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283284 Los(e)/Seite
Los 1028
Alexander Jamieson (1873-1937) Scottish Self portrait Oil on canvas, 63cm by 51.5cm Sold together with The Royal Institute of Oil Painters Diploma Certificate presented to Alexander Jamieson on 9th December 1927 by the then president Julius Olsson. . Images of frame and verso will be uploaded in due course.
Los 1108
Alfred Seifert (1850-1901) Czechoslovakian Portrait of a beauty, head and shoulders amongst flowering Oleander Signed, oil on panel, 41cm by 32.5cm See illustration . Images of frame and verso will be uploaded in due course.Cleaned and revarnished. There is fairly consistent strengthening throughout the darker tones and shadows around the leaves and Oleander flowers across the background. There is evidence of infilling to old craquelure across the lady’s face and within the flesh in and around her decolletage. A minimal amount of retouching to her hand and a larger consistent patch to the right of the sprig of flowers she holds in her hand within the white garment. Two tiny losses above her left shoulder and another tiny loss within the strand of hair upon her shoulder. Paint slightly thin in places, particularly within the background which maybe the incentive for the strengthening previously described. Isolated fine stable craquelure. Panel slightly adrift of frame at upper edge. In an overall stable state of preservation.
Los 1112
Circle of George Frederick Watts OM, RA (1817-1904) Portrait of a young lady seated, half length, in a reflective pose Oil on canvas, 68.5cm by 60cm See illustration. Images of frame and verso will be uploaded in due course.Glazed. Under UV there would appear to be two small, essentially circular, areas of retouching at roughly above elbow height within the background on the lower left-hand side. Concealed to reverse. Covered in a layer of dirt and discoloured varnish. By eye the two areas of retouching are visible and have been presumably added to replace areas of lost paint. There remains further lifting and precarious craquelure in the immediate area around these two areas of later paint. There is further pronounced and lifting craquelure in a band across her shoulders and hand and also extending down into the lower areas of her shawl. In addition to small areas elsewhere such as the tip of the sitter’s nose and her forehead etc… Other areas of isolated craquelure are present including the inner area of the brim of her hat, the outer part of the plume of her hat etc… and parts of the background, but these are essentially more stable although some do have a more precarious nature than others. There is a horizontal line approx. 1cm from top edge which would appear to be an impression into wet paint. Some minor rubbing to outer edges. Paint is more thinly applied in some areas. Otherwise in a broadly reasonable to good state of preservation. Not examined out of the frame.
Los 1113
Louis William Desanges (1822-c.1887) French Portrait of William Henry Cooper, of Pains Hill, Cobham, Surrey, three-quarter length, seated wearing a white stock with a black jacket before a landscape beyond Portrait of Harriet, wife of William Henry Cooper ,of Pains Hill, Cobham, Surrey, half-length, standing before a wooded landscape wearing a white lace shawl and black dress decorated with a fancy gold brooch pinned at her décolletage Oil on canvas, 90cm by 70cm and 90.5cm by 70.5cm respectively (2) See Illustration William Henry Cooper was High Sheriff for Surrey in 1836 and died September 1840. This example bears fragments of an inscribed label verso. Harriet Cooper died in May 1868 . Images of frame and verso will be uploaded in due course.
Los 1118
Circle of Sir Godfrey Kneller (1646-1723) Portrait of Peter Vanderbank, c.1695, head and shoulders Oil on canvas, 60cm dia. (oval) See Illustration . Images of frame and verso will be uploaded in due course.Old reline, cleaned and revarnished. There is a relatively small amount of retouching and general strengthening to the gentleman’s face including his eyebrows, the shadowing and definition of the upper and inner part of his right eye, lower lid of left eye and a fair degree of the left hand side of his face. Further generally less consistent strengthening to shadows and definitions in the lower part of his face below his nose and in and around the lips chin and neck area. There is a larger patch of overpainting and restoration above his right shoulder and in the hair, which is essentially circular and approx. 5cm in diameter, with a further small irregular patch below and right of this area of retouching. Probably some general strengthening throughout background and darker areas of clothing – probably of a different date. Paint thin in places, particularly within the background and the surface is slightly flattened from the restoration process. Isolated areas of medium sized stable craquelure. Patch repair to reverse of canvas upper right quarter (which associates to retouching and overpainting described as above shoulder). Feint inscription of sitter and date 1690? and signature within background towards lower right. Slight stretcher shadow.
