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283284 Los(e)/Seite
Los 1550
A KPM Berlin porcelain rectangular plaque, late 19th Century, painted with a full length portrait of a young girl wearing a long black velvet dress, accompanied by a dog, in a landscape setting, impressed factory marks to reverse with incised numerals, dimensions approx 40cm x 24cm, framed.
Los 3049
STANHOPE, Philip Dormer, 4th Earl of Chesterfield. Letters written by the late Right Honourable Philip Dormer Stanhope… to his Son. Dublin: 1774. 2 vols., 8vo (213 x 133mm.) Portrait frontispiece to vol. I. (Some browning and occasional spotting.) Contemporary calf (rebacked). – And an 1827 3 vol. set of the same work (5).
Los 3052
D’ISRAELI, I. Curiosities of Literature… ninth edition, revised. London: Edward Moxon, 1834. 6 vols., 8vo (165 x 102mm.) Portrait frontispiece. (Some spotting or browning.) Contemporary half-morocco (spines rubbed and scuffed, upper joint and hinge of vol. I split). – And fifteen others (21).
Los 3053
DICKENS, Charles. The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, 8vo (209 x 127mm.) Engraved portrait frontispiece, 39 engraved plates. (Some light spotting and light browning, heavier to plates.) Contemporary half-calf, spine gilt (rubbed and scuffed). – And five others by Dickens, all first or early editions in book form (6).
Los 3099
MASSINGER, Philip. The Dramatick Works. London: 1779. 4 vols., 8vo (216 x 131mm.) Portrait frontispiece to vol. I. (Light browning.) Contemporary russia gilt, the upper covers with centrally placed oval armorial of a crowned unicorn (scuffed and rubbed, spines worn). Provenance: unidentified armorial bookplate to rear pastedowns; W. Frank Perkins (bookplates to rear pastedowns); P.F. Vernon (signatures). - And one other volume (5).
Los 3121
PERCY, Thomas. The Percy Folio of Old English Ballads and Romances. London: the De La More Press, 1905-1910. Limited edition of 325 copies, this number 250 of 300 copies, 4 vols., folio (303 x 214mm.) Portrait vignettes to title-pages. (Occasional spotting or browning.) Contemporary cloth-backed paper-covered boards (slightly soiled, extremities lightly bumped).
Los 3122
JOHNSON, Samuel. A Dictionary of the English Language… the sixth edition. London: 1785. 2 vols., 4to (275 x 210mm.) Portrait frontispiece to vol. I. (Some browning and damp-staining, minor worm damage to first few leaves of vol. III) 19th Century calf (extremities scuffed and bumped, hinges split, reinforced to vol. I). Provenance: Montague Williams (armorial bookplates to front pastedowns); S.E. Williams (bookplate to front pastedowns).
Los 3147
ACKERMANN, Rudolph (publishers). A History of the University of Oxford, its Colleges, Halls, and Public Buildings. London: 1814. 2 vols., 4to (356 x 281mm.) Engraved portrait, 87 hand-coloured plates on 81 leaves. (Occasional light spotting, some offsetting and occasional soiling, occasional marginal tears.) Contemporary boards (rebacked, extremities slightly bumped and scuffed). Provenance: F.W. Searle (bookplates); Enfield Public Library (ink stamp verso of titles, blind stamps to titles, the majority of plates and occasional other leaves).
Los 3155
LIVINGSTONE, W.P. Mary Slessor of Calabar, Pioneer Missionary. London, New York, etc.: 1915. 8vo (214 x 134mm.) Portrait frontispiece, illustrations. (Some spotting and browning.) Original cloth (slightly bumped), dust-jacket (spotted and discoloured). – And a quantity of others of biographical interest (a quantity).
Los 3182
ART REFERENCE. - Augustus JOHN. Fifty-two Drawings with an Introduction by Lord David Cecil. London: George Rainbird, 1957. Folio (426 x 296mm.) Portrait frontispiece, mounted illustrations to half-title and 51 plates (on 50 leaves, some mounted). Original cloth, dust-jacket (torn with minor loss and with other surface damage). - And six others of art reference interest (7).
