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283287 Los(e)/Seite
Los 1039
Gladys Letcher - head and shoulders portrait of a child, graphite with water and body colour, signed lower right, 23x15cmAlthough we cannot be certain that this is the same artist, a Gladys Letcher was a member of the Suffrage Atelier and drew several notable postcards for the Women's Suffrage Movement.
Los 638
Theodore Major (British, 1908-1999) - 'Old Woman'Oil on canvas, signed and dated 1948 verso, also bears old typed label verso 'The Arts Council of Great Britain, some Lancashire artists exhibition, Theodore Major 23. Old Woman, also bears handwritten presentation inscription from artist to vendors aunt, approx 65x55cm, framed.NB: 1948 Theodore Major was taking art classes for students at The Windmill, Haigh Hall, Wigan, Major noticed a elderly lady watching him paint from her cottage door, by repute this is a portrait of that lady.Provenance: Gifted by artist to the vendors aunt thence by descent.
Los 12
Roman, ca. 1st to 3rd century CE. A breathtaking cameo with a high-relief bust of a young Alexander wearing a Herakles knotted lion skin tied at the neck, in a 3/4 pose, cast and cut from opaque white glass, with a finely delineated visage of naturalistic features, and a mesmerizing curly coiffure, applied to a stunning deep blue glass roundel. So elegant, presenting a poignant portrait of this legendary figure, replete with pristine technique and the utmost artistry. Size: 1.375" in diameter (3.5 cm) Provenance: Ex-private east coast, USA collection, Ex-Harlan Berk, Chicago Condition: Well-executed repairs to portrait bust and roundel, losses as shown. Minor restoration to areas of the portrait. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #118955
Los 141C
Marcantonio Raimondi (Italian, 1480 - 1527), "Ecce Homo" (Bartsch 603 i/iii) old master engraving, ca. 1505 to 1511 CE. An exceptional engraving by Marcantonio Raimondi (1480-1527) after Albrecht Dürer's small woodcut entitled "Passion", ca. 1512 (one of thirty-six Passion images), deemed to be the first state, depicting a dramatic episode of the passion of Christ. Raimondi was an Italian Renaissance master of engraving whose oeuvre disseminated the stylistic tenets of the High Renaissance throughout Europe, particularly the works of Raphael and Michaelangelo. There are two collector marks on the image. In the upper left corner of the front is stamped “RB” (representing Raimondi of Bologna - see more on Raimondi's biographical background below). The Department of Prints and Drawings at the Art Institute of Chicago has a Venus and Cupid print with this same "RB" collector mark. In the consignor's correspondence with Suzanne Karr Schmidt, Assistant Curator, she noted that the main resource for information is the Lugt collector mark database, which is now online (http://www.marquesdecollections.fr/detail.cfm/marque/9082). They did not have a solid attribution for the mark which was known by the 1880s; however, its owner may be one of several possibilities according to Schmidt. The second collector’s mark, on the reverse, is the signature of J. D. BÖHM (1794-1865), médailleur, sculpteur et graveur sur pierre, Vienne, - Estampes et dessins. Bohm’s collector’s seal is Lugt 1442. While not an exact match, the one on the engraving appears to be a variant. Attesting to Raphael and Raimondi's mutual respect for one another, Raphael included a portrait of Raimondi in the Vatican fresco entitled "Expulson of Heliodorus" (1513). Raimondi created his finest engravings in the initial years following his work with Raphael, and this piece exemplifies work from this period. The composition demonstrates Raimondi's interest in idealized figures, clear evidence of Raphael's influence; however, it also demonstrates the influence of Northern Renaissance masters, particularly that of Albrecht Dürer, in the use of crosshatching in modeling, rounding, shading, and the contextualizing background. Raimondi copied more than seventy of Dürer's engravings and woodcuts, though not with consent which brought Dürer to bring suit against his admirer. In Raimondi's defense, copying was and continues to be a form of education for artists. The "RB" mark on the upper left corner of this piece most likely stands for Raimondi of Bologna. Raimondi was from Argine, near Bologna, and trained with the famous painter and goldsmith of Bologna, Francesco Raibolini (known as Francia) until about 1506 when he left for Venice. According to the great Renaissance biographer Vasari, Marcantonio quickly surpassed his teacher and went on to become the most significant printmaker of the High Renaissance. A very important piece with intriguing provenance by a pivotal figure in the history of art, double-matted and in a gilded modern frame under glass. Size: 5" L x 4" W (12.7 cm x 10.2 cm); framed 11.25" L x 10" W (28.6 cm x 25.4 cm) Provenance: Ex-Private New Jersey collection acquired before 1990. "RB" collector's mark on upper right. The Department of Prints and Drawings at the Art Institute of Chicago has a Venus and Cupid print with this same "RB" collector mark. The second collector’s mark, on the reverse, is the signature of J. D. BÖHM (1794-1865), médailleur, sculpteur et graveur sur pierre, Vienne, - Estampes et dessins. Bohm’s collector’s seal is Lugt 1442. Bohm's collection was sold at his death in 1865: http://www.marquesdecollections.fr/detail.cfm/marque/7731/total/1. While there is no individual listing of this particular engraving, most of his Old Master engravings were sold in lots. Condition: Overall excellent. Tiny tear to lower margin that does not interfere with the image. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #116270
Los 134
Frederick Brueton, British (1882-1911) "Untitled" Watercolor on Paper Signed and Dated 1887 Lower Right. Depicts an interior portrait of a seated nobleman smoking a pipe. Good condition. Measures 14" H x 9" W (sight), frame measures 23-1/2" H x 18-3/4" W. Shipping: Third party (estimate $300-$500)
Los 184
20th Century American School Watercolor on Artist Paper Signed Illegibly. Depicts a portrait of distinguished man with a smokers pipe. Some wear to edges, foxing otherwise good condition. Measures 13-1/4" H x 11" W (sight), frame measures 24" H x 20-1/4" W. Shipping: Third party (estimate $50-$100)
Los 187
Hilton Leech, American (1906-1969) Abstract Etching "Old Violinist" Pencil Signed Lower Right. Depicts a portrait of an old violinist playing his instrument. Wear and toning to paper. Artist name and title en verso. Paper measures 9-1/4" H x 6-1/4" W, frame measures 16-1/4" H x 12-3/4" W. Shipping $68.00 (estimate $200-$300)
Los 231
Antique Royal Vienna Gilt Hand Painted Portrait Plate Mounted in Period Frame. Depicts an interior scene of a seated elderly man smoking while staring out of the window. Good condition. Plate measures 9" Dia. (sight), frame measures 16-3/4" x 16-3/4. Shipping: Third party (estimate $100-$150)
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283287 Los(e)/Seite