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283287 Los(e)/Seite
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Attributed to John Sell Cotman OWS (1782-1842), Portrait of Henry Hewetson, pencil, the mount inscribed with subject's name in contemporary hand, 31 x 23 cm (12 x 9 in), unframed, Provenance: an album belonging to Hannah Chapman Gurney. Another portrait drawing from the album was sold at Cheffin's, Cambridge, in January 2007
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An early 20th Century framed and glazed photographic portrait of Queen Mary signed in ink to the lower mount and set within a gilded frame decorated with a crown surmount set to a tassel trimmed cushion, bears label verso "Presented to ?....? Jacob by Queen Mary herself while she and the King were in India after their coronation 1911", 45cm x 34cm.
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Nine printers sample prints, A Portrait of Power, Sunlight & Steam, and a The Boat Scene after David Weston, Cutty Sark after C G Wallin, The Bayswater Omnibus 1895 after G W Jay, Neptunes Pride after W Thomas, Witherstock Hall and A Lull in the Battle after Terence Cuneo and one other military scene
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George Frederick Watts, 1863-1919 PORTRAIT OF MISS LILIAN MACINTOSH oil on canvas, framed as an oval 76x63.5cm.; 30x25in. Around 1889 George Frederick and his wife Mary became the legal guardians of a ten-year old girl named Lilian Macintosh, after the death of her father. Mary and George had no children of their own and 'Lily' was a great blessing to the couple, remaining with them until her marriage to Michael Chapman. Several portraits of Lilian by Watts are known to exist including a delicate head at the Walker Art Gallery in Liverpool painted in 1895 and a distantly related sketch at the Watts Gallery. The present painting was made in 1897 and captures a much bolder aspect of the beautiful young lady's appearance, with an unusually colourful background suggestive of the joy she brought to her adopted parents. An oil sketch for this portrait is known (Sotheby's, Belgravia, 23 March 1981, lot 82). A later three-quarter length portrait of Lilian was one of Watts last pictures, painted in 1904 (Mary Watts, George Frederic Watts: Annals of an Artist's Life, MS catalogue of her husband's work, 1912, vol. 2, p.314) and exhibited posthumously at the Winter Exhibition at the Royal Academy in 1905. Lilian Chapman died in 1972 aged ninety three. The present portrait is unusual in that Lilian is posed against a beautiful cobalt sky, her youth and purity emphasised by the healthy suggestion of the outdoors. Provenance Lilian and Michael Chapman; Thence by descent Exhibited Laing Art Gallery, Newcastle-Upon-Tyne, George Frederick Watts Memorial Exhibition, August 1905, no.145 as Miss Lilian Macintosh Literature Stevenson, C. Bernard, Catalogue of the Special Loan Collection of Works by the Late G. F. Watts, R.A., O.M., 1905, p.44
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Pavlos Mathiopoulos, Greek 1876-1956 portrait of despina trikoupi signed oil on canvas 145x94cm.; 57x37in. Mathiopoulos was the premier portrait painter in Greece during the early twentieth-century. His ability to render a flattering likeness in a dynamic, colourful bravura style made his Athens studio a destination of social necessity for cosmopolitan beauties and aspiring ladies of the world. Known for his elegant depictions of men and women, his portraits usually presented the sitter dressed in exotic furs, expensive jewellery and fancy garments. According to Maria Katsanaki "... Mathiopoulos became particularly well known for his portraits. He primarily made use of pastel and, to a lesser degree, oil, having mastered impressionist types, rendered his works with elegance and a tendency to idealize in agreement with the aesthetic of the Belle Epoque" (Maria Katsanaki, in Marina Lambraki-Plaka, ed., Four centuries of Greek Paintings, Athens, 1999, p. 670). Mathiopoulos' initial training was at the School of Fine Arts in Athens under Nikiforos Lytras. He later moved to Paris to study under Jean Josephe Benjamin-Constant and Jules Lefebvre. In 1903 he moved back to Greece where he remained for the rest of his life. Provenance Ioannis Trikoupis, Athens; thence by descent to the present owner
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Drinkwater (John). A History of the Late Siege of Gibraltar; with a Description and Account of that Garrison, from the Earliest Periods, and a Copious Table of Contents, printed from the London Second Edition, by John Whitworth, Dublin, 1793, engraved portrait frontis., folding engraved map, contemp. marbled sheep, joints cracked and extrems. rubbed, 8vo. Ex-libris William Blacker of Carrick with his bookplate and name in ink. (1)
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Rhind (William). A History of the Vegetable Kingdom; embracing the Physiology of Plants, with their Uses to Man and the Lower Animals, 1860, portrait frontis. and addn. engraved title, 19 uncoloured engraved views and 22 hand coloured engraved botanical plates, wood engraved illusts. to text, contemp. half calf, rubbed, together with Plues (Margaret), A Selection of the Eatable Funguses of Great Britain, [1866], 24 hand coloured litho. plates, orig. cloth gilt, worn with defective spine, and two others related, all 8vo (4)
