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283287 Los(e)/Seite
Los 319
William Henry Barribal,Portrait of a lady,oil on board, signed,33x24cm.Condition report:Framed and glazed, overall measurement = 45x36cm.Not inspected out of the frame. There doesn't appear any damage as such but the canvas has not been laid very well - it looks to be lifting off the board in some areas. The paint is very thin with the canvas texture clearly visible. All over appearance of being a bit grubby. Shadows from old mounts to the top margin. Some splashes/ flecks of gilt paint which could have been from when this frame was regilt (the frame is quite crudely done).
Los 60
Attributed to Nathaniel Hone RA (Irish, 1718-1784)Portrait of a lady, half-length, in a red cape, fur stole and white lace bonnetoil on canvas, feigned oval56 x 48cmCondition ReportFramed: 76.5 x 64cm.The painting is executed in oil on a linen canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers have developed a network of age cracks with some prominent, circular impact cracks – notably to the left of the sitter’s face. The paint layer is in a good, stable condition overall. There are a few areas of overpaint, mainly in the background, but also covering cracks in the sitter’s face. The varnish layer is thick and glossy, it has yellowed with age and there are a few drip marks across the surface. The varnish is slightly smeary and opaque in some areas.
Los 50
Follower of Nicolas de LargillierePortrait of a gentleman, bust-length, in a red cloakminiature on ivory, oval6.8 x 5.6cmIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: BXM6UZD9Condition ReportIn good condition in brass mount and custom-made leather presentation box.
Los 43
Circle of Sir Peter Lely (1618-1680)Portrait of Hon. Lady Brydges, seated full-length, in a blue dress and brown wrap holding an apple inscribed 'The Honble Lady Brydges Wife to Sr John Brydges/& afterwards married to Sir Thos Powell Bart.' l.l., oil on canvas240 x 148cmCondition ReportThe canvas is lined. There are two sratches to the surface to the lower left, see illustration. The one nearest the edge is just superficial paint loss. The second has pierced the lining canvas but not completely torn the lining canvas, although it can be seen from the back. See illusration. There is craquelure throughout and stretcher marks apparent. There is a vertical line down the left side of the composition with some minimal retouching at points, see photo with my finger indicating the location. Under UV light, there is evidence of minor spots and flecks of retouching in places throughout the composition, mostly to the background but there is a small scratch to the face which has been repaired, see illustration. In general, however, for a painting of this size and age it has survived very well and there are no large areas of retouching apparent or signs of repaired tears. The work is the compainion for 'Portrait of the Hon-ble Sir John Brydges', sold by Abell Auctions in Los Angeles, lot 4, 21 February 2021, catalogued as "Attributed to".
Los 85
Attributed to William Wood (1768-1809)Portrait of John Adamson Rich, bust-length, in a blue coat and white stockinscribed 'John Adamson Rich/1798/painted by the ..... in Lord Clive's family in India (at Madras)miniature on ivory, oval7.6 x 6.1cmIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: MY7NN3RCCondition ReportIn good condition overall. In modern gilt holder. In custom-made red leather covered case.
Los 207
English School, 19th/20th centuryPortrait of a rabbi, bust-length signed with monogram 'WMC?' u.l., oil on canvas51 x 41cmCondition ReportOverall 56.5 x 45.5cmUnlined canvas with craquelure throughout, some specks of dirt and visible stretcher marks. Unexamined under UV light, for a full report please contact the department.
Los 91
After Sir Thomas LawrencePortrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852), half-lengthoil on canvas76 x 64cmCondition ReportOverall: 86.5 x 73.5cmThe canvas is unlined. There are a number of small patches scattered over the back of the painting with corresponding retouching to the recto, most notably to the left of the background. There is some cockling to the canvas, stretcher marks and craquelure. Unexamined under UV light, please contact the department for a full report.
