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283287 Los(e)/Seite
Alfred Corbould (act. 1831 - 1875) Large Oil Painting on Canvas Full Length Portrait of Lucy Wickham holding a Black Cat in a Woodland Setting, signed lower right and dated 1866, 110cms x 84cms, heavy ornate gilt frameLucy Wickham was the daughter of William and Sophia Emma Wickham of Binsted Wick, Alton, Hampshire
A19th century Wedgwood jug commemorating the death of Benjamin Disraeli (1881) with printed portrait, polychrome floral banding and ribbons with eight of his novels, 15 cm high to/w three graduating Staffordshire blue and white jugs, four other 19th century jugs (two with pewter lids) and floral decorated reticulated basket with apocryphal Sevres mark (box)
Alois Heinrich Priechenfried (1867-1953), Portrait des Barockmalers Salomon Koninck (1609-1659), Oel auf Leinwand, rechts oben signiert Al Priechenfried. Auf der linken Seite befindet sich am Rand entlang des Rahmens, aber nur schwer lesbar, die Zuschreibung Sal. Koninck, Rahmen aus der Zeit, 65 x 55 cm.
Buchanan Portfolio of Characters From Dickens, 16x12 folder with prints of original paintings. This beautiful portfolio was immortalized by Frank Reynolds in the early 1900's and was owned by the James Buchanan Company (Distillers) in London, England, and in the late 1920's they gave their permission for this one time collection to be copied and presented in a fantastic portfolio. The complete set of 15 prints contains: Title Print The Old Black Swan Distillery, Barnaby Rudge 1780 and 1929. Charles Dickens Portrait, Mr Pickwick, Pickwick Papers, Samuel Weller, Pickwick Papers, Tony Weller, Pickwick Papers, Jingle, Pickwick Papers), Mr. Winkle On The Ice, Pickwick Papers, Mr Micawber, David Copperfield, Gabriel Varden, Barnaby Rudge, Dolly Varden, Barnaby Rudge, Cheeryble Brothers, Nicholas Nickleby, Captain Cuttle, Dombey and Sons, Montague Tigg, Martin Chuzzelewit, The Artful Dodger, Oliver Twist, Trotty Veck, The Chimes. Some pages show signs of foxing by typically, this effects the back of the image, not the image itself. The case in which the collection is housed in, is showing signs of wear due to its age but makes it that little bit more special and unique. It has two ribbons either side to tie the portfolio up and keep the contents safe. Frank Reynolds (1876 - 1953) was a British artist. In 1906 he began contributing to Punch Magazine and was regularly published within its pages during World War I. He was well known for his many illustrations in several books by Charles Dickens, including David Copperfield (c1911), The Pickwick Papers (c1912) and The Old Curiosity Shop (c1913). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
David Bailey 16x12 overall mounted signature piece includes signed album page and a superb black and white photo. David Royston Bailey CBE (born 2 January 1938) is an English fashion and portrait photographer. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
The Beatles Collection of early press issues with 16 vinyl LPs and 21 7 / Eps. Early press The Beatles White Album with top opening, numbered sleeve (0025409) and no E.M.I. Recording credit on the Side 1 / 2 labels. Complete with the poster and portrait inserts. Early press Please Please Me with Parlophone credit, Ernest J. Day sleeve, no small 33 1/3 but with Recording first published… text. Early Mono press A Hard Days Night with Garrod & Lofthouse sleeve, Parlophone credit and Recording first published… text with original EMITEX inner. With The Beatles Mono LP with Parlophone credit, Garrod & Lofthouse sleeve, EMITEX inner and Recording First published… text. Red Apple label Let It Be glossy laminated sleeve with YEX 773 2U matrix.Along with Abbey Road, Revolver (Mono), Yellow Submarine and The Beatles First (w/ Tony Sheridan). The 7 and EP include Long Tall Sally (picture sleeve), Let It Be (picture sleeve), I Feel Fine and others, many in original Parlophone sleeves. Various years, condition varies from good to ex. Condition Report: Revolver XEX 606-1The Beatles, Abbey road, The Beatles first, help, yellow Submarine, with The Beatles x2, please please me, A head days night, let It be, some time, RAM, revolver, Beatles for sale, lonely hearts, Venus and Mars.
Tennis - 11 signed Tennis photographs of Andy Murray, Marin Cilic, Greg Rusedski, Andy Riddick, Stan Smith, Martina Navratilova, Tim Henman, Richard Gasquet, Pat Cash, Neal Frazer and Rafael Nadal and a Martina Navratilova hand signed portrait print by Louis Morris, mounted 26 x 31cm (12). Provenance: The vendor is an autograph collector and collected this in person.
Flemish School. 15th - 16th century. In the Italian renaissance taste."Portrait of a man"Oil, probably on paper, and applied on panel. 52,5 x 35,5 cm.Provenance: A distinguished private family.This lot comes from importation and therefore has the export license from spanish culture guaranteed.
