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283284 Los(e)/Seite
![GM Ballantyne19th Century Portrait of Agnes Richardson, 2nd Wife of John Hogarth. Oil on board, signed.[Frame 65x55cm]](https://cdn.globalauctionplatform.com/cb6b8728-79f7-427e-aa5f-b07e00b41c3e/f587b1f6-bdf1-4e33-b0c2-b07e00dfbca5/468x382.jpg)
![19th Century Portrait of a Gentleman, oil on canvas, unsigned.[Frame66x56cm]](https://cdn.globalauctionplatform.com/cb6b8728-79f7-427e-aa5f-b07e00b41c3e/0ecde519-8823-4e2e-91a9-b07e00dfb4c2/468x382.jpg)
![19th Century Portrait of Robert Fair, oil on canvas. Unsigned.[Frame 65x55cm]](https://cdn.globalauctionplatform.com/cb6b8728-79f7-427e-aa5f-b07e00b41c3e/8b8158e7-654d-47d1-86eb-b07e00dfc839/468x382.jpg)
Los 1317
Iain McIntoshPencil sketch 'Mr Punch' signed and dated '01.Iain McIntosh, is a well known Edinburgh artist. He also illustrates Alexander McCall Smith's Edinburgh novels (eg 44 Scotland street). There was an exhibition of some of his work at the Portrait Gallery in Edinburgh a few years ago.[Frame 70x52cm]
![Antique Portrait painting of Mary Queen of Scots- Signed S.A. [11.5X8.5CM]](https://cdn.globalauctionplatform.com/cb6b8728-79f7-427e-aa5f-b07e00b41c3e/31a50770-c87a-43b9-9a2f-b07e00df0d3a/468x382.jpg)
Los 525
An antique 9ct gold and ceramic portrait brooch pin. The brooch having an oval ceramic panel to the centre depicting a young boy in a green hat to a twisted and serpentine mount on C clasp verso with safety chain. Marked 9ct. Total weight approx 9.1g. Measures approx 4cm. In black leatherette box.
Los 406
An assorted collection of costume jewellery. The lot to include gold and silver tone metal, white stones, earrings, enamel, cloisonne, stick pins, rings, aurora borealis stones, clip on earrings, simulated pearls, brooch pins, belt buckle, marcasite, wristwatch, Rotary, ceramic, portrait, Bernex, butterfly, necklace, rosary beads, Stanhope lens, mother of pearl shell, beads, enamel, sterling silver, jewellery boxes and more. Total weight approx 1148g. Longest measures approx 41cm.
Los 704
An assorted collection of silver and white metal jewellery. The lot to include a modernist opal pendant necklace, a modernist fringe necklace, a yellow bead tassel necklace, an orb charm bracelet, Celtic style brooch, mother of pearl shell, Mackintosh style, Beau, tortoise, textured band ring, portrait earrings, guilloche enamel, marcasite and more. Total weight approx 229.6g. Longest measures approx 40cm. In silver tone box.
Los 579
An assorted collection of antique and later costume jewellery. The lot to include 14ct GF and cultured baroque pearl demi parure necklace and earrings, 9ct BK&FT heart locket, 9ct metal core etched bangle, rolled gold, rose and yellow gold tone metal, white stones, eight days Swiss made watch, cloisonne, butterfly, enamel, ceramic portrait with yellow metal rim - surface tests indicate 14ct gold, necklace pendant, trinket box, carved cameo portrait, brooch pin, demi hoop stud earrings, articulated fan, simulated pearl, bracelet, cross, chain, aurora borealis beads and more. Total weight approx 323.7g. Largest item measures approx 70cm.
Los 649
An assorted collection of antique and later rolled gold jewellery. The lot to include two carved shell cameo portrait brooches in twisted mounts, pierced clasp necklace chain, Omnta wrist watch, etched heart shape locket pendant, Mother lozenge brooch pin, bar brooch and a pearl and white stone halo cluster brooch. Total weight approx 50.8g. Largest measures approx 40cm.
