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283287 Los(e)/Seite
Los 690
DICKENS. CHARLES, The Life & Adventures of Nicholas Nickleby, Chapman & Hall, London 1839, with illustrations by Phiz. CONDITION REPORT: This looks to be a true first edition with “flys” for flies on page 245 and “visiters” for visitors on page 272. This would indicate a true first edition as these were altered for later editions. Although the binding is reasonably tight the overall condition is not brilliant, boards are bumped and scratched, marked and the spine is cracked although it is complete. There is a lot of internal browning mostly to the illustrated pages. There are 37 engraved plates, but the book is missing the engraved portrait of Dickens at the front of the book and two other engraved plates.
Los 826
Three 19th century papier mache snuffboxes, two depicting Napoleon, the third Paganini. Each diameter 8.5 cm. CONDITION REPORT: The Napoleon portrait box is in good structural order with no significant cracks or losses. There are some minor scuffs around the foot rim and other minor surface scratches and stress marks. The portrait area itself is generally intact although the paintwork around the edge of the portrait is showing signs of deterioration. There is however no flaking and only very minor scratches and marks. The last moments of Napoleon box is also in generally good order with no significant losses or cracks. The box is perhaps in slightly less good condition than the portrait box but again has only minor edge nibbles and minor scratches and marks. The Paganini box is in less good condition. There are five chipped areas to the edge of the top of the box. Below the title there is a 3 cm section which is loose. It is not fully detached but does spring away from the lid along the line of the crack which should be visible in our image. The portrait area itself has a loss above the right-hand area of the head and below the right-hand facing elbow and one other small one in the cream surround in the same area. The base has two bottom edge chips and a more substantial area of loss +/- 2 cm square.
Los 244
WW2 Home Guard Portrait Painting by Florence Hess 1941.This good quality oil on canvas portrait depicts the head and shoulders of a member of the Home Guard. He wears battledress uniform with tin helmet. To his shoulder a Home Guard title and to his breast Great War medal ribbons. Signed lower right corner “Florence Hess 1941”. Canvas size 19 1/2 x 23 1/2 inchesFlorence Hess (1891-1974) was born in Leeds. Studied at Leeds School of Art and from 1905 with the Yorkshire painter Mark Senior. His subjects were painted in the Yorkshire and Norfolk areas.
Los 296
German Third Reich attributed 1939 War Merit Cross 2nd class.Grey metal War Merit Cross 2nd class together with 25/1/1941 award document to Gefreiten Georg Hornauer, 2./Baubatl. 137” ... rather worn packet of issue ... portrait photograph of recipient wearing ribbon ... newspaper cutting ... various Auswis ... telegram ... his 1937 issued membership book for “Deutscher Reichsbunf für Leibesübubgen”.Instituted 18th October 1939.
Los 314
Two 19th century hand tinted prints, both in verre églomisé and gilt frames, a portrait of Royal Family with children, 52 x 46cm and engraved by R Havell & Son, 3 Chapel Street, Tottenham Court Road; 'Two of His Most Excellent Majesty George IV King of Great Britain etc, this print representing His Majesty's public entry into the City of Dublin on 17th August 1821 is with gracious and special permission humbly dedicated by His Majesty's most faithful subject. John Lushington Reilly', 42 x 62cm (2).
Los 338
UNATTRIBUTED; four oils on board to include Bernard; Parisian street scene, 30 x 51cm, Unattributed; Parisian market street scene, 39 x 49cm, Lyons; portrait of a country lady, 58 x 49cm and Unattributed; figural scene, 45 x 59cm and a pair of early 20th century prints, coastal scenes, all framed and glazed (6).
