Spanish school of the second half of the 19th century."Portrait of a child".Oil on oval cardboard.Frame with xylophages and some lack.Measurements: 43 x 36 cm; 58 x 50 cm (frame).As in the rest of Europe, the portrait became in the 19th century the leading genre par excellence in Spanish painting, as a consequence of the new social structures that were established in the Western world throughout this century, embodying the maximum expression of the transformation of the taste and mentality of the new clientele, which emerged among the nobility and the wealthy upper bourgeoisie, who would take the reins of history in this period. While official circles gave precedence to other artistic genres, such as history painting, and the incipient collectors encouraged the profusion of genre paintings, portraits were in great demand for paintings intended for the more private sphere, as a reflection of the value of the individual in the new society. This genre embodies the permanent presence of the image of its protagonists, to be enjoyed in the privacy of a studio, in the everyday warmth of a family cabinet or presiding over the main rooms of the house.
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Mick Jagger: a large early 1970s colour concert poster, printed by The Joker, Gardena, California (1974), 96.5 cm x 64.5 cm, together with Nancy Sinatra, 'Lightning's Girl', 58 cm x 41 cm and Bob Dylan, a black and white photographic portrait, 57 cm x 44.5 cm.Qty: 3All in good, clean overall condition, having been stored in a roll tube for many years. Some light creases and scuffs to edges in places.
The Beatles: two American posters, 'Incredible', Capitol Records. 'Yesterday and Today', 57 cm x 44.5 cm, together with a psychedelic blacklight style portrait of John Lennon, printed and published by Star Posters Ltd, 75 cm x 49 cm.Qty: 2In good overall condition, having been stored in a roll tube for many years, some small scuffs to edges in places.Some staining to top edge of the 'Incredible' poster
Janis Joplin: Big Brother & The Holding Company, a large black and white photographic portrait poster, by Bob Seideman, distributed by Berkeley Bonaparte 1967, 87.5 cm x 58.5 cm, together with another similar: Joan Baez by Steve Somerstein, depicting Baez in front of a group of policeman, printed by Orbit Graphic Arts, 58.5 cm x 73.5 cm.Qty: 2Both posters in good overall condition, having been stored in roll tube for many years, with some creases to the very edges of the paper
A 1967 Overground Art psychedelic poster, photographed by Geoff Rosengarten, portrait of a female nude painted in body art, 94 cm x 59 cm, together with a 1960s colour poster print after Joe Roberts Jr, 'Love', 59 cm x 85 cm and 'Jewish Superman', large black and white poster, 89 cm x 58.5 cm.Qty: 3Good overall condition having been stored in roll tubes for many years. Some minor scuffs to edges.
Two original African American interest posters; 'Soulsation', designed by 'Blossom', 1972, printed by Pro Arts ic, Medina, Ohio, 108 cm x 71 cm, and 'Soul', black female nude full-length portrait, 1972 Personality Posters, 99 cm x 70 cmIn good overall condition, having been stored in roll tubes for many years. Some minor scuffs to edges. Some surface marks in places.
Three late 1960s / early 1970s black light posters, comprising Devils Disciples #353, designed by Michel Art, 87 cm x 62 cm, a portrait of John Lennon, 60 cm x 90 cm and 'Creation of Butterflies', silkscreen print after M C Escher, printed by Personality Posters, 65.5 cm x 60 cm.Qty: 3In good overall condition, having been stored in roll tubes for many years. Some minor scuffs to edges.
The Beatles: a 1964 Lithographic poster, 'London Palladium, Royal Command Performance', Louis F Dew, USA, 72 cm x 52 cm, together with a poster portrait of the band, by Richard Avedon for Look Magazine, copyright 1967 for Nems Enterprises Ltd, New York, 38 cm x 108 cm.Qty: 2In good overall condition, having been stored in a roll tube for many years, some small scuffs to edges in places.
Three original Americian political protest posters: Lyndon B. Johnson, depicting him rolling a cigarette, a portrait of Ho Chi Minh, 56 cm x 35.5 cm, and a Black Power and anti-Vietnam poster depicting Richard Nixon, 55.5 cm x 71 cm.Qty: 3In good overall condition, having been stored in a roll tube for many years, some small scuffs to edges in places.
