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283284 Los(e)/Seite
Los 383
1914 PRINCESS MARY TIN & CONTENTS. A 1914 Princess Mary Christmas Fund tin with all original contents. Contains: packet of tobacco (unopened), packet of cigarettes (opened with six remaining), 'bullet' pencil (unused) & Princess Mary portrait & greetings card in envelope (undamaged). Tin is in virtually mint condition, clean, no significant scratches, no rust, one very tiny dent to lid.
Los 90
A Royal Doulton white monochrome figure of a standing Victorian girl, 21 cm. high; together with eight small portrait busts of British Soldiers, mostly wearing 19th Century dress, each one about 9 cm. high with underglaze blue, Coronet/K Rudolstadt-style mark (9) Condition Report Please note that this is a group lot where condition may vary from object to object. No easily apparent areas of significant deterioration.
Los 902
A WWI trio to 1862 Pte F Geer, Sussex Yeomanry comprising 1914/15 Star; 1914/18 British War Medal; Victory Medal (both as Act. Sjt.) to/w the soldiers dog tags, Sussex Yeomanry collar insignia, R.A. cap badge and a Lusitania medallion to/w a framed photo portrait of the recipient and a further group Yeomanry portrait, presumably taken in France
Los 379
Arte Indiana. Equestrian portrait of a nobleman (Thakur?) India, Marwari painting, Jodhpur, Rajasthan, late 18th century Natural pigment and gold on paper . Miniature depicting a noble riding a horse, following part of the court, on a monochromatic green background, decorated by some small flowers in the bottom part. The feather flabellum indicates his noble origin, but there are no regal insignia making an identification possible. The style of the painting is typical of Marwar; for reference see Rosemary Crill, Marwar Painting, A history of the Jodhpur style, 2009. . Cm 22,40 x 32,70.
Los 383
Arte Indiana. Portrait of Jahangir Southern India, Southern Sultanate, possibly Bijaipur, 17th century Natural pigment and gold on paper. Fine portrait of imperial style, ascribable to the tradition of the Southern sultanates, depicting the emperor Jahangir sitting on the throne in conversation with two nobles. At his back is an attendant with a fly-whisk. The bright sky characterizes most of the background, with the exception of two green trees behind a white railing separating nature from the rich architecture, depicted as is often the case with the use of multiple perspective. The richness of the miniature is suggested by the abundance of details, by the excellent making and the copiousness of gold. The painting was attributed to the southern sultanates also in consideration of the fact that the facial features of the emperor differ slightly from the one typical of the courts of Agra and Delhi. A writing in Persian at the base of the throne identifies him as Jahangir. Beautiful illumination with swirling golden arabesques on a blue background on the margins. For reference, a similar item is the album page sold by Christie’s in October 2015 (sale 10386 lot 164). . Cm 15,00 x 23,00.
Los 16
Paget (J. Otho) Hunting, 8vo, green cloth gilt, portrait, plates, 1900; Beckford (P.) Thoughts on Hunting, 8vo, cloth, frontispiece & plates, 1899; Forbes (W. B.) "Hounds, Gentlemen Please!", 8vo, cloth, frontispiece & plates, 1910; Hayes (H.) Riding and Hunting, 8vo, cloth, frontispiece & illustrations, 1910. (4)
Los 149
Attributed to Clement Burlison (1815-1899) A portrait of a lady seated in a red upholstered chair; and a similar portrait of a gentleman wearing a brown velvet-trimmed coat standing against a crimson drape one with inscription verso oil on canvas 88.5 x 73cms; 34 3/4 x 28 3/4in. (2) See illustration
Los 111
*Scotland, Mary Queen of Scots (1542-67), uniface bronze medal, undated, by Jacopo Primavera (later 16th century, working in France), maria stovvar regi scot angli, bust of Mary right wearing cap and veil, signed behind bust, ia primave, 66.5mm (Jones I, 159; MI 118/52; Cochran Patrick 14/17 and pl. 1, 12; Mazerolle 300), very fine old cast with brown patina, very rare. Ex Spink, 26 March 2008, lot 2. For a portrait testoon of Mary Queen of Scots see lot 715.
Los 32
*Ermes Flavio de Bonis called Lysippus the Younger (fl. 1470-84), Raffaello Maffei da Volterra, as Apostolic scriptor (1466-76), bust left in cap and gown, rev., Maffei addressing an old woman, 82.5mm (Hill 797; Arm. II, 52, 24; Pfisterer A.2), very fine old cast taken from a pierced example [Clifford 62]. In a document of 1506 Maffei mentioned that the medallist known as Lysippus the Younger was a nephew of the Mantuan medallist Cristoforo di Geremia. More recently Lysippus the Younger has been identified as Ermes Flavio de Bonis, a medallist in Rome who mainly made portrait medals of his circle of friends within the Papal curia. A very similar example to the present medal was in the Gaines collection sold in these rooms, 8 December 2005, lot 9.
