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283287 Los(e)/Seite
Los 56
ECOLE FLAMANDE du XVIIe siècle, entourage de Frans Snyder LE MARCHE DE POISSON Huile sur toile 184 x 237 cm (accidents et manques) Expert : Cabinet Eric Turquin Notre tableau reprend une composition conservée à la Rubens Huis (voir?: Joachim Beuckelaer de Stad Gent, édition Gemeentekrediet, page. 166, fig. 38 comme Attribuée à Adriaen Van Utrecht). La femme à gauche de la composition porte un béret de velours noir orné d’une plume d’autruche, à la mode de l’époque, que l’on retrouve dans le portrait dessiné d’Hélène Fourment (1630). Une autre version de ce tableau est conservée dans une collection particulière en Allemagne (toile 194.5 x 184cm). 15
Los 60
Louis FONTAINE ( actif vers 1723-1757) PORTRAIT DE MADAME ADRIENNE LECOUVREUR, ACTRICE Huile sur toile signée en bas à gauche : A.Lecouvreur/Fontaine pt an 1725 41,5 x 33 cm Expert : Cabinet Eric Turquin Inscription au dos?: «?Portrait d’Adrienne le Couvreur ... par Fontaine 1725 / actrice favorite du Maréchal de Saxe et de Voltaire / née le 14 mai 1690 morte le 20 Mars 1730?». Porte un numéro 27 et un cachet de collection à la cire rouge.
Los 550
Cricket - Jack Hobbs. New Hall transfer printed 7.5” jug with oval portrait of Hobbs coming out to bat to one side and crossed bats, stumps and ball to the other, green lustre to rim and handle on a white ground circa 1930. Very small chip to rim and slight crazing otherwise in good condition. Rare
Los 560
Cricket - ‘Shane Warne’. Fanny Rush 2005. Large colour limited edition print of Warne tossing a cricket ball. Number 38/600. Signed to lower border by Warne and the artist. Framed and glazed. Approx 30”x44” overall. VG The original oil painting by Fanny Rush was commissioned by the M.C.C. to hang in the Long Room, only the third portrait of an Australian to do so, the other two being Bradman and Miller
Los 665
Don Ball - Portrait of the Rails, MacHawkins - the Great Central, Noel Coates, Lancs and Yorks Miscellany, Adrian Gray - Cime On The Line, G.F. Fiennes - I Tried to Run a Railway, H Samuel - Railway Operating Practice, T.K.S. Murthy and Others - Computers in Railways IV Vols 1 & 2, and sixteen other slim publications on railways (24)
Los 434
A 19th Century Continental rectangular card case with central enamelled panels, one side depicting a couple in a landscape setting flanked with engraved swan details, the other two young women and a man in conversation with engraved portrait details, French swan mark to borders, length 9.5cm. ILLUSTRATED.
