![Charles I, the Dominion of the Sea, cast silver medal, undated [1639], by Nicolas Briot, bust right, wearing plain collar ove](http://lot-images.atgmedia.com/SR/10119/2911356/249-2014918142645_468x382.jpg)
Charles I, the Dominion of the Sea, cast silver medal, undated [1639], by Nicolas Briot, bust right, wearing plain collar over armour with lion`s head shoulder plate, Garter George suspended from ribbon, signed behind shoulder BRIOT, CAROLVS I DG MAG BRITANN FRAN ET HIB REX, rev., ship sailing right, NEC META MIHI QVÆ TERMINVS ORBE, 60mm (MI 285/97; BHM [Jones] 174; Eim. 136; MH 29; Farquhar I, 203; Platt, pp. 147-48). A choice example of a wonderful portrait medal, extremely fine, toned and rare. Whilst the reverse is identical to the second of the two earlier `Dominion of the Sea` medals (lot 217), the obverse shows an older king, in armour rather than a cloak. The medal emphasizes Charles`s position following the destruction of the Spanish fleet off Dover (lot 248), when the English were in negotiations with Admiral Antonio de Oquendo. Provenance: Ex Papillon Collection, Bonhams Auction, 25 March, 1998 (lot 22); Spink Auction, 27 February, 1980 (lot 371).
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Charles I, gilt-silver portrait medallion, c.1642, in the style of Jean or Claude Warin, bust right wearing lace collar over armour, two sashes, one with Garter George, his hair long with lovelock over his left shoulder, CAROLVS I DG MAGN BRIT FRANC ET HIB REX ET ÆTATIS SVÆ, rev., Aurora in her chariot drawn by a winged horse, VIRTVTIS FORMÆQ PRÆVIA, 70mm, 90.44g (MI 292/107; Platt p. 241, type B), integral shaped suspension loop with ring. A handsome medal, good very fine and extremely rare. This medal was originally known only from the specimen in the collection of Edward Pretty (see MI, where attributed to Jean Warin), which came to light when sold in the Hever Castle Collection sale (Sotheby, 15 June, 1969). [Sir] Mark Jones did not attribute the medal in BMC French Medals, however a note in his hand was sold with the specimen, in silvered bronze, in the Papillon Collection (Bonhams, 25 March, 1998, lot 24), stating, "It seems likely that it is a relatively early and possibly 17th century". The reverse of the medal is a direct copy of the reverse of Trezzo`s medal of Ippolita di Ferdinando Gonzaga (Attwood 71; Kress 438). Provenance: Baldwin Auction, 5 May, 2005 (lot 1417).
Charles I, The Battle of Edgehill, gilt-silver Royalist Military Reward, 1642, by Thomas Rawlins, crowned bust of the King right, wearing ermine robes and Garter Collar and George, incuse legend, CAROLVS D G MAG BRITAN FRAN ET HIB REX FI DE, rev., Prince Charles on prancing horse to right, baton raised and flowing scarf, in incuse a battle scene in the distance and C - P above, 46 x 32.5mm. (MI 299/119; Platt p. 202), integral suspension loop and ring. Good very fine, perhaps better, a beautifully cast and chased badge, the gilding pale, a few minor scratches by King`s face and the slightest of splits below suspension, excessively rare. The equestrian portrait of Prince Charles is found on another badge, albeit unique, transformed into the Earl of Essex (MI 300/120), presumably a Parliamentary reward for Edgehill, a battle where both sides claimed a victory. Provenance: Morton & Eden, 20-21 May, 2003 (lot 1145); ex Greta S Heckett Collection, Sotheby`s, 25 May 1977 (lot 70); ex Helen Farquhar Collection, Glendining`s, 25 April 1955 (lot 240).
