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A 19th Century Victorian English oil on canvas portrait painting study depicting a gentleman wearing a black coat, seated and holding a paper in his left hand. Unsigned. Set within a decorative gilt frame with shell and foliate detailing. Wear commensurate with age mostly to the frame. Measures approx; 119cm x 98cm.
A collection of 19th Century portrait miniature paintings & frames to include one depicting Mary Anne Morgan Thomas daughter of William Morgan Thomas, Elizabeth Jennings, another side profile example depicting a gent in blue jacket, embossed leather frame, empty frame with silk backing and another depicting a Betty Bethel. Conditions vary. Largest measures 15cm x 12cm.
A late 18th Century French school watercolour on ivory portrait miniature study of an aristocratic gentleman in white wig with blue dress coat having gilded brass buttons. Set to a bronze locket case with pendant hoop and bar brooch to verso. Bevelled glass front. Measures approx; 7cm x 5cm.
An early 20th Century pair of Irish School oil & pastel on board portrait painting studies depicting a young boy & girl. The brother & sister pair painted opposite with the boy looking at the viewer and the girl looking left. Both signed and monogrammed by the artist. Framed. Measures approx; 60cm x 38cm.
After Peter Lely - Portrait Barbara Villiers, as Mary Magdalene - A large oil on canvas full length portrait painting depicting Barbara Villiers, Countess of Castlemaine and Duchess of Cleveland (1640-1709) Seated the Duchess faces the viewer, with her head resting on her right hand. She wears a satin décolleté dress, with a blue cloak which she holds on her lap with her left hand. Painted on a Windsor canvas. Set to an ornate rococo swept frame. Measures approx; 147cm x 86cm. (canvas only) Frame 180x118cm.
A 19th Century Victorian English oil on canvas portrait painting study depicting a well dressed lady adorned with jewellery and a feathered headpiece. The lady being seated beside a window with all set within a gilt frame with foliate detailing. Wear commensurate with age mostly to the gilt frame. Measures approx; 119cm x 98cm.
Winifred Bourne Medway (1882-1969) - Portrait Of Rosemary Brand - An oil on board portrait painting depicting a woman seated in white blouse with floral skirt. Set to a period frame. Winifred Bourne Medway was a Bristol based Artist who was known to have painted prominent members of the Suffragettes
A Decorative Red and Gold silk threaded table covering Italian produced. The central patterns are in two roundball of a three leaf and scroll design, the edging has a wide frieze of final design with cream silk fringing 1930s. The design is woven throughout. In original box with paper portrait of a 1930s lady on original box from Ninfa Emporium in Italy.Size: 74" x 108".
17th/18th century oil on canvas, Classical portrait of a woman, unsigned, 76cm x 63cm, unframedVery old re-lining with exhibition label from the South London Art and Picture Gallery (handwritten text is completely unreadable), painting hasn't been touched for many years, general paint crazing, small tear just above the figure's head and several small areas of paint flaking and tiny spots of overpainting, generally good untouched condition
Sir Robert Ker Porter (Scottish, 1780 - 1842), charcoal/chalk on paper, study for a portrait of Peter The Great, 60cm x 45cm, framed with extensive annotations verso, artist was assumed to be executed whilst serving as official court painter to the Emperor of RussiaPaper is very discoloured with several small nicks on the right-hand edge and staining, framed and glazed
William Garland (active 1857 - 1882), oil on canvas, portrait of gentleman and horse, signed and dated 1860, 40cm x 53cm, framedCanvas has been lined cleaned and varnished with no sign of repaired tears or previous damage, paint all stable, generally very good condition, possibly original gilt frame with some chipping on the edges, label on reverse states horse is Kitty owned by Mr William Duck of Newbury
19th century oil on canvas, half length portrait of John Bush, unsigned, original gilt frame, 67cm x 56cmNot re-lined, no patches, a few small spots of overpainting and several tiny paint chips, bitumen crazing on the darker areas and a faint stretcher mark, original very ornate gilt frame with a few very minor age-related cracks but generally good
