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Los 385

19TH CENTURY EUROPEAN, three quarter portrait of a philosopher, oil on panel, unsigned, 12cms x 9cms

Los 409

BERNARD LORJOU, FRENCH (1908-1986) “L”Arlequin, three-quarter portrait of a harlequin with lute, oil on canvas, signed to lower right, 89cms x 112cms. See illustration N.B. Previously with Christies London, lot 94, 22nd June 2001. See illustration

Los 431

LILLIAN PORTER, BRITISH, EARLY 20TH CENTURY, Head and shoulders portrait of a young male bohemian, a pair, facing front and to sinister, wearing a full bandana and checked wrap, watercolour, unsigned, 34cms x 24cms & 24cms x 22.5cms

Los 144

19th Century English School - Portrait of Hannah More, unsigned, 19.5cm x 14.5cm, mounted in a fine quality foliate decorated gilt gesso frame within a velvet lined rosewood glazed case

Los 185

Fuller, Edmund George (1858-1940) - Pen and ink study - Portrait of a lady in profile in the style of Mucha, 32cm x 22cm, smaller similar watercolour and two other watercolours

Los 250

Large glass goblet, the bowl engraved with a portrait medallion of Lord Horatio Nelson, the reverse with script and date 1809, on circular foot, 22.5cm high

Los 56

A 19TH CENTURY PORTRAIT MINIATURE, a watercolour on ivory of a young woman with feathers in her hair standing in front of trees, painted in muted colours within a gilt metal and silk lined frame decorated with applied cherubs and floral swags. See illustration

Los 62

JAMES (HENRY JR.)-THE PORTRAIT OF A LADY, 3 vols. 1st Ed. MacMillan 1881, light time staining to edge of pages, I red calf marble boards, gt. lettering to spine. See illustration

Los 100

DARWIN (BERNARD)-PLAYING THE LIKE, Chapman & Hall 1934, 1st Ed. lightly spotted, orig. green cloth with vignette; DARWIN (BERNARD) SECOND SHOTS Casual Talks about Golf, Newnes 1930, 1st Ed. frontis, portrait of the author, light spotting, orig. printed green cloth, no dw (2)

Los 101A

BUCKLEY (G.B.-FRESH LIGHT ON 18TH CENTURY CRICKET, Cotterell & Co, 1935, b/w frontis of a game of cricket in the White Conduit Fields, light spotting, orig. buckram; Gale (Frederick)-The Game of Cricket, Swan Sonnenschein 1888, 2nd Ed. portrait frontis, orig. printed boards, Sellotape repairs to spine; Pentelow (J.N.)-England V. Australia-The Story of the Test Matches, Arrowsmith (Bristol) 1895, orig. wraps stained, lacking most of spine; FRY(C.B.)-CRICKET (BATSMANSHIP), London 1912, 32 b/w photographic plates, orig. red cloth, gt. lettering to spine, sunned (4)

Los 102

DARWIN (BERNARD)-EVERY IDLE DREAM, 1st Ed. Collins 1948, orig. yellow cloth, dw; WEBBER (ROY)-THE PLAYFAIR BOOK OF CRICKET RECORDS, London 1951, orig. blue cloth, dw; WRIGLEY (ARTHUR)-THE BOOK OF TEST CRICKET 1876-1964, Epworth Press 1965, orig. green cloth, gt. lettering & vignette, dw; HOLMES (REV R.S.)-THE HISTORY OF YORKSHIRE COUNTY CRICKET 1833-1903, Constable 1904, portrait frontis of Hawke with facsimile signature (detached), numerous b/w photographic plates, errata inserted on contents page, orig. purple cloth, gt., faded; Hutton (Len)-Cricket Is My Life, n.d., 22 illustrations, orig. green cloth, gt. lettering; KILBURN-(J.M.)-CRICKET DECADE, England v Australia 1946 to 1956, Heinemann 1959, dw; Davor (W.M.)-The Cricket Annual 1892, orig dec. green cloth (2 copies); Playfair Cricket Annual 1950-1853, 1959, 1960 (14)