Edward Montagu, Lord Mandeville and 2nd Earl of Manchester (1602-1671), commander of Parliamentary Eastern Association army, oval gilt-silver Military Reward, 1643, by Thomas Rawlins, armoured bust three-quarters left, sash over shoulder, his hair long and flowing, legend in script in two lines, "Should hear both houses of parliament for true religion and subjects freedom stand - Pro Religione lege Rege et Parliamento", rev., the two Houses of Parliament with King and Speaker, wreath border around to both sides, 52 x 34.5mm (MI 310/138, "Unique?"; Platt II, type G, pp. 334-35), integral suspension loop. Good very fine with an excellent portrait and an extreme rarity. Platt notes two specimens, one the "unique?" piece in the British Museum. Provenance: Believed ex. Spink Auction
Edward Montagu, Lord Mandeville and 2nd Earl of Manchester (1602-1671), commander of Parliamentary Eastern Association army, oval gilt-silver Military Reward, 1643, by Thomas Rawlins, half-length armoured bust three-quarters left, sash around waist, his hair long and flowing, legend in script,"Pro Religione lege Rege et Parliamento", rev., the two Houses of Parliament with King and Speaker, wreath border around to both sides, 53 x 37mm (MI 310/139, illus.; Eim. 143B; Platt II, type H, pp. 334-35), integral suspension loop. Good very fine with an excellent portrait, very rare. Platt notes three specimens, all in the British Museum. Provenance: Ex. Bonhams Auction, 14 July, 2004 (lot 584)
Sir Richard Brown (1610?-1669), cast silver oval Military Reward, 1644, armoured bust of Brown three-quarters left, a sash across his shoulder, NON VIR SED VIRTVS, rev., armorial shield of Brown, FOR KING AND PARLIAMENT 1644, wreath and pellet border to both sides, 38 x 26.5mm. (MI 312/142; Eim. 144; Platt II, type A, pp. 59-62). Much as made, good very fine, some light chasing, toned and very rare. Sir Richard Brown successfully commanded a small Parliamentary army in the Abingdon area and was present at the siege of Oxford. He was several times a Member of Parliament, but became disillusioned with the Parliamentary cause. At the Restoration he greeted Charles II on his entry to the City; he was created a baronet also elected Lord Mayor of London for 1660. An engraved portrait dated to 1647 and signed R.S. (NPG D27151), shows a very similar, though reversed portrait. Provenance: Morton & Eden, 20-21 May, 2003 (lot 1148); ex Greta S. Heckett Collection, Sotheby`s, 25 May 1977 (lot 73).
General Sir Thomas Fairfax (1612-1671), 3rd Lord Fairfax, gilt-silver Military Reward, 1645, an oval badge, armoured bust three-quarters left, plain collar, leaf border both sides, raised on obverse, rev., armorial shield of Fairfax, Sr THO FAIRFAX Knt FOR KING & PARLmt, 36 x 23.5mm (MI 317/149; Platt II, type C, p. 103). Very fine. The image derived from the portrait by Robert Walker. Fairfax was a leading Parliamentarian general of the First and Second Civil Wars and Lord-General of the New Model Army. He refused to fight against Charles II in the Third Civil War and supported the Restoration. Provenance: Bt. Spink.
General Sir Thomas Fairfax (1612-1671), 3rd Lord Fairfax, silver Military Reward, 1645, an oval badge, by Thomas Simon, armoured bust left, plain collar, mantle tied at shoulder, THO FAIRFAX MILES MILIT PARL DVX GEN, rev., MERVISTI in three lines, POST HAC MELIORA 1645 around, 38.5 x 28.5mm (MI 317/150; Platt II, type A, p. 97). Very fine with a strong portrait, dark tone. Provenance: Bt. Lion Passant [Exeter], September, 2000.
John Campbell, Earl of Loudon (1598-1663), silver portrait medal, 1645, by Abraham Simon, signed AS on truncation, capped bust of Campbell, to left, wearing plain collar and doublet, rev., legend, IOHAN COM LOVDOVN SVMMVS SCOTIÆ CANCELLARIVS 1645, 36mm (MI 321/157; Eim. 148; CP 97/5; Platt II, p. 63), A strong portrait, cast and very lightly chased, good very fine and very rare. Campbell was a member of the General Assembly of 1638 and opposed the imposition of the new prayer book by Charles I and Archbishop Laud and the King`s interference with the traditions of the Scottish nobility. He became a leading spokesman for the Covenanter movement and was one of the seven Scottish nobles who signed a letter to the King of France requesting his aid. The discovery of this letter led to his arrest for treason and committal to the Tower but with the support of the Marquis of Hamilton he was released and permitted to return to Scotland. In 1641 he was appointed to be the Lord Chancellor of Scotland and was also First Commissioner of the Treasury and President of the Privy Council, positions he held till he was deposed at the Restoration in 1660. He was Chancellor of St. Andrew`s University. Provenance: Morton & Eden, 20-21 May, 2003 (lot 1153).
