283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenA gilt-metal framed 19th century photograph of the Royal family. Comprising a group portrait of the daughters of Edward VII: Princess Louise, Victoria and Maud. Within embossed gilt-metal rectangular frame, annotated in pencil to reverse, by W&D Downey, Newcastle, Photographers to Heer Majesty, London Studio, Eaton Square, 11.2cm x 8.2cm
A framed 19th century pastel and watercolour portrait. Depicting a lady in the manner of Rosalba Carriera (1673/75-1757). She wearing a lace cap adorned with pearls, the reverse bearing ink label 'A Head by Rosalba./NB This head was often repeated by her and called The fair maid of Tho Inn', 34cm x 44cm exc. giltwood frame
A Victorian gold and portrait miniature 'lovers' brooch. Centred with a rectangular miniature depicting cupid and a love bird, rub-over set between open scrolls and tubular bars with central spherical beads and fan-shaped terminals all with bead and wire-work decoration in Etruscan style, approx. 66mm long overall, 9.4g gross Condition Report: Overal god condition. The miniature lacking a glass cover.
A Victorian style 9ct gold, black onyx and diamond set portrait pendant, as a profile portrait of a young woman with flowers in her hair, each of seven flower heads being set with a single small round cut diamond, all on a black onyx oval backdrop with yellow gold mount, gross weight 36g, 52 x 39mm (excluding bale)
Mid-19th century English school - half-length portrait of Caroline Wilson, daughter of Sir Thomas Maryon Wilson 7th Bart, oil on canvas (re-lined), 66 x 23.5cmRelined.Paint good and stable with some light craquelure; principally to upper half.Otherwise good.Frame appears all original with minor losses only.
An early 20thC enamel and seed pearl portrait Locket, the circular glass front with blue enamel bezel and an outer surround of seed pearls, all millegrain set, with a portrait miniature on ivory of Antony Henley, by Elsie Gregory, the reverse with box and glass reverse and presentation inscription dated 1910, unmarked, on a 15ct gold chain with corresponding blue enamel and seed pearls, 3.2cm diameter. DEFRA Ivory Act submission ref: CQM91EGK
An Edwardian enamelled circular Pendant Locket, the front in blue guilloche enamel set seed pearls, the centre with portrait miniature painted on ivory, the reverse with hair set box and glass, and presentation inscription dated 1900, unmarked, tests as 15ct gold, 3.1cm diameter, together with a 15ct yellow gold pendant locket, the fronts and reverse with hair set box and glass, with a seed pearl set surround, 4cm diameter (2) DEFRA Ivory Act submission ref: ER358QSG
Montague J. Dawson (1895-1973), Öl auf Leinwand, u.li. sign., auf der Rahmung Titelei: SIR LANCELOT "tis not the gales, but the set of your sails, that determines the way you go", verso etikettiert von Frost & Reed, hier als Titelei: wind in the rigging (Wind in der Takelage), Bemaßung: 28 x 42 inches (71,2 x 106,68 cm). "Das Rennen nach Hause". Der Klipper Sir Lancelot 1869 unter dem Kommando von Kapitän Richard "Dickie" Robinson bei stürmischem Wetter. Der prominente Klipper mit seiner vielgerühmten Schlankheit und eleganten Linie steht hier nicht im Mittelpunkt. Dawson fokussiert ein Szenario an Deck - hängt den Betrachter in die Takelage bzw. verleiht ihm den Blick einer Möwe - und nimmt ihn so mit durch ein tosendes, stürmisches Meer bei gewittriger Stimmung. Der Protagonist dieses Werkes ist der breitbeinig und aufrecht stehende Kapitän Richard Robinson an Deck des Dreimasters, der seine Mannschaft anweist und geschickt manövriert. In diesem Szenario spiegelt Dawson das Thema des Bildes: Nicht die Stürme, sondern das Setzen deiner Segel bestimmt deinen Weg. Berühmt und allseits gepriesen für dieses Talent, stellt "Dickie" Robinson beim Clipper Race von 1869 mit der Sir Lancelot einen neuen Rekord zwischen China und London auf. Unter Berücksichtigung der Jahreszeit und der Entfernung ist man sich einig, dass die Überfahrt der Sir Lancelot im Jahr 1869 die schnellste von China nach England war. Die überwiegende Mehrheit seiner Werke, insbesondere die Teeklipper des 19. Jahrhunderts, zeigen bestimmte Schiffe an einem bestimmten Ort auf einer vorgezeichneten Reiseroute. In diesem Fall jedoch ist es das "Porträt" des berühmten "Dickie" Robinson mit seinem Schiff, der Sir Lancelot, beim