Los 105

SUTCLIFFE (HERBERT)-FOR ENGLAND AND YORKSHIRE, 1st Ed. Edward Arnold 1935, portrait frontis, dedication to J. M. Kilburn from the author on front free end paper, orig. green cloth; WOODS (S.M.J.)-MY REMINISCENCES Chapman & Hall 1925, portrait frontis with facsimile signature, orig. blue cloth; NOBLE (M.A.)-THE GAME”S THE THING, Cassell 1926, portrait frontis of J. M. Gregory, 8 b/w photographic plates, orig. green cloth; Hobbs (Jack)-Playing For England! My Test Cricket Story, Gollancz 1931, portrait frontis, seven further plates, orig. red cloth

Los 106

BELDAM (GEORGE W.) & FRY (CHARLES B.)-GREAT BOWLERS AND FIELDERS, Macmillan 1906, col. portrait frontis of F. R. Spofforth, and numerous b/w photographic plates, bookplate of E. Jas. Kilburn, orig. green cloth, gt. lettering and vignette, bruised upper corners and worn spine

Los 111

READ (W.W.)-ANNALS OF CRICKET, A RECORD OF THE GAME COMPLIED FROM AUTHENTIC SOURCES, intro. by John Shuter, 1st Ed. Sampson low, Marston & Co 1896, portrait frontis & 26 b/w illustrated plates, t.e.g. deckle, limited edition of 250 (un-numbered and unsigned), orig. quarter vellum dk. green cloth, spine soiled. See illustration

Los 112

JESSOP (G.L.)-A CRICKETER”S LOG, Hodder & Stoughton, n.d. circa early 1920s, 8 b/w photographic plates, light foxing, illustration, index page detached, orig. brown cloth, gt. lettering and vignette (library purchase label pasted to rear end paper); HOBBS (J.B.)-MY CRICKET MEMORIES, 1st Ed. Heinemann 1924, portrait frontis, 7 b/w photographic illustrations, one plate partially detached, light foxing, orig. green cloth, gt. lettering, faded; HUTCHINSON (HORACE G.)-PETER STEELE THE CRICKETER, Arrowsmith n.d. orig. maroon cloth, gt. lettering; GORDON (SIR. HOME)-BACKGROUND OF CRICKET, 1st Ed. Arthur Barker 1939, portrait frontis, 3 b/w photographic illustrations, orig. green cloth, gt. lettering & vignette; MOULT (THOMAS)-BAT AND BALL A New Book Of Cricket, 1st Ed. Arthur Barker 1935, portrait frontis and numerous b/w photographic illustrations, orig. green cloth, gt. lettering and vignettes, spine yellowed (5)

Los 129

GRACE (W.G.)-CRICKET, Bristol 1891, portrait frontis, numerous b/w illustrations, bookplate for E. Jas Kilburn, orig. dk. green cloth, gt. lettering; LAVER (FRANK)-AN AUSTRALIAN CRICKETER ON TOUR, London 1905, 87 illustrations taken from photographs, orig. green & gilt cloth, Boots Library sticker to top board; TREVOR (CAPTAIN PHILIP)-THE LIGHTER SIDE OF CRICKET, ed. Sachs, Methuen 1901, orig. green cloth, gt. lettering; GRACE (W.G.)-CRICKETING REMINISCENCES & PERSONAL RECOLLECTIONS, Bowden 1899, portrait frontis & numerous b/w illustrations, orig. blue pictorial cloth (4)

Los 130

KNIGHT (ALBERT E)-THE COMPLETE CRICKETER 1st ed., Methuen 1906, sepia fronts and 49 b/w photographic illustrations, orig. red cloth, gt. lettering, faded; HAWKE (LORD)-RECOLLECTIONS AND REMINISCENCES, 1st ed. Williams & Norgate 1924, portrait frontis and 16 b/w photographic illustrations, orig dk. blue cloth, gt. lettering

Los 131

CAFFYN (WILLIAM)-SEVENTY-ONE NOT OUT 1st ed. Blackwood 1899, portrait frontis and 30 b/w photographic illustrations, lightly foxed, bookplate for E Jas. Kilburn, orig maroon cloth

