David Hamilton Heat, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About David Hamilton is an award winning artist from Northern Ireland who studied at undergraduate and graduate levels at the University of Ulster Belfast. He worked extensively throughout the UK and Europe as a scenic artist and art director producing themed sets for the entertainment industry and in 2008 started making his own work. Since then he has been selected for exhibition with the Royal Academy, the Royal Ulster Academy, the Royal Hibernian Academy and the National Gallery of Ireland. His work has also been longlisted for the John Moore Painting Prize, the BP Portrait Awards and shortlisted for the Jacksons Painting Prize. Education University of Ulster/ Art and Design Centre, undergraduate and graduate levels. Select Exhibitions/Awards Royal Academy Summer Exhibition, London, Royal Ulster Academy Annual Exhibition, Belfast, Royal Hibernian Academy Annual Exhibition, Dublin, National Gallery of Ireland Hennessy Portrait Prize, Dublin (highly commended winner) National Gallery of Ireland Zurich Portrait Prize, Dublin selected finalist. Jackson Painting Prize shortlisted artist. Winner BBC Northern Ireland at Seventy Art Competition. Contestant, Sky Landscape Artist of the Year, season 8, 2023. Statement about AOAP Submitted Artwork Both my paintings titled "Heat" and "Sandstorm" are part of an ongoing body of work exploring the impact of human activity on the environment. The painting titled "Contemplating the line between perception and reality" was inspired by a quote from Carl Jung, who said, " It all depends on how we look at things and not how they are in themselves. The least of things with a meaning are worth more in life than the greatest of things without it." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Richard Twose Red Horse III, 2023 Ink and bleach on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Richard Twose was born in Devon in 1963. From 2009 his work was exhibited at galleries in Bristol and Bath. In 2011 he won the Victoria Prize at Bath's Victoria Gallery and was invited to become a member of the Bath Society of Artists. In 2014 Richard was awarded second prize at the BP Portrait Award in the National Portrait Gallery. Ben Luke in the London Evening Standard described Richard's painting as having an elusive, poetic quality. In 2017 Richard's portrait of Ken Loach was selected for the BP Portrait Award and he was also commissioned by Oxford University to paint Ken Loach. This portrait was exhibited in the Bodleian Library and will hang permanently in the Examinations Halls. Richard also exhibited at Catto Gallery, London - Solo Exhibition A Flicker In The Continuum and the catalogue introduction was written by Edward Lucie Smith. Richard was Artist In Residence at Elisabeth Frink's studio at Woolland House, Dorset in the winter 2018.In 2019 the work produced there was shown in a joint venue exhibition at Beaux Arts Gallery and Victoria Gallery, Bath. Education 3D Design at the University of Creative Arts, Farnham from 1986 to 1989. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Zafiro Storm My Limits, 2023 Oil pastels, tempera, acrylic, watercolour, markers and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My relationship with art is given by the education and passion that I received from my mother's side. It was, has been and always will be the engine of my life. My childhood and adolescence were spent in a very complicated environment. After a major depression, at the age of 17, I decided to enter The School of Art. I graduated in 2001 with honors from the EADT of Catalonia in the specialty of Jewelry Design (1996-2001) Obtaining Honors in the Final Degree Project for "La Escuela Llotja de Barcelona" (School that evaluates all artistic careers in Catalonia, Spain). The same year, 2001, I was the winner of the Illustrious "FAD JEWELRY AWARD" in Barcelona. After obtaining the FAD award, I was selected by BARNAJOYA and the FAD Awards to exhibit at "The BARNAJOYA International Jewelry Fair" 2001. Two years later, in 2003, the DDI (Department of Design and Innovation of the Ministry of Science and Technology of Spain) selected me among the best designers, including me in their guide. My collaborations with artists took place years before, as was the case with the international sculptor Rufino Mesa, with