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283284 Los(e)/Seite
Los 1009
After Laurence Stephen Lowry RBA, RA (1887-1976)"Self Portrait", "The Artist's Mother", "The Artist's Father"Each signed, a colour reproduction, together with the portfolio case and bronze medallion each numbered 175/300, 34cm by 25.5cm, and 13cm (dia) respectively (5) Self portrait, slight time staining in evidence to the margins. Very slight cockling to paper. Not examined out of the frame. The other examples are in a similar condition to the former.The frontis piece has slight time staining to the paper with scattered faint medium sized foxing spots. The portfolio case has the odd scratch but is generally in good order. The medallion is in good overall condition.
Los 1017
Francis Butterfield (1905-1968)Self Portrait Signed and dated (19)36, numbered 25/1, woodblock print, together with a further abstract woodblock print by the artist, a photograph of the artist and a pencil landscape study attributed to the artist, 21cm by 13.5cm, 9cm by 8.5cm, 18.5cm by 23.5cm and 11.5cm by 16.5cm respectively (4)
Los 1018
Attributed to Cecil Collins MBE (1908–1989)Portrait of two sistersEtching, 52cm by 42.5cmTime staining to the paper. Slight cockling to the paper. Repair to a small hole left hand side within the green to the left of the figure's face, approx 1cm in size. Sporadic medium/large sized foxing spots scattered, in particular, one to the right figure's neck, one to her lip, one to her left cheek and one in between the two heads. Smaller sporadic foxing spots are scattered throughout, most noticeable to the exposed areas of paper. Creasing within the lower margin. Not examined out of the frame.
Los 1051
Harold Riley DL, DLitt, FRCS, DFA, ATC (b.1934)Head and shoulders portrait of a young girlSigned and dated (19)70, pastel, 43cm by 37cmOn buff paper, very slight cockling to the paper. Sporadic splodges of pigment throughout the background by design, possibly the odd minor foxing spot in evidence to the left-hand side edge, this may be by design? Otherwise appears in good overall condition. Slight fading to the mount. Not examined out of the frame.
Los 1610
LOUSTAU, JACQUES J. LEOPOLD (1815-1894) "Portrait einer Dame im schwarzen Kleid mit weißer Spitze" Öl auf Leinwand, sig., HxB: 72/58 cm. Doubliert und retuschiert, Rahmen, HxB: 90/74 cm.| LOUSTAU, JACQUES J. LEOPOLD (1815-1894) "Portrait of a Lady in a Black Dress with White Lace".Oil on canvas, signed, HxW: 72/58 cm. Doubled and retouched, frame, HxW: 90/74 cm.
Los 1657
SCHOBER, PETER JAKOB (1897-1983), "Meine Frau", Halbportrait, u.re. signiert und datiert 'Schober 52', Öl/Leinwand, HxB: ca. 93x73 cm. Farbabplatzer, beschädigt (Einriss). VERSO Nachlassstempel mit Nr. und Titel und Ausstellungsetikett. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1952, 298.| SCHOBER, PETER JAKOB (1897-1983), "My wife", half portrait, signed and dated 'Schober 52', oil/canvas, HxW: approx. 93x73 cm. Chipped paint, damaged (tear). VERSO estate stamp with number and title and exhibition label. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ-Nr. 1952, 298.
Los 1656
SCHOBER, PETER JAKOB (1897-1983), "Portrait Peter Michael", Brustbildnis, u.re. signiert und datiert 'Schober 55', Öl/Leinwand, HxB: ca. 60x50 cm (66x56 cm mit Rahmen). Berieb an den Rändern, leichte Druckstellen und Firnisgilb. Mit Rahmen. Altersspuren. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1955, 330.| SCHOBER, PETER JAKOB (1897-1983), "Portrait Peter Michael", Bust portrait, signed and dated 'Schober 55', oil/canvas, HxW: approx. 60x50 cm (66x56 cm with frame). Rubbed at the edges, slight dents and yellowing of the varnish. With frame. signs of age. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ-Nr. 1955, 330.