Los 21
Bernard Picart (French 1673-1733), Maria Luisa of Savoy (1678-1714), Queen Consort of Spain, 3/4 length portrait seated and looking right, red chalk, pencil and wash on paper, 17.5cm x 24cm, signed in pencil 'B Picart' lower right and inscribed 'la premiere femme de philipe V. roy despagne fille du duc de savoye et ... la ducheste de Bourgogne de France' possibly a design for an engraving, a remarkably similar engraving having been produced by Claude Duflos (1665-1727) circa 1705: https://commons.wikimedia.org/wiki/File:Engraving_of_Dona_Maria_Luisa_Gabriella_de_Savoya,_Reyna_de_Las_Espanas.jpg
Los 486
E Dunston, pencil sketch, Constance Bennett, three quarter length portrait of profile of young lady wearing a gold bracelet dated 21/6/34 titled Constance Bennett, 17cm x 19cm, a pair of English school watercolours of songbirds in landscapes 12cm x 8cm framed and glazed, Indian School watercolour, landscape with Indian Palace, 7cm x 12.5cm and a collection of reproduction Art Nouveau prints and various other tourist oils on board etc E Dunston has crack to glass
Los 7
Napatan Period, 643-623 BC. A rhyolite shabti with mummiform body, arms crossed over the chest, the right hand holding a narrow-bladed hoe, the left hand holding a broad hoe, seed bag with tassel slung over the left shoulder; wearing a nemes headdress, double uraeus and false plaited beard with chin straps; six incised horizontal registers of hieroglyphs from Chapter Six of the Book of the Dead; incised 'footmarks' to the base. Cf. The Collector's Eye, Masterpieces of Egyptian Art from The Thalassic Collection, Ltd., p.130 for context; Museum of Fine Art Boston, accession number: 21.11818, for type; see Wildung, Dietriche (ed.)., SUDAN. Ancient Kingdoms of the Nile, Paris, 1997, pp. 224-5, the detailed catalogue of a major exhibition held at the Institut du monde arabe, Paris, 1997. 622 grams total, 22.5cm including stand (9"). From a UK private collection formed in the 1980s; with Bluett and Sons, London, and also Sheppard & Cooper in 1979; formerly the property of a UK private collector who acquired it from J.J. Klejman of Madison Avenue, New York, in the 1960s; accompanied by a scholarly note TL 5285 by Dr Ronald Bonewitz; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.163503-10052. In 591 BC the pharaoh Psamtik invaded Egypt, ending the 25th (Kushite, Nubian) Dynasty which had its capital at Thebes, 716-656 BC. They withdrew to Nubia (modern Sudan) to found the royal Napata and Meroe dynasties. Their pharaohs continued Egyptian traditions, building a great temple to the god Amun at Gebel Barkal and making their royal burials at Nuri and Mero under brick-built pyramids with steeper sides than their Egyptian forerunners. These were excavated by Professor George A. Reisner directing the Harvard-Boston Museum of Fine Arts Expedition, 1916-23. The pyramids had been robbed in antiquity and were much denuded but important finds were made, notably ushabtis which the ancient robbers had ignored. The Pharaoh Senkamanisken (643-623 BC) of the Napata Dynasty (656-575 BC), was the son of Atlanersa and Queen Maloteral and third after the great pharaoh Taharqo; he was buried in Pyramid Nuri 3 at Nuri. In February 1917, Reisner found 1,277 shabtis of the king divided into five groups made of serpentine (here now properly identified as rhyolite, a black igneous rock), and faience. Despite the large numbers of shabtis there are very few available in the art market. Large numbers lie in serried ranks in storage trays in the Boston Museum of Fine Arts. Some were donated to major museums and a few were given to several societies with religious connections. Over the years these societies have rationalized their collections and most of the few shabtis in the market originate from those societies’ disposals and then passing through private collectors’ hands. Unlike Egyptian royal shabtis those of Senkamenisken and his grandfather Taharqo (he had 1,070 in Pyramid Nuri 1) have portrait features. An example similar to the present lot was sold at Christie's, New York, 8 June 2003, for USD138,000. Fine condition, repaired. ( A video of this lot can be viewed on Timeline Auctions website.)
Los 221
A 19th century Chinese export black lacquer work box, with assorted ivory fittings and a similar games box with lacquered trays for cards and numerous mother of pearl gaming counters, largest width 38cm depth 31cm height 14cmCONDITION: Work box with rubbing of the gilding to the hinged lid less so elsewhere, interior partly dissembled with a mixture of Canton carved ivory tools, some chipping to the right side of the drawer which contains a small writing slope and pen tray and has a non working key, 36 x 26 x 16cmGames box has a lift off lid with damage around all of the edges and wear to the lacquering, internally better with seven lidded boxes containing assorted mother of pearl counters all engraved with a thistle crest (as is the lid of the box) and eight card trays, seven decorated with cards and one with a portrait of a chinaman and the word 'Game'.