Murrough O`Brien, 1st Earl of Inchiquin (1614-1674), silver portrait medal, 1646, by Abraham Simon, signed AS on truncation, armoured bust of Lord Inchiquin left, wearing lace cravat and sash, rev., legend and title as Lord President of the Province of Munster, 36mm. (MI 324/161; Eim. 150; Platt II, pp. 242-43; Brady 14-15, this piece). Cast and lightly chased, with old trace of mounting-mark at top, good very fine and very rare. The Earl of Inchiquin fought against the Catholic Rebels in Ireland in 1642 before changing to the Parliamentary forces. He was ruthless in the sacking and burning of several towns, earning the nickname "Murrough of the Burnings". He cleared the Catholics from Cork, Youghal and Kinsale. The medal`s reverse gives him the title of Lord President of the Province of Munster. On the Restoration he transferred his allegiance once more to the Crown but by then he was regarded as a traitor by both sides. He visited Rome seeking pardon from the Pope for his past atrocities and spent his remaining years in penance. The emergency coins issued in Ireland by the Lords Justices in 1642 are sometimes called "Inchiquin Money". For an account of the the medals, see Gerard Brady, The Lord Inchiquin Medal of 1646 (Abraham Simon), Numismatic Circular, March 1989, pp 41-43. Provenance: Morton & Eden, 20-21 May, 2003 (lot 1154); ex G. D. Paterson, Christie`s, 25 November 1969; ex C. Hughes Hartmann Collection, Glendining`s, 27 May 1957 (lot 221).
Albert Joachim (1560-1654), Ambassador from the States General of the United Provinces (aged 86), uniface cast silver portrait medal, 1646, by Abraham Simon, robed and bearded bust left, plain collar, hair short, rev., engraved inscription, THo PARR / AGED 152 / AND 2 MONETHS, 35mm (for the obverse see MI 324/162; Eimer 151; Platt II, pp. 178-79). Nearly very fine, a cast of considerable age. The inscription on the reverse is intriguing and fits well with this medal. Thomas Parr or Old Tom Parr (1483 (?) - 1635) of Winington in the Parish of Alberbury, was indeed reputed to be 152 years old at the time of his death, having lived on a diet of "subrancid cheese and milk in every form, coarse and hard bread and small drink, generally sour whey". He was said to have had an affair when he was over 100 years old and fathered a child born out of wedlock. After the death of his first wife, he married his child`s mother at the alleged age of 122. On his death Charles I arranged that he be buried in Westminster Abbey. See also the previous lot. The medal`s previous owner, James David Anthony [J. D. A.] Thompson, a curator at the Ashmolean Museum, would have relished the reverse inscription. Provenance: Ex. J. D. A. Thompson (d. 1970) Collection; ex. Glendining Auction, 3 October, 2002 (lot 1082).
Charles I, an oval silver memorial portrait cliché medallion, undated, by John Roettier, his bust right, in plain armour, hair long and love-lock over left shoulder, CAROLUS DG MAG BRIT FRA ET HIB REX GLORIA MEMO, and below bust, OBIT IA 30 1648 ÆTAT 49, 96 x 79mm (MI 347/202; Platt p. 107, this piece illustrated; Farquhar I, pp.276-277), in late 18th century glazed and ebonized frame. The surface a little crimped, good very fine and excessively rare. This piece is the earliest in a small group of extremely rare royal portrait medallions. Examples are known of Charles I, Charles II, James II, William III and Mary and they are discussed at some length in the text to MI plate CLXXXIII. Provenance: Spink Auction, 22-23 June, 2011 (lot 785).
Charles I, 1649, cast oval silver Memorial medal, of Dutch manufacture, bust of the King right, on stippled background, wearing armour and Garter George on ribbon, CAROLVS REX, date 1649 below, rev., crowned crossed sceptres with CR at sides, lightly stippled background both sides, 43 x 37.5mm (M.I. - ; Platt - ; v.L. - ). A handsome medal, good very fine and apparently unrecorded. The portrait is virtually identical to the proceeding lot. The Morton & Eden catalogue refers to it being "indistinctly marked .I.P. (?) on truncation", but the present cataloguer feels this is more a roughness in the casting. Traces of the casting sprue remain on the edge between 8 and 9 o`clock. Provenance: Morton & Eden Auction, 20-21 May, 2003 (lot 1162)
Charles I and Henrietta Maria, gilt-silver Royalist Badge, by Thomas Rawlins, laureate and armoured bust of Charles left, with lion shoulder-plate and Garter George on chain, CAROLVS DG MAG BRITAN FRAN ET HIB REX FI DE, rev., bust of Henrietta left, her hair tied back and curled at sides, wearing pearl necklace, signed below, HENRETTA MARIA DG MAG BRITAN FRAN ET HIB REG, 42 x 31mm (cf MI 355/218 for obverse; MI 354/216 for reverse), integral suspension loop and ring. Very fine, lightly chased the gilding light and contemporary and a seemingly unpublished variety. The Rawlins portrait of the King on this badge is found on others (see previous lot), sometimes with and sometimes without a border, but it is not recorded in this larger sized and with a legend. Provenance: Bt. Spink.