Herbals.- Culpeper (Nicholas) Culpeper's English Physician, and complete Herbal, 2 vol. in 1, twelfth edition, engraved portrait and plates, modern half calf, 1809; The Complete Herbal, engraved portrait and hand-coloured plates, contemporary morocco, rebacked with gilt spine, 1843; The British Herbal and Family Physician, 2 parts in 1, engraved vignette title and plates, some anatomical printed in sepia, others hand-coloured, small hole to first leaf of second part, modern calf-backed cloth, Halifax, [c.1815]; The English Physician Enlarged, scarce early American printing, browned and water-stained, modern half sheep, uncut, Taunton, Mass., 1826; The English Physician Enlarged, contemporary tree sheep, rebacked, for J.Barker [& others], [c.1790]; Pharmacopoeia Londinensis; or, the London Dispensatory..., some leaves stained or frayed at edges with occasional slight loss, head-lines shaved, contemporary calf-backed boards, vellum tips, [Wing C7532a], by John Streater, 1669, some soiling and browning, some with modern inscription of "Ian Coughlin Herbalist", most rubbed; and 4 others by Culpeper including an imperfect second edition of The English Physician Enlarged of 1653, 4to & 8vo (10)
Trees.- Evelyn (John) Silva: or, a Discourse of Forest-Trees and the Propagation of Timber in His Majesty's Dominions, edited by Dr. Alexander Hunter, first Hunter edition, engraved portrait frontispiece by Bartolozzi, 40 engraved plates (1 folding), folding letterpress table, list of subscribers, *c1 blank, water-stained at end (mostly marginal), some spotting and staining elsewhere, 20th century calf-backed marbled boards, spine in compartments and with leather label, corners worn, rubbed, [Henrey 137; Keynes 47; Pritzel 2766], York, Printed by A. Ward for J. Dodsley [&c.], 1776; and a defective 1670 Sylva, 4to & small folio (2)
*** Please note, the description of this lot has changed ***Anaesthesia.- Jackson (Charles T.) A Manual of Etherization...in Surgical Operations, first edition, illustrations, 2 advertisement leaves at end, an excellent clean copy in original blind-stamped cloth, a little faded, new label, small tear to fore-edge of front free endpaper repaired, Boston, 1861 § Arnott (James) On the Remedial Agency of a Local Anaesthetic or Benumbing Temperature..., only edition, presentation copy from the author to Dr. de Méric (author on venereal disease) inscribed at head of title, trace of library stamp to title, original blind-stamped cloth, rubbed, corners worn, rebacked, new endpapers, 1851 § [Lawrie (Edward)] Report of the Hyderabad Chloroform Commission..., first edition, ex-library copy with stamps, original cloth, rubbed, rebacked preserving original spine, Bombay, 1891; Chloroform: A Manual..., first edition, original cloth, 1901 § Smith (Hon. Truman) An Inquiry into the Origin of Modern Anaesthesia, first edition, engraved portrait, foxed, original cloth, Hartford, Ct., 1867; and 14 others on anaesthesia including an 1890 volume of 'The Lancet' containing a report on the Second Hyderabad Chloroform Commission, 8vo & 4to (19)⁂ The first item is an important work in the early history of anaesthesia, intended for naval and military surgeons, and published at the beginning of the American Civil War.
Andrology.- Graaf (Regner de) De vivorum organis generationi inservientibus, de clysteribus et de usu siphonis in anatomia, first edition, engraved portrait by Pinchard and pictorial title featuring instruments, 11 folding engraved plates, most torn and repaired, title soiled and with short tears to fore-edge repaired and contemporary ink inscription cut away from head touching platemark, later ink inscriptions of the space pioneer Dr. Constantine Generales to front free endpapers, modern limp stained vellum, yapp edges, [Wellcome III, 142], 12mo, Leiden & Rotterdam, Hackius, 1668.⁂ On the anatomy of the testicle and the male reproductive organ, with additional sections on enemas (clysters) and the author's improved siphon or syringe.
Bauderon (Brice) The Expert Phisician: Learnedly treating of all Agues and Feavers Whether Simple or Compound, first edition in English, lacking engraved portrait (supplied in facsimile), title within typographic border (obscured at inner margin), woodcut initials, 3pp. advertisements at end, water-stained, slight wear to edges, old ink library stamp to verso of title, contemporary sheep, rubbed, corners worn, holes to lower cover, rebacked, [Wellcome II,116; Wing B1163], by R.I. for John Hancock, 1657 § Bellini (Lorenzo) A Mechanical Account of Fevers, first edition in English, old library stamp to title, modern half sheep, for A.Bell, 1720 § Lysons (Daniel) Practical Essays upon Intermitting Fevers, Dropsies, Diseases of the Liver, the Epilepsy, the Colic, Dysenteric Fluxes, and the Operation of Calomel, first edition, leaf of bibliography at end, slight worming to foot of first few leaves, modern calf-backed boards, Bath, S.Hazard, 1772 § [Cheyne (George)] A New Theory of Acute and Slow Continu'd Fevers, second edition, advertisement leaf at end, old ink library stamps, modern sprinkled calf, red morocco label, for Geo.Strahan, 1702; and 9 others on fevers, 8vo et infra (13)⁂ The first is a translation of Pharmacopée, first published in Lyons in 1583; rare in commerce.