whom I collaborated years before. In 2006 I was part of "NECRO-LITOS" of the como visual artist. For personal reasons. I spent a few years away from art in general, and from my career as a jewelry designer. It was in 2010 when I returned, internationally with my first painting exhibition "The PRINTED FOOTPRINT" at "Art House Gallery and Studios", Brooklyn, NY. I resumed my collaborations as a visual artist in 2015, this time, a participant in "El Milagro" of the international artist Abel Azcona at "The Gray Square Gallery", Spain. And, once again, I was summoned to participate in "DES-ENTERRADOS" by Abel Azcona, curated by Marisol Salanova in the Art Gallery "Conde de Rodezno" Spain in the same year 2015. That same year, I participated in "The 30th Anniversary of the BMW Painting Awards" in Madrid, with the portrait exhibition "FOUR ROOMS" I was interviewed for the Cultural Magazine "ACENTO CULTURAL" in Madrid that same year, 2015, for my artistic career as an internationally renowned artist. interview from which echoed Fahrenheit Magazine, Mexico D.F, publishing my Painting Series in the press "Anthropomorphous". In 2018 I was selected to exhibit the artistic installation FEC (these are the initials of the chemotherapy I received) in the "REG-ARTE" Contest, with the collaboration and within the Malaga Film Festival -MAF-Málaga. Two years later, Saatchi Gallery selected me as a featured artist in the "Saatchi Take Over" competition, London, UK in 2020. In 2021, I became part of the art gallery "Maison Contemporain Gallery" in Paris with my artworks "War Diary". In 2022 I became part of the Perdomo Gallery art gallery in Miami with my artworks "La Triada Combustible". Currently, I am part of the group show CON Spring Edition'23 at the Circle of None art gallery, London and to my delight, I have been selected by Gemma Peppe to be part of the group exhibition of Art on a Postcard Summer Auction 2023, London Exhibition in which I feel honored to participate, for its vital significance, and the great help to the community that is dealing with Hepatitis C. Education Graduated with Honors in Arts and Design specializing in Artistic Jewelry Design from EADT, Catalonia, Spain. (1996-2001) Honors in the Revalidation and Final Degree Project by the "Escuela Llotja" Barcelona, Spain. (2001) Select Exhibitions/Awards Exhibition with "La HUELLA IMPRESA" in the Art House Gallery and Studios, Brooklyn, NY. 2010 Participation in "El Miracle" by the International artist Abel Azcona at The Grey Square Gallery, Catalonia, Spain. 2015 Participation as "DES-ENTERRADOS" by Abel Azcona and Curated by Marisol Salanova at The Art Gallery Conde de Rodezno, Pamplona, Spain. 2015 Participation in The 30th Anniversary BMW Painting Awards, Madrid, Spain. 2015 Interview for the Cultural Magazine "ACENTO CULTURAL" Madrid, Spain. 2015 Press publication in "Fahrenheit Magazine" of the ANTHROPOMORPHE Series Mexico D.F. 2015 Exhibition of the Painting Series, "LA QUE NO TIENE NOMBRE II" (The One with no name II") at The Gallery PÓPULO CADIZ, Spain. FEBRUARY-APRIL, 2017 Exhibition with the artistic installation "FEC" in the ´ REG-ARTE´ Contest, with the collaboration of the Malaga Film Festival -MAF- MALAGA, Spain. APRIL, 2018 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Maison Contemporain Gallery PARIS, France. 2021-2023 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Perdomo Gallery MIAMI. 2022-2023 Exhibition with the CIRCLE OF NONE art gallery in London in the show group CON Spring Edition 2023 Gallery Representation MAISON CONTEMPORAIN / PERDOMO GALLERY / CIRCLE OF NONE Statement about AOAP Submitted Artwork My work deals with various political issues such as the energy crisis, climate change, the current Central European war and its derivatives. For the series created, especially for AOAP, I have highlighted the most activist part of the speech. I have shown more clearly the dimension of the female character, the girl. With traits that illuminate the discourse of abuse, protection and the empowerment of reason, but since creation. From the female drive. The one that lies in the exact balance between the rational and the creative. The one that is established whole and without fissures. A character who up to now has lived in harmony with the rest of the work, but who is now shown on the scene and points to the viewer. There are four titles: MY LIMITS, a work that makes use of nature as a protective and defensive barrier. Beauty and strength go together without questioning their symbiosis. I show myself, I am. Full. But I know my true beauty. And that beauty is my limits BIZUM, a work that talks about the immediacy of the use and consequently the abuse of everything that is within our reach. The characters in the play laugh mischievously, in a relaxed but expectant attitude. You could say they are ready. ATOMIC, a work that speaks of the potential and high management capacities in complex situations Change our anatomy and adapt to the environment. Turn our ballast (decayed flower) into a soccer ball with which to strengthen our drive towards better results. PLAY HIDE with THE ELEPHANT in the ROOM talks about the fact of playing hide and seek before such an important issue as evidence. The climate crisis. And playing hide and seek with the elephant in the room is not wanting to see the evidence. If we summarize the language, we find ourselves again, before a type of mistreatment, disaffection and ignorance. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sevina Tzanou, Portrait, 2023 Colour pencils on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sevina Tzanou (b. 1994, Athens, Greece) collapses bodies, space, and time in her painting process. Through an engagement with Burlesque, drama, and drag communities she explores the subjectivity of the femme; a hyper- feminine performance which celebrates and annunciates the queer characteristics of femininity. Through a hyper-visualization of femininity, Sevina's work, and notions of the femme, call attention to the very constructed nature of femininity and reclaim that construction with all its glossy, frilly, rich characteristics inherent in its deployment. Education Kunstakademie Düsseldorf Classes of- Katharina Grosse- Eberhard Havekost- Yesim Akdeniz Select Exhibitions/Awards Solo Shows 2022 "Parties I am not Invited To" Robert Grunenberg, Berlin, 2021 "Eyeballs Everywhere" Kunstakademie Düsseldorf, Selected Group Exhibitions 2023 "Final Fantasy" Temnikova and Kassela, Ttallinn, Estonia "Apnea" European Centre of Athens, Athens, Greece 2022 „Spikes that Bite" Margot Samel, New York, USA "Genius Loci X" Setareh X, Düsseldorf, Germany "Exhausting Beauty" Dora Ostrovsky Art Hub, Frankfurt, Germany Gallery Representation Robert Grunenberg You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alexandra Diez de Rivera Confessional I (Closed), 2023 Giclée Hahnemühle photo rag Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alexandra Diez de Rivera is a Spanish-Argentine visual artist based in London working with photography. Her work is characterised by images of psychologically ambiguous objects and spaces that are empty but charged and marked by the passage of people and time. She is interested in psychology, memory, trace and the body. Diez de Rivera's work has been featured in publications such as Vanity Fair, FT Magazine, Vogue, and Le Point and exhibited in galleries both nationally and internationally. She is represented in collections in Europe, China, the US and UAE. Diez de Rivera's work was selected for the 2022-2023 edition of 'Small is Beautiful' at Flowers Gallery, RWA Bristol's 'Photo Open 2023' exhibition, 'London Grads Now 21' at the Saatchi Gallery and 'After the High Tide' at Cromwell Place in London, amongst other exhibitions. Diez de Rivera holds a Postgraduate Diploma in Communications from Central Saint Martins University of the Arts London and a Master's degree in Photography from the Royal College of Art. Education 2018 - 2021 Royal College of Art, London. MA Fine Art Photography 2003 - 2005 Central Saint Martins University of the Arts London. Post Graduate degree Communication and Graphic Design Select Exhibitions/Awards SELECTED EXHIBITIONS 2023 RWA Photo Open Exhibition 2023. Royal West of England Academy, Bristol 2022 Small is Beautiful. Flowers Gallery, London 2022 The Winter Gala for Save the Children exhibition, Guildhall London 2022 PHotoESPANA Discoveries Portfolio Exhibition, Madrid 2022 LONDON GRADS NOW 21. Saatchi Gallery, London 2022 Travers Smith CSR Art Programme Exhibition, Travers Smith HQ London 2021 December Exhibiton. NOUA Gallery, Bodo Norway 2021 Fair Art Fair Curated I. Unit 1 Gallery, London 2021 After the High Tide, RCA Degree Show. Cromwell Place, London 