Los 435
Collection of 1950`s Scottish Daily Express Football Team Photographs, Evening Citizen Autograph Club Footballer Portrait Cards, Ten Scotland Rugby Union matchday programmes from late 40`s early 50`s Beautiful game Ltd, Footballer Greats Soccer card collection in album, Framed CIS Cup Final 03/04 First day cover and other football interest items
Los 1286
Medieval Bronze Pope Urban V Papal Office Seal Matrix Attributable to Cardinal Adam Easton1362-1370 AD An important vesica seal matrix with complex design comprising a central agnus dei (Lamb of God) and Holy Grail within a circular border; male heads above and below, the upper tonsured and probably a portrait of Urban; the lower of a bearded saint, likely to be St Peter and with foliage within the spandrels; the circular panel with Gothic legend `agnus:dei:qvitollis peccati mundi` (Lamb of God who takest away the sins of the world) and inside `urbanis:quintus` (Urban the Fifth) and to the outer band `sancta:aualtane:martris. [foliage] et: cap:ila:beate:marie:de:scala:celi:` (Holy Mary, blessed, hallowed in heaven with the martyrs); the reverse with solder showing that a long rib and suspension was originally fitted. 31 grams, 65 mm. (2 1/2"). Ex Winterton collection, Rotherham, South Yorkshire, UK; recorded by Doncaster Museum and the British Museum (reference number P&E /65/03/JPR, 9th January 2004) and seen by the British Library; found near Gainsborough, Nottinghamshire, UK, 2003. Cardinal Adam Easton (born uncertain, died Rome, 1397/8, of `old age`) was almost certainly of peasant birth from Easton, Norfolk and was taken in and educated by the church; his potential was recognised and he later joined the Benedictine monastery attached to Norwich Cathedral. He rose in the church becoming the Benedictine proctor at Avignon, taking the position of his friend Thomas Brynton and to become a cardinal and the most important cleric in the church, second only to Pope Urban V (himself a former Benedictine). He is recorded as having travelled between the papal palace at Avignon and England, delivering a letter from Urban to Edward III telling the English King to restrain the activities of his men at arms in Italy and it is likely that he would have been involved in Urban`s quarrel with Edward III of England over the payment of the annual tribute (dating back to King John) which occasioned the antipapal polemics of John Wyclif. He is also known to have travelled in England with his association with Simon Langham. His tomb, which once bore the inscription Skilled in all things, renowned father Adam. The great theologian, who was cardinal of England, which was his fatherland, the title of St Cecilia was given to him. He died and ascended to heaven in the year 1397, in the month of September can still be found in the Church of St Cecilia in Trastevere, Rome. Pope Urban V (born 1310, died 19 December 1370), born William de Grimoard, reigned as Pope from 1362 to 1370. In September 1362, Abbot William arrived in Avignon, returning from Naples, where he had been sent by Pope Innocent IV as papal legate, only to learn that the pope had died. At that time, a conclave was already being held to elect a successor to the recently-deceased pope. In a surprise move, on the 28th of that month he himself was elected Pope. He then took the name of Urban, the fifth pope with that name to rule the Church. He was not even a bishop at the time of his election, and had to be consecrated as one before his coronation. This was done on 6th November by Cardinal Andouin Aubert, the nephew of his predecessor. He served as the sixth pope in the Avignon Papacy. Urban boarded a ship at Corneto heading for France on 5th September 1370, Avignon on the 24th of the same month. A few days later he fell severely ill. Feeling his death approaching, he asked that he might be moved from the Papal Palace to the nearby residence of his brother, Angel, whom he had made a cardinal, that he might be close to those he loved. He died there on 19 December 1370. The seal matrix can be firmly dated to the papacy of Urban V (1362-1370 AD) as it bears his name. It is the seal of a papal office holder; a man of high position close to the Pope. It is likely to be the seal used by Cardinal Adam Easton, lost in England during his travels between Avignon and the English court and church; most probably as a result of the reverse rib, which would have provided a suspension loop by which it could be worn or secured, becoming accidentally detached.Extremely fine condition, professionally cleaned. Excessively rare and important.Starting Price: £1500
Los 1401