Camden (William) Annales rerum Anglicarum et Hibernicarum regnante Elizabetha, first edition, first 2 ff. blank (mounted on stubs, but chain lines seemingly match), B1 cancel, lacking final errata f., some spotting and staining, lightly browned, contemporary calf, later gilt, spine in compartments and with later black morocco label, upper joint splitting, but holding firm, spine ends and corners worn, rubbed, [STC 4496], William Stansby for Simon Waterson, 1615; and the third edition of the same (lacking portrait), folio (2)
NO RESERVE Camper (Petrus) Dissertation Physique...sur les différences réelles que présentent les traits du visage chez les hommes de différents pays et de différents âges..., 10 engraved plates, 5 folding, 1791; Discours...sur le moyen de représenter d'une manière sûre les diverses passions qui se manifestent sur le visage, folding engraved portrait by R.Vinkeles, 11 engraved plates, 5 folding, 1792, together 2 works in 1 vol. (the second bound first), edited by Adrien Gilles Camper, first editions in French, half-titles, old ink inscriptions to half-title of Discours, contemporary half green morocco, spines with gilt bands, rubbed, rubbed, corners worn, [Waller 1728 & 1724], 4to, Utrecht, B.Wild & J.Altheer⁂ Two influential works by the Dutch physician and physiologist, one of the first to take an interest in comparative anatomy. The first mentioned work is on craniology and introduced the facial angle or "Camper's angle", comparing the angle of the human face of modern peoples to classical statues. The second item concerns the scientific representation of the human form in art and the similarity of expression in humans and animals.
Obstetrics & Gynaecology.- Jacobs (Jean-Bernard) École Pratique des Accouchemens, first edition in French, 21 engraved plates, 2 folding, ex-library copy with embossed stamp to title and plates, 2 dedication leaves browned (?supplied from another copy), bookplate of Sam.Merriman M.D., modern half calf, [Wellcome III, 339], Ghent, J.F. Vander Schueren, 1785 § Levret (André) L'Art des Accouchemens, 3 parts in 1, first edition, engraved portrait and 3 folding engraved plates, contemporary calf, rubbed, small hole to foot of spine, Paris, 1753 § Dionis (P.) Traité General des Accouchemens, third edition, 2 engraved anatomical plates and 4 illustrations of instruments, contemporary mottled calf, rubbed, rebacked, [Wellcome II, 471], Paris & Brussels, 1724 § Mauriceau (F.) Observations sur le Grossesse et l'Accouchement des Femmes, et sur leurs Maladies, 1715; Dernieres Observations sur les Maladies des Femmes Grosses et Accouchées, 1715, together 2 works in 1 vol., lightly browned, contemporary calf, rubbed, rebacked, corners repaired, Paris § Mauquest de la Motte (G.) Traité des Acouchemens Naturels, non Naturels, et Contre Nature, second edition, title in red & black, some spotting, The Hague, Pierre Gosse, 1726 § Puzos (N.) Traité des Accouchemens..., only edition, half-title, approbation leaf at end, occasional spotting, Paris, 1759, the last two near uniform modern half morocco; and 4 others on obstetrics, 4to & 8vo (10)
Britain.- Speed (John) The History of Great Britaine under the conquests of ye Romans, Saxons, Danes and Normans, second edition, engraved architectural title depicting the peoples mentioned in the title, engraved portrait of John Speed by Salomon Savery, numerous woodcut medallion portraits and arms, woodcut head- and tail-pieces and decorative initials, title and portrait neatly laid down, a few ff. browned, spotting and staining or water-staining, lightly browned, antique style panelled calf, blind-stamped decorated spine in compartments and with black morocco label, [STC 23048], rare in commerce, folio, Are to be sold by George Humble at the Whit horse in Popes-head Alley, 1627.
Pharmacy.- Tralles (Balthasar Ludwig) Usus opii salubris et noxius, in morborum medela..., 4 parts in 1, first edition, engraved portrait, woodcut head- & tail-pieces and initials, a little browned, faint trace of old library stamp to title, with contemporary ink manuscript index to part 2 loosely inserted, modern half morocco, uncut, [Wellcome V, 293], Bratislava, C.G.Meyer, 1757 § Dobson (Matthew) A Medical Commentary on Fixed Air, second edition, title spotted and soiled with small wormhole to upper outer corner, modern calf-backed boards, 1785 § Bardsley (J.L.) Hospital Facts and Observations, illustrative of the new remedies of Strychnia, Brucia, Acetate of Morphia, Veratria, Iodine, &c., only edition, trace of library stamp to title, original boards, uncut, rubbed, rebacked in cloth, [Wellcome II, 100], 1830; and 4 others on drugs and medical treatments, 4to & 8vo (7)⁂ The first concerns the therapeutic effects and dangers of opium; the second of carbon dioxide.