Charles I, cast oval silver Royalist Badge, on a thick flan, bust of the King three-quarters left, long flowing hair, wearing a decorative falling lace collar and the ribbon of the Garter George, incuse legend, CAROLVS PRIMVS, rev., engraved with the Royal Arms, within a Garter and crowned, with C R to either side, striated field, raised rim to the edge, 34 x 23.5mm (MI - ; Eim. - ; Platt I, p. 178, type C). Good very fine, and a wonderfully visual piece. The portrait, three-quarters left, is not found on any other badges. Not listed in MI or MI plates, it is properly published by Platt for the first time. Helen Farquhar does not note it, nor did she have one in her collection. There were no examples in the Montagu or Murdoch Collections nor, more recently, Heckett or the "English Collector". Provenance: ?? Auction, (lot 921)
Prince Charles, oval silver Royalist badge, c. 1643, by Thomas Rawlins, young bust of the Prince left, long flowing hair, wearing richly decorated armour with lion shoulder-plate, Garter George on chain Collar, rev., royal armorial shield within Garter, large crown above, 49 x 34mm (MI 372/263; Platt I, p. 298; Farquhar, Folorn Hope, Pl XXIII, I), suspension loop and finial. A superb portrait badge, very fine, lightly chased and with even tone, extremely rare. The portrait is closely similar to that on the reverse of the "Forlorn Hope" Medal of 1643. Provenance: Bt. Spink; ex Spink Auction, 27 February, 1980 (lot 394); ex J. M. Elger Collection; ex C. Hughes Hartmann Collection, Glendining`s, 27 May 1957 (lot 14).
Charles I, silver memorial locket, the top engraved with two arrows piercing a heart, opening to reveal the small left-facing Thomas Rawlins portrait of Charles I; the base engraved with a weeping eye, 23 x 19mm (cf MI 366/249; cf Heckett 119; Platt p. 295, top). Very fine and extremely rare. The Heckett specimen, obviously made by the same hand, contained a lacquered portrait of Charles I. Provenance: Christie`s South Kensington, 9 November, 2004 (lot 52).
Charles I and Henrietta Maria, the "Sovereigns of England", c. 1632, by or from the workshops of Simon and Willem de Passe; a silver counter box containing a set of silver gaming counters, in imitation of engraving, each depicting a standing figure and reverses with arms and details of the reign and place of burial; the box of openwork design, bust left within scrolled foliate border, the side with two panels showing fanciful animals and birds with scrolls around, the base a later restoration, with a medal of the Prince Charles Edward, the Young Pretender, for the Treaty of Aix-La-Chapelle, 1745, 32 wide x 25mm high; the counters, Edward the Confessor, Harold II, William I, William II, Henry I, Stephen, Henry II, Richard II, John, Henry III, Edward I, Edward II, Edward III, Richard II, Henry IV, Henry V, Henry VI, Edward IV, Edward V and Richard III - "BVRIED AT LECHESTER", Henry VII, Henry VIII, Edward VI, Mary, Elizabeth, James I and Queen Anne, Prince Henry, Charles I and Henrietta Maria, Charles, Prince of Wales; together with Mary, Queen of Scots, Henry, Earl of Darnley, Frederick of Bohemia, Elizabeth of Bohemia and Charles Louis of Bohemia, 27mm (MI 379/281, for details of set), the whole contained in Georgian velvet-lined shagreen fitted case. The box generally in good order but some splits and small missing pieces of the scrollwork, the counters mostly very fine and very rare as a complete set. (qty) The unsigned medal obverse (base of the box), shows the bust of Prince Charles Edward right, CAROLUS WALLIÆ PRINCEPS - 1745, and rev., (inside base), Britannia at the shore, ships beyond, AMOR ET SPES, 30mm (MI.600/251; Eim. 595b; Woolf 59:1). The medal is listed in MI and elsewhere as the "Expected Arrival of the Young Pretender". The portrait is after a bust by Jean-Baptiste Lemoyne (1680-1767). Provenance: Ex Collection Charles Lee (one time president of the British Antique Dealers` Association), Sotheby Auction, 28 November, 2001.
