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AUGUSTUS EDWIN JOHN, OM, RA (1878 - 1961) - Portrait of Alick Schepeler, pencil, signed "John" bottom left and titled "Alick Schepeler" 18cms x 14cms Augustus John met Alexandra (Alick) Schepeler whilst she was a secretary at The Illustrated London News in 1906, he made many fine drawings of her in 1906-7, next to Dorelia, she became his favourite model. She fascinated him and she became his mistress. He mentions his feelings for her in his autobiography Chiaroscuro "I was at this time principally occupied in drawing and painting a subject, Alick Schepeler, to whose strange charm I had bowed. I made many drawings of Miss Schepeler…..". Dorelia was jealous of this relationship and after John’s wife Ida died in 1907; she insisted that John give her up. Alick continued her rather Bohemian life and became the mistress of W B Yeates for a time.There are portraits of Alick Schepeler in the Fitzwilliam Museum, Cambridge and Manchester City Art Gallery.PROVENANCEAlick Schepeler was friendly with a Sylvia Mason, they met at the Illustrated London News and remained good friends until Alick died. . Sylvia Mason married into the Beaufort Palmer family, she and her husband mixed with many artists from the New English Art Club this included John and also George Percy Jacomb-Hood and Robert Charles Goff. Towards the end of her life, Alick gave Sylvia a number of drawings and personal letters by John, the following two drawings have come by descent through the family.
AUGUSTUS EDWIN JOHN, OM, RA (1878 - 1961) - Portrait of a Woman wearing a hat (Alick Schepeler), pencil, unsigned, 34cms x 25cms together with a print again of Alick wearing a wide brimmed hat (2) Augustus John met Alexandra (Alick) Schepeler whilst she was a secretary at The Illustrated London News in 1906, he made many fine drawings of her in 1906-7, next to Dorelia, she became his favourite model. She fascinated him and she became his mistress. He mentions his feelings for her in his autobiography Chiaroscuro "I was at this time principally occupied in drawing and painting a subject, Alick Schepeler, to whose strange charm I had bowed. I made many drawings of Miss Schepeler…..". Dorelia was jealous of this relationship and after John’s wife Ida died in 1907; she insisted that John give her up. Alick continued her rather Bohemian life and became the mistress of W B Yeates for a time.There are portraits of Alick Schepeler in the Fitzwilliam Museum, Cambridge and Manchester City Art Gallery.PROVENANCEAlick Schepeler was friendly with a Sylvia Mason, they met at the Illustrated London News and remained good friends until Alick died. . Sylvia Mason married into the Beaufort Palmer family, she and her husband mixed with many artists from the New English Art Club this included John and also George Percy Jacomb-Hood and Robert Charles Goff. Towards the end of her life, Alick gave Sylvia a number of drawings and personal letters by John, the following two drawings have come by descent through the family.
MINNIE JANE HARDMAN (nee SHUBROOK) b.1867 - Portrait of a young woman, head and shoulders, wearing a white dress with velvet collar, signed M J Shubrook 1886, oil on canvas, 38cms x 30cms This is an early work by Hardman before she married, hence the signature, she studied at RA Schools and was a portrait and flower painter
A Chinese ivory portrait miniature, by Yee Cheong, c. 1887, the ivory sheet finely painted from a photograph in watercolours, with an attractive young girl, warped, 9.5cm x 14cm contemporary silk case, with applied label later inscribed 'Hong Kong April 1887'. Visit www.sworder.co.uk for larger image and condition reports.
Allan Ramsay (1713-1784) and Studio. Portrait of Charles Powlett, Fifth Duke of Bolton. Three quarter length standing wearing Garter robes and holding his coronet. Oil on canvas. 126cm x 100cm. Provenance: The Rt. Hon. the Lord Bolton. British Paintings 1500-1850, Sotheby's London, July 9th 1986, Lot 45. Visit www.dnfa.com for condition reports.
Sir William Beechey (1753-1839). Portrait of Mary Ann Hutton, holding a dove. Oil on canvas. Signed with intials and dated 1801 lower right. 74.5cm x 62cm. Provenance: with Frost and Reed, stock No. 24451. Exhibited: (possibly) Royal Academy of Arts, 1803, No. 11 as Miss Halton. The sitter married the Rev. Williams Walford and died circa 1875. This lot is sold with an engraving of the composition. Visit www.dnfa.com for condition reports.
Nine watercolour and pencil designs by Dodo Burgner, female figure designs and stylised portraits, one a stylised portrait with a poodle variously annotated, one signed Wolff, one signed Dodo illustrated image 26.5 x 20cm (sheet). The signature of Wolff refers to her maiden name of Dodo Wolff, she appears to be the daughter of Theodore Wolff, the art critic and editor of Ulk magazine.
A blue Jasperware oval portrait plaque, of a young man in profile, possibly John Philip Kemble, wearing a long wig and ruffled shirt, unmarked, late 18th century, 10.5cm. John Philip Kemble (1757-1823) was an actor, and later manager of the Theatre Royal, Covent Garden; the destruction of which by fire in 1808 almost led to his ruination.
A Meissen model of the lace maker Barbara Uttman, by J.F. Eberlein, resting her lacemaking pillow on her knee, her hands deftly manipulating the bobbins thereon, traces of a crossed swords mark, restoration to one foot and both hands, c.1745, 12cm. Barbara Uttman (1514-1575) established the lacemaking industry in her home town of Annaberg, Germany. Her tombstone credits her with the invention of bobbin lacemaking in 1561.. Provenance: Bought in 1953 from Marden King, Kingsworthy. Cf. Len and Yvonne Adams, Meissen Portrait Figures, pl. XLVII.
A Sèvres cabinet cup, painted with a circular portrait panel of Mademoiselle de Lavallière, within an elaborate gilt scroll panel on a bleu de Roi ground, the handle modelled as a mythical beast, biting the rim, various marks including printed decoration mark and date code for 1830, some good restoration to the handle, 11cm. Cf. B G C Yale, The Sèvres Porcelain Manufactory, p.276 for the same shape.
By direction of the Sudbury Museum Trust: Enoch Fairhurst, (1874-1945), Miniature portrait of Mrs Mary Sharpe, wearing a blue coat with fur collar, signed, watercolour, contained in brown leather easel case with folding hinged lids and brown velvet lining. Mrs Sharpe was born Mary Ann Freeman in Haverhill, Suffolk in 1848 and died at Ferring in Sussex in 1930. Visit www.sworder.co.uk for larger image and condition reports.
Of Wolverton House interest,a Wolverton House Cellar book for 1857, a velum bound Labor Account book, for S.R. Harrison Esqre. Wolverton Farm, 1871, together with a companion photograph album showing family, house etc, a Harrison Family Coat of Arms hand illuminated document and an extensive hand illuminated Harrison family tree, and a pastel portrait of a young girl on French exhibition grade paper. Visit www.sworder.co.uk for larger image and condition reports.
Daniel Orme, (1766-c.1832), Portrait of Dr Adam Clarke, (c.1762-1832), oil on panel, titled and with artist's name on label verso, 13 x 9.5cm. Dr Adam Clarke was a Methodist theologian, born at Moybeg, Kilcronaghan, Co. Londonderry, Northern Ireland, and educated at Kingswood School near Bristol. He wrote extensively on many subjects, including theology and Oriental languages, but was best known for his Bible Commentary published between 1810 and 1826. Visit www.sworder.co.uk for larger image and condition reports.

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