Post Medieval Oil Portrait of Admiral Michiel Adriaenszoon de RuyterCirca 1667 AD A high quality oil on panel, gilt-on-gesso-framed portrait of Michiel Adriaenszoon de Ruyter (1607-1676), Lieutenant-Admiral-General of the United Provinces of the Netherlands; the admiral depicted in middle age, with shoulder-length dark hair and a moustache, wearing a black coat with a white lace jabot and ceremonial chain, over a gold-coloured shirt and breeches, with gold sash, standing with his right arm on a globe, a short staff in his hand, in front of a window, the heavy red curtain partially open to reveal a view of tall ships. 915 grams, 50 x 33 cm including frame. (19 1/2 x 13"). Acquired on the London art market before 2000. This portrait is a smaller version of the portraits by Ferdinand Bol now in the National Maritime Museum, Greenwich and the Scheepvaartmuseum, Amsterdam, painted in 1667; it is possible that the painting offered here was also by Bol, or from his studio, in view of the identical setting, composition and details exhibited. Michiel Adriaenszoon de Ruyter was admiral during the Anglo-Dutch Wars of the 17th century and is especially remembered for his raid on the River Medway (Kent) in June 1667 where his ships burned at least thirteen British warships and captured others including HMS Royal Charles, the flagship and pride of the English fleet. This action led to an early end to the war and favourable terms for the Dutch; it was the worst defeat ever inflicted on the Royal Navy.Fine condition, sometime cleaned, very slight damage to frame.Starting Price: £1650
Los 1417
Post Medieval Silver Pendant with Blue Agate Medusa CameoGermanic, 17th century AD A pendant in 4th century AD style, lozengiform, with three granules at each point and integral loop for suspension; set with a blue agate cameo portrait of Medusa with severe expression and high, parted hairstyle, a stylised snake running beneath her chin. 14 grams, 42 mm. (1 1/2"). Formerly in the art collection of the late Mr. Yuri Golubev. Very fine condition.Starting Price: £500
Los 1444
Post Medieval Tavernier, J.B. Recueil De Pluseieurs Relations Et Traitez Singuliers Et Curieux 1679 BookDated Paris, 1679 An early printed book on hand-laid paper entitled Recueil de Pluseieurs Relations et Traitez Singuliers et Curieux de J.B. Tavernier, Chevalier Baron d`Aubonne in five parts dealing with (i) persecution of Christians in Japan, 72 pages and large folding map of Japan; (ii) negotiations of the Compagnie Francoise with Persia and the Indies, 98 pages; (iii) observations on the commerce and frauds of the East indies, 45 pages with tables of prices for commodities; (iv) Notes on the kingdom of Tunquin (Vietnam), 96 pages and 7 folding plates; (v) history of the conduct of the Dutch in Asia, 178 pages; with a portrait frontispiece and the fold-out plates including a large and early map of Japan. Bound as Tome III of a set but this also published as a separate and entire work. 503 pages, 1.5 kg, 26 cm. (10 1/4"). London private collection, acquired 1950`s-1970`s. Tonquin is now within Northern Vietnam; early maps of Japan are rarely seen.[No Reserve]Fair condition, original full calf, wear to gilt spine and hinges, some pages torn and wear to plate folds; two portraits and the folding Tunquin map missing.Starting Price: £5
Los 33
Greek Parthia - Orodes II - Portrait Drachm57-38 BC, Ecbatana mint. Obv: bust left with pointed beard, wearing diadem and griffin-ended torque; wart on forehead, star at top right, crescent above star at top right; border of dots. Rev: BASILEWS BASILEWN ARSAKOY FILOPATOROS DIKAIOY EPIFANOYS FILELLHNOS legend in seven lines around beardless archer seated right on throne, wearing bashlyk and cloak, holding bow in right hand; behind archer, anchor with trident-like attachment on top (anchor type A48iii); PAT monogram beneath the bow. Sellwood 48.8; BMC 195-198; Sear 7445. 3.73 grams. [No Reserve]Very fine, off centre strike.Starting Price: £5
Los 34
Greek Bactria - Antimachos I - Portrait TetradrachmCirca 174-165 BC, Pushkalavati mint. Obv: draped bust right, wearing kausia. Rev: BASILEWS QEOY ANTIMAXOY legend, Poseidon standing facing, holding trident and palm branch; DY monogram at lower right. SNG ANS 275; MIG 124f; Sear 7548. 15.50 grams. Very fine and better with slightly porous surfaces.Starting Price: £580
Los 36
Egyptian Egypt - Ptolemy V - Portrait TetradrachmCirca 203-202 BC, uncertain Phoenician mint. Obv: draped bust of Ptolemy V right, in diadem ornamented with grain ear. Rev: BASILEWS PTOLEMAIOU legend, eagle standing left on thunderbolt, no field marks. Svoronos 1300; see Sear 7856. 13.00 grams. Good fine, reverse better. Rare.Starting Price: £580
Los 72
Roman Tiberius and Augustus - Double Portrait TetradrachmFrom 20 AD, Alexandria, Egypt. Obv: TIBERIOY KAISAR SEBASTOY legend, laureate head of Tiberius right. Rev: QEOS SEBASTOS legend, radiate head of Divus Augustus right. (regnal year in lower right field, off flan). RPC 5089-5091; see Milne 38; see Sear 1774. 13.85 grams. Good very fine.Starting Price: £60
Los 98
Roman Antoninus Pius and Marcus Aurelius - Double Portrait Denarius140 AD. Obv: ANTONINVS AVG PIVS PP TR P COS III legend, bare head of Pius right. Rev: AVRELIVS CAESAR AVG PII F COS legend, bare-headed, draped bust of Marcus Aurelius right. RIC 415b (Scarce); Cohen 21; Strack 111; RSC 21; Sear 4523 variant (reverse legend); see Wildwinds.com (this coin). 2.93 grams. [No Reserve]Good very fine. Rare.Starting Price: £5
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283284 Los(e)/Seite