Africa.- Stanley (H.M.) Through the Dark Continent, 2 vol., first edition, lithographed portrait frontispieces, 7 maps, (mostly colour) including 2 large folding, 41 engraved plates and numerous illustrations, tissue guards foxed, occasional light foxing,near contemporary red half morocco, gilt, spines decorated in gilt within compartments, light rubbing and marks to cloth, corners a little bumped, 1878 § How I Found Livingstone. Travels, Adventures and Discoveries in Central Africa, 'Cheaper Edition', engraved frontispiece, tissue guard, 2 engraved plates, illustrations, one folding map, occasional foxing, mostly to tissue guard and preliminaries, contemporary full calf, gilt, spines gilt decorated within compartments, 1890, 8vo, (3)
![Balkans.- Albania.- [Beauchamp (Alphonse de)] The Life of Ali Pacha, or Janina, Vizier of Epirus, first English edition, engr](https://cdn.globalauctionplatform.com/07ce9fd4-2aa8-40e7-9cca-af0800f94abb/e2ff4735-0744-4343-b690-af0801114f67/468x382.jpg)
Balkans.- Albania.- [Beauchamp (Alphonse de)] The Life of Ali Pacha, or Janina, Vizier of Epirus, first English edition, engraved portrait frontispiece, scattered faint spotting, occasional marginal pencil marks, previous owner's ink signatures to endpapers, contemporary half-calf, a little rubbed, 1822 § Pouqueville (F. C. H. L.) Leven van Ali, Pacha van Janina, portrait frontispiece, trimmed free endpapers, contemporary wrappers, printed paper spine label, small loss to spine foot, a little rubbed, creasing to corners, Amsterdam, 1821; and both a second French edition, and second English edition of the first, 8vo (4)
Balkans.- Efendi (Ibrahim Manzour) Mémoires sur la Gréce et L'Albanie, second edition, half-title, portrait frontispiece, scattered spotting, previous owner's printed label inside upper cover and to half-title verso, contemporary calf, gilt to spine, rubbing to corners and extremities, 8vo, Paris, 1828.
China.- Barrow (John) Travels in China, second edition, hand-coloured aquatint portrait frontispiece and 4 hand-coloured aquatint or stipple-engraved plates, 3 engraved plates, of which 2 double-page, offsetting, mostly marginal water-staining, spotting, some staining, contemporary calf, gilt, rebacked, preserving slightly narrowed backstrip, spine ends chipped, corners worn, rubbed, [Abbey Travel, 531; Löwendahl 724 (first edition)], 4to, Printed for T. Cadell & W. Davies, 1806.⁂ The author accompanied Macartney on his mission to the court of China in 1792.
Roman Britain.- Burton (William) A commentary on Antoninus his itinerary, or Journies of the Romane Empire, so far as it concerneth Britain, engraved portrait frontispiece and double-page map by Wenceslaus Hollar, title printed in red and black, woodcut illustrations, preliminaries misbound, but complete, title and A2 working loose, occasional spotting or mostly light staining, lightly browned, new endpapers, contemporary speckled sheep, sympathetically rebacked, spine in compartments and with green leather label, corners worn, rubbed and scuffed, [Wing B6185], small folio, Printed by Tho. Roycroft, and are to be sold by Henry Twyford in Vine-Court Middle-Temple, and T. Twyford at the Inner Temple-Gate, 1658.⁂ Provenance: 'Robt. Lathropp, ex dono Edwi Tovye 1660' (ink inscription to title).
NO RESERVE Kent.- Bryan Fausett's copy.- Somner (William) A Treatise of the Roman ports and forts in Kent, engraved portrait frontispiece by Michael Burghers, title with woodcut vignette of the Sheldonian, water- / damp-stained at head (mostly marginal and at ends), a few small repairs, occasional spotting, lightly browned, modern light tan calf, spine in compartments and with morocco label, [Wing S4669A], Oxford, Printed at the Theater, and are to be sold by George West, John Crosley, and Henry Clements booksellers in Oxford, 1693; and 2 others, defective Kent, including Lambarde, 1596, v.s. (3) sold not subject to return. Provenance: Bryan Faussett (1720-1776), English antiquary, known for his collection of Anglo-Saxon objects (signature to title, dated 1753 & engraved armorial bookplate).
Lancaster.- Speed (John) The Countie Pallatine of Lancaster, described and divided into Hundreds, first edition, county map of Lancashire by Jodocus Hondius, with inset plan of Lancaster, upper right, two panels in lower corners, each with four royal portrait medallions of the Houses Lancaster and York with rose-scroll ornament, strapwork title cartouche upper centre, compass rose, ships, merman and sea monsters, engraved map with full hand-colouring, a clean impression, 390 x 510 mm (15 1/4 x 20 in), English text verso with woodcut initial, central vertical fold, minor handling creases, framed, [c. 1611].
Nalson (John) The Common interest of king and people: shewing the original, antiquity and excellency of monarchy, compared with aristocracy and democracy, and particularly of our English monarchy, second edition, engraved portrait frontispiece, marginal water-staining, occasional spotting, contemporary speckled calf, spine worn, but firm, upper joint starting, but holding firm, rubbed, [Wing N93], Printed for Jonathan Edwin at the sign of the three Roses in Ludgate-street, 1678 § Walton (Izaak) The Lives of Dr. John Donne, Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, fourth edition, engraved portrait frontispiece and 3 other portraits, some spotting and staining, lightly browned, antique style panelled calf, gilt spine in compartments and with red morocco label, [Wing W672], Printed by Tho. Roycroft for Richard Marriot, 1675; and 22 others, 17th & 18th century English Literature & History, including Bacon, some with plates, most defective, v.s. (24) sold not subject to return.