Los 58
Circle of Joseph Wright of Derby (1734-1797)Portrait of Aaron Orme (1707-1782), Master of the Cheshire Fox Hounds, half-length, probably in the uniform of the Staffordshire Militia, in a painted stone cartoucheoil on canvas76.2 x 63.5cmProvenance: Anon. sale, Christie's, South Kensington, 10 Jun 1999, lot 45.Condition Reportoverall: 90.5 x 77.5cm
Los 61
William Hoare RA (1707-1792)Portrait of a lady, bust-length, in a white dress with pink ribbons and decorated with pearlspastel59.5 x 44cmCondition ReportOverall 89 x 63cmThere are some small specks of dirt trapped between the work and the glazed frame, however the work itself does not appear to be affected. There is a light scratch to the upper right edge and a small brown spot to the bottom left corner but in otherwise apparently good condition. Uninspected out of glazed frame.
Los 83
English School, 18th centuryPortrait of William Abney, half-length, in a brown coatinscribed 'Wm, Abney Esq./in the 79th year/of his Age/Febr.1792' u.r., oil on canvas75.5 x 62cmCondition ReportOverall: 76 x 89cmA little craquelure in parts with light surface dirt and slight rubbing to edges, there is some thinning to the paint around the subject's hairline. The canvas has be relined. Uninspected under UV light, for a full report please contact the department.
Los 30
English School, 1626Portrait of a gentleman, standing three-quarter-length, in a red doublet with lace collar and cuffsinscribed and dated 'Ætatis sua 36/anno 1626' u.r., with later inscription 'Zuchero PINXt.' u.r. and a further indistinct inscription u.l., indicated by the small hand pointing, oil on canvas73 x 59cmCondition ReportOverall 95 x 82cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers have suffered from wear and abrasion but is stable overall. There is loss and cracking in the upper left corner. Here a window is visible with clouds and a sunburst. Below this is a small hand pointing to an inscription which is very worn and difficult to read, but possibly a motto. The inscription at the upper right hand corner is worn and has been reinforced, this is likely to be original to the picture. The inscription below this reading ‘ZUCCHERO PINX.’ is a later addition painted in yellow with abraded gilding across the surface. The canvas weave is evident in the worn flesh paint. Overpaint has been applied across the surface which is acceptable at a normal viewing distance. The varnish is clear and even.Unfortunately we do not know the identity of the sitter, it is possible they were named on the indistinct inscription upper left which is now obscured.
Los 283
Alexander Grinager (American, 1865-1949)Portrait of Major Desmond Chapman-Huston of the Royal Wiltshire Yeomanry, half-length, in uniformsigned 'Alex Grinager' l.l. and painted with a coat of arms to upper edge, oil on canvas76 x 61cmCondition ReportFramed 89 x 74cmSome cockling to the canvas but in otherwise generally good order. Unexamined under UV light, for a full report please contact the department.
Los 34
Manner of TintorettoPortrait of Antonio Capella, bust-length, in a fur-lined coatwith later inscription verso, oil on canvas61 x 51cmCondition ReportFramed 61 x 71cmThe canvas has been lined, there is craquelure throughout with rubbing to the edges. Unexamined under UV light, for a full report please contact the department.
Los 118
Continental School, 19th centuryPortrait of a gentleman, bust-length, in a black coatoil on canvas60 x 48cmCondition ReportOverall 78.5 x 66.5cmThe portrait appears to have been cut down, there is craquelure and some thinning to the paint, perhaps due to previous restoration. There is a slight ripple to the bottom right corner and visible strecher marks. The canvas is boxed to the reverse, however it does not appear to have been relined. Under UV light the surface is obscured by a thick and dirty varnsh. There are several small spots of retouching apparent to the background near the edges, but there is nothing else that apparent. Presented in a stable condition.
Los 111
Thomas Phillips RA (1770-1845)Portrait of Louisa Jane, half-length, in a black dress with white trim and lace wrapwith a later label inscribed 'Louisa Jane/1827/by/T Phillips/RA' attached to the stretcher, oil on canvas91 x 71cmProvenance: Anon. sale, Christie's, South Kensington, 14 November 1997, lot 43.Condition ReportThe canvas has been relined in the last 40 years but not necessarily recently. Some light fine craquelure in places. Under UV light, there are some small flecks of retouching in places probably infilling to craquelure, however what can be seen is quite minor. It may be there is more under the varnish, but generally the painting looks in a good stable condition and ready to hang.