Clipper Race 1869. An diesem Rennen waren vorrangig sieben Schiffe beteiligt, darunter die Ariel, Leander, Thermopylae, Chrysolite und Stornoway. Dawson dokumentiert dieses berühmte Ereignis in mehreren Gemälden, wovon dieses Werk als Zentralstück zu bewerten ist. Provenance: - Frost & Reed, London, Reg. No. 41569 , mit großer Wahrscheinlichkeit aus dem Atelier des Künstlers - Im Besitz der Fortnum and Mason Collection in London - Im Besitz von Garfield Howard Weston / Canada - Privatcollection Rhein-Main Gebiet Montague J. Dawson (1895-1973), oil on canvas, l.l. signed., title on the frame: SIR LANCELOT "tis not the gales, but the set of your sails, that determines the way you go", labeled on the reverse by Frost & Reed, here as a title: wind in the rigging, dimensions: 28 x 42 inches (71.2 x 106.68 cm). "The Race Home". The clipper Sir Lancelot in 1869 commanded by Captain Richard "Dickie" Robinson in stormy weather. The famous clipper with its much vaunted slenderness and elegant lines is not the focus here. Dawson focuses on a scenario on deck - hanging the viewer in the rigging - or giving him the view of a seagull - and thus takes him through a raging, stormy sea in a thundery atmosphere. The protagonist of this work is the wide-legged and upright captain Richard Robinson on the deck of the three-master, who instructs his crew and skillfully maneuvers them. In this scenario, Dawson reflects the theme of the painting: not the storms, but the setting of your sails determines your path. Famed and widely acclaimed for this talent, "Dickie" Robinson sets a new record between China and London in the 1869 Clipper Race with Sir Lancelot. Considering the time of year and the distance, it is agreed that the Sir Lancelot's 1869 crossing was the fastest from China to England. The vast majority of his works, particularly the 19th century tea clippers, depict specific ships at a specific location on a predetermined itinerary. In this case, however, it is the "portrait" of the famous "Dickie" Robinson with his ship, the Sir Lancelot, at the 1869 clipper race. Seven ships were primarily involved in this race, including the Ariel, Leander, Thermopylae, Chrysolite and Stornoway. Dawson documents this famous event in several paintings, of which this work is the centerpiece. Provenance: - Frost & Reed, London, Reg. 41569 , with large Likely from the artist's studio - Owned by the Fortnum and Mason Collection in London - Owned by Garfield Howard Weston / Canada - Private collection Rhein-Main area
Early 19th century portrait miniature, watercolour on ivory of the Tudor soldier, statesman and poet Sir Philip Sidney wearing a gorget, a piece of neck armour and a doublet of white slashed leather 13cm x 10cm, housed in ornate gilt Florentine frame.This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Old Submission reference: G9L68ECT New Submission reference: ZFDF8C9G
H Harding - Portrait miniature, watercolour on ivory of a Gentleman wearing a scarlet tunic, orders and decorations signed and dated 1824 with old paper label verso 12cm x 9cm. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Old Submission reference: 6E232X4L New Submission reference: RJBSE3CG
After Charles Robertson - Irish School oval portrait miniature, watercolour on ivory of a gentleman wearing a blue coat, inscribed on the reverse 'Rt. Hon. John Staples of Lissane'. 6cm x 5cm. He was Irish Member of Parliament 1765-1802.This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: EZMDM8FM
19th century oval miniature portrait, watercolour on ivory of a gentleman wearing a blue coat and yellow waistcoat 7cm x 5cm. Trade card inside, incomplete, inscribed 'Mr Thomas Miniature Painter' possibly Thomas Cox. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: XG2EZ38U
Attributed to Samuel Cotes (1734-1818) - Oval head and shoulders portrait miniature, watercolour on ivory of a lady wearing a lace trimmed dress, indistinctly signed 'S 17' and with old label verso 3.5cm x 2.5cm. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: PKAUM3XM
Mid 19th century half length oval portrait miniature, watercolour on ivory of a young gentleman wearing a black coat and stock 8cm x 7cm in ebonised frame. The reverse inscribed 'Cheltenham 28 May 1841, painted by Mrs Wright, born without hands'. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: 5KGYYK71
Loading...