2021 Selected 2021 Art Graduates. Dyson Gallery, Royal College of Art, London 2021 Can We Dance Again? Royal Victoria Patriotic Building, London 2021 Final, Not Over. Unit 1 Gallery, London 2021 Always Present. Void Collective (online) 2020 A Pervading Absence. Windows 187, Greenwich Studios, London 2019 Offprint. Tate Modern, London 2019 Royal College of Art WIP Show. Dyson Building, RCA, London AWARDS 2023 Nominee in Fine Art Photography Awards (Open theme) 2021-2022 Selected for the Travers Smith CSR Art Programme 2021 Selected for The Pupil Sphere Showcase 2021 FAPA Awards - Nominee in Fine Art Photography 2020 Critical Mass Competition - Finalist 2020 Fine Art Photography Awards - Nominee in Conceptual Photography 2019 Fine Art Photography Awards - Nominee in Portrait Photography 2019 UAL Chinese Scholar Association - Winner 2019 Fine Art Photography Awards - Nominee in Portrait Photography Statement about AOAP Submitted Artwork 'A house that has been experienced is not an inert box. Inhabited space transcends geometrical space' Gaston Bachelard, The Poetics of Space My practice looks at the vacant space, the hollow shell, the skin of things. I am drawn to psychologically ambiguous objects and spaces that are empty but charged and marked by the passage of people and time. I work with large format film, cameraless photography, and other creative techniques to seize the heart of my subjects, to capture their presence and aura. I'm interested in psychology, memory, and the body. My subjects have an intimate, physical relationship to the body and have been handled and inhabited, they are inanimate but loaded, exposing the affecting remnants of past lives. Resonating Spaces depicts a series of singular locations which have been inhabited but are vacant in the photograph, allowing the viewer in. Confessionals I and II are included in this series. The camera becomes an instrument for resurrecting archaic and obsolete objects, turning them into something new, allowing us to observe them and re-evaluate their cultural, political and sentimental meaning. I want my stark and silent photographs to act as introspective spaces, mirrors for self-examination which trigger our deeper thoughts and feelings, fears and desires. My work deals with absence. When something is missing, we unwittingly fill in the gaps, occupying the space with our own lived experience and imagination, drawing from memories and emotions which may be hidden or suppressed. The space becomes a reflection of ourselves, a chance to examine our own mind, identity, and feelings. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
A group of gold jewellery, comprising two 9ct gold heart shaped padlock clasps, a 9ct gold heart shaped pendant, and a 9ct gold ear stud, together with a yellow metal horseshoe shaped brooch, a gold plated gate link bracelet, a gold plated portrait pendant, and a gold plated bangle, boxed. (1 bag)
* GERARD BURNS (SCOTTISH b. 1961), UNTITLED oil oon canvas, signedframedimage size 61cm x 61cm, overall size 88cm x 88cmNote: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* GERARD BURNS (SCOTTISH b. 1961), UNTITLED oil on canvas, signedframedimage size 60cm x 60cm, overall size 82cm x 82cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* ETHEL WALKER (SCOTTISH b. 1941), BLACK TULIPS AND SILVER oil on board, signed, further signed, titled and dated 2008 labels versoframedimage size 42cm x 42cm, overall size 60cm x 60cm Handwritten artist's label versoLabel verso: The Gatehouse Gallery, Glasgow Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a large mixed media by Ethel Walker sold for £2600 (hammer)
* PETER HOWSON OBE (SCOTTISH b. 1958), THE PORTRAIT OF ROBERT HELLER oil on canvas, signedframedimage size 60cm x 45cm, overall size 82cm x 66cm Literature: Robert Heller, Peter Howson, Edinburgh, 2003, p. 167, illustrated.Note: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.Note 2: The Portrait of Robert Heller is a well-documented painting of the late Robert Heller, prolific author and publisher of two highly regarded monographs on Peter Howson. Heller was the second husband of Angela Flowers and was partly responsible for the expansion of Flowers Gallery from a small operation in Soho to a widely recognised International gallery and long time principal exhibiting gallery for Peter Howson both in the UK (London) and USA.
