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283287 Los(e)/Seite
A good late 18th/early 19th century Swiss gold, enamel, split pearl and miniature portrait inset oval snuff box, by Francois Joanin, Geneva, the hinged lid with split pearl border and blue enamel ground inset with oval watercolour portrait of a lady with string of pearls in her hair, the enamelled beaded border with ribbon crest, the sides enamelled with spheres and blue guilloche enamel panels, the base with unusual 'holographic vortex' effect oval panel, in blue guilloche enamel, 8.5cm.
Dr. Egon Spengler's (Harold Ramis) jumpsuit from Ivan Reitman's action-comedy sequel Ghostbusters II. Spengler wore his jumpsuit throughout the film, from the initial reunion of the Ghostbusters,to their triumph over evil spirit Vigo the Carpathian (Wilhelm von Homberg). Wrinkles and stitchings around the patches screen-match the garment to early scenes when the team investigated the museum holding Vigo's haunted portrait. Conceived by costume designer Gloria Gresham, the jumpsuit is made of tan-coloured polycotton. It has a metal zip front, two breast pockets, two hip pockets, a pocket on the left arm, two thigh and shin pockets on each leg, a thin pouch on the left inner thigh, and four pen slots by the ankle. The waist and wrist cuffs are adjustable with Velcro, and the ankle cuffs are adjustable with metal zips. The jumpsuit features Spengler's signature name patch in red text on a black background sewn onto the left breast, and the Ghostbusters logo patch sewn onto the right upper arm. A manufacturer tag with a handwritten label reading "Harold Ramis" is found within. The jumpsuit shows minor wear from production use and remains in very good overall condition.£10000-15000 M
A hand-painted portrait of Yoda, the legendary Jedi Master who most recently appeared in Rian Johnson's Star Wars: The Last Jedi. This artwork was created by James Hance and has been donated to this auction. The proceeds from this sale will go towards supporting the family of the late animatronics designer and creature effects artist Steve Wright. One of the final projects Wright worked on as part of Neal Scanlan's creature effects department was recreating the iconic Yoda character for Rian Johnson's The Last Jedi, with Wright collaborating for over a year with puppeteer Frank Oz prior to filming. The painting is rendered in acrylics on canvas board in varying shades of blue, with hints of brown applied on Yoda's robes. Highly detailed, the artwork captures Yoda with his wispy hair, pointed ears and solemn facial expression. The artist's signature features on the bottom-left corner, and to commemorate this special auction, Frank Oz has agreed to personalise his signature to the new custodian of this lot. Dimensions: 60.5 cm x 45.5 cm x 1.5 cm (23 3/4" x 18" x 1/2") All hammer proceeds from this item are being donated to the family of Steve Wright. Frank Oz has added that the new owner will also receive a picture of him holding the painting for additional proof of authenticity. This item comes with the endorsement and consent of Disney and Lucasfilm Ltd.£400-600 M
A framed oil on board portrait of a young girl in a white dress with a blue jacket holding a bouquet of pink flowers, signed to the bottom right O S H, alongside a framed oil on canvas painting of two children swarmed by white birds along a cobbled street, signed to the bottom right Suellen. The first measures approx 62cm x 72cm, the latter 42cm x 49.5cm.
Lucian Freud (German/English, 1922-2011). "Night Portrait II". Color offset lithograph. 1985-86. Printed 1993. Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Overall size: 11 1/2 x 9 11/16 in. (292 x 246 mm). Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29177-2-700]
Lucian Freud (German/English, 1922-2011). "Double Portrait". Color offset lithograph. 1985-86. Printed 1993. Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Overall size: 11 x 11 5/16 in. (279 x 287 mm). Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29178-2-800]
Jean-Michel Basquiat (American, 1960-1988). "Self-Portrait with Suzanne". Color offset lithograph. 1982. Printed 1984. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Overall size: 8 3/4 x 6 11/16 in. (222 x 170 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Fruitmarket Gallery, Edinburgh, Scotland (the exhibition ran from August 11th to September 23rd, 1984). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28982-1-800]
George Platt Lynes (American, 1907-1955). "Self-portrait". Original photogravure. 1927. Printed later. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 11 7/8 x 8 7/8 in. (302 x 225 mm). A very rare print – “Gordon’s” does not locate any auction sales of this image. Image copyright © The Estate of George Platt Lynes. [29650-2-300]
Visconti Van Gogh 'Portrait Blue' rollerball pen in natural resin. The turquoise background, with deep red and blue variations, is reminiscent of the famous painting. Sprung pocket clip and magnetic catch cap 6.5cm high x 8.5cm wide x 12.5cm deep 220g >> In very good condition - with original box Note: Inspired by the great paintings of the artist, the Visconti Van Gogh rollerball has a mixed colour palette to bring artwork to life. Made from resin, each pen is unique
* NEIL NELSON (BRITISH b 1977), OLEIFORA oil on board, signed with initials; titled and dated 2011 verso 60cm x 22cm Framed Note: Born in 1977 in Berwick upon Tweed, Neil enrolled in art college to study fine art at the earliest opportunity. On the strength of an exhibition in New York he was accepted into Studio Escalier, a classical art school in the South of France and on his return to the UK he began a successful career as an artist. He has exhibited in galleries from London to Australia, and has undertaken many commissions for private collectors. He has also been featured widely in publications including the Daily Mail Weekend magazine and the New York Arts magazine, and has talked about his work at the Scottish National Portrait Gallery. Neil Nelson's work is exhibited and sold in the UK through the Whitewall network of over forty galleries.

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