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283287 Los(e)/Seite
Los 106
A James Hunt signed photoprint, and Graham Hill signed images,colour photographic image on card of Hunt in the 1974 Hesketh Ford 308, signed by Hunt in blue felt-tipped pen with dedication 'To Mike & all at F1 Photographic - James Hunt', some old surface scratches and marks and old auction label affixed to lower right corner, 42 x 64cm; together with a monochrome signed photoprint on card of Graham Hill in the Rondell Racing Formula 2, faintly signed by Hill with 'Best Wishes', 43 x 50cm; a monochrome portrait photograph by Michael Keppel of Graham Hill signed by Hill in blue ink, and another photoprint of the same image by Formula One Photographic signed by Hill in black felt pen, each 26 x 21cm; and a 1989 MAA Mille Miglia entry list, signed by Jacky Ickx. (5)Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Los 179
PROF F. COLOMBI oil on canvas - entitled 'The Alarm', full body portrait of Cavalier trumpeter with fortifications in the centre-ground, signed with initial, plaque on frame inscribed 'The Alarm' Prof R F. COLOMBI, 78 x 48.5cmsProvenance: private collection North CardiffComments: small patches of paint loss revealing canvas, small hole, minor scratches, canvas loose on stretcher, generally tired
Los 191
EARLY 19TH CENTURY SCHOOL oil on panel - portrait of a young lady in white dress, with lace sleeves and emeralds to the bodice and sleeves, possibly Spanish or South American, 17.5 x 13.5cmsProvenance: private collection CardiffComments: surface retouched in places, scrapes and smears, frame repaired and damaged.
Los 35
DICKSON (H.R.P.), The Arab of the Desert, second edition, portrait frontispiece, plates and illustrations, 11 fold out maps/charts at end, clothbound, gilt lettering to spine, in original dust wrapper, in plastic protective wrapper, 8vo, London, George Allen & Unwin Ltd., 1951Provenance: private collection GlamorganComments: spine minorly bumped
Los 67
DICKENS (CHARLES) Pickwick Papers, 1837; Nicholas Nickleby, 1839; Martin Chuzzlewit, 1844; Dombey and Son, 1848; Bleak House, 1853; FIRST EDITIONS, all with engraved frontispieces and illustrations by George Cattermole and Hablot K. Browne, one with portrait, all half calf/morocco, four with gilt spines in compartments, spines faded and bumped as usual, corners bumped or rubbed, some replaced endpapers, all with illustrations variously tinted/foxed, all 8vo, Chapman & Hall, together with The Life of Our Lord, FIRST EDITION, owners inscription to flyleaf, dw, Associated Newspapers Ltd., 1934 (6)Provenance: private collection Glamorgan
Los 79
MEYRICK (SAMUEL RUSH) & SKELTON (JOSEPH) engraved illustrations of Ancient Arms and Armour from the collection at Goodrich Court, London: Henry G. Bohn, 1854, 2 volumes, engraved frontispiece to each vol., portrait and 150 plates, half morocco, spines in compartments, a.e.g., folio, slightly rubbed at extremities, occasional spotting or foxing, generally very good all around; together with FOSBROKE (T.D.) The Wye Tour or Gilpin on 'The Wye', with Goodrich Court Appendix, FIFTH EDITION, 1838, hinge split, minor foxing, spine label damaged, 8vo; and SMITH (LT. COL. CHARLES HAMILTON) The Natural History of the Human Species, Supplementary Vol 1, with 34 plates, some hand coloured, Chatto & Windus, 1875, rebound, repairs, replaced endpapers (4)Provenance: private collection Herefordshire
Los 100
Anne Redpath O.B.E., R.S.A., A.R.A., L.L.D., A.R.W.S., R.O.I., R.B.A. (SCOTTISH 1895-1965) - ' Girl With A Posy ' - A 20th century charcoal, watercolour and acrylic portrait painting studied of a young girl. Signed to the lower right. To the verso a paper label from the Royal Scottish Society Of Paintings In Water-Colours,. Set within an oak frame. Painting measures approx. 49cm x 36cm. Frame measures approx. 74cm x 59cm. Anne was born in Galashiels, the daughter of a tweed designer. In 1913 she studied at Edinburgh College of Art and in 1920 she married James Beattie Michie, an architect with the War Graves Commission in France, where they lived for the next fourteen years. During this time she did little painting, devoting herself to her family (she had three sons). In 1934 she returned to Scotland, living first in Hawick and then from 1949 in Edinburgh (she became gradually estranged from her husband, who worked in London). From the 1950s she attained a distinguished position in the Scottish art world and was awarded various honours. Her main subjects were landscapes and still-lifes, richly coloured and broadly handled in the tradition of the Scottish Colourists (in her later work there is sometimes a hint of Expressionism). She travelled a good deal, painting landscapes in, for example, Spain and Portugal. Redpath retains a position as one of the most highly regarded Scottish artists of the twentieth century and UK public collections hold one hundred and sixteen examples of her work.