Los 133

PULLIN (A.W.) (Old Ebor)-TALKS WITH OLD ENGLISH CRICKETERS, Blackwood 1900, bookplate for E. Jas Kilburn, end papers stained, orig. dk. blue pictorial cloth; WARNER (P.F.)-THE M.C.C. IN SOUTH AFRICA, Chapman & Hall 1906, folding b/w photographic frontis, further b/w photographic illustrations, 2 detached, minor foxing, front free end paper detached, time stained, orig. blue cloth, gt. lettering, Boots Library shield stuck to top board; COLLINS (W.E.W.)-LEAVES FROM... AN OLD COUNTRY CRICKETER”S DIARY, Blackwood 1908, minor foxing, orig. blue cloth; TREVOR (MAJOR PHILIP)-THE PROBLEMS OF CRICKET, Low Marston 1907, bookplate for E. Jas Kilburn, light foxing, orig. red cloth, gt. lettering, repaired crease; STANDING (PERCY CROSS)-ANGLO-AUSTRALIAN CRICKET 1862-1926, Faber & Gwyer 1926, team portrait frontis, & 15 further photographic illustrations, orig. green cloth, gt. lettering (5)

Los 146

PARK (WILLIAM JUN.)-THE GAME OF GOLF 3rd Ed., Longmans 1896, numerous b/w illustration, orig green pictoral cloth, slightly faded and bruised corners; JONES (ROBERT T) & KEELER (O B)-DOWN THE FAIRWAY 1st Ed. Allen & Unwin 1927, portrait frontis and numerous b/w photographic illustrations, orig. green cloth, gt. lettering (2)

Los 276

A 19th Century portrait of a young lady, in black and lace trimmed evening dress with lace and floral decorated head dress, unsigned, set to an ebonised and brass mounted frame with dove terminal, 6cm x 5cm - see illustration

Los 279

After Alexander Cooper, 19th Century miniature portrait study of Christina Queen of Sweden - see illustration

Los 280

Douay, miniature portrait study of a lady wearing lace trimmed dress and bonnet set to a pierced filigree work brass frame and another oval study of a continental lady in pink satin dress and pearls, (2)

Los 281

A 19th Century oval portrait miniature, depicting a gentleman in blue fur trimmed coat, having gilt surround and set to an ebonised frame, 4.5cm x 3.5cm - see illustration

Los 282

An early 19th Century oval oil portrait miniature, of a lady wearing lace and fur trimmed dress with landscape behind, set to an ebonised and gilt oval frame, 10.5cm x 8cm - see illustration

Los 283

A Regency oval portrait miniature, depicting a bewigged gentleman, set to an ebonised brass mounted frame with exotic bird and urn decoration, portrait measuring 6cm x 5cm - see illustration

Los 284

19th Century oval portrait miniature, of a lady wearing white evening dress and black cloak, AF, in ebonised and brass mounted acorn decorated frame, 8.5cm x 7cm - see illustration

Los 286

A 19th Century miniature oval oil portrait, depicting a young gentleman in frock coat, 8cm x 7cm, set in gilt mount and frame - see illustration

Los 312

A 19th Century oval miniature portrait of a young lady, in yellow metal mount with mother of pearl backing; and an oval opaque plaque painted with a figure of an infant, (2)

Los 438

Attributed to Sir John Watson Gordon, portrait study of Alex Carre Boswell, seated with fishing rod and wearing a plume in his hat, unsigned oil on canvas, see label verso, 74cm x 61cm

Los 487

Rose Mead, portrait of an army officer, signed oil on canvas, 59cm x 48cm

Los 552

An etched portrait of George Bernard Shaw, a black and white family portrait and two other pictures

Los 581

A J.W.Hulse pencil portrait of Longfellow, 6" x 6", in mahogany strip frame

Los 591

An 18th Century aquatint after Claude, an 18th Century engraved portrait and a number of other engravings

Los 594

A 19th Century oil on canvas, portrait of a child, a 19th Century body colours study, portrait of a child in red dress, and a number of other pictures

Los 57

'P Scipione', a 20th century Italian maiolica blue and white bowl, the rounded shape painted with a portrait of the warrior in armour amongst a flourish of flowers and foliage, A mark within a shield, 36cm diameter (D)