* MIKE KINANE (SCOTTISH), PEREGRINE FALCON oil on canvas, signed and dated '78framedimage size 60cm x 60cm, overall size 72cm x 72cm Note: Mike Kinane graduated from Edinburgh College of Art in 1978, Dip Drawing and Painting. Selected artistic events: 2003 - Solo Exhibition Queens Hall. 2006 - Commissioned to paint a mural 40ft x12ft in Co. Cork Ireland. 2007-10 - Works exhibited in Flaubert Gallery Edinburgh. 2008 -10 - Paintings exhibited as part of the “Three Harbours Festival”. 2010 - Launch of “Pamoja Art company” with exhibition of paintings in the Cathedral Hall Edinburgh. 2011 - Edinburgh Festival Exhibition, Cathedral Hall. 2012 - Jolomo Landscape Competition. 2013 - Commissioned portrait for University of Pennsylvania. 2014 - Exhibition in Dalriada Portobello. 2015 - Commissioned portrait for University of Pennsylvania. 2016 - Work shown in ”Velvet Easel”. 2018 - Portrait commission for University of Pennsylvania.
A rummage box of antique / vintage collectables to include a Black Forest type painted figural wooden soldier nut cracker; Take to pieces model of R.M.S. "Queen Mary" puzzle, Chad Valley; papier mâché circular snuff box with relief portrait of Nelsen?; two rolled gold fobs and rolled gold bangle; leather purses; tobacco tins; combination stamp case / vesta case book form; opera glasses; horse ring; propelling pencil; costume jewellery, a/f; The Famous Anvil Gretna Green Souvenir Enamel Badge Brooch; enamel butterfly; various other brooches, 9ct gold miniature compass, etc, all a/f. (quantity)
A 19th century Stobwasser type papier-mâché snuff box of circular form, the pull-off top painted with a portrait of a bearded man, 3 3/8in. (8.7cm.) diameter, together with another similar a/f; Thuya wood lidded box; small brass snuff box; 50th anniversary of the discovery of the tomb of Tutankhamun box; papier-mâché rectangular snuff box with fox to lid; two Egyptian style match box covers. (8)
A Bonhams hardback catalogue entitled 'A Private North American Collection Of Scholar's Objects'. Hong Kong 2012, another hardback catalogue entitled 'Timeless And Translucent: The Harold E. Stack Collection Of Chinese Jades, Hong Kong 2012', 'For the Enjoyment of Scholars: Selections from the Robert H. Blumenfield Collection', Christies New York 2010', three Sotheby's catalogues, 'Portraits of Valour Imperial Bannermen Portraits From a European Collection, Hong Kong 2012', 'Treasures of the Qins Court, London 2012' 'Chinese Art, Hong Kong 2015', 'Fine Chinese Art, Bonhams London 2022', 'Fragrance of Spring Flowers, Christies 2019' and 'An Imperial Portrait of Consort Chunhui, Bonhams Hong Kong 2012'. (9)
![[HISTORY]. INDIA Grant, James. Cassell's Illustrated History of India, two volumes, Casell, Petter & Galpin, London, no](https://cdn.globalauctionplatform.com/d2ab9964-1049-4400-b696-afc600f7018e/9220bab1-ad40-4565-bdf4-b02f00bd6295/468x382.jpg)
[HISTORY]. INDIA Grant, James. Cassell's Illustrated History of India, two volumes, Casell, Petter & Galpin, London, no date, half black leather, the spines in compartments gilt, all edges gilt, full-page and text illustrations, quarto; together with Curzon of Kedleston, The Marquis. British Government in India. The Story of the Viceroys and Government House, first edition, two volumes, Cassell & Co., London, 1925, original blue cloth gilt, dustjackets, tissue-guarded portrait frontispieces, further plate illustrations, quarto; and Rousselet, Louis. India and its Native Princes. Travels in Central India and in the Presidencies of Bombay and Bengal, revised and edited by Lieut.-Col. Buckle, new edition, Bickers, London, 1882, original blue cloth gilt, all edges gilt, text illustrations, quarto, (5). Condition Report : Grant: generally good; Curzon: generally good; jacket chipped and torn, with some neat taped repairs; Rousselet: covers worn; upper cover loose; spine strip taped and incomplete. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![[MISCELLANEOUS] Butler, Samuel. Erewhon, limited edition 270/300, Gregynog Press, Newtown, 1932, full leather, wood-engraved](https://cdn.globalauctionplatform.com/d2ab9964-1049-4400-b696-afc600f7018e/787d1136-3f86-4d38-84ee-b02f00bd7526/468x382.jpg)