Surveying.- Leybourn (William) The Compleat surveyor: containing the whole art of surveying of the land, by the plain table, circumferentor, theodolite, peractor, and other instruments, fourth edition, title in red and black, engraved portrait frontispiece by R. White, 6 folding plates, and a small plan of a manor in Rutland, a4 advertisement f., water-stained, occasional spotting, contemporary calf, sympathetically rebacked, spine in compartments and with red morocco label, corners restored, covers rubbed, [Wing L1910], small folio, Printed by E. Flesher, for George Sawbridge, at the signe of the Bible on Ludgate-hill, 1679.⁂ Provenance: 'Jo: Alleyne book pr 15s'; 'John Bowdon Junier his Book' (contemporary ink inscriptions to verso of portrait).
Stonehenge.- Jones (Inigo) The most notable antiquity of Great Britain, vulgarly called Stone-Heng, on Salisbury Plain, restored, 3 parts in 1, engraved portrait frontispiece of Jones by Hollar after Van Dyck, general title in red and black, 13 engraved plates, most folding or double-page, engraved illustrations in text, without the portrait of Charleton, 2 prospect plates outer margins trimmed to just within or without border, N1&2 upper margin repaired, just touching headlines, mostly marginal water-staining, encroaching on text in index ff. at end and occasionally elsewhere, some spotting or foxing, modern calf, panels from 18th century panelled calf laid down on covers (these with some loss and rubbed and scuffed), [Fowler 159; Harris 384], folio, Printed [?by James Bettenham] for D. Browne junior, and J. Woodman and D. Lyon, 1725.⁂ Jones' hypothesis of the Roman origin of Stonehenge, with Charleton's critical response to this, suggesting that the stones were erected by Danes, and Webb's defence of Jones.
NO RESERVE Whincop (Thomas) Scanderbeg: or, Love and Liberty. A Tragedy, half-title, engraved portrait frontispiece, 5 engraved plates, illustrations, list of subscribers, O1 with printing flaw affecting text, Z5 with small hole affecting odd letter, contemporary calf, rebacked, bumping to corners, 8vo, 1747.
NO RESERVE Lavater (Johann Caspar) Aphorisms on Man, engraved portrait frontispiece, scattered spotting, bookplate, contemporary calf, expertly rebacked retaining original backstrip, neat repairs to corners, 8vo, 1788.⁂ This ends, "End of vol. 1", however volume 2 was never translated into English.
Bindings.- Macaulay (Lord) The History of England, From the Accession of James the Second, 4 vol. bound in 2, half-titles, contemporary tree calf, gilt, spines decorated in gilt within compartments lightly rubbed and marked, extremities a little bumped, 1869 § Homer, The Iliad's of Homer, Prince of Poets, 2 vol., translated by George Chapman, engraved portrait frontispiece, additional engraved title, foxing to preliminaries, contemporary full calf, gilt, spine decorated in gilt within compartments, 1857; and others finely bound, 8vo & 12mo. (9)
NO RESERVE Carlyle (Thomas) The French Revolution: a History, 2 vol., portrait frontispiece with tissue guard, half-titles, occasional light spotting, contemporary full tree calf, gilt, rebacked, spine decorated in gilt within compartments, light rubbing upper board detached to vol. 1, extremities bumped, 8vo, 1885.
NO RESERVE Lyte (Sir H.C. Maxwell) A History of Eton College (1440-1898) third edition, half-title, portrait frontispiece of Henry IV, full-page colour and plain plates, numerous wood engravings in-text, inscribed to James Nockells Horlick by A.B. Ramsay, [Latin tutor] Eton, Christmas, 1904, occasional light foxing, ornate vellum, gilt, by Spottiswoode binders, darkening to bevelled boards and spine, g.e., 1899 § Austen-Leigh (R.A.) Bygone Eton being a Collection of Historical Views of the Buildings at Eton College with Descriptive Notes, fourth re-issue, 47 full-page plates, inscribed to J.J. M. Horlick, from his Eton tutor, dated 1939, foxing to preliminaries, original white cloth, rubbed and marked, black morocco label titled in gilt to spine, t.e.g.,light foxing to edges, Eton College,1936, § Grenfell (Julian Henry Francis) List of Etonians who fought in the Great War, 1914-1919, first edition, printed in red and black, additional errata laid in, additional paper label titles loosely inserted to rear, original buckram-backed boards, cloth lifting to upper board, light stains, g.e., others uncut, privately printed for Eton College in the Riccardi Press Fount by Philip Lee Warner, 1914; v.s. (3).⁂ Sir James Nockells Horlick, 4th Baronet (1886-1972) was educated at Eton and Oxford and joined the Coldstream Guards in 1914. He was the second son of Sir James Horlick, 1st Baronet and co-inventor (with his brother William) of Horlicks Malted Milk drinks. Sir James Nockells served in Salonika and received the MC from both the UK and Greece for actions during World War 1.