Los 160

An early 20th century Shakespeare commemorative goblet, the tulip bowl engraved with armorial and portrait oval below 'He Lived Not For An Age But For All Time', the ring knopped stem on domed foot, 22cm high

Los 454

Bess Norriss Tate (Australian, 1878-1939) Portrait of a Lady in Blue signed lower right "Bess Norriss" pencil and watercolour 21 x 16cm Bess Norriss Tate (Australian, 1878-1939) The Flower Seller signed lower left "Bess Norriss" watercolour 21 x 16cm two (2) Exhibited: London Society of Portrait Painters, 1930 (according to an old label on the reverse)

Los 473

Albert Aublet (French, 1851-1938) Portrait of Mademoiselle Rickert signed upper right "A Mlle Rickert, hommage amical, Albert Aublet, 1895" charcoal on buff paper 40 x 28cm Albert Aublet was the only protégé and pupil of Claude Monet. Aublet was born in January 1851 and completed his artistic training under the history and genre painter Claude Jacquand (1804-1878) between 1870 and 1874. Well-known for his lovely portraits, he bridged the gap between Impressionism and traditional realism. He was also a sculptor, exhibiting busts at La Nationale and Les Artistes Francaises between 1910 and 1936. He exhibited paintings also regularly at these two institutions, from 1890 to 1914 at the former, and 1920 to 1937 at the latter. He was awarded a Gold Medal at the Universal Exhibition in 1889 and the Legion of Honour in1890. Amsterdam, London and Madrid also bestowed Gold medals on him and he received Silver Medals from Munich and Nice.

Los 489

After Jean Baptiste Greuze (French, 1725-1805) Portrait of a Young Girl, with Pearls in her Hair oil on canvas 40 x 30cm Provenance: Private collection, Suffolk

Los 494

After Sebastiano del Piombo (Italian, 1485-1547) Portrait of a Lady with a Fur Stole - La Fornarina oil on canvas 64 x 52cm Provenance: Private collection, Cambridge The original is in the Uffizi, Florence.

Los 495

Pinckney Marcius-Simons (American, 1867-1909) Portrait of Cardinal Richelieu signed lower left "Marcius Simons" oil on canvas 68 x 77cm Provenance: Private collection, Cambridge The present painting shows Richelieu with his hand on the death warrant of the five plotters and a map of Richelieu's plans to enlarge France. Pere Joseph sits, cowled, on the far side of the table and the pair are surveyed by the ghost of Louis XIII, whilst the Dauphin sits with his back to them facing the fire.

Los 496

After Sir Anthony van Dyck (Flemish, 1599-1641) Portrait of a Gentleman oil on canvas 103 x 85cm Provenance: Private collection, Warwickshire

Los 530

Danish School (18th Century) Portrait of Princess Frederika Louise of Augustenburg, wearing Ermine, and holding a Fur Muff with a Jewelled Clasp (1699-1744) oil on canvas 75 x 60cm Princess Frederika Louise married Christian August, Duke of Holstein-Sonderburg-Augustenburg on 21 July 1720. She is the great grandmother of King Constantine of Greece and HM Carl Gustaf of Sweden.

Los 534

Samuel Sidley, RBA, ARCA (British, 1829-1896) Portrait of Miss Harriet Sidley, as Alice in Wonderland, in a Lace Dress with Blue Ribbons and with her Hair in Ringlets inscribed on the reverse "Samuel Sidley pinxit" oil on canvas 54 x 41cm Sidley was a highly successful portrait painter - his later painting of Alice in Wonderland was engraved and enjoyed great popularity.

Los 553

Lettice Hare (British, exh.1933-1938) Portrait of Miss Joan Wildish, later Mrs H C H Veazey oil on canvas 78 x 55cm Exhibited: Royal Academy, 1938 Miss Joan Wildish later married the Reverend H C H Veazey.