Los 1041
An early 20th Century Austrian china tea service, circa 1900, stamped M.Z. Austrian (Moritz Zdekauer) with gilt numbering 29 52 comprising two handled tray, teapot, cream jug, sugar bowl and cover, four breakfast cups and saucers, all with green and red panelled sections punctuated with shields with central gilt wreaths, all with portrait medallions of young ladies, gilt heightened Further details: one cup with body detached from stem both present, repairs to teapot cover finial
Los 3004
Dutch School (17th Century) Half length portrait of a seated woman wearing white ruff and cap oil on canvas laid on panel, 34 x 29cm label verso reads: Sir J Savile Lum (ley) G.C.B Rufford Abbey. Probably for John Savile Lumley, GCB PC (1818-1896) British Diplomat serving in Russia, Saxony, Spain, Belgium and Italy. Rufford Abbey Nottinghamshire
Los 527
GROUP OF POSTERS, comprising of 'Feinnger El Hombre Blanci, 1907', 'Dali & Film 1 Jun - 9 Sept 07', 'Walrus', 'Rothko The Metropolitan Musueum Of Art, 'Paul Klee' The Metropolitan Musueum Of Art, 'Steichen' The Metropolitan Musueum Of Art,'John Byrne Sitting Ducks 14 June - 19 October 2014 Queen Street Edinburgh' Scottish National Portrait Gallery', John Bellany 'A Passion for Life 17 November 2012 - 27 January 2013' Scottish National Gallery, 'Warhol Bacon Cartier-Bresson 04.06.05', 'Royal Scottish Academy Festival Connections RSA Annual Exhibition 2005' and 'Living Paint Works From The Fergusson Gallery Collection'
Los 259
Bob Dylan - A collection of LPs, to include The Freewheelin' Bob Dylan, 62193, reissue, Desire, stereo, S 86003, Nashville Skyline, stereo, S 63601, reissue, Bob Dylan At Budokan, stereo, CBS 83691, Hard Rain, stereo, CBS 32308, reissue, red label, Slow Train Coming, stereo, CBS 86095, Bringing It All Back Home, stereo, 62515, Self Portrait, stereo, S 64085, together with further albums and compilations. (19)
Los 181
Princess Nawabzadi Farrukh - a pair of Indian gem-set pendant earrings (karnaphul jhumka), each flower-shaped roundel (karnaphul) is centred with a rose-cut diamond encircled by borders of faceted rubies, diamonds and emeralds, within a pearl frame, dangling an inverted cup (jhumka) encrusted with circular-cut rubies and rose-cut diamonds and suspending a fringe of emeralds and glass drops, fitted with shepherd's crook, unmarked yellow metal testing high carat, drop length 5.8 cm, total weight of item 38.9 grams.From the family of Princess Farrukh daughter of the Nawab of Surat, to match the necklace in for auction(not included in the lot) a portrait depicting Princess Farrukh wearing the earrings.a ruby and emerald drop missing
Los 1253
English School (circa 1830), Portrait of a lady wearing a turban, half length, oil on canvas, 92 x 71cm. UnframedCondition Report: Small puncture to canvas in turban area, craquelure/shrinkage throughout, areas of bitumen, mainly to dress area and background. Needs cleaning and restoration.
Los 1386
English School (19th century), A group of six portrait miniatures, including three gentlemen, one possibly depicting Napoleon, and three ladies, all oval, one inscribed Barrington Deacon on reverse, the larger 8.5 x 6.5cm. (6) All framed and glazed.Condition Report: All set in ebonised frames with acorn clasps, the deacon portrait appears to have some minor paint loss, most may benefit from a clean.
Los 1295
Alfred Kingsley Lawrence (1893-1978), Portrait of a lady wearing a lorgnette, signed and dated to top left, oil on canvas, 77 x 61cm. FramedCondition Report: Good overall appearance.Under UV light it appears that there is a full name signature for the artist, which has then been shortened to AK Lawrence, but this has not been added, most likely amended by the artist himself.
Los 1237
British School (19th century), Portrait of James Herbert Rodgers (1791-1875), oil on canvas, 77 x 64cm, framed.Condition Report: Clear wear to the artwork, including craquelure and some bitumen damage to the canvas. Canvas has been relined and remounted at some point in the last fifty years.
Los 1245
§ Hilda Kidman (1891-1980) Portrait of a gentleman, head and shoulders, with a view of a mansion beyond, oil on canvas, signed lower right, 67cm x 55.5cm. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.Condition Report: § Minor surface scratching, would benefit from a clean and minor retouching.
Los 1264
Alma Gogin (1854-1948) and Charles Gogin (1844-1931), A small studio collection of oils, watercolours, sketches and ephemera, subjects to include portrait studies, landscapes, a hand study, together with some photographs and documents related to the artists and their family, within a monogrammed case originally belonging to Charles Gogin's father. Some unframed (qty)Condition Report: Varied, as viewed
Los 42
Rare original color lithograph for the magazine Le Monde Illustre for the gift giving year 1888-1889. It includes the portrait of writer Jules Verne, a list of his novels published by Hetzel, illustrations of the protagonists and inventions of the series Voyages Extraordinaires. The poster lists the current book titles for sale and new book titles for the coming year. Sight size: 19.10"L x 25.10"H. Frame size: 20.50"L x 26.60"H x 1.50"W. Issued: 1888Country of Origin: FranceProvenance: Collection of Marie-Claude Lalique Condition: Age related wear. Original fold creases.