[MISCELLANEOUS] Butler, Samuel. Erewhon, limited edition 270/300, Gregynog Press, Newtown, 1932, full leather, wood-engraved illustrations by Blair Hughes-Stanton, octavo; together with Prentice, E. Parmalee. Worth Considering, privately printed, New York, 1943, original two-tone brown cloth, five plate illustrations, SIGNED & INSCRIBED BY THE AUTHOR to front free endpaper, with a signed typed letter from he author laid down to front pastedown, octavo; and Ralegh, Sir Walter, The Discoverie of the large and bewtiful Empire of Guiana, edited by V.T. Harlow, limited edition 663/975, The Argonaut Press, London, 1928, quarter vellum, tissue-guarded portrait frontispiece, two folding maps, quarto, (3). Condition Report : Butler: covers rubbed and scuffed; internally clean; Prentice: generally good condition; Ralegh: generally good condition; one map with short fold-line tear, without loss. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
EDWARDIAN DIAMOND SET PORTRAIT LOCKET Silver gilt locket approx 6.0 x 3.2 cm, with finely painted portrait of a young man in WWI army uniform, surmounted by Sevigne bow and ribbon work set with estate and senaille cut diamonds. Hinged glass frame to reverse and attached safety chain. Complete with original silk velvet lined presentation case, makers S.Smith & son. Weight 11.7 grams
POP MEMORABILIA - THE BEATLES A set of four posters, comprising psychedelic portraits of John Lennon, Paul McCartney, George Harrison, and Ringo Starr, photographed by Richard Avedon for the Daily Express, 1968, printed by Waterlow & Sons Ltd, each 68.5cm x 47.5cm; together with the accompanying black and white group portrait banner, 101cm x 36.5cm, all in a Daily Express card tube, (5). Condition Report : Individual portraits generally good; banner with small marginal stain and slight foxing; all rolled; none with pin holes or tape marks. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
BLOUNT, Thomas, Boscobel, or the Complete History of His Sacred Majesties Most Miraculous Preservation After the Battle of Worcester, 3 September 1651. Printed for A Seile, 1662. Portrait frontis, large folding plate of Boscobel (lacking about 20%) and folding plate of the city of Worcester, also with loss. Contemporary sheep.Provenance:From the collection formed by Worcester antiquary Joseph Bowstead Wilson (1841-1911), rector of Knightwick, Worcs. Thence by descent.
BRITISH YACHTS & YACHTSMAN, a complete history of British Yachting from the middle of the 16th century to the present, portrait frontis piece of King George V, and black and white plates, blue leather, published by the Yachtsman Publishing Co 1907 (1). Condition Report: Binding in poor condition, internally with foxing and page toning.
Four dies for medallions, the first being the reverse for the 1769 Voltaire medal (this particular die is noted having been destroyed), and three further single portrait sided dies, comprising Johann Caspar Lavater (1818 medal), Michel de l'Hospital (1817 medal), and Olivier De Serres agriculture medal (4)
Silver jewelry with onyx, 925/000, with an oval brooch with an oval cut onyx and a rim completely set with marquesite stones. 58x28mm. A large silver medallion with a kind of cameo made from a large onyx with a woman's portrait carved from mother-of-pearl. The onyx is surrounded by a silver border set with marquesite stones. 36x60 mm, including eye. And a pair of silver oval earrings with portraits of women. 12x15mm. Total approx. 54 grams. In good condition.
Yellow gold necklace and pendant, 585/000, with cameo. Gourmet necklace, 1.9 mm, with an oval pendant with a scalloped edge, made of curls and set in the center with an oval shell cameo with an image of a woman's portrait. 24x42mm, including pendant eye. Length 50 cm. about 10.1 grams. In good condition.
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283284 Los(e)/Seite