Los 559

Charles Edmund Brock, RI (British, 1870-1938) An Elegant Lady passing two Gentlemen outside a Country House, possibly Anstey Hall, Trumpington signed lower right "Charles E Brock 1904" oil on canvas 74 x 120cm Provenance: Private collection, Dorset We are delighted to have paintings from a private collection in Dorset, all by the Brock brothers, who lived and painted in Cambridge - Charles Edmund Brock, Henry Matthew Brock and Richard Henry Brock. Charles Edmund Brock (1870-1938) was a portrait painter and illustrator. He was born in Holloway, London, and studied at Cambridge, and also under the artist Henry Wiles. He was the eldest of four artist brothers, and he lived in Cambridge and exhibited at the Royal Academy seven times between 1897-1906, and at the Royal Institute in 1908. He contributed to Punch, the Graphic, he illustrated Hood's Comic Poems 1893, Gulliver's Travels in 1894, and other works. Charles Brock obtained his first book commission at the age of 20. He became a very successful illustrator for authors such as Jonathan Swift, William Thackeray, Jane Austen and George Eliot. He is best known for his line work, initially working in the tradition of Hugh Thomson, but he was also a skilled colourist, adapting his work whether for sensitive novels through to soldiers, rustic and horsey stories, and drawing grotesqueries to amuse children in story books. Brock's portrait of John Venn, the mathematician, hangs at Gonville and Caius College, Cambridge. His brothers Henry Matthew and Richard Henry were also artists and all three shared the same studio in the city. The brothers maintained a Cambridge studio filled with various curios, antiques, furniture and a collector's items.

Los 567

Edward Kenneth Center, (British, b.1903) Portrait of Eric Neville-Heaney, Esq., Reading a Book in a Study signed upper right "E Kenneth Center" oil on canvas 138 x 91cm Provenance: Private collection, Norfolk

Los 606

A late 19th century portrait group of Louis XVI and his family gathered in a garden by a cupola, Marie Antoinette about to give a coin to a less fortunate child, signed A Baron, 23 x 15.5cm, in garlanded ormolu frame

Los 653

'T Bailey 1829', a portrait miniature of a red haired lady looking soulfully upards over her left shoulder, a diaphonous scarf windsswept about her head and shoulders, 7.5 x 5.5cm, in ormolu mount *Daphne Foskett records a Thomas Bailey working in Chester at about this time

Los 670

A late 18th century portrait miniature of a lady, her pale brown hair against a grey ground, she wears a lace trimmed blue dress, red scrim case, 3.5 x 2.75cm

Los 11

Haviland (19th/20th century): Portrait of a Fisherman, oil on panel indistinctly signed, dated 1905, 35cm x 25cm

Los 183

English School (18th century): Portrait of John Abraham of Swarthmoor Hall Ulverston Lancs, oil on canvas unsigned, original library label verso 72cm x 57cmJohn Abraham (1687-1777) was the grandson of the Quakers Thomas and Margaret Fell,

Los 645

Mick Jagger black and white photographs, early 1960s period, group and portrait shots (10)

Los 646

Mick Jagger black and white photographs late 60's / early 70's, mix of portrait in performance, with Bianca, Ronnie Wood and on the set of Ned Kelly movie (10)

Los 647

Mick Jagger similar lot mix of portrait, in performance, Madison Square Gardens playing drums etc (10)

Los 1498

Victorian gold oval locket containing miniature portrait of a lady and lock of hair, 4cm

Los 198

A 16th/17th Century Raeren/Sieburg Stoneware Jug, the baluster form decorated with diamond decoration and 4 portrait medallion panels. 18½ ins (27 cms).

Los 330

A 16th Century Romayne Panelled Coffer. The plank top having chip carved side edges. The front carved with four carved Romayne panels flanked by run-moulded muntins. Each panel depicting a head & shoulder profile portrait within a foliate roundel with floral corner motifs & various scrolling cartouche surmounts. Standing on bracketed stile feet 29 ins (73½ cms) high, 65½ ins (166.5 cms) wide, 20 ins (51 cms) deep.

Los 386

An Intricately Carved Coquilla Nut Snuff Box of pointed oval form. The lid bearing two small roundels carved with a man & woman in profile within a cluster of flowers. Both ends carved with feline faces and the base decorated with a profile portrait of a man within a wreath of flowers. 3¾ ins (9½ cms) in length.

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