Los 3
Vanessa Bell (British, 1879-1961)Street in Asolo, Italy stamped with estate stamp 'VB' (lower right); further stamped with estate stamp 'VB' (on panel verso)oil on canvas laid on panel66 x 52 cm. (26 x 20 1/2 in.)Painted in 1955Footnotes:ProvenanceThe Artist's EstateWith Anthony d'OffayWith The Bloomsbury Workshop, LondonPrivate Collection, U.K.Vanessa Bell painted several Italian towns during visits in the late 1940s and early 1950s and the present lot can be accurately dated to Spring 1955 when Bell and Grant drove through France to Asolo in Italy, where they rented a house belonging to the Marchesa Fossi. The house, called 'La Mura', built partly into the ancient town walls, was solidly constructed and had a room with windows on three sides at the top of the building which lent itself perfectly to the purpose of studio. Soon after they arrived they were joined by Edward le Bas and Eardley Knollys, and from La Mura they made many trips during their stay, including to Villa Maser to see the Veronese frescoes, and to Venice where Bell admired in particular the Tintoretto paintings in the Scuola di San Rocco. Most importantly, the trip provided many subjects for the group to paint, with Bell remarking that: 'of course the light is so amazing, everything is colour and definite and exciting'. (Vanessa Bell, letter to Angelica Garnett, 3 May 1955, as quoted in Frances Spalding, Vanessa Bell, Portrait of the Bloomsbury Artist, 1983, reprinted 2016, Tauris Parke Paperbacks, London and New York, p.353.)We are grateful to Richard Shone for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 48
Celia Paul (British, born 1959)Steve in the Studio oil on canvas152 x 126.6 cm. (59 3/4 x 49 3/4 in.)Painted in 2007Footnotes:ProvenanceWith Marlborough Gallery, LondonPrivate Collection, DenmarkCelia Paul's scrutinizing figurative practice naturally aligns her output with post-war artists such as Frank Auerbach and Lucian Freud (a former lover of Paul's). Yet Paul also finds kinship with early modern portraitists such as Gwen John – to whom Paul addressed her 2022 memoir Letters to Gwen John. Like each of these artists, Paul's practice is autobiographical. In her stripped back Bloomsbury studio overlooking the British Museum, she paints people and places dear to her, with a continuous rigour that reveals an acutely intimate portrait of the artist's existence.This personal narrative is perhaps most discernible in Paul's portraiture. Her subjects are often family, who undertake the heavy task of sitting for her time and again. Her sisters, mother and son have been frequent sitters – as has her husband Steven, the subject of the present work. Paul considers the closeness of her sitters as crucial to the success of each work, stating 'It is quite telling of portraiture that love shines through. It is one of the reasons I know I can't paint people I don't love. ' (Celia Paul, 'The Guardian', Celia Paul on life after Lucian Freud, 27 October 2019). In returning to these loved subjects over and over, always confining them to the quiet of her studio space and painting them with an unvetted directness – Paul achieves multifaceted images. They are at once meditative contemplations on human relationships and the passage of time, yet also powerful statements on the very act of portrait painting. With each of Paul's series of sitters we witness different dynamics; 'mother and daughter', 'sibling', 'parent and child', and here 'partner'. Both sitter and artist, husband and wife, have given insight into such sittings. Steven states:'I have sat for Celia many times over the past twenty years, and know how exigently she requires one's conscious presence. She detects any glazing over of my eyes, any failure of being there present in the studio. Yet though fully conscious of where I am and what I am doing, my eyes are hardly ever focused upon the studio or Celia herself, who is in my field of vision. I am not looking at what is around me, indeed though my eyes are open I am not looking at all. One is gazed at intensely without returning the regard, but always in some way aware of the gaze. There is a close connection between this scenario and the paintings Celia creates. The qualities of stillness and intensity characterise them along with the strange intimacy of an interaction when nothing is said and no glances are interchanged.' (Steven Kupfer, Celia Paul – Painting Her Life, victoria-miro.com, 2014).And Paul recalls that to achieve the conscious presence he speaks off, that Steven dotingly 'prepares himself the night before he sits. He used to think about philosophy when he sat for me, but this always made him dream. He would see all sorts of strange forms in my painting clothes, which he was staring at as he thought, and he would soon fall asleep. Now he memorises cryptic crossword clues the night before and solves them in his head as he sits... He likes the challenge of it all, and his ritual is part of the pleasure he takes in sitting' (Celia Paul, Self-Portrait, Random House, London, 2019).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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283284 Los(e)/Seite