Los 1802
WEIDITZ, HANS (Graphiker 16. Jh.), "Kaiser Maximilian I.", Portrait des Herrschers nach Albrecht Dürer, Holzstich/Papier doubliert, in der Darstellung bezeichnet 'Imperator...', Fußzeile mit historischer Erläuterung und Datierung 1519, u.re. Monogramm 'AD' in Ligatur, HxB: Blatt ca. 56x40 cm, Außenmaße Rahmen ca. 60x44 cm. Falze; gebräunt und fleckig, restauriert und u.li. am Rand ergänzt. Mit verglastem Rahmen.| WEIDITZ, HANS (graphic artist 16th century), "Emperor Maximilian I.", portrait of the ruler after Albrecht Dürer, wood engraving/paper relined, in the depiction inscribed 'Imperator...', footer with historical explanation and date 1519, monogram 'AD' in ligature, HxW: sheet approx. 56x40 cm, outer dimensions of frame approx. 60x44 cm. folds; browned and stained, restored and added at the edge. With glazed frame.
Los 1627
COYTE, D. (?, Künstler/in 18./19. Jh.), "Herr mit blauer Kappe und kariertem Mantel", Brustbildnis, wohl eines Kaufmannes, ins Profil gedreht, rechtsseitig undeutlich signiert und datiert 1804, Pastell, HxB: ca. 49,5x41 cm (64,5x56 cm mit Rahmen). Altersspuren. Mit verglastem Rahmen (frühes 19. Jh.; Alters- und Beriebspuren, Flecken). | COYTE, D. (?, artist 18th/19th century), "Men with blue cap and checkered coat", bust portrait, probably of a merchant, turned into profile, indistinctly signed and dated 1804 on the right side, pastel, HxW: approx 49.5x41 cm (64.5x56 cm with frame). Signs of age. With glazed frame (early 19th century; signs of age and wear, stains).
Los 631
MEISSEN/NYMPHENBURG 4-tlg Konvolut Serviceteile, 18.-20. Jh. MEISSEN: Kaffeekanne mit der Reliefzierat "Neumarseille" und dem Dekor "Goldblume", Chip am Standring, H 25 cm; Milchkännchen mit Deckel, Weißporzellan, Schwertermarke aus der Zeit zwischen 1817-1850, Deckel und Ausgießer rest., kl. Chip am unteren Deckelrand, H 12 cm sowie eine Tasse mit dem Porträt Martin Luthers in Biskuitporzellan, auf Tatzenfüßen, H 11 cm, Schwertermarke der Pfeifferzeit (1924-34), je Alters- und Gebrauchsspuren, dazu NYMPHENBURG: kl. Kanne mit Deckel und Relief "gebrochener Stab", gepresstes Rautenschild, wohl 18. Jh., zeittypische Brandrisse am Deckelknauf und Kannenhals, Altersspuren. Auflösung einer Privatsammlung.| MEISSEN/NYMPHENBURG 4 coffee set parts, 18th -20th century, MEISSEN: consisting of a coffee pot with the relief "Neumarseille" and the decoration "Goldflower", chip on the base ring, H 25 cm; Milk jug with lid, white porcelain, crossed swords mark from between 1817-1850, lid and spout restored, small chip on the lower edge of the lid, H 12 cm and a cup with the portrait of Martin Luther in biscuit porcelain, on paws, H 11 cm, sword mark from the Pfeiffer period (1924-34), each with signs of age and wear, plus NYMPHENBURG: small jug with lid and relief "broken rod", pressed lozenge shield, probably 18th century, fire cracks typical of the time on the lid knob and jug neck, signs of age.
Los 63
Mary Ethel Hunter (British, 1878-1936): portrait of the philanthropist Mrs Grosvenor Talbot, seated in black dress with cream trimmings, holding a pair of lunettes, oil on canvas, 60 by 50cm, framed and glazed, 70 by 60cm. Notes: Mrs Grosvenor Talbot was known for various charitable works and campaigns including a published paper in the Charity Organisation Review, entitled 'Children Under the Poor Law', June 1910.