Los 240
A late 19th century French ormolu and Sevres style porcelain mantel clock, of architectural form, surmounted with cherubs holding a portrait of a French king, the dial and sides decorated with cherubs and trophies, eight day movement stamped A.D. 1091/515, width 8.5in. depth 6in. height 14.25in.CONDITION: Overall in good untouched condition, ormolu is either matted mid gold tone or highly polished shiny gilt finish, porcelain all in good order, gilding on dial good, an indistinct signature to the base just above 6 o'clock, feet a little loose but all present, lacks back door, movement complete but lacks key and pendulum so not tested for timekeeping.
Los 327
Attributed to Andrew Geddes (1783-1844)oil on canvasHalf-length portrait of Barrington Pope Blachford (1784-1816) in uniform, probably that of the Isle of Wight Yeomanry35.5in x 28inCONDITION: Oil on original canvas in good untouched condition, might benefit from a clean but no other faults noted, housed in a later gilt frame with label giving details of the work verso.
Los 328
John Verelst (fl.1698-1734)oil on canvasPortrait of a member of the Nevile familyinscribed verso29 x 24.25in.CONDITION: Oil on canvas relined 20 - 30 years ago or so, canvas remains tight, paint a little dirty with fine craquelure running throughout, some small areas of retouching on the dark to the left of her head and around the darker margins between 9 and 3 o'clock, but overall looks to be in very good condition, housed in a period giltwood frame which has been reconditioned, inscribed verso 'By J Verelst 1710', facsimilie of mark on old canvas before being relined which refers to the facsimilie of the initials JV and date 1710, in addition Christie's stencil marks a little unclear 283BB and 694HW, see Gorringe's sale July 2nd 2009 Lot 1402 where a sister painting was sold.
Los 331
18th century English Schooloil on canvas,Portrait of John Gore, 1st Baron Annaly, Lord Chief Justice of the King's Bench for Ireland and Speaker of the Irish House of Lords, inscribed 'John Gore, first Lord Annaly, obn.1783'46.5 x 36.5in.CONDITION: Oil on canvas relined 20 - 30 years ago or more and now showing signs of starting to sag, a fine craquelure running through the paint which is starting to lift a little in the darker areas although no losses as such, title inscribed top left corner, housed in a 19th century gilt gesso frame which has suffered some losses, Christie's number verso 404VG.
Los 332
Early 19th Century French Schooloil on canvasPortrait of a lady, standing in a landscape, a piper and pug dog in attendance,34.5 x 26.5in.CONDITION: Oil on canvas relined 20 - 30 years ago or more, canvas remains tight, paint and varnish rather dirty, would benefit from a clean, a little fine craquelure in the skin tones, housed in an old bronzed and gilt moulded wood frame.
Los 333
Follower of Willem Verelst (1704-1752)oil on canvasHalf-length portrait of a lady29.5 x 24.5in.CONDITION: Oil on canvas cleaned and relined 20 - 30 years ago or more, canvas remains tight, paint rather dirty with a fine but stable craquelure running throughout, looks to have had some retouching to the folds, particularly the grey robes and highlights of the veil, with other small retouches through the skin tones and no doubt elsewhere, housed in an ornate 19th century giltwood and gesso frame which is in fair condition, Christie's stencil mark GZ465 verso and Sotheby's yellow chalk marks.
Los 334
Circle of Sir Henry Raeburn (1756-1823)oil on canvasPortrait of a mother and child35 x 26.75in.CONDITION: Oil on canvas which remains tight, under glass but paint beneath looks very dark and dirty with fine but stable craquelure running through much of the paint though no sign of any damages or losses, housed in an ornate giltwood acanthus frame which is now rather dirty with numerous small losses, back is boarded over, assorted old labels one of which give the name Lady McKenna.
