Stories John Murray [1929]. There are a few textual changes in this manuscript the story is titled “The Story of Pedegue`s Dropper” and Richard Lancelyn Green in his letter notes that “it is curious that Sir Arthur ceased numbering the pages after 20 & spelt Sydney `Sidney`“. “`The Story of Spedegue`s Dropper` was based on the author`s own experience when bowled by a most extraordinary ball from A.P. Lucas. It was propelled into the air to about thirty feet and then fell onto the top of the bails. It was an experience which also gave him the idea for high-angle fire so that the bullets might enter enemy trenches.” - Green & Gibson. (Arthur Conan writer 1859-1930) The Story of [S]Pedegue`s Dropper autograph manuscript signed 25pp. slightly browned edges creased with an A.L.s. 1984 from Jean Conan Doyle giving the manuscript to her solicitor “In appreciation of all the help and understanding and loyalty he has given me... in my efforts to protect my father`s words from those who were only interested in their exploitation” and another A.L.s. 4th June 1984 from Richard Lancelyn Green “Thank you very much for letting me read the manuscript...” [cf. Green & Gibson A47] folio [1928]; and a copy of Julian Symons` Portrait of an Artist: Conan Doyle signed presentation copy from Jean Conan Doyle with corrections 1979 folio & 8vo (2). *** Conan Doyle`s cricket story. First published in the Strand Magazine in 1928 and later published in book form in The Maracot Deep and Other Stories John Murray [1929]. There are a few textual changes in this manuscript the story is titled “The Story of Pedegue`s Dropper” and Richard Lancelyn Green in his letter notes that “it is curious that Sir Arthur ceased numbering the pages after 20 & spelt Sydney `Sidney`“. “`The Story of Spedegue`s Dropper` was based on the author`s own experience when bowled by a most extraordinary ball from A.P. Lucas. It was propelled into the air to about thirty feet and then fell onto the top of the bails. It was an experience which also gave him the idea for high-angle fire so that the bullets might enter enemy trenches.” - Green & Gibson.

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Bloomsbury Auctions (London)
Los 294

Elizabeth II (Queen of Great Britain and Northern Ireland b. 1926) & Mrs. Lily Clarke of Smith & Co. later Hayford`s haberdashers 205 Sloane Street 1904-75. Collection of letters photographs etc. relating to Queen Elizabeth (later the Queen Mother) Elizabeth II as Princess Elizabeth and Princess Margaret including: letters to and from Princess Elizabeth including 1 from Princess Elizabeth written on HMS Vanguard 20 April 1947 thanking her for a birthday card and saying she hoped she wasn`t too naughty as a child from Elizabeth II on the death of George VI invitations to the christenings of Prince Charles and Princess Anne and gifts received and from various ladies-in-waiting; 17 Christmas cards from Princesses Elizabeth and Margaret and as Queen with Prince Philip postcards from Glamis Castle a military parade in Scotland etc. piece of Princess Elizabeth`s thirteenth birthday cake 21st April 1939; ephemera Old Mother Red Riding Boots - Panto application form for a performance at Windsor programme and 2 tickets 1944 invitation to the marriage of Princess Elizabeth and Philip Mountbatten; photographs: including 1 of a very young Princess Elizabeth inspecting a Coldstream Guardsman on sentry duty at Windsor Castle photgraph by J.W. Debenham of two dresses made by Lily Clarke for the two princesses & a watercolour portrait of Princess Elizabeth as a child and a fine collection of 11 portraits of members of the Royal Family including George VI and Queen Elizabeth and children (including a fine early portrait of Queen Elizabeth dated 1926 by Speaight) by Marcus Adams Speaight and Dorothy Wilding folds some browning v.s. v.d. (qty). *** Haberdasher to the Royal Family. “My aunt`s [Lily Clarke`s] long connection with the Royal Family began one morning in the 1920s when a young Duchess of York walked into a small haberdashery shop Smith and Co. at 205 Sloane Street in Knightsbridge London. The shop was to become Hayfords and was eventually taken over by Debenhams when Lily Clarke retired in 1957. My aunt was the manageress and the Duchess [of York] had come in to order some underwear. Evidently she took to my aunt for she placed an order for the layette for the child she was expecting. From then on with her workroom assistants and with the help of her very good tailor my aunt eventually designed and made up the clothes for both the royal children. In a sense the Royal Family became her life. A young widow with one son to support she enjoyed the trips out to Windsor when a car would be sent to fetch her for fittings and discussions sometimes accompanied by her tailor. She was invited to christenings funerals and pantomimes which were performed at the castle [Windsor Castle] featuring the princesses in key roles. Their dresses for the Coronation of King George VI were designed and made by my aunt and they were for some time exhibited in the Museum of London. She was invited to the wedding of Elizabeth and Philip and to the Coronation of Princess Elizabeth in 1953. Every year she was sent signed christmas cards and she responded often sending small gifts of clothes or accessories to the Queen Mother and subsequently the Queen.” - Elizabeth Moore. Notes on her aunt Lily Clarke. Elizabeth Moore (1919-2009) “Elizabeth Berridge”; novelist.