Los 531
Artist: Edward Steichen (American, 1879 - 1973). Title: "Portrait of Alfred Steiglitz". Medium: Original photogravure. Date: Composed 1911/1915. Printed 1935. Dimensions: Image size: 9 11/16 x 7 3/4 in. (246 x 197 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [26123-2-225]
Los 304
Artist: Diane Arbus (American, 1923-1971). Title: "Jewish Giant at Home with His Parents in the Bronx, New York [Eddie Carmel]". Medium: Original photogravure. Date: Composed 1970. Printed 1978. Dimensions: Overall size: 15 3/4 x 11 5/8 in. (400 x 295 mm). Image size: 10 1/16 x 9 15/16 in. (256 x 252 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Comment(s): This edition authorized and supervised by Doon Arbus. Acording to “Gordon’s Photography Prices” the auction record for a silver print of this image is $583,500 realized at Christie's, New York, 5/17/2017, lot #25B. This is one of Arbus’s most famous pictures and one of her best-known subjects – a ‘Jewish giant’ named Eddie Carmel. Carmel worked in carnival sideshows and as an actor in monster B-movies. Arbus photographed him a number of times and described the family dynamics: "The parents are orthodox and repressive and disapprove of his carnival career … When he stands with his arms around each he looks like he would gladly crush them. They fight terribly in an utterly typical fashion which seems only exaggerated by their tragedy." True to her description, this could be a conventional family portrait, were it not for the apparent look of fear in Mrs. Carmel’s face as she looks up at her son, who stands cramped and bowed by the traditional family sitting room (courtesy National Galleries of Scotland). A wonderful article on this photograph and the relationship between Arbus and The Jewish Giant can be found here: http://www.nytimes.com/2014/04/13/arts/design/diane-arbus-recorded-a-bronx-familys-unsettling-dynamic.html?_r=0. Image copyright © 1972 The Estate of Diane Arbus, LLC. [27156-3-800]
Los 534
Artist: Joel-Peter Witkin (America, b.1939). Title: "Portrait of Nan". Medium: Original vintage photogravure. Date: Composed 1984. Printed 1985. Dimensions: Overall size: 11 x 10 15/16 in. (279 x 278 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $14,375 realized at Bonhams, New York, 5/7/2013, lot #119. Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. N.B. This image has been incorrectly titled “Larry’s First Wife.” Image copyright © Joel-Peter Witkin. [29675-2-600]
Los 695
Artist: Kees Van Dongen (Dutch/French, 1877-1968). Title: "Une beauté Cannes". Medium: Watercolor and gouache on paper. Date: Composed 1908. Dimensions: Overall size: 9 1/16 x 7 in. (230 x 178 mm).Lot Note(s): Signed in watercolor lower right recto; signed, titled, and dated in pencil, verso; collector and gallery ink stamps, verso. Painted on light cream laid paper. Very good to fine condition; a few very minor handling dimples; remains of hinging tape verso; a soft vertical crease near the left edge; overall presents very well. Provenance: If you have a genuine interest in bidding on this work kindly send an email to: provenance@stanfordauctioneers.com for complete provenance information and additional image(s). Comment(s): A work by Van Dongen, ‘Portrait of a Woman with a Cigarette,’ comparable to our example in composition, size, and medium, sold for $60,305 (€50,700) at Millon & associés, Paris, June 30, 2021, lot #110. Van Dongen was one of the leading Fauves and later an Expressionist, known for his vibrant paintings and drawings of almond-eyed women and bourgeois leisure scenes. Image copyright © Artists Rights Society (ARS), New York. [30504-1-24000]
Los 443
Artist: Lucian Freud (German/English, 1922-2011). Title: "Night Portrait". Medium: Color offset lithograph. Date: Composed 1977-78. Printed 1996. Dimensions: Overall size: 9 1/2 x 9 1/8 in. (241 x 232 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29447-2-800]
Los 585
Artist: Robert Mapplethorpe (American, 1946 - 1989). Title: "Self-Portrait, with Cigarette". Medium: Original vintage photogravure. Date: Composed 1980. Printed 1985. Dimensions: Image size: 10 x 10 in. (254 x 254 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © The Robert Mapplethorpe Foundation. [29517-3-800]
Los 3601
Edwardian shop advertising calendar for Bristow & Co. Ltd Tea Specialists of Hull 1905 depicting a half length portrait of a pensive young lady entitled 'Our Father', 73 x 47cm, oak and gilt frame and After J Stead (British 20th century): 'Bird's Eye View of the Town of Kingston-upon-Hull', reproduction lithograph pub. 1990, 49cm x 87cm (2). NOW UNFRAMED.