19th century oil on canvas, half length portrait of Elizabeth Bush (nee Oliver), unsigned, original gilt frame, 75cm x 62cmThere are a number of small paint flakes along the bottom edge which need touching in, also a number of very small patches visible on the back with spots of overpainting almost invisible from the front, not lined, very ornate original gesso frame with a few minor gesso cracks, generally very good
Jozef Israels (1824 - 1911), oil on wood panel, self portrait, inscribed along the lower edge "Jozef Israels, painted by himself", also inscribed "John Preyer", image 38cm x 26cm, framed, provenance; Sotheby's New York 1979, together with papers and import documentsPanel is on a cradle, no sign of other restoration, no splits in the panel, no sign of overpainting or restoration, very ornate carved wood frame also in good condition
19th century oil on canvas, half length portrait of William Bush, unsigned, 75cm x 62cm, original frameCanvas has been re-lined some time ago, and there are a few small spots of overpainting including on the bridge of his nose and the front of the waistcoat, paint all very stable, original frame with minor cracks at the corners
NO RESERVE Travel and Exploration.- Anonymous (circa 1870s) Portrait of a man with spear, a feather in his hair, and ears pierced, traditionally thought to be a Native American, but possibly from Oceania, pen and brown ink, sheet 285 x 200 mm (11 1/4 x 7 7/8 in), mounted on brown-paper support, several tears and nicks, manuscript text on verso showing through, including date '[?] 7., 1877', possibly artist's initials 'M.[?].M.B' underlined, further indistinct inscriptions, minor surface dirt, unframed, [circa 1877].
NO RESERVE Ex-collection of Minto Wilson.- Pichler (Johann Peter) Venus with an Organist and Cupid, after Titian, mezzotint, on thick wove paper, platemark 600 x 840 mm (23 3/4 x 33 in), small margins but trimmed to or just within the lower edge of platemark, some minor creases and areas of careful restoration, small ink stain to upper centre, spotting and browning, framed, [circa 1800]; together with another large mezzotint by Pichler after Rubens, Double portrait of Albert and Nikolas Rubens, some creasing in the lower right corner, splits and tears to platemark and edges, framed, [1802] (2) Provenance:[Venus] Cabinet Brentano - Birkenstock/ Johann Melchior von Birckenstock (1738-1809) [L. 345][Venus] Fritz Reiss [L. 2178][Venus] Probably his sale, Christie's, London, 18th and 19th December, 1923Humphrey Minto Wilson (fl. 1938-1951)Thence by descent to the present owner
NO RESERVE [Calvert (Samuel)] A Memoir of Edward Calvert, one of 350 copies [signed by the author], here unsigned, half-title, portrait frontispiece, 25 plates only after Calvert (of 34), illustrations, occasional spotting and foxing, original cloth, gilt, a little soiled, extremities rubbed, folio, Sampson Low, 1893 § Harris (Jean C.) Edouard Manet. Graphic Works. A Definitive Catalogue Rainsonné, black and white illustrations, original cloth, slightly soiled, 1970 § Man (Felix H.) 150 Years of Artists' Lithographs 1803-1953, one of 125 copies initialled by the author, lacking original signed lithograph by Graham Sutherland, illustrations, some in colour, tipped-in, original paper-covered boards, original slipcase, 1953 § Carrington (Fitzroy), Campbell Dodgson, et al. The Print Collector's Quarterly, a substantial run from 1911 to 1941, 92 vol. illustrations in black and white, original printed wrappers (c.5 lacking), torn and chipped, some discolouration, some spines worn, 1911-41; and c.100 others similar, etching, engraving and printmaking, v.s., (c.200)
Bindings.- Tennyson (Alfred, Lord) The Works of ..., 10 vol., number 60 of 500 copies, frontispieces, contemporary half-morocco, gilt, t.e.g., New York, 1898 § Macaulay (Thomas Babington, Lord) The Works ..., 12 vol., Albany Edition, engraved portrait frontispiece, contemporary half-morocco by Bumpus, gilt. g.e., 1906-1898; and other sets, 8vo (42)
Dictionary.- Florio (John) Vocabolario Italiano & Inglese. . . whereunto is added a Dictionary English & Italian. . . for the speedy attaining to the Italian Tongue. . . by Gio: Torriano, 2 parts in 1, lacks engraved portrait (commonly missing), G2 small piece torn away from corner not affecting text, slightly creased and browned, contemporary calf, some surface wear, corners bumped, joints splitting, gilt morocco label, [Wing F1368], folio, T. Warren for Jo. Martin and others, 1659.