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Charles Ross Fine Art Auctioneers & Valuers
Los 313

John St Hellier Lander (Channel Islands 1868 - 1944). Three quarter length portrait of a Royal Fusiliers Officer. Signed and dated 1920. 10cm x 74cm in scallop and leaf moulded gilt frame.

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Thomson Roddick Scottish Auctions Edinburgh
Los 417

19TH CENTURY SCHOOL Portrait of an Edinburgh Gentleman Oil, 75cm x 62cm

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Thomson Roddick Scottish Auctions Edinburgh
Los 419

Russian oil portrait of two wolfhounds, 14cm x 20cm

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Thomson Roddick Scottish Auctions Edinburgh
Los 422

FRED PEGRAM Portrait of a Lady Signed and dated 1921, pencil sketch, 24cm x 17cm

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Thomson Roddick Scottish Auctions Edinburgh
Los 448

Silhouette portrait of a gentleman with gilt highlights in rosewood frame, 11cm x 8cm

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Keys - Aylsham Salerooms
Los 1682

PACKET: good quantity lge engrd portraits dating from the 1820s by renowned portrait painters

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Silverwoods of Lancashire
Los 100

A pair of 9ct rose gold-mounted porcelain miniature portrait earrings

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Silverwoods of Lancashire
Los 176

Pugh (P. D. Gordon): Staffordshire Portrait Figures of the Victorian Era, pub. Antique Collectors Club, 1988, dw, and four other antiques reference books (5)

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Nesbits & Co.
Los 267

Five modern military prints, including portrait of Wellington, Battle of Waterloo and March Past of the Grenadier Guards.

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Nesbits & Co.
Los 295

Victorian school, oil on canvas, portrait of a lady in black dress, (af), 57 x 42cm.

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Jones & Jacob
Los 257

A late 18th Century portrait miniature of an unknown gentleman with high collar on ivory, in gold and enamelled mount with woven hair back, 2 1/4" x 1 3/4" (illustrated)

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Jones & Jacob
Los 266

An early 20th Century portrait miniature on ivory of a young child in white smock, in gilt frame and case, and a Victorian photographic portrait miniature of two sisters with woven hair, in velvet case

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Jones & Jacob
Los 349

Two Victorian photographic portrait miniatures in gilt metal cases and two other photographic portraits

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Jones & Jacob
Los 391

Casteton?: a 20th Century portrait miniature on ivory of a young girl, 2 3/8" x 2", in velvet lined frame