Los 3518
Roland F. Spencer Ford (1902 - 1990), oil painting on canvas, half length portrait of Raich Carter, standing dressed in Hull City kit, the Hull town crest in the background surrounded by the names Hull City A.F.C., Sunderland, Derby County and England, bears label verso from the studio of the artist in Newstead Street, Hull with original price of �75, signed, 59.5 x 49.5cm, gilt frame with metal plaque inscribed ' Presented by the Management Committee/of the Hull City Supporters Clubs/as a mark of esteem and appreciation/for services rendered to/Hull City A.F.C./and to football in general/October 1952'. Provenance: By direct descent from the family of Raich Carter having been consigned by his daughter Jane Carter.Condition Report:Good condition.
Los 3569
Three framed 19th century silhouettes with Hull ship owning connections - oval head and shoulder portrait of John Wilson of Melton Hill East Yorkshire who died on 6th January 1822 (reputedly a member of the Hull Wilson Shipping Line family) H8cm in papier mache frame; oval head and shoulder portrait of Mary Ann Kilvington in papier mache frame; and full length study of her brother John Thompson Kilvington in ebonised frame; all with manuscript biographical details verso (3)Condition Report:Generally in reasonably good condition consistent with age.Frame to Mary Ann has damage to moulding around image.
Los 3532
John Gatecliff (1771-1831) of Hull - Ship's Captain and latterly Commodore of the Humber Pilots - a fine portrait miniature 7cm x 5.5cm on ivory of the gentleman aged 44, with reverse glazed lock of hair monogrammed 'JG' in seed pearls, Together with a fascinating unpublished autobiographical account of his life including his time as a French Prisoner of War from 1806 to 1814. Gatecliff was born in Cooks Row Scarborough the son of a Ship Master and Owner moving to Hull in about 1775. The typed journal extends to 107 pages with an additional hand written resume Condition Report:Ivory Act - Submission reference: BSN5U92E
Los 108
Lucio Fontana. (1899 Rosario di Santa/Argentinien - 1968 Comabbio bei Varese). Portrait d'Antonin Artaud. 1968. Perforierte Rhodoidplatte. 18,5 x 14,5 cm. Monogramm und Nummerierung eingeritzt. Zusammen mit dem Künstlerbuch "Portrait d'Antonin Artaud" von Otto Hahn, dieses mit ungeschnittenen Seiten. Die Einbandillustration ebenfalls von Fontana. Zusammen im originalem Schuber. - Schuber und Buch mit leichten Gebrauchsspuren. Buch unaufgeschnittenes Exemplar. Rhodoidlatte an den Seiten je vertikal minimal angeschnitten. Teils kleine Stellen bestoßen und mit unauffälligeren Bereibungen. Insgesamt in gutem Zustand. Ruhé /Rigo, M-13. - Eines von 150 arabisch nummerierten Exemplaren (GA 2730) aus der Cluberie "Soleil Noir" der Deluxe Ausgabe. - Hg. von Le Soleil Noir, Paris 1968. - Die transparente rosafarbene Tafel ist die Titelillustration zur Deluxe-Ausgabe des Buches. Perforated rhodoid plate (oval). Scratched monogram and numbering. Together with artist's book "Portrait d'Antonin Artaud" by Otto Hahn. The cover illustration also by Fontana. Together in original slipcase. - Slipcase and book with slight signs of wear. Book an unclipped copy. Rhodoid board minimally cut vertically on each side. Partly small spots bumped and with more inconspicuous rubbing. Overall in good condition. - One of 150 Arabic numbered copies (GA 2730) from the "Soleil Noir" club series of the deluxe edition. - Published by Le Soleil Noir, Paris 1968. - The transparent pink plate is the title illustration to the deluxe edition of the book.