Henry Ireton (1611-1651), Lord-Deputy of Ireland, cast oval silver medal, 1650, by Thomas Simon, bust of Ireton left, QVID TIBI RETRIBVAM, rev., soldier climbing a rock and setting fire to the roof of a cottage, a battle in the distance, IVSTITIA NECESSITAS Q IVBET, 29mm x 27.5mm (MI 387/6; Eim - ; Platt II, pp. 173-77). Extremely fine and extremely rare. Henry Ireton, MP for Appleby, 1645; Commissary General, 1645 (promoted on the day of the Battle of Naseby); Lord-Deputy of Ireland, 1650. He was born at Attenborough, near Nottingham, educated at Trinity College, Cambridge, before moving to the Middle Temple in 1629. He fought at Marston Moor, the second Battle of Newbury, Naseby and the Siege of Bristol. In 1646 he married Cromwell`s daughter Bridget (1624-1662). Ireton accompanied Cromwell to Ireland in 1649, was present at the Storming of Drogheda and Wexford, and assumed command in 1650, on Cromwell`s return to England. In the summer of 1651 he resumed the Siege of Limerick but was to die there of a fever on the 26th November. He was buried at Westminster Abbey but at the Restoration, as a regicide, his body was exhumed and hanged at Tyburn. An unpublished uniface portrait medal of Ireton was sold by Morton & Eden, 14 June, 2007 (lot 590). Provenance: Baldwin Auction, 3 May, 2011 (lot 11).
Major-General John Lambert (1619-1684), Parliamentarian and Deputy Lord Lieutenant of Ireland, a restitutional small uniface oval silver portrait medal, by Stuart, after Thomas Simon [1653], his bare head left, with short, curled hair, his name behind, LAMBERT, 25 x 22mm (MI 405/39, var.; Platt II, pp. 182-83), contained in its original and delightful shagreen case, this with an old inked label, "M G Lambert". Extremely fine, toned and very rare. John Lambert was born in Calton Hall, Kirkby Malham, Yorkshire in 1619. He served under General Thomas Fairfax. He fought in several battles before, in 1647, he was placed in command of the Northern Forces. In 1652 Cromwell appointed him Deputy Lord Lieutenant of Ireland. Under the military rule imposed in 1655 Lambert ran the Northern District from York. He was opposed to Cromwell being appointed Lord Protector and refused to take the oath of loyalty. He resigned from office and retired to Wimbledon where he spent his time painting and gardening. In 1659 he attempted to organise resistance to the restoration of the monarchy and marched against Monk. However his army was to desert him and he was imprisoned in the Tower then exiled to Guernsey where, after spending 24 years in prison, he died on Drake`s Island in February, 1684. Provenance: Bt. D. Fearon, April, 2006; ex Papillion Collection, Bonhams, 25 March, 1998 (lot 36).
Mary, Princess of Holland and her son Prince William, silver medal, 1654, by Pieter van Abeele (1608-1684), formed of two clichés joined by the rim, bust of Mary left against a scrolled floral background, wearing pearl earing and necklace and pearls in her hair, MARIA DG PRINCEPS M BRIT AVRANT DOTARIA ETC, signed behind bust, rev., bust of the infant prince three-quarters right wearing feathered bonnet, wide border of oranges around, legend on scroll, WILHELMVS III DG PRINC ARAVS ETC, AN 1654, 64.5mm (MI 417/55; Eim. 192; vL II, 375; Scher [1997] 18; Fred. 1e/2c; Farquhar III, 7). Light tooling on reverse, extremely fine and an attractive child portrait. Provenance: Sotheby Auction, 3 May, 2001 (lot 805).