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Jones & Jacob
Los 393

A 19th Century miniature on ivory, portrait of a young man in forage cap

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Jones & Jacob
Los 394

An oval portrait on ivory of a young lady, in sectional ivory frame

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Sworders
Los 97

Two 19th century silhouettes, Napoleon Bonaparte, & Rev P.C. Flood, O.S.D, with gilt high lights, a portrait lithograph of the Duchess of Roxburgh and two late 19th century photographs of infants

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Sworders
Los 99

Two early 19th century portrait silhouettes, Mrs B Hornbuckle (nee Hine), 1763 - 1811, Great Aunt of Thomas C. Hine, Susannah Daniel, 1774-1841, and a 20th century portrait silhouette of Mr G T Hine

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Cotswold Auction Company - Cheltenham
Los 16

Oil on board Weymouth? Abstract portrait of lady 73 x 53cm signed and dated (19)57 lower right With a newspaper article written about the Marquis of Bath

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Cotswold Auction Company - Cheltenham
Los 41

Pastel Amelia? 1965 Portrait of a lady 62 x 44cm Signed and dated lower right

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Cotswold Auction Company - Cheltenham
Los 67

Chromolithograph Mariette Lydis Portrait of girl with red hair and flowers, limited edition 107/200

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Tamlyn & Son
Los 10

A Victorian gilt metal swivel mourning brooch set with a portrait to one side and hair and seed pearls to the other; a strand of glass beads, two pairs of gilt metal cufflinks and a small gold metal bar brooch (AF)

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Tamlyn & Son
Los 316

ENGLISH SCHOOL - half length naive portrait of a seated woman, oil on board, 27cms x 24cms, unframed and with 19th Century metal suspension loop

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Cottees Auctions Limited
Los 428

A 19th century oil on canvas: Portrait of an old woman.

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Dreweatts Donnington Priory Salerooms
Los 22

After Sir Anthony van Dyck, Portrait of George Gage, with two attendants, Oil on canvas, 114 x 114cm (45 x 45in) The present painting is after the picture in The National Gallery London.

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Dreweatts Donnington Priory Salerooms
Los 23

After Sir Anthony van Dyck, Portrait of Thomas Killigrew and William, Lord Crofts, Oil on canvas, 128.5 x 156cm (501/2 x 611/2in) The present painting is after the picture in the Royal Collection.

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Dreweatts Donnington Priory Salerooms
Los 24

Circle of Frans Hals (Antwerp 1581-1666 Haarlem) Portrait of a gentleman, half length, in a ruff, with an unidentified coat-of-arms upper left, Oil on panel, 70.5 x 58cm (273/4 x 223/4in)

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Dreweatts Donnington Priory Salerooms
Los 26

Circle of Agostino Carracci (Bologna 1557-1602 Parma) Portrait of a young man, Oil on canvas, 48 x 35.5cm (19 x 14in) Provenance: with Thomas Agnew & Sons Ltd.

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Dreweatts Donnington Priory Salerooms
Los 27

Barent Graat (Amsterdam 1628-1709) Portrait of a gentleman, in a brown coat with a lace cravat, Oil on canvas, Unframed, Signed lower right (on ledge) 117 x 93cm (46 x 361/2in)

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Dreweatts Donnington Priory Salerooms
Los 29

English School (circa 1600) Portrait of a lady, traditionally identified as Marie de Medici, Oil on panel, 33 x 26.5cm (13 x 101/2in)

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Dreweatts Donnington Priory Salerooms
Los 33

Circle of Nicolas Bernard Lépicié (1735-1784) Portrait of a young girl with a pet dog, Portrait of a young girl with a pet cat, A pair, pastel, Oval, Each 58 x 46cm (223/4 x 18in) (2)

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Dreweatts Donnington Priory Salerooms
Los 61

Follower of Charles Jervas, Portrait of a young lady, Oil on canvas, 117 x 91.5cm (46 x 36in)

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Dreweatts Donnington Priory Salerooms
Los 62

Attributed to George Knapton (London 1698-1778) Portrait of Miss Elizabeth Hatch, Full length, wearing a blue dress and holding a peach in her right hand, Oil on canvas, 125 x 100cm (491/4 x 393/8in) Provenance: Sir James Gomer Berry, later Viscount Kemsley, Chandos House, Queen Anne Street, London. Exhibited: Liverpool, Walker Art Gallery, 59th Exhibition, 1933, lent by Sir James Gomer Berry.