Los 256
Mappenwerk - - Johannes Grützke u.a.. (1937 - 2017 Berlin). Gruss an Louis Armstrong. 1976. Mit 10 Graphiken verschiedener Künstler und 5 Schallplatten mit Aufnahmen von Louis Armstrong. Verschiedene Techniken, u.a. mit Radierungen, Handoffsetdrucke in mehreren Farbschichten, Prägedrucke und Lithographien jeweils auf Bütten. Je 64 x 47 cm. Jeweils signiert, nummeriert u. z. T. datiert sowie betitelt. In graphisch gestalteter Original-Halbleinenkassette. - 2 Blätter verso leicht angeschmutzt, sonst im sauberen farbfrischen Zustand. Eins von 200 Exemplaren GA 222. - Enthält: - Johannes Grützke. Steig auf unsre Rücken, Louis! - Horst Antes. Portrait Louis Armstrong. - Uwe Bremer. Trompeter. - Pit Morell. Mr. Armstrong was here. - Peter Nagel. Stilleben für Louis Armstrong. - Michael Mathias Prechtl. Grosser schwarzer Trompetenvogel. - Dieter Roth. Musikalisches Blättlein. - Albert Schindehütte. St. Louis Blues. - Johannes Vennekamp. New Orleans Function. - Arno Waldschmidt. Gruss an Louis Armstrong. - Schallplatten Louis Armstrong 4.7.1900 - 6.7.1971 - Verve: Sonderauflage für Merlin Verlag. - Eine Edition, die zum Anlass des 5-jährigen Todestages von Louis Armstrong entstand im Merlin Verlag Hamburg. - Mit Blätter aus der Auflage v. 200, die zum Teil fälschlich mit 222 nummeriert wurden. Abseits der römisch nummerierten Vorzugsausgabe. With 10 prints by various artists and 5 records with recordings by Louis Armstrong. Various techniques, including etchings, hand offset prints in several layers of colour, embossed prints and lithographs each on laid paper. Each signed, numbered a. partly dated and titled. In graphically designed original half-linen case. - 2 sheets slightly soiled on verso, otherwise in a clean and fresh condition. - One of 200 copies 222 GA. With leaves from the edition of 200, some of which were erroneously numbered 222. Off the Roman numbered special edition. - An edition produced on the occasion of the 5th anniversary of Louis Armstrong's death by Merlin Verlag Hamburg. - Includes: Artist and title as described above.
Los 743
Konkrete Kunst Bernard Villers (1939 Brüssel)Portrait of a rice paper. 1990. Farblithographie auf chamoisfarbenem Bütten. 35 x 25 cm (39 x 27,5 cm). Signiert, datiert und nummeriert sowie betitelt. Punktuell auf Unterlage montiert. - Wohlerhalten. Eines von 150 Exemplaren. Colour lithograph on buff handmade paper. Signed, dated, numbered and titled. Spot mounted on backing. - In good condition. - One of 150 copies.
Los 861
Zeitgenössische Kunst Hiroshi Sugimoto (1948 Tokio, Japan)Das Kollier der Jane Seymour. 2000. Multiple aus nickelfreier, versilberter Messinglegierung und Swarowksi Glassteinen. In zugehöriger Schmuckschatulle. Auf beiliegendem Label signiert. Auf dem Medaillon verso die Nummerierung eingraviert sowie zusätzlich auf der Schatulle verso nummeriert. - Partiell mit minimalen Grünspan, dieser kaum auffallend. Insgesamt wohlerhalten. Eines von 100 Exemplaren. - Hg. Deutsche Guggenheim für die Ausstellung "Sugimoto: Portraits", 5.3. - 14.5.2000. - Reproduktion des Kolliers von Jane Seymour, dritte Ehefrau Heinrich VIII. von England, der Ihr dieses schenkte. - In der Ausstellung "Sugimoto: Portraits" setzte sich der Fotograf mit den Portraits historischer Persönlichkeiten aus der Vergangenheit u. Gegenwart als Wachsfiguren bei Madame Tussaud`s auseinander. Er fotografierte u. A. Napoleon Bonaparte, Lady Diana oder Heinrich VIII. Als Konzept des Wechsels der Medien von der Bildfläche der Malerei zur Skulpturalität der Wachsfiguren zur Photographie spielt Sugimoto mit Referenzen der Kunstegschichte. In dieser Lesart entstand zur Ausstellung eine Replik des Colliers, das sich als Original von Jane Seymour zum Bildmotiv bei Hans Holbein d. J. Portrait, zur Nachbildung bei Madame Tussaud`s entwickelte und dann von Sugimoto fotografiert und letztlich tragbares Schmuckstück in Silbertönen als Referenz an Sugimotos zarter Fotografie wurde. Multiple of nickel-free, silver-plated brass alloy, imitations pearls and Swarowksi glass stones. In accompanying jewellery box. Signed on enclosed label. Numbering engraved on the back of the medallion and additionally numbered on the back of the box. - Partially with minimal verdigris, hardly noticeable. Overall in good condition. - One of 100 copies. - Replica of the famous collier Henry VIII. gifted his third wife Jane Seymour. - Published by Deutsche Guggenheim for the exhibition 'Sugimoto: Portraits' in 2000.