Los 349
A large collection of Victorian 19th century & later framed & glazed religious portraits prints and engravings of English Cardinals and clerics. The lot comprising of 'Romae ex Calcographia R.C.A.', Cardinal Beaton engraved from a painting in Blaris College, Cardinal Acton (T. Uwins,RA, pinx), Cardinal Howard (from H. Tilson), Cardinal Walsey, Cardinal Pole (engraved by W. Maddocks), Papal Allocution - Snuffing out Modern Civilisation satirical print, The Death of Cardinal Beaufort (from H. Fuseli), Nicholas Breakspear portrait after he became Adrian IV, Thomas Wolsey Cardinal & Lord Chancellor, Alanus Cardinais portrait, William Poynter Catholic priest, bishop as Vicar Apostolic in London portrait, & much more. Generally sized approx. 34cm x 26cm.
Los 383
A late 20th century hand painted Italian majolica charger / plate by Luciana Mari. The charger featuring a central portrait of a young boy in brightly coloured yellow and blue cloak and hat with Renaissance style hair, surrounded by gilt and blue painted patterns featuring fauns, horses and hanging face motif. Signed to base Luciana Mari Deruta. Measures approx. 32cm in diameter.
Los 397
A pair of late 19th century oil on canvas portrait studies. The portraits depicting a distinguished gentleman and lady. The lady with bonnet and dressed in black, the gentleman with handlebar moustache and wearing a suit. Each framed in France in the early 20th century. Presented in round giltwood frames. Measures approx. 71cm x 58cm, 84cm x 70cm to include frame.
Los 440
Alois Hans Schram (1864-1919) - An oil on board landscape / portrait painting scene depicting a young fair maiden. The sitter being seated on a shimmering dockside, joined by a gent with moustache and red hat. To the distance a port building with ships sailing. Set to a glazed ripple moulded frame. Measures approx. 62cm x 80cm.
Los 65
E. K. Prizeman (British school, 19th century) - A Victorian 19th century original oil on canvas painting, being a three quarter length portrait of a young lady in yellow & white dress with vase of flower in hands. Signed bottom right in red. Framed in original cassetta frame. Measures approx. 60cm x 44cm, 95cm x 80cm to include frame. Sold previously at Christie's British and Continental Watercolours & Pictures Auction, July 2000.
Los 95
After Thomas Lawrence (British, 1769-1830) - A late 18th century circa 1799 oil on board self portrait of British artist Thomas Lawrence. The self portrait depicting the artist in younger years. Damage to paint to bottom right corner. Unsigned. Framed in original gilt frame. Handwritten notation to back reading ' Portrait of Sir Thomas Lawrence c. 1799 '. Painting measures approx. 21cm x 17cm.
Los 556
After Andrea Del Sarto, portrait of the artist, probably 18th or 19th century, oil on canvas laid on board, unsigned, 45cm x 55cm, framedCanvas appears to have been either relined or laid on board but we have been unable to remove the backboard to view the reverse, there is a repaired tear just below the shoulder with a small amount of overpainting, generally in good condition, 19th century frame with a few minor chips but generally good
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283287 Los(e)/Seite