Los 409
Follower of Johann Zoffany RA, German/British 1733-1810- Group portrait of a lady and a young woman, traditionally held to be Canon Sharp, his wife and daughter, both half-length, with a dog and foliage to the right; oil on canvas, 71.5x61.5cm: together with a companion painting of a cleric, seated three-quarter length turned to the left with his hand on a book; oil on canvas, 63.5x50.5cm., (2) (part unframed)
Los 412
Marie Astoin, French 1923-2011- View of Sacre Coeur, Paris; pen and black ink and watercolour, signed, 26x20cm: together with a small landscape study in gouache by the same hand, signed (twice), 10x16.3cm: William J MacLean, British exh 1895-1913- Portrait of a lady, quarter-length turned to the right, (recto), unfinished still life composition, (verso); oil on canvas, signed and dated 28, bears inscribed label attached to the reverse, in an oak frame, 45.7x30.5cm: Victor Maunier, French b.1890- "Maison et Studio de Theodore Rousseau, Rue des Artistes a Barbizon"; etching, signed and inscribed in pencil, 17x24cm., (4) (may be subject to Droit de Suite
Los 449
Bellini, Italian, mid-late 20th century- Two figures with bandaged heads and a bird; pen and black ink on buff paper, signed and dated 70, 48x69cm: together with three other pen and ink drawings by the same hand, one of a surrealist still life and two portrait subjects, each signed and dated 70, 48x69cm and 69x48cm., (4) (may be subject to Droit de Suite)
Los 450
Sylvia Harris, British 1920-2012- Portrait of a woman, seated, three-quarter length; charcoal, black and white chalk on grey paper, mixed technique, signed and dated 1981, 73x56.5cm: Sylvia Harris, British 1920-2012- Figures in a city; tempera on paper, signed, 40x56cm., (2) (part unframed)(may be subject to Droit de Suite)
Los 495
Ralph Leslie Swinden ARCA, British 1888-1967- "First Night Back-Stage"; pencil, watercolour and gouache, inscribed, bears numerous signatures of the cast in pen and ink on the mount, to include Nancy McDermid, Charles Simon, Elizabeth Home, John Blagden, Olga Smith, Maurice Hansard, Pat Ray, Arthur Lloyd and others, 37x25cm: Mid 20th Century- Standing female nude, (recto) (verso); gouache, 61.7x44.3cm: South East Asian School, early-mid 20th century- Exotic dancer by a shrine; gouache, 27.543cm: Mid-Late 20th Century- Abstract composition; acrylic on paper, signed in pencil, 40x28.5cm: British School, late 19th/early 20th century- Portrait of a young boy standing full-length; watercolour, 19.5x10.2cm: Late 20th Century- Portrait of an Oriental lady; pen and black ink and wash, 50.5x37.5cm: British School, late 20th century- Still .life with a Staffordshire figurine; pencil, squared, signed with initials `WI` and dated 88, 42x29.5cm: European School, early 20th century- Figures and farm animals in a paddock; watercolour, 19x23.5cm., (8) (unframed) (may be subject to Droit de Suite)
Los 510
Thomas Oldham Barlow RA, British 1824-1889- "The House of Commons 1860", after John Phillip RA, publ London January 17th 1865 by Moore McQueen & Company Limited 25 Berners Street Oxford Street and Thomas Agnew & Sons, Manchester and Liverpool; mixed media mezzotint on chine collé, 58x74cm Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd Note: An edition of this print is part of the National Portrait Gallery`s collection, Reference: NPG D1396
Los 530
John Melville, British 1902-1986- Portrait of a woman standing three-quarter length turned to the right; black and coloured chalk/pastel on buff paper, 29.5x19cm: John Melville, British 1902-1986- Head study of a man; black and coloured chalk/pastel on buff paper, signed, 30x24cm., (2) (mounted) (unframed) (may be subject to Droit de Suite)
Los 553
W Foster, British, early 19th century- Portrait of a gentleman, quarter-length turned to the right; pencil with touches of watercolour, white and gum arabic on buff paper, signed and dated 1830, 14x12cm: Follower of Jean Pillement, French 1728-1808- Figure with moored boats in a wooded river landscape; black crayon on laid, 13.5x19.5cm., (2)
Los 561