James Ashe (d. 1671), member of Parliament for Bath, and active Parliamentarian, an 18th century uniface oval silver restitutional portrait medal, by Stuart in imitation of a 17th century medal, bust left, his hair long and over collar, IACOBVS ASCHEVS AET 56 (cf MI p. 422, un-numbered entry), 35.5 x 30.5mm, in 18th century snakeskin case. Extremely fine and very rare. When making his series of restitutional medals it would seem that Stuart was misinformed and copied a Dutch medal of one James Pasch, aged 36, and made him into James Ashe, aged 56. Ashe is an important figure in the history of Bath, being elected MP in 1640 and again in 1656. He was later appointed Recorder for the City. He married Margerey Harrinton in 1652. Provenance: Baldwin Auction, 25 September, 2006 (lot 1256); ex Papillon Collection, Bonhams, 25 March, 1988 (lot 37) Collection; and Spink Auction, 13 October, 1982 (lot 157); ex Papillion, (lot 37)
Charles II, Restoration, small heart-shaped silver locket, crowned bust left with long hair, C - R to either side, the base engraved in two lines, empty of content, 27 x 21mm (cf Heckett 143; for portrait type), integral twisted silver wire suspension loop. Much as made, toned and nearly extremely fine, very rare. Provenance: Bt. T. Millett.
Charles II, Restoration silver cliché badge, crowned bust left, long hair falls over robe, wearing Garter Collar, C - R to either side, 19.5mm (unpublished; cf MI 447/26; pl XLI, 8). An unusually well made piece with a good portrait, good very fine and extremely rare. Provenance: Lockdales Auction 89 (lot 1481).
Catherine of Braganza, uniface silver portrait medallet, c. 1662, believed from a model by Abraham Simon, probably made for insertion into jewellery, her draped bust left, hair tied back in net and falling in ringlets, 15.5 x 14mm (MI 492/117, illus.). A delightful small portrait, very fine and extremely rare. Provenance: Bt. Spink.
Admiral Michiel Adriaenszoon de Ruyter (1607-1676), naval action with the Dutch, 1666, struck silver medal, by Christoffel Adolfszoon, armoured bust of de Ruyter turned slightly left, wearing Collar and Badge of of the Order of St. Michael, a mantle tied at the shoulder, MICHAEL DE RVITER PROVINCIARVM CONFOEDERAT …, rev., a naval engagement with, to the front, a dismasted ship on fire, a small boat alongside, in ex. PVGNANDO, 70mm (MI 522/169; Eim. 239; vL III, 176; MH 568). A superb example with extraordinary detail in the reverse design, good extremely fine and very rare. Issued following his success in the Four Days Battle fought in June 1666. The obverse image is taken from the portrait by Ferdinand Bol, painted after the action. Provenance: Sotheby Auction, 3 May, 2001 (lot 793).
Frances Teresa Stuart, Duchess of Richmond and Lennox (1647-1702), beauty at the Court of Charles II, portrait medal, c.1667, by John Roettier, a lead backed electrotype copy of the 19th century striking, bust left, loosely draped, her hair drawn up and with plain diadem, 70mm (MI 541/195; MI pl LV, 1). Good very fine and reproducing the usual flaws and rust marks. See footnote to previous lot. The electrotype process was a product of the 1840`s and this piece probably dates from that time.
Christ`s Hospital, Henry Stone badge, silver-plated badge, 1673, by John Roettier, three boys around a table with instruments of learning and to left, a globe, NVMERO PONDERE ET MENSVRA, in ex., EX MVNIFICENTIA HEN STONE ARM, 78 x 88.5mm (MI 557/219; Grimshaw 2), the wide border with multiple piercings for attachment to gown. The silver much worn away but about very fine and considerably rarer than the Nautical School badge. Henry Stone (1631-1693) was a Governor of the school and his legacy of £57 - 6s - 8d, given during his lifetime sponsored the education of twelve boys. On his death the school inherited Skellingthorpe Manor, in Lincolnshire. The school also has a fine portrait of Stone. Provenance: Bt. eBay, November, 2010.
Titus Oates and the Popish Plot, small copper / bronze portrait medal commemorating the Popish Plot, 1678, bust three quarters -left, rev., a man spies on the King, walking by a pond (in St. James`s Park), 18.5mm (MI 580/253). Very fine and extremely rare. Provenance: Frank Ernest Macfadyen [Newcastle-on-Tyne] Collection, Sotheby, 15-16 July, 1907 (lot 227), sold with collector`s ticket; Bt D. Fearon, January, 2011.