Los 1119
Circle of Sir Peter Lely (1618-1680) Portrait of a fashionable gentleman wearing a claret overcoat with a white cravat and cuffs, a red sash and a powdered wig, three quarter length, before a landscape Oil on canvas, 124.5cm by 99cm See illustration . Images of frame and verso will be uploaded in due course.
Los 1121
Circle of Mary Beale (1633-1699) Portrait of a gentleman of the Killigrew family, wearing a white lace cravat, three quarter length and outer garment with gold brocaded sleeve in an elaborate feigned oval Oil on canvas, 75cm by 64cm (unframed) See illustration . Images of frame and verso will be uploaded in due course.
Los 1122
Circle of Samuel Cooper (c.1608-1672) Portrait of a gentleman, half length, wearing a white lace cravat, brown jacket and blue sash Watercolour on ivory, 8cm dia. (oval) Contained in a decorative tortoiseshell and gilt metal frame See illustration . Images of frame and verso will be uploaded in due course.
Los 152
Manner of Jean-Etienne Liotard (1702-1789) Swiss: Miniature Portrait of a Gentleman, in a blue coat and red waistcoat, oval, 7.5cm .Please note this picture is likely to be by Christian Richter and signed with his initials to the reverse. However a modern piece of card has been glued to the back and the initials transcribed. The picture surface with scattered black spotting mainly to background. Small paint loss at 11 o'clock. The gilt wood frame with split to lower edge.
Los 153
Nicholas Dixon (1625-1725): Miniature Portrait of Alice Fanshawe, with brown hair adorned with pearls, oval, 6.4cm .Unexamined out of frame. In good order overall, the miniature is is not snug within the frame. Some debris stuck between glass and picture surface, most visible around the pale skin of chest. Otherwise fine.
Los 23
Quantity of Antiquarian and Later First Edition Books on the Scottish Borders, To include A Roman Frontier Post & Its People - The Fort of Newstead, By James Curle F.S.A, Published by James Maclehose and Sons, to the University of Glasgow, First Edition of From the Border Hills by Molly Clavering, In Praise of Tweed by W. S. Crockett, Printed by James Lewis Selkirk 1899, Some Scottish Border Souvenirs by Margaret D. Hayward, Printed by Andrew Elliot 17 Princess st Edinburgh, Strange Tales of the Borders Old and New, by Halbert J. Boyd, First Edition of Folk Tales of the Borders by Winifred Petrie, Drawings by Barbara Gray, First Edition of Tell the Towers Thereof by Madge Elder, Illustrated by John Mackay, First Edition of Portrait of the Border Country by Nigel Tranter, Two First Edition Copies of Andrew Lang by Roger Lancelyn Green,One copy with Dust Cover, The Illustrated Portrait of The Border Country by Nigel Tranter, Illustrated by Sue Scullard, Also with some books on Scotland, To include The County of Caithness, First Edition of Tartans of the Clans & Families of Scotland by Thomas Innes of Learney, Dated 1938, Hugh MacDiarmid and the Scottish Renaissance by Duncan Glen, The County of Sutherland, Edited by John S. Smith, First Edition of Puppets into Scotland by Walter Wilkinson, And with a First Edition of The Churches and Graveyards of Berwickshire by G. A. C. Binnie etc, (22)
Los 345
A superbly detailed pencil portrait of Sir Stirling Moss OBE by the late Robbie Elvin.Signed by Sir Stirling and the artist Robbie Elvin. Number 2/750Complete with Certificate of Authenticity and a photograph of Sir Stirling signing the prints.Edition of 750.18" x 12" (45.7 x 30.5cm)Please contact Shan Stokes on 07890 0933372 / shan@silverstoneauctions.com to discuss the lot in more detail. Click here for more information and any additional photographs
Los 310
Superb stencilled portrait painting on canvas of Stirling Moss with the Laurel Wreath after yet another victory. Measures 64cm x 76cmPlease contact Shan Stokes on 07890 0933372 / shan@silverstoneauctions.com to discuss the lot in more detail. Click here for more information and any additional photographs
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283284 Los(e)/Seite