Los 47
Circle of Philippe Mercier (French, 1689-1760)Portrait of a young child, full-length standing, in a white dress, with a dog and drum beside a pillaroil on canvas86.5 x 124.5cmProvenance: Anon. sale, Christie's, 11 Jun 2002, lot 14.Condition ReportSome surface abrasions, see illustration. The canvas is lined and in plane. There are some areas of retouching apparent to the eye, mainly to the upper background. Under UV light there are more areas to the lower edge. The surface is covered with a thick layer of varnish which makes any reading under UV light difficult. There may be some further older retouchings in places, however, there is nothing fluorescing strongly. In general, the work is presented in a stable condition and while it may benefit from a light clean, it is ready to hang.
Los 82
Attributed to Thomas Hickey (1741-1824)Portrait of a young lady, Charlotte Robinson, aged 16 years, half-length seated, in a white dress with a blue sashinscribed with title and dated 1786 on label verso, oil on panel26.5 x 19.5cm, ovalProvenance: With Frost & Reed, London.Condition ReportOverall 32 x 25cmThere is some surface dirt and discolouration with an overall yellow hue. There is some minor craquelure and some rubbing to the surface with a small loss to the centre right. Under UV light there is no significant sign of retouching, however, to the eye there is possibly a small area to the background to the right of the head, corresponding with a repaired scratch.
Los 55
English School, 18th centuryPortrait of a young gentleman, bust-length, in a red coat;Portrait of a lady, bust-length, in a blue dress with white chemisetwo miniatures on ivory, mounted as a pair, but probably by different hands, oval4.1 x 3.4cm and 5 x 4cm (2)IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.These items have been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission references: LJY4T2F8 (man) and E54478TU (woman).Condition ReportIn good condition, in brass mounts
Los 41
Follower of William WissingPortrait of William of Orange, three-quarter-length in armour, holding a staff of officeoil on canvas155 x 116.5cmCondition Reportoverall: 183 x 143cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers are in a good condition overall and stable. There are a few localised areas of overpaint which have slightly darkened over time. The varnish is glossy and slightly uneven due to the texture of the paint layers below.
Los 64
Circle of Francis Alleyne (1750-1815)Portrait of a lady, traditionally identified as Mrs Mary Compton (née Dacres), lady in charge of the royal children of George III, seated half-length, at her needleworkoil on canvas, oval29.5 x 25cmCondition ReportOverall 46 x 40.5cmThe canvas has an old reline and is covered with a layer of dust both front and back. There is craquelure throughout. Under UV light there are several small flecks of retouchng to the background in places and to her upper lip. It is possible there may be some further infilling to the craquelure to the background on the left side but it is hard to see. In general, presented in a stable condition, would benefit from a light clean.
Los 32
English School, 1584Portrait of a young gentleman, aged twenty-four, bust-length, in a black doublet with white ruffinscribed '1584 AT SVA. 24./AMICO HODIE CRAS MIHI' u.l. and u.r., oil on panel46 x 38cmCondition Reportoverall: 60x 52cmThe panel is in plane. There is a small vertical crack from the top edge approximately 4cm in length. In the past, there has been significant lifting which has been consolidated. This has left the surface quite uneven and there is evidence of significant retouching throughout. A thick varnish obscures much of the background and costume. There is retouching to the face and ruff of the sitter. This is particularly apparent to the forehead.
Los 48
Circle of Jonathan Richardson (1667-1745)Portrait of a lady, half-length, in a red dressoil on canvas, oval76 x 63cmCondition ReportThe canvas has been lined. There is craquelure throughout and stretcher marks are apparent. The surface is covered with a thick green varnish which obscures much of the background entirely. Under UV light there is some infilling to the craquelure in places, notably the chest. Also some strengthening to the jawline and edges. There are more general areas of retouching to the red wrap and also the face and hair. It is possible this can be seen because the thick green varnish has been partially removed in these places. See additional image. Presented in a stable condition.
Los 51
English School, c.1750Portrait of a gentleman, bust-length, in a grey coat trimmed with gold beading;together with a portrait of a lady, bust-length, in a blue dress with a white veil, probably by different handsminiatures on ivory, oval2.9 x 2.3cm and 3.5 x 2.7cm (2)Provenance: With D S Lavender Antiques.IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this lot prior to bidding.These items have been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission references: B82RJSZE and M22HMD65.Condition ReportBoth present well in paste stone decorated brass mounts. Together in custom-made, leather bound case.
