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283325 Los(e)/Seite
Los 257
Isobel Atterbury HEATH (c.1909-1989) and Marjorie MOSTYN (1893-1979) Two portraits, together with a watercolour by Clare WHITE (1903-1997) Isobel Atterbury HEATH (c.1909-1989), Boy Reading p.16, graphite on paper, signed, 38 x 28cm.Marjorie MOSTYN (1893-1979), Portrait of a Young Woman (1962), graphite on paper, signed and dated '62, 36 x 25.5cm.Clare WHITE (1903-1997), Study of a Small Ensemble, watercolour, initialled, 17 x 39cm.
Los 273
Emile Barthelemy FABRY (1865-1966) Portrait of Woman Mixed media on paper, signed and dated 1916, 44 x 37cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a large number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism.This St Ives era portrait was acquired by the vendor through the artist's biographer.This has loses to the gouache pigment, the paper is browned and there is some foxing
Los 326
Emile Barthelemy FABRY (1865-1966) Portrait of Edith Skinner Graphite on paper, signed and inscribed, 44 x 37cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a large number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism. Edith Skinner and her husband Edgar Skinner, both payed an integral role in the St Ives Society between the years of 1912-1925, the two both had strong connections to The Leach Pottery.This St Ives era portrait was acquired by the vendor through the artist's biographer.
Los 333
Emile Barthelemy FABRY (1865-1966) Untitled (Seated figure) Graphite on paper, signed, 48 x 36.5cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a large number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism.This St Ives era portrait was acquired by the vendor through the artist's biographer.There is a crease located in the top right had corner of the piece, measuring 10cm in length (please see additional image). Along with this, there is some discolouration along the edges of the paper (see additional images).
Los 335
Emile Barthelemy FABRY (1865-1966) Portrait of Frances Weir Cuthbert Pastel on paper, signed and inscribed, 44 x 36.5cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a vast number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism. Frances Weir Cuthbert was the daughter of American artist, Nina Weir Lewis and sister of the still life painter, Helen Stuart Wier. Frances would often visit her mother and sister in St Ives, where they had settled in 1913 and at the same time would sit for many of Fabry's drawings and Herbert Lanyon's photographs.This St Ives era portrait was acquired by the vendor through the artist's biographer.
Los 367
Emile Barthelemy FABRY (1865-1966) Portrait of Miss Vera Bodilly Pastel on paper, signed and inscribed, 41 x 31.5cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a large number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism. Miss Vera Bodilly, born 1895 was the daughter of Arthur and Lucy Bodilly of 'Rosemorran' St Ives. Bodilly joined St Ives Society of Artists in 1927 and contributed to the first exhibition at Porthmeor Gallery in 1928. She exhibited works with the Society until the ealry 1930s.This St Ives era portrait was acquired by the vendor through the artist's biographer.
Los 11
In the manner of James Abbott McNeil Whistler RBA (1834-1903), a portrait of a seated lady sketching, a dog beside her nosing her left hand, 20th-century oil on canvas, pseudo butterfly artist's monogram signature to lower right corner, 84 cm x 72 cm in an ebonised frame.Private collection, deceased estateCanvas relined and stretchers replaced. Restored craquelure evident around the hand holding the pen and behind the sitters back. Some scratches to the surface down the left side. Some retouching is evident under UV throughout, especially on the dog's tail and the sitter's feet and elbow.
Los 142
A Sitzendorf porcelain figure of 'Count Bruhl's Tailor', early/ mid 20th century, painted in colours on a flower-strewn rectangular base, 16 cm long, together with three Severes style oval portrait panels bearing the likeness of Madam de Pompadour, Marie Antoinette and one other, A Dresden porcelain chariot flower trough drawn by winged putti and other figures.
Los 25
After Sir Joshua Reynolds (1723-1792), a half-length portrait of a lady in pink ermine-trimmed cape, a dove on her lap and another beside her, oil on canvas, 91 cm x 70 cm in a gilt frame.From a Deceased EstateLater framed and glazed. Canvas trimmed and relined, signs of re-touching to the top and down the right of the canvas. Some re-touching in other areas. Repaired tear to the left side (8cm long), Craquelure restored throughout. Some deposits to the inside of the glass.
Los 35
Circle of Sir Godfrey Kneller (1646-1723), portrait of a lady and child with an exotic bird, oil on canvas, 123 cm x 98 cm in a wooden frame.Private collection, deceased north London estate.Canvas relined, some re-touching in areas, especially to the skin tones (most noticeable on the mother's face). Mould and other deposits on the surface throughout, would benefit from cleaning. (see additional images)
Los 38
17th-century school, portrait of a woman in a red dress, oil on a panelled oak board (adjoining half missing), indistinct branding verso, 'Maria Bruce'?, 64 cm x 42 cm.Private collection, deceased north London estateGood overall condition, with some surface abrasions in places, notable towards lower right corner. Some evidence of overpainting, especially to her raised hand. Structurally sound.
Los 4
Late 19th-century British school, portrait of a lady, oil on canvas, 76 cm x 63 cm glazed in a gilt frame. Would benefit from re-framing, as gaps appearing at the edges.Private collection, deceased North London estateRe-lined, with some surface spotting throughout. The glass appears also to have spots to the interior, so not clear how much is on the canvas.
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283325 Los(e)/Seite