James Scott, Duke of Monmouth (1649-1685), defeated at the Battle of Sedgmoor, cast bronze medal, 1685, of Dutch manufacture, armoured bust right, hair long and with lace cravat, IACOBVS DVX MONMOUTH, rev., the Duke falls from a column attempting to reach three crowns, military trophies around, PROVIDENTIA, in ex, IMPROVIDENTIA, 42.5mm (MI 614/24). Much as made and without wear, extremely fine and extremely rare. James Scott (1649-1685), Duke of Monmouth, King Charles II`s natural son (with Lucy Waters) who claimed the Protestant throne on the death of his father and was indeed proclaimed King at Taunton on the 20th June, 9 days after landing at Lyme Regis. The medal`s portrait somewhat imitative of that by George Bower (MI 614/25). Provenance: Bt. D. Fearon; ex Papillon Collection, Bonhams, 25 March, 1998 (Lot 77); ex Greta S. Heckett, Sotheby, 25 May, 1977 (Lot 187); ex Cochran Patrick, Sotheby, 8 November, 1949 (Lot 58).
![William III, the Battle of Landen [Neerwinden], Dutch gilt-silver medal, 1693, by Jan Boskam, armoured bust of William right,](http://lot-images.atgmedia.com/SR/10119/2911356/562-2014918143857_468x382.jpg)
William III, the Battle of Landen [Neerwinden], Dutch gilt-silver medal, 1693, by Jan Boskam, armoured bust of William right, in high relief, hair long, mantle around shoulders, INVICTISSIMVS GVILLELMVS MAG, rev., falcon flying, pounces on a heron, landscape with battle beyond, FORTI SIC VICTOR VINCITVR ART, 59.5mm (MI 86/303; vL IV, 140). Good very fine, a few light edge bruises, the gilding original, very rare. The medal has a superb portrait, previously used the previous year on a medal commemorating the execution of the Chevalier de Grandval for his plans to assassinate William III. The Battle of Landen, in Brabant, fought on the 29 July, 1693, was by far more a victory for the French commanded by the Marshal Luxembourg than for William. The losses for the allied armies are given as 19,000 men as against 9,000 French. Provenance: Baldwin Auction, 5 May, 2010 (lot 1017).
![James II and Prince James, double-portrait medal, in silver [1699], by Norbert Roettier, laureate bust of James II right, IAC](http://lot-images.atgmedia.com/SR/10119/2911356/585-2014918143951_468x382.jpg)
James II and Prince James, double-portrait medal, in silver [1699], by Norbert Roettier, laureate bust of James II right, IACO II DEI GRATIA, rev., bust of Prince James left, IAC WALLIÆ PRINCEPS, 27mm (MI 202/516, illus.; Eim. 380; Woolf 15.3; Farquhar II, 222). Choice, virtually mint state, lightly toned.
John Kendal (d. 1501), Turcopolier (Colonel General of Infantry) of the Order of St John (1477), the Siege of Rhodes by the Turks, cast bronze portrait Medal, 1480, of Italian manufacture, bust right with long hair, IO KENDAL RHODI TVRCVOPELLERIVS, rev., shield of arms, TEMPORE. OBSIDIONIS. TVRCHORVM. MCCCCLXXX, 55mm (MI 17/3; Hill 934; Furse p. 379). A somewhat worn but original cast with old but later gilding applied, reverse fine, obverse better. John Kendal was commissary and deputy to Pope Sixtus IV "throughout the globe" and Turcopolier at the time of the siege of Rhodes by the Turks. The latter post was annexed to that of Grand Bailiff of England and he was also Prior of the Order of St John in London and Grand Master. As such the task of recruiting for troops, especially in Ireland, to fight the Turks fell to him. The medal is sold with an old collector`s ticket priced at "2000 frs". Provenance: Baldwin Auction, 4 May, 2006 (lot 2311).
Elizabeth of York (1466-1503), Queen of England, silver medal of German manufacture, by Loos, bust three-quarters left wearing embroidered dress, headdress and ornate necklace, ELIS EBOR HENRICI VIIREG ANG, rev., the two roses of York and Lancaster, entwined, HINC NOSTRÆ CREVERE ROSÆ, 39mm (MI 22/5; Eim 24). Extremely fine, toned. This attractive medal was commissioned by Mr Thane, a collector who felt that Elizabeth of York deserved a place in Dassier`s series of English Sovereigns. Elizabeth of York was the oldest daughter of Edward IV and her marriage to Henry VII in 1483, ended the Wars of the Roses by joining the houses of York and Lancaster. It was struck in the early years of the 19th Century and the obverse portrait is after Holbein. Provenance: Baldwin Auction, 4 October, 2004 (lot 931).