Embossed silver covered wooden lectern. Colonial School. Mexico. 18th century.31 x 33 x 27,5 cm.Made from sheets of embossed silver which totally cover the wooden structure. The piece is outstanding due to the precision of its ornamentation, as despite its profusion, each motif stands out by itself, and the end result is elegant, balanced and finely executed.The back is four-sided and divided into four spaces, in each one of which we find an angel’s head on a background of fallen leaves and scrolls, and a central button which displays the anagram of the Virgin Mary. The platform is straight and on an inclined plane. On the lower part it is decorated with a frieze ornamented with spirals and two angels holding an elliptical cartouche in which the name of the Virgin of Guadalupe is engraved.It rests on four claw and ball feet. It is worth pointing out that this lectern is dedicated to a Virgin Mary, in this case, Our Lady of Guadalupe. As well as the aforementioned anagram of the Virgin Mary, it also depicts two of the symbols of the Litany of the Blessed Virgin Mary, the mirror and the fountain, which two angels hold in their hands at either side of the lectern. The decoration on the back continues with the four angels motif, and with a central medallion which, in this case, and as a final reference to the Virgin Mary, displays a beautiful embossed scene depicting Saint Luke the Evangelist as a painter. According to the tradition of the devout, he painted Mary’s portrait, which is present in this composition as we can see the easel in the background with a sketch of Our Lady of Guadalupe on it.
James II (1685-1691), Gunmoney coinage, Halfcrown, 1689 July, small IR, narrow crown, stops at date, 13.45g/12h (Withers 4/2; S 6579A2). Very fine with an excellent portrait, patinated £180-£220 --- Provenance: ‘Ballynahinch’ Collection, James Adam/Bonhams Auction (Dublin), 21 February 2003, lot 296 (part)
James II (1685-1691), Gunmoney coinage, Shillings (2), both 1689 10r, portrait 1, 5.02g/6h (Withers 41/44), portrait 3, 7.04g/12h (Withers 52/52; S 6581F5) [2]. Fair to fine £70-£90 --- Provenance: First ‘Woodcote’ Collection, Spink Auction 244, 29 March 2017, lot 416 (part); second Baldwin Auction 33, 6-7 May 2003, lot 417 (part), B. Allen Collection, Part III, DNW Auction 152, 14-15 November 2018, lot 879 (part)
James II (1685-1691), Gunmoney coinage, Shillings (2), both 1689 10r, portrait 2, 7.38g/12h (Withers 43/45), portrait 3, 5.55g/12h (Withers 52/52; S 6581F5) [2]. First fine, second fair £80-£100 --- Provenance: First Whyte’s Auction, 29 March 2006, lot 699 (part); second bt Baldwin June 1992
James II (1685-1691), Gunmoney coinage, Shillings (2), both 1689 10r, portrait 3, 6.07g/6h (Withers 48/47), 7.48g/12h (Withers 52/52; S 6581F5) [2]. First fair, second about fine £70-£90 --- Provenance: First DNW Auction 104, 5 December 2012, lot 823 (part); second ‘Woodcote’ Collection, Spink Auction 244, 29 March 2017, lot 417 (part)
James II (1685-1691), Gunmoney coinage, Shillings (2), both 1689 10r, portrait 3, 5.42g/12h (Withers 50/49), 7.12g/12h (Withers 52/52; S 6581F5) [2]. Varied state £40-£50 --- Provenance: First bt Baldwin June 1992; second B. Allen Collection, Part III, DNW Auction 152, 14-15 November 2018, lot 878 (part) [from R. Bayford 1995]
James II (1685-1691), Gunmoney coinage, Shillings (5), all 1689, Jan:, tall thin IR (2), 6.15g/12h, 5.42g/12h (both Withers 34/35), portrait 2, pearls on crown arches, Jan (2), 4.36g/6h (Withers 49/49), 7.22g/12h (Withers Dec 43/50), portrait 3, Jan, 6.74g/12h (Withers 51/53; S 6581G) [5]. Fair to fine, second better £100-£150 --- Provenance: First from an O’Reilly’s Auction (Dublin) before 2000, bt Baldwin; second bt R. Lobel December 2006; third DNW Auction 61, 17 March 2004, lot 817 (part), B. Allen Collection, Part III, DNW Auction 152, 14-15 November 2018, lot 878 (part); fourth DNW Auction 104, 5 December 2012, lot 823 (part); last B. Allen Collection, Part III, DNW Auction 152, 14-15 November 2018, lot 876 (part) [from C.J. Denton October 1997]
James II (1685-1691), Gunmoney coinage, Shilling, 1689 Jan, portrait 2, pearls on crown arches, 6.22g/12h (Withers 47/48; S 6581G) [5]. A trifle off-centre, otherwise good very fine, green patina £80-£100 --- Provenance: A Collection of Irish Coins, the Property of a Gentleman, DNW Auction 172, 11 March 2020, lot 87 (part)
James II (1685-1691), Gunmoney coinage, Shillings (4), all 1689, Feb:, decorated crown arches, small IR, 5.17g/12h (Withers 23/26), portrait 2, pearls on crown arches (3), Feb, 5.90g/12h (Withers Dec 43/31), Feb: (2), 5.39g/9h, 4.46g/9h (both Withers Jan 49/36; S 6581H) [4]. Fair to fine, mostly scarce £80-£100 --- Provenance: First two from an O’Reilly’s Auction (Dublin) before 2000, bt Baldwin; third DNW Auction 143, 12-14 December 2017, lot 1430 (part); last B. Allen Collection, Part III, DNW Auction 152, 14-15 November 2018, lot 884 (part) [from C. Denton November 1997]

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