Sackville-West, Victoria. A typed letter signed to Miss Richardson, in response to an enquiry concerning the author's book on the Women's Land Army, 'It is very gratifying to know that you have read it more than once and I expect that you can now give your mother a great deal of information about the Land Army which perhaps she did not already know', 1pp., dated 15th March 1945, and enclosing a signed photogravure of a portrait painting by William Strang, 150mm x 228mm, in the original stamped envelope (2)
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Chauncy, Henry. The Historical Antiquities of Hertfordshire, first edition, engraved portrait frontispiece, 38 [of 44] engraved plates, mostly double-page or folding, folding engraved map. some browning, contemporary calf, neatly rebacked, joints cracked, folio, London: Ben. Griffin, 1700 This copy lacks the plates of monuments between pp.184-191.
Harris, John. The History of Kent, first edition, volume one [all published], engraved portrait frontispiece and title-page cropped and laid-down, 41 engraved plates, mostly double-page engraved views of country houses after Kip, 2 cropped and laid-down, a few with minor repairs, 2 folding maps, the county map laid-down and with slight loss, somewhat spotted, contemporary half calf, worn, boards detached, folio, London: D. Midwinter, 1719
Green, Valentine. The History and Antiquities of the City and Suburbs of Worcester, 2 volumes, first edition, engraved titles, portrait frontispiece, 23 engraved plates, folding engraved map hand-coloured in outline, rather spotted, modern half calf, ex-libris Cripplegate Institute, stamped thus throughout, 4to, London: Printed for the Author, 1796
Willis, Nathaniel Parker and W.H. Bartlett. American Scenery, 2 volumes, engraved portrait frontispiece, 2 engraved additional titles, 117 engraved plates, map, London: George Virtue, 1840; Canadian Scenery Illustrated, 2 volumes, 2 engraved additional titles, 117 engraved plates, map, lacks engraved portrait, London: George Virtue, 1842; bound together in 3 volumes, some spotting, library blindstamps, contemporary half calf, rubbed, bookplate of Bath Library, 4to
AN ANTIQUE ENAMEL ON COPPER RELIGIOUS PLAQUE Hand painted with an interior scene, figures stood around a saintly figure, an antique Ivory miniature, a classical style maiden with Romanesque ruins on the horizon, a small enamel button painted with a recumbent lion, together with a print of a saintly figure, held in a Gothic style easel frame, a portrait miniature in a silver filigree frame, two photographic prints on an easel frame, from Frank Smythson, Bond Street and a gilt and turquoise crucifix.
A LATE 19TH CENTURY WHITE METAL AND ENAMEL OVAL PORTRAIT MINIATURE BROOCH A Victorian style lady wearing an elaborate headdress, large drop earrings and a pearl necklace, an oval religious painting on porcelain and a classical shell cameo, finely carved with an image of Laocoon wrestling snakes, together with a rectangular white metal and enamel plaque, painted with a fantasy landscape scene, a castle on a mountain with a winding path. (approx 4cm x 5cm)
A COLLECTION OF ANTIQUE ENAMEL ON COPPER OVAL MINIATURE PORTRAITS Religious scenes, painted in relief portrait of Christ with initials '1C XC', a circular button of Mary with a white dove, two similar buttons and a circular pendant of Moses and his staff within a triangle. (approx 3.5cm x 4cm)
WILLIAM VAN DE LEEOW, AFTER REMBRANDT HARMENSZ VAN RIJNM 1606 - 1669, A 17TH CENTURY BLACK AND WHITE ENGRAVING Portrait of a young man facing right, wearing a feathered cap and a neckerchief with an elaborate collar, bearing monogramme 'R.J. 1633' to upper left. glazed and framed. (approx 161mm x 196mm) N.B. An example of this engraving is held in the rijks studio museum(object number RP-P-OB-46.500) and similar portrait facing left ,by the same engraver is held in the British museum (no 2006,U.1064)
TWO 19TH CENTURY OVAL PORTRAIT MINIATURES ON IVORY A lady wearing blue robes and a mink stole, with label verso 'Miss Farren, afterwards Countess of Derby', held in a veneered wooden frame, together with a similar portrait, bearing label to reverse 'Miss Elise Farren' and held in an ebonized oval frame. (approx 6cm x 7cm)
A 19TH CENTURY FRENCH PORCELAIN AND SPELTER ORMOLU FIVE BRANCH CANDLEABRA CIRCULAR SCONCES With acanthus leaf decoration, above a spherical porcelain mount, blue ground with a painted portrait of a lady, held within a gilt cartouche, supported by an angelic cherub seated above a cylindrical base floral decoration, with scrolled supports. (approx 52cm)
BRONTE WOODRUFF, A LATE 20 TH CENTURY WATERCOLOUR Abstract painting, Richard Guyatt lithograph print, the Fleming School of Art preliminary sketch dated 1945, a 19th Century marine scene pencil sketch signed 'Hood', a pencil sketch of a castle, dated 1863, a crayon portrait of a lad, a small collection of watercolours of horses and coastal views, a quantity of line pencil nude studies and an architectural sketch of details of Hampton Court.
[HISTORY]. ELIZABETH I Aikin, Lucy. Memoirs of the Court of Queen Elizabeth, two volumes, for Longman et al., London, 1818, later black cloth, engraved portrait frontispiece, octavo; Rowse, A.L. The Elizabethans and America, first edition, Macmillan, London, 1959, cloth, dustjacket, illustrations, octavo; Rowse, A.L. Shakespeare's Southampton, Patron of Virginia, first edition, Macmillan, London, 1965, cloth, dustjacket, illustrations, octavo; and assorted other works, (26).
Large ‘Workbasket’ - 1960 by William Mundy, Huntley, Boorne & Stevens published by Huntley & Palmers, round tin with multi-coloured embossed flowers on black background. Huntley & Palmers lettering on gold base, 25cm x 6cm, note: This is a new version of the 'Workbasket' tin made between 1954 and 1956. The original version had a diameter of 19 cm and a height of 6 cm, this striking design by William Mundy was obviously a successful one as it was produced yet again in 1975; ‘Workbasket’ - 1954 by William Mundy and published by Huntley & Palmers, a round tin embossed with multi-coloured flowers on black background, with Huntley & Palmers motif on gold base, 19cm x 6cm; ‘Workbasket’ - 1956 by William Mundy, published by Huntley & Palmers , small round tin embossed with flowers and jewels in red, green, yellow and blue over a gold ground, 19cm x 6cm; ‘Workbasket’ - 1960 by William Mundy, published by Huntley & Palmers, small round tin embossed with flowers and foliage in pink, green and blue on a gold ground, 19cm x 6cm; Workbasket ‘Nosegay’ - 1960by Huntley, Boorne & Stevens, published by Huntley & Palmers, medium sized round tin decorated with embossed flowers, in the Royal Worcester style, sprays of flowers alternate with blue panels around lid and sides, 19cm x 6cm; Workbasket ‘Duchess’ - 1958 published by Huntley & Palmers , tin with portrait of lady in feather hat surrounded by brown and gold embossed pattern on lift-off lid and around sides, a re-worked version of Thomas Gainsborough's 'The Honourable Mrs Graham' (exhibited 1777), 19cm x 6cm, (6)

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