Henry VIII, large cast bronze restitutional portrait medal, bust almost full-face, wearing broad-rimmed hat, collar of office and St George medal on riband, HENRICVS VIII DE GRATIA ANGLIA REX, 89.5mm (MI 49/46; Pollard 2007, 781; H & P, p. 145, pl. 29.2). A handsome medal, nearly extremely fine, pierced at top, scarce. This portrait, which is derived from Holbein, is sometimes paired with that of Erasmus, taken from a bronze medal of 1519 by Quentin Matsys. Provenance: Baldwin Auction, 24 September, 2013 (lot 5266).
Edward VI, circular portrait plaquette, an electrotype copy of the "unique contemporary cast" in lead in the British Museum, bust left with plumed hat, wearing coat and doublet and Garter Collar and George and holding gloves, EDWARDVS DEI GRA AN REX, 74 x 74.5mm (cf MI 56/7, illus.; pl. IV, 1; H & P pl. 29, 4; Farquhar, 114), mid 19th century. Much as made, very fine. Provenance: Bt. eBay, September, 2007.
Edward VI, Christ`s Hospital, presentation medal, 1791, in richly gilt-silver, after a portrait by William Scrots, bust three-quarters left on stippled background, wearing feathered cap doublet and Garter Chain and George, EDVARDUS SEXTUS R, signed GS [Guillaume Scrots] and hallmarked below truncation, facing bust of king, rev., engraved `Presented by David Pike Watts Esquire to Matthew Cotton Esquire`, 56 x 39.5mm (cf Grimshaw 89), London hallmark 1791, maker John Huston, shaped suspension loop. Extremely fine and rare. The medal is similar to the Marker`s medals of the period and is clearly after a painting by William Scrots, a painter of the Tudor court to whom several portraits of Edward VI are attributed. The medal`s benefactor, David Pike Watts, was the adopted son of the vintner Benjamin Kenton, and inherited his business and fortune. Given to good works, he was a patron of Christ`s Hospital, and many other institutions. He was the artist John Constable`s uncle. The Pike Watts Mausoleum, in the Church of the Holy Cross, Ilam, Staffordshire, contains Francis Chantrey`s magnificent monument. By 1833 the recipient, Matthew Cotton, is recorded in the post of Receiver and Wardrobe Keeper at Christ`s Hospital. Provenance: St. James`s Auction 17, 24 May, 2011 (lot 854)
Philip II of Spain and Queen Mary, copper counter, 1557, coin-like portrait busts vis-à-vis, PHS ET MARIA HISP ANGL REGS FLANDR COMS, 1557 below busts, rev., arms of Philip and Mary in lozenge-shaped shield, GECT DE LA CHAMBR DES COPT A LILLE 1557, 30mm (MI 86/50). Very fine and rare. This variety with the last numeral of the obverse date clearly adapted from 1557. It is also one of the several varieties of counters struck for use in the Chamber of Accounts at Lille, all of which are rare. Provenance: Bt. Spink.
Philip II of Spain and Queen Mary, copper counter, 1557/58, coin-like portrait busts vis-à-vis, PHS ET MARIA HISP ANGL REGS FLANDR COMS, 1558 below busts, rev., arms of Philip and Mary in lozenge-shaped shield, GECT DE LA CHAMBR DES COPT A LILLE 1557, 30mm (MI 86/50). Good very fine and very rare. One of several varieties of counters struck for use in the Chamber of Accounts at Lille and all of which are rare. Provenance: Ex Papillon Collection, Bonhams, 25 March, 1998 (lot 7); Spink NC, November 1978 (13320).
Sylvia Harris: Abstract three quarter nude portrait if a woman, acrylic on board, signed on reverse, 29½"" x 20"", framed; Sylvia Harris: Abstract landscape, acrylic on board, unsigned, 28½"" x 19½"", unframed; Sylvia Harris: Head and shoulders portrait of a man in glasses, unsigned, 23"" x 15""; and a similar portrait
BUTLER, P.D., Keith Moon, A personal portrait by Peter 'Dougal' Butler, Full Moon Books, London 2001, limited edition number 1701 of 2000 signed by the author, also signed 'Hi! I hope you enjoy the journey as mush as I did kindest regards Dougal July 2007', folio, together with Melia. P & Woods. A, 'Peter Greenaway Artworkd 63-98', Manchester Univerity Press, Manchester 1998, with dust jacket, 8vo (2)
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