Los 194
Indira Flack, photographic portrait of Sir Stirling Moss OBE - 'The greatest driver never to have won the World Championship'the first Chromaluxe of this image produced especially for the inaugural 'Sleeping with Art' event 2021, signed by the artist to the reverse, 762mm x 508mm, ready to hang with caption by Doug Nye and Great British Racing Drivers story behind the picture labels to reverse. Footnotes:Chromaluxe printing uses a process called 'dye sublimation' to fuse images onto metal. The term 'sublimation' describes the transition of a substance (in this case, the special inks) directly from the solid to the gas phase without becoming a liquid first.Moving from Worcestershire to London, Indira Flack worked as a freelance assistant for many leading photographers, where she had the opportunity to learn her craft. Since becoming a freelance photographer, she has photographed a huge variety of people. 'From actors to vicars, artists to Olympians, not to mention 100 plus Great British Racing Drivers.Photography enables me to meet people, go places, experience things I wouldn't normally and all for my job, what could be better than that ?'Great British Racing Drivers' (GBRD) is a unique collection of new photographs celebrating more than 100 of Britain's most iconic and inspirational drivers, past, present and future. From Karting to F1, not all champions but all inspiring in many different ways. Men, women and kids. World Champions, European Champions, British Champions. Knights of the Realm, CBEs, OBEs, MBEs. Dogs, horses and a lightsabre!' GBRD is an on-going project, which began in 2014 with Sir Stirling Moss, John Surtees and Sir Jackie Stewart. Indira's travelled 1000s of miles around the UK to capture more than 100 drivers in settings and locations that link to their motorsport story or illustrate their personalities away from the track. 'I love photographing people and it's been an absolute privilege and pleasure to have photographed these legends of motorsport. With new drivers emerging all the time, GBRD has the potential to keep me busy for years ! My aim is to create an archive for motorsport fans and the general public to enjoy. Who knows it might even inspire a future driver or two?'The new £20M Silverstone Interactive Museum opened by Sir Lewis Hamilton and Prince Harry, featured GBRD as its very first visiting exhibition Oct 2019 - Oct 2021, placing it at the very centre of British motorsport. The inspiration came from photographing at Goodwood Festival of Speed surrounded by these legends of motorsport, and a desire to do something different. This is not the only link to the renowned motorsport event. The event's founder and former advertising photographer, The Duke of Richmond, has written the foreword for the exhibition. 'Indira Flack is a very talented photographer. She has a brilliant way of exposing and exploring what really matters to people. What is evident from these stunning pictures is not only the depth of talent that exists in British motorsport, but also, and perhaps uniquely, the pure enthusiasm there is in this country for our sport. It's obvious too, that everyone involved, including the photographer, hugely enjoyed the whole process and being part of this exciting project.'With personal family experience of dementia, GBRD proudly supports Race Against Dementia by donating a percentage of print sales.For further information on this lot please visit Bonhams.com
Los 2068
ENGLISH SCHOOL, 20TH/21ST CENTURY (9)Portrait of a dog in a ruffoil on canvas29.5 x 24cmtogether with two reproduction prints of monkeys playing musical instruments, 18 x 16.5cm; four reproduction prints from The Manuscript Collection from The Quintessa Art Collection Limited, each 15 x 16cm, (unframed); A reproduction print after Oswald Birley of Sir Winston Churchill, 46 x 40cm; and a print, Firenze Battistero Di San Giovanni, 83 x 59cm(9)
Los 2106
FRANCES FARRER (20TH CENTURY) (4)A topless man lying on the grass below a washing linesigned and dated 'Frances Farrer 88.64' (lower left)oil on board61 x 71cm(unframed)together with two other oils on board possibly by the same hand, Portrait of a woman, signed 'Frances Huson' (lower right), 60 x 51cm; Portrait of a boy in profile, unsigned, 61 x 51cm; and an oil on canvas of a girl holding a cat, unsigned, 61 x 45cm(all unframed)(4)
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283284 Los(e)/Seite