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Los 549

STUDIO OF SIR JOSHUA REYNOLDS (BRITISH 1723-1792). PORTRAIT OF MRS RICHARD BENNETT IN CLASSICAL DRESS. Oil on canvas, 61cm x 41cm (24in x 16in). Note:In an 18th century carved wood frame

Los 556

CIRCLE OF JAMES MAUBERT (BRITISH 1666-1746). FULL LENGTH PORTRAIT OF A YOUNG GIRL HOLDING A POSY. Oil on canvas. 102cm x 82cm (40in x 32.25in)

Los 18

A Victorian gold metal and rock crystal locket having hair back and convex front containing a photographic portrait and together with a gold metal locket set with turquoise and pearls, converted to a brooch (2)

Los 238

AUGUSTUS EDWIN JOHN, OM, RA (1878 - 1961) - Portrait of Alick Schepeler, pencil, signed "John" bottom left and titled "Alick Schepeler" 18cms x 14cms Augustus John met Alexandra (Alick) Schepeler whilst she was a secretary at The Illustrated London News in 1906, he made many fine drawings of her in 1906-7, next to Dorelia, she became his favourite model. She fascinated him and she became his mistress. He mentions his feelings for her in his autobiography Chiaroscuro "I was at this time principally occupied in drawing and painting a subject, Alick Schepeler, to whose strange charm I had bowed. I made many drawings of Miss Schepeler…..". Dorelia was jealous of this relationship and after John’s wife Ida died in 1907; she insisted that John give her up. Alick continued her rather Bohemian life and became the mistress of W B Yeates for a time.There are portraits of Alick Schepeler in the Fitzwilliam Museum, Cambridge and Manchester City Art Gallery.PROVENANCEAlick Schepeler was friendly with a Sylvia Mason, they met at the Illustrated London News and remained good friends until Alick died. . Sylvia Mason married into the Beaufort Palmer family, she and her husband mixed with many artists from the New English Art Club this included John and also George Percy Jacomb-Hood and Robert Charles Goff. Towards the end of her life, Alick gave Sylvia a number of drawings and personal letters by John, the following two drawings have come by descent through the family.

Los 239

AUGUSTUS EDWIN JOHN, OM, RA (1878 - 1961) - Portrait of a Woman wearing a hat (Alick Schepeler), pencil, unsigned, 34cms x 25cms together with a print again of Alick wearing a wide brimmed hat (2) Augustus John met Alexandra (Alick) Schepeler whilst she was a secretary at The Illustrated London News in 1906, he made many fine drawings of her in 1906-7, next to Dorelia, she became his favourite model. She fascinated him and she became his mistress. He mentions his feelings for her in his autobiography Chiaroscuro "I was at this time principally occupied in drawing and painting a subject, Alick Schepeler, to whose strange charm I had bowed. I made many drawings of Miss Schepeler…..". Dorelia was jealous of this relationship and after John’s wife Ida died in 1907; she insisted that John give her up. Alick continued her rather Bohemian life and became the mistress of W B Yeates for a time.There are portraits of Alick Schepeler in the Fitzwilliam Museum, Cambridge and Manchester City Art Gallery.PROVENANCEAlick Schepeler was friendly with a Sylvia Mason, they met at the Illustrated London News and remained good friends until Alick died. . Sylvia Mason married into the Beaufort Palmer family, she and her husband mixed with many artists from the New English Art Club this included John and also George Percy Jacomb-Hood and Robert Charles Goff. Towards the end of her life, Alick gave Sylvia a number of drawings and personal letters by John, the following two drawings have come by descent through the family.

Los 240

An early 20th Century pastel portrait of a young boy, indistinctly signed and dated 1908, 31.5cms x 25cms together with W MORGAN - a portrait of a young man, charcoal and chalk, signed, 36cms x 27cms (2)

Los 241

GEORGE PERCY JACOMB-HOOD (1857 - 1937) - Portrait of a Lady, half length, pencil, signed and dated 1912 in oval wooden frame, 28cms x 22cms max together with a photograph of the same lady in Court dress in a gilt gesso frame (2)

Los 243

REG GAMMON (1894 - 1997) - Portrait of Betty Knitting (Betty was Reg Gammon's wife) c.1930, watercolour and crayon, unsigned, titled on the reverse, 31.5cms x 25.5cms