Military.- Montgomery (Bernard Law, first Viscount of Alamein) El Alamein to the River Sangro, number 86 of 265 copies signed by the author to title, portrait frontispiece, plates, maps, original black morocco, facsimile of author's signature to upper cover, gilt, dentelles, g.e., original black-cloth slipcase, 8vo, 1971.
printed or framed 2012, a set of six colour photographs, Cibachrome prints, each from (1970s?) negatives of manipulated images using pre-digital technology, some or all these prints are from multiple superimposed negatives, five signed in ink on the image, four with photographer's hand written notes taped verso regarding the images and framing, images 31cm x 29.3cm, in identical glazed frames 51cm x 49cm Note 1: These six photographs were selected by Pamela Bone and were displayed together at her in residence in Dorking, Surrey Note 2: : Pamela Bone (Lady Pamela Goodale) Pamela Bone (British, 1925-2021) created a significant body of experimental photographic works between 1952 and 1992. Though some of her works were published and exhibited in her lifetime – and she collaborated with notable figures in the world of film, conceptual art and electronic music during the 1970s – this innovative work is now being re-assessed and appreciated. At her death Bone bequeathed her photographic works to the Victoria and Albert Museum. Martin Barnes, Senior Curator, Photography, at the V&A oversaw the accession of this collection. Pamela Bone’s estate included some multiples and small editions of some of her works, these have been released for sale by auction at Flints. Please note that purchasers acquire the original physical print or artwork, where an image is also held in the V&A’s collection, the V&A holds copyright to reproduction of that image. Martin Barnes has summarised Pamela Bone’s career and work: “Bone attended Guildford School of Art between 1952-54, creating black and white still-lifes and portraiture alongside colour work. In 1953, she also studied in Paris with advertising and portrait photographer André Thevenet and worked in advertising. Her photographs were published in Photomonde, Vogue, Queen and House and Garden magazines. In 1958, she went to stay with a student friend in Calcutta and from there travelled throughout the following year in India, Sikkim and Kashmir. On returning to the UK, she abandoned commercial photography and focussed on independent art practice. She photographed in North Uist, Outer Hebrides and around Dartmoor, for her Dartmoor Trees and River series. She also studied sound recording. From 1965 Bone began experimenting with a conceptual slide show of her transparencies, based around the themes of her travels, the seasons and children, still life and landscape. She applied this approach in her printing methods, which combined and overlayed transparencies and prints from different periods with photograms to create dreamlike, textured impressions of imagined landscapes. This culminated in Circle of Light, (1972) an experimental film created from transparencies by Bone collaborating with filmmaker Anthony Roland, video art and installation artist Elsa Stansfield (1945-2004) and composer Delia Derbyshire (1937-2001) of the BBC Radiophonic Workshop (and who famously recorded the Doctor Who theme tune). A VHS copy of Circle of Light is in the V&A National Art Library (NAL). Bone’s approach to collaging and recombining works became her main approach and is a pre-cursor to contemporary practices of sampling. In 1973, she married Sir Ernest William Goodale, becoming Lady Pamela Goodale, but she continued to sign her artworks with her maiden-name. Bone was a lifelong follower of Christian Science. There were many books by the movement’s founder, the religious leader and author Mary Baker Eddy (1821- 1910) in her library. Bone was shy and reclusive and worked largely in seclusion. She set up a Cibachrome colour processing darkroom in 1981 in an outbuilding at her home in Dorking. This process allowed her to make her own direct colour positive prints from her colour transparencies. She made use of ‘lith’ printing as overlay masking for her cibachromes, and also produced pictures using silks. An exhibition of cibachrome prints, Let There Be Light was shown at West Dean College in 1991. Bone ceased printing in 1992 but began meticulously preserving her works. Towards the end of her life, she produced two limited-edition, hand-printed publications of her photographs, Wings of the Wind (2000) and Seven Doors: Finding Freedom of Expression Through Photography (2009) both in the NAL”
hand printed book, Vol I, 2007,(219pp) numbered one of five, limited to five copies, including poetry, biography and a selection of photographs, and Volume II, numbered three of four hand printed copies, both copiously illustrated with high quality reproductions of Pamela Bone's photography, black-and-white prints by a collotype or similar process, and colour prints, described in vol II as ''scanned and the scans painstakingly retouched before being imaged to plate using stochastic screen ....in order to achieve the maximum level of detail', each photograph separately printed, tipped in and protected with a loose tissue guard, Vol I with some small pencil annotations added by the author, plain paper dust jacket, cloth bound with cloth slip case; volume II 2009, (95pp) continues the biographical account from the 1970s, the 'Circle of Light' movie, further poetry and much detail on experimental techniques in photography, again