Andrew Taylor, British, mid-late 20th century- "Wedding Portrait"; linocut in colours, signed, titled and numbered 1/12 in pencil, 42.5x31cm: British School, mid 20th century- Surreal tree study; watercolour, signed with initials `PES`, 29x26cm: Russian School, late 20th century- "Montferrand`s Statue of Nicholas I in Isaac Square", 1992; watercolour, bears inscription on the reverse, 16x12.5cm: Francesco Bartolozzi RA, Italian 1727-1815- "His Grace the Duke of Marlborough", publ April 24 1795 by J Thane Spur Street Leicester Square; stipple engraving, 28x21.5cm: Northern European School, early 20th century- Barn in winter; linocut in colours, signed with initials `AJDC` and dated 1918 within the plate, signed in pencil, 19x24cm: R Collins, late 20th century- "Night with her train of stars, this great gift of sleep"; monoprint in colours, signed and inscribed in pencil, bears framer`s label for George Street Fine Art Gallery, Altrincham, 20.5x20.5cm: British School, early 20th century- Views in Bhurban; watercolours, three in shared mount and frame, two signed with initials, one inscribed and dated 19, 11x17cm., (max) (7) (may be subject to Droit de Suite)
Los 640
British School, late 20th century- Portrait of a man`s head; oil on canvas, signed with initials `DCW` and dated `74, inscribed to the reverse `No Spring and Summer beauty had such grace as I have seen on Autumnal face`, 22.5x20.5cm: D D Davies, British late 20th century- "Girl in a Garden"; acrylic on board, signed with initials, 13.5x13.5cm, Prov: exh. Medical Art Society Annual Exhibition according to the label attached to the reverse: Ian Robin, British late 20th century- "Near Dedham", oil on board, signed, 25.5x35.5cm, (3) (may be subject to Droit de Suite)
Los 661
John Brunsdon ARCA, British b.1933- "Gordale Scar"; etching with aquatint printed in colours, signed, titled and numbered 139/150 in pencil, 44x58cm: Mary Ford, British b.1944- Still life by a window; lithograph printed in colours, signed, numbered 12/200 and dated 79 in pencil, 61x51cm: Michael Blaker, British b.1928- "The Bridge at Flatford"; hand-coloured etching, signed within the plate, signed, titled and numbered 11/200 in pencil, 27.5x36.5cm: Ilana Richardson, British, late 20th/early 21st century- "Cool Veranda"; screenprint in colours, signed, titled, numbered 37/200 and dated 82 in pencil, 55x64cm: Alyson Stoneman, British b.1948- "Autumn Evening, Lamorna"; mezzotint printed in colours, signed, titled and numbered 82/200 in pencil, 36.5x42cm: Deirdre Morgan, British b.1933- Courtyard and fountain, Morocco; lithographs printed in colours, two, both signed and numbered 76/195 in pencil, 40.5x30cm., ea: Lilan Richardson, British, late 20th/early 20th century- "Sens Interdit"; screenprint in colours, signed, titled, numbered 38/225 and dated 87 in pencil, 55x45cm: Francois Ledan, Fanch, French b.1949- "Square G Baty" and Tour Eiffel; lithographs printed in colours, two, both signed, one numbered 23/200 and the other 72/200 in pencil, 59.5x79 and 79x59cm., respectively: Mario Fellani, Italian b.1934- Portrait of a woman seated at a table; lithograph printed in colours, signed and numbered 122/200 in pencil, 57x67cm., (11) (may be subject to Droit de Suite)
Los 721
A late 19th century cantonniere, the olive green and brown ground printed with classical columns to either side and roundels to the top corners with a portrait of a lady and gentleman in medieval costume and dated 1888, applique painted velvet pan mask to the centre with garlands and applied painted velvet leaves to the columns. approx 303x175cm. Also a late 19th century wool work panel with a repeating floral urn design 48x327cm. (2)
Los 1172
A good collection of sixteen boxes of principally art and antique reference books including Staffordshire Portrait Figures, The Life Josiah Wedgwood (two volumes), Illustrated Catalogue of Silver Smith`s Work European Burlington Fine Arts Club 1901, other various subjects including railways; artists, monographs (viewing recommended)
Los 43
Angus McBean - Christmas Card 1946, gelatin silver print, signed to the picture and the margin, dated '46, annotated verso 'I don't care what they say, "it's lying" Christmas 1946' 37.5 x 28cm; one other matching example but unsigned; and an untitled double exposure self-portrait, 30 x 40cm (3)
Los 54
Angus McBean - Seven various surrealised gelatin silver prints to include; Ivor Novello in the series Man & Theatre published in Tatler July 1947 x2; surreal portrait of Hermione Baddeley 1958; Toumanova surrealised as La Sylphide 1938; Beatrice Lillie surrealised 1938; Laurence Olivier surrealised; and Bea Lillie surrealised 1940, each approx. 25 x 20cm (7)
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283287 Los(e)/Seite