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* Maps & prints. Glasgow, pub. Supplement to the Illustrated London News, March 26, 1864, large hand coloured wood engraved panoramic view, a few marginal nicks, image size 400 x 1030 mm, together with Morden (Robert), Northumberland, Darbyshire, Scotland, Comitatus Rotelandiae, [1695 or later], four hand coloured maps, 365 x 425 mm, plus other maps by Cary, Moule, etc., and miscellaneous prints including 18th century engravings after old masters, mezzotint portrait of a lady after Sir Thomas Lawrence, topographical views, etc. (approx. 50)
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* Prints & engravings, mostly after Old Masters, mainly 18th/early 19th c., including circular etched landscape by Ludovico Matthiolus (1662-1747), an etched profile portrait by Riedel, after Livens, dated 1755, a hand-coloured engraving by Samuel & Nathaniel Buck, of the South View of Ford Abby, Devon, five large etched plates of Shakespearian characters by John Hamilton Mortimer, pub. 1775-76, a sepia stipple engraving after Bartolozzi, and other various etchings, engraved views, etc. (approx. 35)
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* George III & George IV. Large attractive vellum recovery document dated Easter term, in the 8th year of the reign of George III, listing the demands of Edward Dickenson against Michael Barbor for lands etc., in Stone in Stafford, together with another vellum recovery document dated Easter term, in the 9th year of the reign of George IV, listing the demands of John Dawson against Charles Dawson of his rightful inheritance of lands in Holbeck, Yorkshire, both documents with large initial letter portrait of the King, and engraved decorative top border, with large defective Royal wax seals in metal skippets (2)
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Gestel (Cornelius van). Historia Sacra et Profana Archiepiscopatus Mechliniensis; sive Descriptio Archi-Diocesis illius; item Urbium, Oppidorum, Pagorum, Dominiorum, Monasteriorum, Castellorumque sub ea, 2 vols. in 1, Hagae Comitum, apud Christianum van Lom, 1725, half-title present, title-page to vol. 1 printed in red and black, large folding map, thirteen eng. plts., seven of them folding, and nine eng. ports., errata leaf present at the end, some staining in the upper margins, slight dust-soiling, contemp. sprinkled calf, spine gilt, rubbed, joints cracked, folio, Theresa of Avila (Saint), Les Oeuvres de Sainte Therese, Divise'es en Deux Parties, de la Traduction Monsieur Arnauld d'Andilly, 2 parts in 1, Paris, 1696, eng. vign. title and full page eng. portrait of St. Theresa, head-pieces, etc., near-contemp. full calf, rubbed and some wear, joints cracked, 4to, plus other various folios, mostly 17th to 19th c., including Breviarium Benedictinum ex Romano restitutum, Rorschach, 1614, Graduale Monastico-Benedictinum, Brussels, 1784 (title torn with loss), various theological and other dictionaries, including some incomplete sets, all leather-bound or similar, folio. First item: Ex libris John Basil Lowder Tolhurst. (25)
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Missals. Missale Cartusiani ordinis, ex ordinatione capituli generalis, anno domini MDCII celebrati, sub R.P.D. Brunone Daffringues, Paris, 1603, title printed in red and black, with eng. full length portrait of St. Bruno, cropped to top margin, just touching first word of title, text printed in red and black throughout, numerous large woodcut initials, one or two minor repairs, contemp. calf, worn with portion missing to head and foot of spine, string showing, folio, together with Caeremoniale Episcoporum iussu Clementis VIII Pont. Max. reformatum, Paris, 1633, eng. title (a little soiled and marginal marks), printed in red and black throughout, numerous engraved illusts., initials, etc., contemp. calf, some wear, mainly to edges and extrems., folio, plus five other folios, similar, including Missale Romanum, Rome, 1662, Missale Sanctae Ecclesiae Trecensis, ed. J. B. Bossuet, 1736 (bound in attractive 19th c. gilt dec green full morocco), and a manuscript Officium Septem Dolorum B. M. Virginis ad vesperas Antiphona, dated 1773 (7)
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Raffald (Elizabeth). The Experienced English Housekeeper, for the Use and Ease of Ladies, Housekeepers, Cooks, &c. Wrote Purely from Practice, and Dedicated to the Hon. Lady Elizabeth Warburton, Whom the Author Lately Served as House-Keeper: Consisting of Near Eight Hundred Original Receipts, Most of Which Never Appeared in Print..., 2nd ed., 1771, signed by the author on p.1, title-page re-margined at gutter, three folding eng. plts., incl. one of a stove, and two of table settings (one with closed tear repaired to verso), final index leaf and ad. leaf at rear (with tear repaired to verso) both re-margined at gutter, recent calf, matching morocco labels to spine, 8vo. Maclean, p.121. One of the scarcer editions, and seemingly one of the few not to have a frontispiece portrait of the author. (1)
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283287 Los(e)/Seite