Los 87
After Richard WestallPortrait of Lady Charlotte Harley wearing a blue dress and white shawlminiature on ivory9.4 x 9.2cmLord Byron dedicated 'Childe Harold' to Lady Charlotte and commissioned this portrait. The version offered here is presumably based on the original by Westall.IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: ZMRN4NBPCondition ReportLosses to left edge, in custom-made leather case with losses to case. See photographs for further details.
Los 57
Circle of Arthur Pond (c.1705-c.1758)Portrait of a lady, traditionally identified as Peg Woffington (1700-1760), half-length, in a straw hat and striped dress, holding a basket of eggsoil on canvas76 x 63cmProvenance: Hendon Hall, Middlesex;anon. sale, Christie’s, London, 16 July 1998, lot 40 (as Circle of Philip Mercier).Condition Reportoverall: 99 x 87cmThe canvas is wax lined with craquelure throughout and visible stretcher marks. Under UV light, there is fine infilling to some of the craquelure in places, and some strengthening around the face and chest. There are some scattered small flecks in places around the composition. There is a darker tone to much of the background. it is possible that a more general washing has been applied over the dark background. Well presented in an elaborte gilt composition frame and ready to hang.
Los 38
After Sir Anthony van DyckPortrait of Queen Henrietta Maria (1609-1669), wife of King Charles I, half-length, in a gold dress with lace collar and cuffs, decorated with pearlsoil on canvas105 x 82cm, in a 17th-century-style carved giltwood frameAfter the original in the Metropolitan Museum of Art, New York.Condition Reportoverall frame measurements: 116 x 93cmThe canvas is lined, there is some degradation to the varnish upper right, there are areas of unevenness and discolouration to the paint surface in parts, suggesting there may be areas of retouching. Under UV light, there background is obscured by a thick layer of varnish which makes any reading impossible. The remainder fluoresces slightly, suggesting there are areas of retouching or a general light wash has been applied over the figure and dress. It is unclear the reason for this as no specific damage (tear) is apparent. The painting appears to date from the 17th century. The painting is well presented in a stable, ready to hang condition. Please see additional images added to website.
Los 284
Sir Arthur Stockdale Cope RA (1857-1940)Portrait of William de Wiveleslie Abney (1843-1920), bust-length, in red military uniformsigned and dated 'A.S. Cope/1888' u.l., oil on canvas61.5 x 50.5cmCondition ReportOverall 74 x 63.5cmThe canvas has been lined, its appears that the painting has been restretched on a larger stretcher, meaning that the edges of the canvas now show part of the cnavas that would have previously been hidden. See images. Some peripheral paint loss to the edges. Not examined under UV light. For a full report please contact the department.
Los 59
Circle of Edward Penny RA (1714-1791)Portrait of a gentleman, standing full-length, in a red military coat, in a landscapeoil on canvas82 x 61cmCondition ReportThe canvas has been lined with craquelure and slight strecher marks apparent. Some peripheral frame rubbing to the left and right edges due to contact with the rebate of the frame. Under UV light the surface is covered with a thick layer of varnish, there are some scattered retouchings and infill to the background. There is strengthening to the gentleman's coat, with some retouching to the right side of his face, and also to his hat. Well presented and ready to hang in a William Kent style frame.
Los 40
Circle of Samuel Cooper (1609-1672) Portrait of a lady, traditionally identified as Mary of Orange (1831-1660), mother of William III and daughter of Charles I, in a blue and white dress with pearl necklace on vellum, oval 4.4 x 3.6cmProvenance: With D S Lavender Antiques.Condition ReportIn a gilt mount, possibly later case with losses to interior lining. In custom-made leatherbound case.there are 2 little flecks of white to the left edge of the face which may be small losses and another fainter one to the chest. There is dirt to the inside of the glass.Purchased by the client from D S Lavender.