Los 256

MINNIE JANE HARDMAN (nee SHUBROOK) b.1867 - Portrait of a young woman, head and shoulders, wearing a white dress with velvet collar, signed M J Shubrook 1886, oil on canvas, 38cms x 30cms This is an early work by Hardman before she married, hence the signature, she studied at RA Schools and was a portrait and flower painter

Los 260

19TH CENTURY CONTINENTAL SCHOOL - Portrait of a Young Girl wearing a headscarf, holding a vase of flowers, oil on panel, unsigned, 49cms x 41cms in original gilt gesso frame

Los 208

A Chinese ivory portrait miniature, by Yee Cheong, c. 1887, the ivory sheet finely painted from a photograph in watercolours, with an attractive young girl, warped, 9.5cm x 14cm contemporary silk case, with applied label later inscribed 'Hong Kong April 1887'. Visit www.sworder.co.uk for larger image and condition reports.

Los 67

Ambrose McEvoy (1878-1927). Portrait of a young girl. Watercolour and pencil. 47cm x 34cm. Provenance: with Spink. Visit www.dnfa.com for condition reports.

Los 73

Sir Jacob Epstein (1880-1959). Portrait of a child. Pencil. Signed lower right. 55cm x 44cm. Visit www.dnfa.com for condition reports.

Los 83

Dod Procter (1891-1972). Portrait of a lady. Pencil. Signed lower left. 60cm x 48cm. Visit www.dnfa.com for condition reports.

Los 85

English School (20th century). A group of assorted portrait and figure studies. Pencil. All unframed. Various sizes (qty). Visit www.dnfa.com for condition reports.

Los 93

Arthur Henry Knighton Hammond (1875-1970). Portrait study of two girls. Watercolour and gouache. Signature lower right. 54cm x 75cm. Visit www.dnfa.com for condition reports.

Los 95

Robert Buhler (1916-1989). Portrait study of a girl. Coloured chalks. Signed lower right. 36cm x 26.5cm. Visit www.dnfa.com for condition reports.

Los 96

George Butler (20th century). Portrait of a young lady, seated. Watercolour and pencil. Signed and dated 1961 lower right. 35.5cm x 19.5cm. Visit www.dnfa.com for condition reports.

Los 203

John Ward (20th century). Portrait of a young girl. Head and shoulders. Oil on board. Signed upper right. 45cm x 32cm. Together with a further 20th century portrait study in the manner of Bernard Dunstan. (2). Visit www.dnfa.com for condition reports.

Los 204

Howes (20th century). Portrait of a young woman, possibly the young Elizabeth Taylor. Oil on canvas. Signed lower left. 53cm x 43cm. Visit www.dnfa.com for condition reports.

Los 205

Philip Naviasky (1894-1982). Portrait of a young girl. Head and shoulders. Oil on board. Signed lower right. 50cm x 40cm. Visit www.dnfa.com for condition reports.

Los 207

Norman Hepple (1908-1994). Portrait of a brother and sister. Three quarter length. Oil on canvas. Signed lower left. 88cm x 67cm. Visit www.dnfa.com for condition reports.

Los 210

Henryk Gotlib (1890-1966). Portrait of the artist's wife. Half length. Oil on canvas. Signed lower left. 86cm x 60cm. Visit www.dnfa.com for condition reports.

Los 212

Manner of Augustus John. Portrait of a lady. Head and shoulders. Oil on canvas. 51cm x 41cm. Visit www.dnfa.com for condition reports.

Los 214

Manner of Sir William Rothenstein. Portrait of a young woman. Half length seated. Oil on canvas. 74cm x 59cm. Visit www.dnfa.com for condition reports.

Los 223

Clifford Hall (1904-1973). Portrait study of a crouching woman. Oil on board. Signed lower right. 56cm x 23cm. Visit www.dnfa.com for condition reports.

Los 226

'Cathy' Grant (20th century). Portrait of a young woman. Half length. Oil on canvas. Signed and dated 10/68 upper left. 92cm x 91cm. Visit www.dnfa.com for condition reports.

Los 227

John Bratby (1928-1992). Portrait of a lady. Oil on canvas. Signed and dated '77 lower left. 50.5cm x 76cm. Visit www.dnfa.com for condition reports.

Los 304

Circle of Sir Martin Archer Shee. Portrait of a gentleman. Head and shoulders. Oil on panel. In a painted oval. Unframed. 73cm x 60cm. Visit www.dnfa.com for condition reports.