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Dreweatts Donnington Priory Salerooms
Los 64

George Chinnery (1774-1852) A bearded Indian removing the lid from a steaming urn, Portrait study of a woman, Portrait study of a man, Three, framed as two, The larger 12 x 8cm (43/4 x 31/8in) (2) Provenance: with Martyn Gregory.

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Dreweatts Donnington Priory Salerooms
Los 358

A French gilt brass and champleve enamel mounted onyx mantel clock, J. Mayer, Paris, circa 1870, The eight-day bell striking movement stamped J. MAYER, PARIS to backplate, the circular gilt Roman numeral dial with repeat signature and cream ground polychrome enamelled foliate medallion to centre within decorative laurel cast bezel, the waisted case with conforming enamelled panels to the laurel draped urn surmount above shaped engraved and enamelled panel surrounding the dial continuing down to form an apron centred with an enamelled profile portrait of a Classical female, the sides with laurel festoon scroll cast and chased monts, on shaped base applied with conforming panels and on tapered gilt feet, 51cm high overall

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Dreweatts Donnington Priory Salerooms
Los 361

A French Sevres style porcelain inset ormolu mantel clock, mid 19th century, the eight-day bell striking movement with floral wreath painted gilt Roman numeral porcelain dial in a case with lovebird and flowering urn cast surmount above curved porcelain inset portrait panel flanked by cherubs beneath dial, the elaborate shaped base with leaf cast mouldings and further lovebirds to apron on cast feet, 37cm high

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Lots Road Auctions
Los 354

19TH CENTURY SCHOOL, portrait of gentleman, oil on canvas, 38cm x 35cm, signed and dated 1826, framed.

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Lots Road Auctions
Los 371

ABANT, `Stylised portrait of a woman`, oil on canvas, 52cm x 44cm, signed, framed.

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Mallams Ltd. - Abingdon
Los 214

A PAIR OF BLACK AND WHITE PHOTOGRAPHIC PORTRAITS of King George V and Queen Mary each signed and dated 1913 and within gilt frames, each surmounted by a crown, the frames 16" high overall together with a photographic portrait of Prince Edward signed and dated 1913 in a gilt frame 9 3/4" high overall and also a signed photographic portrait of Prince Albert dated 1913 and a further photographic portrait of Prince Edward, signed and dated 1912 (5) (see illustration)

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Mallams Ltd. - Abingdon
Los 519

ELIZABETH MARY & DOROTHY MARGARET ALDERSON (20TH CENTURY ENGLISH SCHOOL) - A portrait of two ponies, watercolour, signed and dated 1931, 12 1/2" x 18 3/4" (see illustration)

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Mallams Ltd. - Abingdon
Los 520

ELIZABETH MARY & DOROTHY MARGARET ALDERSON (20TH CENTURY ENGLISH SCHOOL) - A portrait of a terrier, watercolour, signed lower right, 4 3/4" x 6 3/4" (see illustration)

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Chippenham Auction Rooms
Los 158

A photograph album complete with Victorian and Edwardian portrait photographs.

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Chippenham Auction Rooms
Los 314

A box of assorted metalware, a pair of gilt framed miniature portrait prints, a mahogany box etc.

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Chippenham Auction Rooms
Los 370

A framed and glazed hand painted Heraldry shield, a 19th Century portrait of a Judge and a JOHN WORSFOLD pen and ink drawing of Sexton House, Trowbridge.

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Chippenham Auction Rooms
Los 637

A 19th Century snuff box painted portrait of a lady in a red hat.

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