Los 114
Attributed to Thomas Phillips RA (1770-1845) Portrait of George Legge, 3rd Earl of Dartmouth, Lord Chamberlain of the Household of George III, seated half-length, in a black coat and holding an agate snuff box oil on canvas 76 x 63cm, unframedA three-quarter-length portrait of the 3rd Earl, seated in an armchair beside a bust, after an original by Phillips, was engraved by Charles Heath in 1814. The artist records two paintings in his sitter book (nos. 288 and 411) for the years 1810 and 1815.Condition ReportOil on canvas which has been lined. There is water staining on the reverse of the painting which may account for some of the structural issues discussed below. The lining canvas is failing at the right edge with the original canvas coming away. There are also small tears beginning to form in the tacking edges. In the area of the sitter's right shoulder there is blistering in the paint layer leading to paint losses. There are also losses and areas of vulnerable paint along the lower edge. There are localised retouchings in the sitter's face and background covering drying cracks which are well matched to the original. The varnish has been affected by moisture leading to blooming across the surface. The varnish has become yellow as it has aged and dull. There is a layer of surface dust on the front and reverse of the painting.
Los 52
Follower of Hugh Douglas HamiltonPortrait of a lady, half-length in profile, in a grey dress decorated with pearls, holding a Venetian maskminiature on ivory, oval5.4 x 4.5cm;together with a miniature of a lady in costume, flowers in her hair, mounted with artificial pearls;and a portrait miniature of a lady in a blue dress, within a bracelet setting mounted in a larger frame (3)IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 4L51WTUO.
Los 42
Circle of Sir Godfrey Kneller (1646-1723)Portrait of an officer, three-quarter-length in armour, holding a staff of office, a cavalry skirmish below a castle beyondwith erroneous identifying inscription 'Sir Martin Lister' l.r., oil on canvas127 x 101.5 cmProvenance: Christie's, London, 24 November 1998, lot 11.
Los 3
Circle of Giovanni Battista Moroni (Italian, 1520-1578)Portrait of a young nobleman, standing three-quarter-length, in a black striped doublet with ivory sleeves and lace ruffoil on canvas116 x 91cm, in a carved giltwood frameProvenance: Lane Fine Art, London, 1982;The Late John Scott-Oldfield, 65 Warwick Square, Pimlico, London, SW1.Condition ReportThe canvas has been lined. The tension is good and the canvas is in plane. There is a stretcher mark apparent to the top edge. There is some unevenness to the surface where the paint layers have flaked and paint has been consolidated and in parts re-touched. Under UV light, there is significant retouching in places throughout the composition. This has been well applied and the surface appears cleaned and stable, ready to hang. Frame - in an elaborate carved giltwood frame with punchwork to the freeze. There have been losses to the gilding to the upper right which has been restored, but the punchwork has not been re-done. The frame has also been treated for woodworm. See illustration. In general, the painting is presented ready to hang.
Los 119
English School, 19th centuryPortrait of the Rev. Canon Abney, seated three-quarter-length, in a black coat and waistcoatoil on canvas92.5 x 71cm, in a Florentine carved giltwood frame bearing a plaque with the sitter's nameCondition Reportoverall: 127 x 108cmThe canvas is lined. There is considerable surface dirt to the recto and verso. There is soe shrinkage to the paint laters, most noticable to the right hand edge. This seems stable, however, there are two small patches of craquelure to the lower left and lower right where the paint is beginning to flake slightly. Under UV light there is some infilling in places and also retouching to the background, the sitter's lips and other isolated spots elswhere. Woud beneft from localised consolidating and a surface clean. The frame is avery elaborate Florentine style frame.
Los 49
Attributed to Thomas Murray (1663-1735)Portrait of William Fytche, half-length, in a red coat;Portrait of Elizabeth Fytche, half-length, in a blue dress with teal wrapa pair, the first inscribed 'Willm Fytche Esquire of Danbury Place Essex, son of S. Barrow Fytche of Woodham Walter km:1703 aeta: 32, Married Eliz. Daughter of Robert Cory DD' l.r., coat of arms u.l., the second inscribed 'Eliz: wife of Wm Fytche, daur: of Robt Cory DD, Aetatis suaw 1703' and bearing coat of arms u.l., oil on canvas127 x 101.5cm (2)Provenance: Edgar Norton Disney, 1887;anon. sale, London, Sotheby’s, 12 November 1997, lot 44.