Los 38
*Jacopo da Trezzo (c. 1514-89), Mary Tudor, Queen of England (1553-58), silver medal, bust left wearing elaborately embroidered gown, a brooch with pendant pearl at her breast and a cap adorned with jewels; signed below, iac trez, rev., cecis visvs timidis qvies, figure of Peace seated on throne, setting fire to a pile of arms laid before her; below the throne are a cube with two clasped hands on one of its sides and a pair of scales (representing Stability, Unity and Justice); to the left are suppliant figures beset by a storm; to the right are other figures and a round temple (representing the Catholic Church) 64.7mm (Attwood 80; MI I, 72, 20; Arm I, 241, 3; Pollard Bargello 725 = Vannel & Toderi 469; Middeldorf & Steibral pl. 72), the fields chased, an extremely fine early cast with grey toning [ex Clifford collection]. Ex Robert O’Connor, George Street, London, 1960s. Known as the State of Britain medal this was Trezzo’s finest medallic work and Mary’s image isvery close to the portrait painting of the queen by Antonis Mors made around the same time as the medal, in 1554. The Latin reverse inscription translates as “sight to the blind, tranquillity to the fearful”. Examples are most commonly found in bronze but silver specimens exist, most notably those of the Bargello, Florence and the ex Chigi piece recorded by Middeldorf & Steibral. A gold specimen is in the British Museum and another formed part of the Stack collection, sold in these rooms, 9 December 2009, lot 136.
Los 382
*Edward VI (1547-51), First Period, Tower I mint, half-sovereign, m.m. arrow on both sides, obv., portrait of Edward enthroned, issued in the name of Henry VIII with legend henric’ 8 d g angl franc z hiber rex, large pierced lozenge stops, rev., crowned shield with supporters, ihs avtem transiens per medivm illor ibat, trefoil (or broken saltire) stops, 6.28g (cf Schneider 644-5, var.; N. 1865; S. 2391), weakly struck in places, about very fine
Los 47
*The Master F.V., Duarte, 5th Duke of Guimaraes (1541-76) and nephew of King John III of Portugal, bronze-gilt medal, half-length portrait left in armour, holding baton and helmet; signed below right arm, f.v., rev., Athena standing left, holding spear, olive branch and shield (by Bombarda), 68mm (Arm. III, 99, A; Lamas 2 (an electrotype); cf. Attwood 655), pierced, an old cast with later incised inscriptions [Clifford lot 132]. Ex Jacques Schulman, Amsterdam, Auction 161, 31 October 1927, lot 19. The reverse is by the Emilian artist Bombarda (as Arm. III, 95, C) and does not belong to the obverse. Nevertheless, as a mule, Armand cited an example in the Royal Coin Cabinet in Parma so the combination of obverse and reverse is known. However, the present medal has been intriguingly adapted at a later date so as to pretend to depict King Edward V of England (the elder of the two “Princes in the Tower”) who reigned for two months in 1483 between the death of his father Edward IV and the crowning of his uncle Richard III. The baton held by the sitter is incised r.a. regnavit menses ii (“He reigned for two months as King of England”), the bust itself is incised aet xiii (“aged 13”, Edward V’s age when king) and on the helmet there is the date ann. 1483. With renewed interest in the English monarchy following the Restoration and the discovery of children’s bones in the Tower of London in 1674 which were assumed to be those of the princes (and are buried in Westminster Abbey) it is tempting to believe that someone at that time (or of course later) created this medal out of one with a very appropriate obverse inscription and with a portrait of a young prince - but as the portrait shows, not young enough!
Los 58
*Gaspare Mola (1567-1640), Cosimo II de’ Medici, 4th Grand Duke of Tuscany (1609-21), lead medal, 1610, young bust right, rev., Grand Ducal coronet and sceptre with the Medici balls, 40mm (cf. Pollard Bargello 461 = Vannel & Toderi 64-65 in gold), pierced, very fine and rare [Clifford lot 92]. The reverse design is copied from an earlier Medici medal by Michele Mazzafirri. Mola’s head of the young Cosimo influenced the portrait medal by Dupré of 1613 and, later on, Selvi’s version from the Medici series made in the 18th century.
Los 669
*William III (1694-1702), crown, 1695 OCTAVO, first laureate and draped bust right, rev., crowned cruciform shields, Lion of Nassau at centre, date above, lettered edge reads OCTAVO (E.S.C. 87; Bull 991; S.3470), attractively light tone, two small flaws to rim and light haymarking as struck, a few tiny marks to cheek of portrait and faint adjustment marks, otherwise practically as struck, with underlying lustre
Los 715
*Scotland, Mary Queen of Scots (1542-67), portrait testoon, 1553, type I, first period (1542-58), before marriage to the Dauphin François (II), crowned bust right, rev., da pacem domine 1553, crowned shield flanked by cinquefoils, 4.84g (S. 5401; St. 166; Burns I, fig. 780; Richardson 1), flan split and creased, otherwise about very fine and very rare. Ex Spink, 26 September 2012, lot 620. See also the portrait medal included in this sale, lot 111.
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283284 Los(e)/Seite