Caesar (Caius Julius) [Opera] quae extant, engraved pictorial title and 3 folding maps, woodcut portrait and 5 full-page illustrations, bifolium A6&7 loose, water-stained, contemporary calf, gilt (worn) spine in compartments, rubbed and scuffed, [Willems 420], Leiden, Elzevier, 1635 § Suetonius Tranquillus (Caius) [De Vitae XII Caesarum], engraved pictorial title, head-piece portraits of the Caesars and tail-pieces, all with later hand-colouring in red, this offsetting, 18th century green morocco, gilt, red morocco label to spine, corners little worn, rubbed, g.e., Paris, King's Printer, 1644; and 4 others, small Continental Literature & History, 12mo (6)
Britain.- Camden (William) Britannia: or, a Chorographical Description of Great Britain and Ireland, 2 vol. in 4, 2 engraved portrait frontispieces, lacking all maps, extra illustrated with c.495 plates and maps trimmed and laid down on interleaved blanks, additional text laid down or bound-in, 3 leaves detached and loosely inserted, cracked hinges, occasional spotting and staining, bookplate, later half-crushed morocco, a little rubbed, folio, 1753; sold as a collection of plates, not subject to return
NO RESERVE London.- Newcourt (Richard) Repertorium Ecclesiasticum Parochiale Londinense: An Ecclesiastical Parochial History of the Diocese of London, half-title to vol. 2 only, engraved portrait frontispiece, 4 engraved plates, 3 folding, double-page folding map, previous owner's ink inscription, occasional spotting and browning, bookplate, worming to gutter vol. 2 only, contemporary calf, a little rubbed, folio, Benj. Motte, 1708-10.
Hermaphrodites.- Bauhin (Caspar) De Hermaphroditorum monstrosorum partuum natura, first edition, title within engraved pictorial border, engraved portrait of the author to verso, 6 full-page engraved illustrations, folding table and folding plate at end, foxed and browned throughout, sometimes heavily so, worming, especially at beginning, affecting text and title, ink stamp to title and endpapers, contemporary vellum, binding soiled and almost detached, 8vo, Oppenheim, Typis Hieronymi Galleri, 1614.⁂ An early work on hermaphroditism and monstrous births which also includes discussions of satyrs, incubi and succubi, lycanthropes etc.
Fête Book.- Sacre et couronnement de Louis XVI, Roi de France et de Navarre, à Rheims, le 11 juin 1775 [&] Le Sacre de Louis XVI, Roi de France et de Navarre dans l'église de Rheim[s], 2 parts in 1, half-titles, engraved title within ornamental border, pictorial title to part 2, double-page armorial plate, folding plan of Reims, 9 double-page views of the ceremony, 39 costume plates, and 14 vignette head-pieces, 19 letterpress ff. describing costume plates, without the portrait of Louis by Duplessis found in some copies (a further portrait by Saint-Aubin is sometimes also found), some spotting and light staining, lightly browned, contemporary armorial mottled calf, gilt, rebacked, preserving original backstrip in compartments, with fleurs-de-lis decoration and later leather label, covers with central royal arms within a triple filet border with internal fleur-de-lis corner-pieces, rubbed, [Cohen-de Ricci 785; Watanabe-O'Kelly 2208], 4to, Paris, [Charles-Emmanuel] Patas, 1775.⁂ Handsomely produced record of the coronation of Louis XVI. Provenance: Jacques Lacour Gayet (small leather bookplate).