Los 46
Attributed to George Knapton (1698-1778)Portrait of Admiral Sir John Norris (c.1660-1749), three-quarter-length, in a brown coat, with tricorn hat under his left arm, leaning on a pedestal, a man-o'-war flying the admiralty flag beyondwith identifying inscription on a label verso, oil on canvas 140 x 114cmSir John Norris was knighted after the battle of Malaga in 1704 and played a prominent role in the Siege of Toulon two years later. Between 1707 and 1749 he was a member of the Houses of Parliament in both Rye (1707-1722 and 1734-1749) and Portsmouth (1722-1734). In 1718 he was appointed Lord of the Admiralty, a post he held until 1730. A related portrait by Knapton of the sitter is in the National Maritime Museum, Greenwich (BHC2912).
Los 53
English School, c.1770Portrait of a lady, half-length, in profileminiature on ivory, oval3.7 x 3.2cm;together with a miniature of a lady in a blue dress in profile, miniature on ivory, oval3.7 x 3.2cm (2)IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this lot prior to bidding.These items have been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission references: ZN34ZX7K and 64NLUWZ2.
Los 110
English School, c.1800Portrait of a gentleman, seated half-length, in a black coat and yellow waistcoat;Portrait of a lady, seated half-length, in a pink satin dress and patterned silk shawl a pair, oil on canvas (gentleman) and oil on canvas laid down (lady)97 x 75.5cm (2)Condition Reportoverall: 109.5 x 87.5cmGentleman - The canvas is lined and there is craquelure and stretcher marks apparent. There is some discoloured restoration in places apparent to the eye mainly to the background. Under UV light, the surface is covered with a thick layer of varnish which makes any reading difficult. There is possibly some further restoration in places including the face. Would benefit from a light clean.Lady - The canvas has been laid down onto board. There is craquelure and stetcher marks apparent. There is some discoloured restoration in places apparent to the eye mainly to the background. Under UV light, there is extensive retouching throughout including the skin tones. As with the gentleman, the skin tones look a little uneven.
Los 276
Charles Edward Perugini (1839-1918)Portrait of a girl seated on a chair, bust-length in profile, in a blue dress and white blouseinitialled 'CP' l.l., oil on canvas43.5 x 33.5cmProvenance: with Frost & Reed, London.Condition ReportOverall 53 x 43cmThe canvas is lined and there is some thinning of the paint in parts. Under UV light, there is a patch of retouching apparent to the left of the head in the background. There is a small spot of retouching to the hair, and some minimal infilling that corresponds to part of the stretcher mark along the top edge. The restoration has been well executed and the painting is ready to hang. The painting has been in the same family for many years. In gilt composition frame and ready to hang. See additional images online.
Los 36
Follower of Caspar Netscher Portrait of a young lady, three-quarter-length seated, in a yellow dress, a dog at her feet, beneath a stone fountain in a wooded landscapeoil on panel34 x 27cmCondition Reportoverall: 46.5 x 41.5cmLight surface dirt. A very small indentation and a light 1cm scratch next to the stone pedestal in the upper left corner, please see images. Unexamined under UV light, for a full report please contact the department.
Los 66
Thomas Peat (late 18th century)Portrait of a lady, half-length, in a blue dress with white bonnet and black lace shawlsigned 'T Peat/Pinxet/Nott.m/1780', verso, oil on copper, oval19.5 x 17cmCondition Reportthere is a superficial surface abrasion to the right side of the background, see image. Under UV light, there is a small speck of retouching apparent to the forehead of the sitter, and a further small area to the upper right background.
Los 63
English School, late 18th centuryPortrait of Hugh Percy, 2nd Duke of Northumberland, bust-length, in full military regalia with woven hair inset versominiature on ivory, oval6.2 x 5cmProvenance: With D S Lavender Antiques.IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: YQSNTBG9Condition ReportIn good condition, in brass holder. In custom-made burgundy leather-bound case
Los 62
Thomas Hazelhurst (c.1740-c.1821)Portrait of a young boy, half-length, in a blue coat and white stockminiature on ivory, inscribed verso 'Henry Applewheat/Son of Mr Applewheat/[illegible]/Mr. Thos. Johes(?)'6 x 4.3cm, ovalIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: TXM2K9DR.Condition ReportFramed: 12.7 x 11.4cm in ebonised mount (with minor losses) with acorn and loop for hanging. There is dirt trapped under the glass, particularly to the edges. No signs of cracking or warping to the ivory or paint loss. The colour is good. See photographs for further details.
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283287 Los(e)/Seite