cloth bound in cloth slip case, each Volume 31.5cm x 28.5cm. Note: Pamela Bone (Lady Pamela Goodale) Pamela Bone (British, 1925-2021) created a significant body of experimental photographic works between 1952 and 1992. Though some of her works were published and exhibited in her lifetime – and she collaborated with notable figures in the world of film, conceptual art and electronic music during the 1970s – this innovative work is now being re-assessed and appreciated. At her death Bone bequeathed her photographic works to the Victoria and Albert Museum. Martin Barnes, Senior Curator, Photography, at the V&A oversaw the accession of this collection. Pamela Bone’s estate included some multiples and small editions of some of her works, these have been released for sale by auction at Flints. Please note that purchasers acquire the original physical print or artwork, where an image is also held in the V&A’s collection, the V&A holds copyright to reproduction of that image. Martin Barnes has summarised Pamela Bone’s career and work: “Bone attended Guildford School of Art between 1952-54, creating black and white still-lifes and portraiture alongside colour work. In 1953, she also studied in Paris with advertising and portrait photographer André Thevenet and worked in advertising. Her photographs were published in Photomonde, Vogue, Queen and House and Garden magazines. In 1958, she went to stay with a student friend in Calcutta and from there travelled throughout the following year in India, Sikkim and Kashmir. On returning to the UK, she abandoned commercial photography and focussed on independent art practice. She photographed in North Uist, Outer Hebrides and around Dartmoor, for her Dartmoor Trees and River series. She also studied sound recording. From 1965 Bone began experimenting with a conceptual slide show of her transparencies, based around the themes of her travels, the seasons and children, still life and landscape. She applied this approach in her printing methods, which combined and overlayed transparencies and prints from different periods with photograms to create dreamlike, textured impressions of imagined landscapes. This culminated in Circle of Light, (1972) an experimental film created from transparencies by Bone collaborating with filmmaker Anthony Roland, video art and installation artist Elsa Stansfield (1945-2004) and composer Delia Derbyshire (1937-2001) of the BBC Radiophonic Workshop (and who famously recorded the Doctor Who theme tune). A VHS copy of Circle of Light is in the V&A National Art Library (NAL). Bone’s approach to collaging and recombining works became her main approach and is a pre-cursor to contemporary practices of sampling. In 1973, she married Sir Ernest William Goodale, becoming Lady Pamela Goodale, but she continued to sign her artworks with her maiden-name. Bone was a lifelong follower of Christian Science. There were many books by the movement’s founder, the religious leader and author Mary Baker Eddy (1821- 1910) in her library. Bone was shy and reclusive and worked largely in seclusion. She set up a Cibachrome colour processing darkroom in 1981 in an outbuilding at her home in Dorking. This process allowed her to make her own direct colour positive prints from her colour transparencies. She made use of ‘lith’ printing as overlay masking for her cibachromes, and also produced pictures using silks. An exhibition of cibachrome prints, Let There Be Light was shown at West Dean College in 1991. Bone ceased printing in 1992 but began meticulously preserving her works. Towards the end of her life, she produced two limited-edition, hand-printed publications of her photographs, Wings of the Wind (2000) and Seven Doors: Finding Freedom of Expression Through Photography (2009) both in the NAL”
hand printed book, Vol I only, 2007,(219pp) numbered three of five, limited to five copies, including poetry, biography and a selection of photographs, copiously illustrated with high quality reproductions of Pamela Bone's photography, black-and-white prints by a collotype or similar process, and colour prints, described in vol II as ''scanned and the scans painstakingly retouched before being imaged to plate using stochastic screen .... in order to achieve the maximum level of detail', each photograph separately printed, tipped in and protected with a loose tissue guard, plain paper dust jacket, cloth bound with cloth slip case, book 31.5cm x 28.5cm Note: Pamela Bone (Lady Pamela Goodale) Pamela Bone (British, 1925-2021) created a significant body of experimental photographic works between 1952 and 1992. Though some of her works were published and exhibited in her lifetime – and she collaborated with notable figures in the world of film, conceptual art and electronic music during the 1970s – this innovative work is now being re-assessed and appreciated. At her death Bone bequeathed her photographic works to the Victoria and Albert Museum. Martin Barnes, Senior Curator, Photography, at the V&A oversaw the accession of this collection. Pamela Bone’s estate included some multiples and small editions of some of her works, these have been released for sale by auction at Flints. Please note that purchasers acquire the original physical print or artwork, where an image is also held in the V&A’s collection, the V&A holds copyright to reproduction of that image. Martin Barnes has summarised Pamela Bone’s career and work: “Bone attended Guildford School of Art between 1952-54, creating black and white still-lifes