Chatsworth copy.- Binding.- Cicero (Marcus Tullius) De re publica quae supersunt, edited by Angelo Maio (Vatican Librarian), [part only, complete in itself], engraved frontispiece, portrait and folding plate of a document, some marginal water-staining, occasional spotting or mostly light foxing, Chatsworth bookplate to front pastedown, contemporary red crushed morocco, gilt, spine in compartments and with Devonshire monogram at head, covers with central Devonshire arms, spine and upper cover faded, corners little worn, some staining, rubbed, g.e., 4to (binding 328 x 246mm.), Rome, Francesco Bourlie, 1822. sold as a binding and not subject to return.
NO RESERVE Ex-collection of Minto Wilson.- Blooteling (Abraham) Portrait of Hieronymus van Beverningk, mayor of Gouda, after Nicolaas Maes, etching with mezzotint, 415 x 307 mm (16 1/4 x 12 1/8 in), scattered spotting and browning, surface dirt, framed, [circa 1679]; toegther with six further framed prints, including two portrait mezzotints, one after Reynolds by McArdell, another engraved portrait, two engraved views of Durham, another of Sissinghurst, and with an original pen and ink with wash drawing of 'Rosewell House, Kingsmead Square, Bath', various sizes, all framed and glazed, 18th and 19th century (8).
NO RESERVE Illustrated.- Newell (P. S.) Topsys & Turveys, colour illustrations, occasional marginal soiling, original pictorial boards, cracked upper hinge, bumping to corners and spine extremities, rubbed, New York, The Century Co., 1893 § Lorne (Marquis of) V.R.I Her Life and Empire, colour portrait frontispiece, vignette title, illustrations, original decorative cloth, gilt, sunned spine, slight bumping to corners and extremities, [1901]; and another similar, v.s. (3)
NO RESERVE Du Bartas (Guillaume de Salluste) Du Bartas his diuine weekes, and workes with a compleate collectio[n] of all the other most delight-full workes, engraved pictorial title, woodcut portrait to verso of A5, woodcut head- and tail-pieces and decorative initials, lacking initial blank and folding leaf at end, marginal water-staining, some spotting, lightly browned, engraved armorial bookplate of Hugh, Duke of Westminster, dated 1884, contemporary calf, rebacked, [STC 21653], Printed by Humphray Lownes, [1621] § Scarisbrike (Edward) The life of the Lady VVarner. Of Parham in Suffolk. In religion call'd Sister Clare of Jesus, second edition, woodcut head-pieces and decorative initials, lacking portrait, trimmed at head, affecting part of first word of title, small section out of outer margin of final 2 ff., occasional spotting, lightly browned throughout, modern vellum, [Wing C575], London [i.e. Saint-Omer], Tho. Hales [i.e. English College Press], 1692; and 10 others, defective 17th century English Literature & History, v.s. (12) sold not subject to return.
NO RESERVE Sussex.- Horsfield (Thomas Walker) The History, Antiquities and Topography of the County of Sussex, 2 vol., first edition, 2 engraved portrait frontispieces, 54 engraved plates, 2 folding maps, one with short tear, occasional spotting and staining, near contemporary half-calf, slight bumping to corners, Lewes, Sussex Press, 1835; The History and Antiquities of Lewes, 2 vol., double-page lithograph frontispiece, 40 lithograph and engraved plates, folding map, illustrations, 11 pedigrees, 5 folding, list of subscribers, spotting and staining, near contemporary half-calf, slight rubbing to corners and extremities, Lewes, Sussex Press, 1824-27; and 5 others Sussex, v.s. (9)
Dante Alighieri. Comedia con l'espositione di Christophoro Landino, Roman type, woodcut illustrations in text and decorative initials, lacking AA1 (title with portrait verso), BB6 (full-page woodcut verso opposite opening of first canto), and final blank, some staining / water-staining, the latter especially to final sig., some spotting or light foxing, lightly browned, 19th century calf, worn, [Adams D92; Mortimer Harvard Italian, 145; EDIT 16 CNCE 1159], folio, Venice, Jacopo da Borgofranco for Lucantonio Giunta, 23rd January, 1529. sold not subject to return.

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283284 Los(e)/Seite