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Thomas Stuart Burnett (Scottish 1853 - 1888), bronze relief portrait depicting Thomas Carlyle (Scottish 1795 - 1881) from the George Mancini Foundry in the form of a scroll, with a head and shoulders portrait of a bearded gentleman, 24cm x 21cm the vendor is the great nephew of George Mancini and remembers going to the foundry at Fountainbridge as a small boy in the 1950's. He believes it was cast around 1933
MARY MASCALL (BRITISH a 1803 - 1838), PORTRAIT OF ARTHUR THOMAS MALKIN, AGED 13 oil on canvas, dated 1816 on label verso 35cm x 30cm Framed Note: The sitter, Arthur Thomas Malkin (1803-1888) went on to become a considerable achiever in various fields, as a first-class cricketer (Cambridge, 1826), an author, ("Gallery of Portraits with Memoirs", 6 vols, 1833-1836), and various histories and biographies. He was also an acclaimed mountaineer, completing the first ascent of Hockenhorn in August, 1840.
Edmund Brucker (1912 - 1985) Watercolor/Gouache. Signed lower left. Titled "Fall Creek". Brucker was an art professor at Indianapolis's Herron School of Art for almost 30 years and was a well known portrait painter. Sight Size: 15 x 22 in. Overall Size: 24.75 x 31.75 in. Framed behind glass.
* CATRIONA CAMPBELL (b 1940), YELLOW STILL LIFE oil on board, signed and dated 1994 60cm x 60cm Framed and under glass. Label verso: Gatehouse Gallery, Rouken Glen Road, Giffnock. Inscribed with title, artist's name and dated 1994. Note: Catriona Campbell has been awarded the GSA Somerville Shanks Prize for Portraiture, the Society of Scottish Woman Artists Founder’s Prize, the Anne Redpath Award and Morton Fraser Award. Catriona exhibits widely and has been a regular exhibitor at the Royal Scottish Academy, The Royal Glasgow Institute, The Society of Scottish Artists and the Royal Society of Portrait Painters. She has been a member of Visual Arts, Scotland since 1986 (previously The Society of Scottish Artists and Artist Craftsmen). Her work is in public and private collections in the UK, Spain, America, Canada, Australia, New Zealand and Hong Kong.
* WILL KEMP (BRITISH b 1977), WEST COAST COTTAGES oil on canvas, signed 40cm x 40cm Framed. Note: Based in Cheshire, Kemp remains drawn to the coastal trips of his childhood, and chooses Cornwall for its clarity and quality of light and Scotland for its rawness and what he refers to as its untouched beauty. Kemp exhibits on both a local and national basis, including prestigious venues such as the Mall Galleries in London and at the Royal Society of Portrait Painters exhibition and in terms of industry plaudits he has won an impressive array of awards including the Sentinal, the Nadfas and the Webberly's painting prizes.
ATTRIBUTED TO FRANCIS BINDON (1690 -1765)Portrait of Marmaduke Coghill, 3/4 length seated wearing a full wig and ceremonial robes over a brown suit, his left hand resting on a table with a latter inscribed 'To The R. Hon Doctor Coghill Chancellour of Exchequer, Dublin 1735'Oil on canvas, 124 x 100cm Provenance: By Descent in the Coghill family until acquired by the present vendor This portrait was painted the year that Marmaduke Coghill was appointed Chancellor of the Exchequer. A firm adherent to the 'castle' administration he had 'inherited' from his father the position of Judge of the Prerogative Court and had enriched himself sufficiently to re-build Drumcondra House, probably using Edward Lovett Pearce. He had a penchant for commissioning outstanding pieces of silver from the Dublin silversmiths such as the extraordinary cistern in the Ulster Museum and the Monteith in Waterford. There is a monument to him by Peter Scheemakers in Drumcondra Church.Francis Bindon (1690 - 1765) is the most likely artist to have painted this portrait. He would have known Coghill and painted many in this circle. He is chiefly remembered today for his portraits of Jonathan Swift. His ambitious scale of portraiture and indeed architecture is always characterised by somewhat amateur weaknesses, compensated for by the serious self-importance of his subjects, as this example exemplifies.
Comprehensive collection of works by and about Samuel Pepys to include The Diary and Correspondence of Samuel Pepys, new ed. pub. Bell & Daldy 1865 in 3 vols. A Portrait in Miniature by J. Lucas Dubreton, The Shorter Pepys pub. Folio Society, Pepys and the Development of the British Navy Jackdaw and books in three boxes
MARITIME INTEREST: English school (19th century), Portrait miniature, Watercolour on ivory, Portrait of a military gentleman in uniform, Label verso describes him as Lieutenant Colonel John Duncan, Royal Engineers, wounded in the Peninsular War (1808-1814), Framed and glazed, 9.8cm x 7.4cm For condition information please view this lot on our website HEREPlease note: Trevanion & Dean does not ship items containing ivory outside the EU.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
Ronald Ossory Dunlop, RA, RBA, NEAC (1894-1973), Oil on canvas, Portrait of Helen O'Leary, painted 1965, Signed lower right, 59.5cm x 48.5cm, Gilt framed, Provenance: supplied with letters from the artist and other correspondence with the sitter, With 20th century oil on board, Portrait of a gentleman in business suit, Signed 'Redwood' lower right, 60cm x 50cm, Gilt framed (2) This lot may be subject to ARR, Artists Resale Rights, percentage on the hammer price. Please see our terms and conditions.
Hal (Henry William Lowe) Hurst (1865-1938), Oil on board, A gondoliere talking to a lady picking flowers, Signed lower left, 46.5cm x 28.5cm, Gilt framed and glazed, With after John Linnell (1792-1882), Print on paper, Portrait of two young girls on a sofa, 43cm x 35.5cm, Gilt framed and glazed (2)
A 19th century copy of the Portland Vase, typically decorated relief depicting scenes of Peleus and Thetis, white relief with gilt highlights against a pink ground, the base with a portrait of Paris, son of King Priam of Troy, 28cm high For condition information please view this lot on our website HERE
19th century school - bust portrait of a maiden with a feather in her hair, miniature watercolour on ivory, unsigned, dia. 6.5cm; together with one other late 19th century English school example, being a three-quarter length portrait of a seated woman wearing a black dress, watercolour on ivory, framed as an oval, 7 x 6cm (2)

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