and portraiture alongside colour work. In 1953, she also studied in Paris with advertising and portrait photographer André Thevenet and worked in advertising. Her photographs were published in Photomonde, Vogue, Queen and House and Garden magazines. In 1958, she went to stay with a student friend in Calcutta and from there travelled throughout the following year in India, Sikkim and Kashmir. On returning to the UK, she abandoned commercial photography and focussed on independent art practice. She photographed in North Uist, Outer Hebrides and around Dartmoor, for her Dartmoor Trees and River series. She also studied sound recording. From 1965 Bone began experimenting with a conceptual slide show of her transparencies, based around the themes of her travels, the seasons and children, still life and landscape. She applied this approach in her printing methods, which combined and overlayed transparencies and prints from different periods with photograms to create dreamlike, textured impressions of imagined landscapes. This culminated in Circle of Light, (1972) an experimental film created from transparencies by Bone collaborating with filmmaker Anthony Roland, video art and installation artist Elsa Stansfield (1945-2004) and composer Delia Derbyshire (1937-2001) of the BBC Radiophonic Workshop (and who famously recorded the Doctor Who theme tune). A VHS copy of Circle of Light is in the V&A National Art Library (NAL). Bone’s approach to collaging and recombining works became her main approach and is a pre-cursor to contemporary practices of sampling. In 1973, she married Sir Ernest William Goodale, becoming Lady Pamela Goodale, but she continued to sign her artworks with her maiden-name. Bone was a lifelong follower of Christian Science. There were many books by the movement’s founder, the religious leader and author Mary Baker Eddy (1821- 1910) in her library. Bone was shy and reclusive and worked largely in seclusion. She set up a Cibachrome colour processing darkroom in 1981 in an outbuilding at her home in Dorking. This process allowed her to make her own direct colour positive prints from her colour transparencies. She made use of ‘lith’ printing as overlay masking for her cibachromes, and also produced pictures using silks. An exhibition of cibachrome prints, Let There Be Light was shown at West Dean College in 1991. Bone ceased printing in 1992 but began meticulously preserving her works. Towards the end of her life, she produced two limited-edition, hand-printed publications of her photographs, Wings of the Wind (2000) and Seven Doors: Finding Freedom of Expression Through Photography (2009) both in the NAL”
Medical - French, 19th/early 20th century, an impressive and finely detailed polychrome painted papier-mache model of the internal structure of the human brain, numerous parts numbered and labeled, parts hinge or detach to reveal further structure, appears unsigned probably because signed element missing, mounted on cast iron tripod base, one foot broken, 49cm high on baseNote: there is no reserve on this itemFootnote: the Welcome Collection, London holds a portrait of Thomas Louis Jerome Auzoux with an identical model of the brain offered in this lot. Please see the image
A mixed lot of militaria, including a portrait miniature oil on porcelain of a Naval Officer by Albert P Steer, a pair of Naval binocular believed to have been from H.M.S. Bulldog, a W.L Byers brass miniature anchor, C.P.R Empress of Ireland collision pictures and book by James Croall, a Butterfield & Swire bronze medallion 1867-1967, a silver pated rose bowl by Walker & Hall engraved ‘Presented to Capt J Durrant ….. retirement 1969” from Tug Crew, items relating to Leading Seaman P.J Hale of H.M.S. Verdun, including medal ribbons, crucifix, cloth insignia, sailmakers palm, coloured prints, etc,(qty) Note: No in house shipping available for this lot
ANCESTOR PORTRAIT PAINTING QING DYNASTY, 19TH CENTURY 清 祖先像紙本設色 立軸 ink and colour on paper, painted with a seated male, possibly fourth-ranked, court official holding a folded fan in his right hand, a European pocket watch in the left, wearing a black robe with a white bird badge, the painting cut out and mounted on paperDimensions:149cm x 89.5cmProvenance:Provenance: Private Scottish collection, Edinburgh. Acquired about thirty years ago in Macau (by repute).
Princess Diana (1961 – 1997). A handwritten letter, a portrait photograph and signature. The handwritten letter within envelope addressed to Miss Faith Lascelles, on two sheets of blue Kensington Palace notepaper, dated March 25th 1987, three sides filled. Thanking Miss Lascelles effusively for her gift of a hunting painting of Diana's great, great, great grandfather. Written in black ink in Diana's typically open, flowing hand. With a black & white photograph of Princess Diana, and a further ink signature 'Diana' separately mounted in a handsome glazed frame, 66x53cm. With Certificate of Authenticity. Hamilton Bland, Sportizus Limited, UACC members. From a good autograph collection.
Portrait miniature, English School, early 19th century A lady with a pearl fringed blue ribbon in her hair, 9.5X7.5cm, painted on ivory, together with a 19th miniature portrait of a gentleman, watercolour on paper (2). Please note although sold with an ivory exemption certificate, we are unable to post this lot outside of the UK. Ivory exemption certificate number Z5CGRGD9Ivory exemption certificate number Z5CGRGD9
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