Los 307

After El Greco. Portrait of St. James. Oil on canvas. 76cm x 61cm. Visit www.dnfa.com for condition reports.

Los 311

Circle of Cranke. Portrait of a lady. Full length with a spaniel. Oil on canvas. 198cm x 134cm. Visit www.dnfa.com for condition reports.

Los 314

English School (17th century). Portrait of a boy. Full length with a parakeet. Oil on panel. 111cm x 80cm. Visit www.dnfa.com for condition reports.

Los 315

English School (19th century). Portrait of a Naval officer wearing the Order of The Bath. Oil on canvas. 75cm x 61.5cm. Visit www.dnfa.com for condition reports.

Los 316

Circle of Hoppner. Portrait of a young girl. Half length seated in a landscape. Oil on canvas. 116cm x 89cm. Visit www.dnfa.com for condition reports.

Los 317

Allan Ramsay (1713-1784) and Studio. Portrait of Charles Powlett, Fifth Duke of Bolton. Three quarter length standing wearing Garter robes and holding his coronet. Oil on canvas. 126cm x 100cm. Provenance: The Rt. Hon. the Lord Bolton. British Paintings 1500-1850, Sotheby's London, July 9th 1986, Lot 45. Visit www.dnfa.com for condition reports.

Los 318

Sir William Beechey (1753-1839). Portrait of Mary Ann Hutton, holding a dove. Oil on canvas. Signed with intials and dated 1801 lower right. 74.5cm x 62cm. Provenance: with Frost and Reed, stock No. 24451. Exhibited: (possibly) Royal Academy of Arts, 1803, No. 11 as Miss Halton. The sitter married the Rev. Williams Walford and died circa 1875. This lot is sold with an engraving of the composition. Visit www.dnfa.com for condition reports.

Los 629

Six gouache on card fashion designs by Dodo Burgner a nude gouache design and a charcoal portrait one signed Dodo one annotated DW, illustrated design 35 x 28cm.

Los 642

Nine watercolour and pencil designs by Dodo Burgner, female figure designs and stylised portraits, one a stylised portrait with a poodle variously annotated, one signed Wolff, one signed Dodo illustrated image 26.5 x 20cm (sheet). The signature of Wolff refers to her maiden name of Dodo Wolff, she appears to be the daughter of Theodore Wolff, the art critic and editor of Ulk magazine.

Los 725

An unusual Omar Ramsden silver and Limoges enamel salver circular with pinched rim, the well with circular pre- raphaelite maiden portrait, signed LC stamped marks OR London 1918, 13cm. diam.

Los 81

A rare English porcelain coffee can, probably Coalport, painted with an artist's palette and brushes between a wide band of fuchsia, titled 'Romney' in tight bands of pink roses, c.1800, 9cm. The name on this can probably relates to the portrait painter, George Romney (1734-1802).

Los 115

A blue Jasperware oval portrait plaque, of a young man in profile, possibly John Philip Kemble, wearing a long wig and ruffled shirt, unmarked, late 18th century, 10.5cm. John Philip Kemble (1757-1823) was an actor, and later manager of the Theatre Royal, Covent Garden; the destruction of which by fire in 1808 almost led to his ruination.

Los 120

A James Tassie glass roundel, of Victory on the prow of a ship, two Wedgwood Jasperware medallions of Classical figures, a black basalt medal titled 'Intrepidite de Cesar', and a white bisque portrait medal of Louis XV, 2nd half 18th century and later, 6.3cm max. (5)

Los 210

A Meissen model of the lace maker Barbara Uttman, by J.F. Eberlein, resting her lacemaking pillow on her knee, her hands deftly manipulating the bobbins thereon, traces of a crossed swords mark, restoration to one foot and both hands, c.1745, 12cm. Barbara Uttman (1514-1575) established the lacemaking industry in her home town of Annaberg, Germany. Her tombstone credits her with the invention of bobbin lacemaking in 1561.. Provenance: Bought in 1953 from Marden King, Kingsworthy. Cf. Len and Yvonne Adams, Meissen Portrait Figures, pl. XLVII.