Los 335
Circle of Cornelius Janssen (1593-1661)oil on canvasHead and shoulder portrait of a young man wearing armour23.5 x 18.5in.CONDITION: Oil on canvas has been relined with a very thin canvas that (when held up to bright light) lets the light show through, so when held up to the light pin pricks and small holes show throughout, canvas remains tight, stretcher marks showing across the top and down the sides, otherwise a little dirty and would benefit from a clean. No sign of any signature and no inscriptions verso, housed in a beaded gilt frame which is a little tatty, thought to date to the 19th century.
Los 336
Circle of Pierre Mignard (1612-1695)oil on canvasHead and shoulder portrait of Anne d'Autrich, Queen of France14 x 11in.CONDITION: Oil on canvas cleaned and relined 20 - 30 years ago, canvas remains tight, paint slightly flattened with a fine but stable craquelure showing in the flesh tones, probably some retouching done to the hair and lace, remnant of Christie's stencil mark showing on the stretcher verso along with label of attribution and title, an old restorer's report behind the stretcher, housed in a carved giltwood frame which has suffered a few small losses particularly top left.
Los 338
After Hyacinthe Rigaud (1649-1753)oil on canvasPortrait of Louis XIV (The Grand Monarch)51 x 38.5in.CONDITION: Oil on canvas relined many years ago, canvas remains tight, paint dirty but otherwise looks to be in good condition, housed in a later gilt and faux burr wood frame which is equally dirty, old label giving details of the sitter verso.
Los 383
Beatrice Johnson (1906-2000)oil on canvasThree-quarter length portrait of Second Lieutenant Ronald Douglas Elmer Speed (15th January 1919 - 1st June 1940), seated, wearing the uniform of the Coldstream Guardssigned39.5in x 29.5inCONDITION: Oil on original canvas in honest slightly neglected condition, paint looks very dirty possibly nicotine stained, would certainly benefit from a good clean, signed lower right, housed in the original gilt gesso frame which has some cracking but is intact, old letter verso relating to the work.
Los 402
Louis Ginnett (1875-1946)oil on canvasPortrait of a seated boy in a landscapesigned and dated 192929.5 x 24.5in.CONDITION: Oil on original canvas in good untouched condition, may need a light clean, no other faults noted, signed lower right, housed in original gilt frame, James Bourlet label verso dated 1929.
Los 403
Louis Ginnett (1875-1946)oil on canvasPortrait of a boy holding an applesigned and dated 192929.5 x 24.5in.CONDITION: Oil on original canvas in good untouched condition, may benefit from a clean but no faults noted, signed lower left, housed in the original gilt frame, labels verso for Brighton Fine Art Galleries Sussex Exhibition 1934 and James Bourlet label dated 1929.
Los 404
Attributed to John Singer Sargent (1858-1925)pencil on paperPortrait of a young maninscribed verso9 x 6.75in.CONDITION: Pencil on paper which shows slight undulation so is thought not to be laid down, the buff coloured paper is now a little discoloured with numerous scattered fox marks, no sign of any signature, later card mount and slim gilt frame, artist name inscribed in pencil verso.
Los 414
Jacques Emile Blanche (1861-1942)oil on canvas,Portrait of a girl, seated in a green chairsigned50.5 x 30.25in.CONDITION: Oil on original canvas in good untouched condition, paint is a little dirty and would benefit from a clean, a very little fine but stable craquelure in the flesh tones and darker black areas, signed lower right, housed in an old reeded gilt frame which has suffered some small chippings, Christie's stencil verso VC695, one patched repair showing approx 6 inches above 6 o'clock where it looks like a hole has one been punched and since retouched to fairly good effect.Provenance; Lyon & Turnbull, Lot 43, May 28, 2004.
Los 415
Alexander Hossack (Exh.1929)oil on canvas laid on boardPortrait of a veiled woman22.5 x 18.5in.CONDITION: Oil on canvas laid down onto a board backing, canvas remains tight, paint in good clean condition, apparently unsigned, housed in a recent scroll frame, label verso giving details of the artist.
Los 649
A Victorian gold (tested as 18ct) pierced link mourning bracelet, with detachable inset oval oil on ivory portrait miniature of a gentleman, with split pearl border, verso with locks of hair beneath a glazed panel, miniature including border 45mm.CONDITION: Gross weight 63.8 grams. Portrait length 36mm.Overall condition is good.
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283287 Los(e)/Seite