Los 211

A Sèvres cabinet cup, painted with a circular portrait panel of Mademoiselle de Lavallière, within an elaborate gilt scroll panel on a bleu de Roi ground, the handle modelled as a mythical beast, biting the rim, various marks including printed decoration mark and date code for 1830, some good restoration to the handle, 11cm. Cf. B G C Yale, The Sèvres Porcelain Manufactory, p.276 for the same shape.

Los 212

A pair of Sèvres-style small câchepots, the sides painted alternately with portrait medallions and large gilt and jewelled motifs on a cobalt blue ground, pseudo interlaced Ls marks, 19th century, slight damage and restoration, 11.4cm. (2)

Los 228

A Vienna coffee can, painted with the Murder of Agamemnon after Pierre-Narcisse Guérin, on a lavish and gilded polychrome enamel ground, and three Sèvres-style coffee cans, two decorated with portrait panels on jewelled grounds, one with a marine landscape, all 19th century, 10cm max. (4)

Los 876

A collection of etchings by Guy Worsdell, mainly still life groups with pots, one a portrait of Michael Cardew potting most annotated in pencil Cardew image 14 x 9 cm.

Los 73

By direction of the Sudbury Museum Trust: Enoch Fairhurst, (1874-1945), Miniature portrait of Mrs Mary Sharpe, wearing a blue coat with fur collar, signed, watercolour, contained in brown leather easel case with folding hinged lids and brown velvet lining. Mrs Sharpe was born Mary Ann Freeman in Haverhill, Suffolk in 1848 and died at Ferring in Sussex in 1930. Visit www.sworder.co.uk for larger image and condition reports.

Los 128

Of Wolverton House interest,a Wolverton House Cellar book for 1857, a velum bound Labor Account book, for S.R. Harrison Esqre. Wolverton Farm, 1871, together with a companion photograph album showing family, house etc, a Harrison Family Coat of Arms hand illuminated document and an extensive hand illuminated Harrison family tree, and a pastel portrait of a young girl on French exhibition grade paper. Visit www.sworder.co.uk for larger image and condition reports.

Los 157

Continental School (early 20th Century), Portrait of an officer, watercolour, 15 x 12cm oval. Visit www.sworder.co.uk for larger image and condition reports.

Los 167

Augustus Leopold Egg, (1816-1883), Portrait of a lady, with swept back hair, signed Egg R.A., pencil and coloured chalk, 25 x 20.5cm. Visit www.sworder.co.uk for larger image and condition reports.

Los 170

Octavius Oakley (1800-1867), Portrait of a young woman standing before a window, a landscape beyond, three-quarter length, signed and dated 1861, watercolour, 50 x 33cm (in arch top mount). Visit www.sworder.co.uk for larger image and condition reports.

Los 193

18th Century School, Portrait of a monk, in white robes, holding a rosary, oil on panel, indistinctly inscribed with ink and dated "Anno 1765" verso, 25 x 19cm oval. Visit www.sworder.co.uk for larger image and condition reports.

Los 205

After Thomas Gainsborough, (1727-1788), Portrait of Mary, Countess Howe, oil on canvas, 90 x 59cm. Visit www.sworder.co.uk for larger image and condition reports.

Los 206

English Primitive School, (19th Century), Portrait of a gentleman, seated at a table, his hand resting on a letter, oil on canvas, 49 x 39cm. Visit www.sworder.co.uk for larger image and condition reports.

Los 207

Daniel Orme, (1766-c.1832), Portrait of Dr Adam Clarke, (c.1762-1832), oil on panel, titled and with artist's name on label verso, 13 x 9.5cm. Dr Adam Clarke was a Methodist theologian, born at Moybeg, Kilcronaghan, Co. Londonderry, Northern Ireland, and educated at Kingswood School near Bristol. He wrote extensively on many subjects, including theology and Oriental languages, but was best known for his Bible Commentary published between 1810 and 1826. Visit www.sworder.co.uk for larger image and condition reports.

Los 215

Continental School, (early 19th Century), Three quarter length portrait of a gentleman in red robes, in an interior, oil on canvas, 125 x 99cm. Visit www.sworder.co.uk for larger image and condition reports.

Los 215

Three Victorian photograph albums, two with embossed green leather covers, containing a quantity of portrait images.

Los 222

A pair of late 19th century continental porcelain plates, each decorated with a photographic portrait

Los 123

A Dutch copper bed warming pan the hinged pierced cover embossed with profile portrait and foliate, 34cm diameter and a salver (2)

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