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Preisdatenbank abonnierenMaler des 16. Jh. (?)"Portrait eines Gelehrten", Brustbildnis eines Herren im Halbprofil, eine schwarze Jacke mit Nerzkragen und Barett tragend, in der Hand eine Schriftrolle haltend, in die Ferne schauend, vor einer Nische mit zwei Wappen und Dat. 1515 stehend (beide später erg.), nicht sign., rückseitig Reste eines Wachssiegels, Öl/Holz, HxB: 25/18 cm. Altersspuren, rest., ret., Craquelée, Farbabrieb, besch. (zwei markante Trocknungsrisse).
Zier-/Wandteller mit Portrait20. Jh., Porzellan, glasiert, mit polychromem Druckdekor, part. weiß gehöht, im Spiegel eine allegorische Darstellung zweier Damen, sich berührend, mit Obst- und Blumenarragement, auf der Fahne ein reliefiert gearbeitetes vegetabil-ornamentales Dekor in Grün, Rot und Gold, mit Wandaufhängung, verso ungemarkt, D: 24,5 cm. Part. Altersspuren, Haarrisse rest.(?).
Maler des 19. Jh."Portrait Clemens Brentano", Brustbildnis des Dichters im Dreiviertelprofil, weißes Hemd und dunkle Jacke tragend, unsign., rückseitig Reste des Etiketts Handschriftlich bez. "Clemens Brentano von Josef Stieler um 1827", Öl/Leinwand, HxB: 46/38 cm. Altersspuren, Craquelée, rest., ret., Leinwand besch.. Mit Rahmen.
Ciappa, A.Maler/Kopist des 20. Jh.. "Madonna mit Jesuskind", Portrait der Heiligen Maria mit dem Jesuskind auf dem Schoß, nach der "Madonna Bridgewater" von Raffaello Santi, unten rechts sign. und bez., Öl/Leinwand, HxB: 72/53 cm. Altersspuren, Farbabblätterungen, verschmutzt, Farbrisse, rest.. Mit Rahmen.
Gottselig, HeinrichAuschwitz 1884 - 1935 Frankfurt/Main, war ein in Deutschland und Russland tätiger Portrait- und Landschaftsmaler jüdischer Abstammung. "Stillleben", Blick auf einen gedeckten Tisch mit Obst und Wein, unten rechts sign. und dat., Öl/Leinwand, HxB: 63/81 cm. Altersspuren, rest., leichte Farbabblätterungen. Mit Rahmen.
English school (early 20th century),A tondo bust length portrait of a young lady,Pastel on paper,Unsigned,29cm diameter,Framed and glazed,With a full length portrait of a medieval lady, watercolour on paper, possibly a study for a costume design, unsigned, attributed to Annie Harvey Double on applied label verso, 29cm x 11.5cm, framed and glazed; and a charcoal bust length study of a young lady, signed 'V. Butterfield' and dated 1903, 27cm x 22cm, framed and glazed (3)
Nichols (John), THE WORKS OF WILLIAM HOGARTH From the Original Plates Restored by James Heath. With the Addition of Many Subjects Not Before Collected to which are Prefixed a Biographical Essay on the Genius and Productions of Hogarth and Explanations of the Subjects of the Plates by John Nichols Esq F.S.A, 3/4 leather, marbled boards, gilt embossed decoration to spine, gilt edges to block, engraved self portrait frontispiece, one hundred and sixteen engraved plate pages, printed by Nichols And Son for Baldwin, Cradock And Joy, London 1822 (at fault) CONDITION REPORT:Binding shows fading, scuffs and shelf ware to the marbled boards, bumps to all corners, scuffs and shelf ware to the leather and minor splits to both sides of the top of the spine. All pages show some age-related darkening. The frontispiece page and title page show 1cm tears to the bottom edge of the bound in side. The first page of the biographical essay shows a full length double crease, with further creases visible to the bottom edges of some text pages and a full length crease to page XI which shows splits in some areas (no further creasing visible after this point). Some text pages show the odd small stain or mark. The plate index page shows some black finger marks. All 116 plate pages are present and appear to be in good condition.
A 19th century portrait miniature brooch, oval portrait panel painted with a lady with ringlets, Pinchbeck type oval mounted, 5cm high; an oval cameo brooch, gold coloured metal mount; micro-mosaic brooches; a silver mounted glass cameo pendant; a gold coloured metal mourning brooch; etc; a/f
The Scout Movement and the Boer War - Edith Jane Maas RMS (1861 - 1925), a portrait miniature, Lieutenant-General Robert Stephenson Smyth Baden-Powell, 1st Baron Baden-Powell, OM, GCMG, GCVO, KCB, KStJ, DL (1857 - 1941), signed with monogram, inscribed to verso, painted for the Artist's War Fund 1900, watercolour on ivory, 7.5cm x 6cmIvory Submission Reference BJXGYS48
Photography - A No. 2C Autographic Kodak Junior folding, case; A Kodak Portrait Hawkeye *Star* 620 film box camera; A Box Ensign (c1923 later model) model 2 1/4 B box camera; A V.P. (Vest Pocket) Autographic Kodak Special folding camera, case; An Ensign Pocket Twenty 120 roll film folding camera (no Ensign logo on front); A Kodak Six-20 folding camera, uk model, black, art deco detail to top and bottom; A Vest Pocket Kodak Series lll folding camera, case. (7)
An early Victorian black enamelled shaped oval mourning brooch, the front mounted with half-pearls and a colourless gem in a floral design, the back glazed with a hair locket compartment and inscribed ‘Evan Edwards obt 24 Aug 1842 aet 62’, width 4.1cm, an oval shell cameo brooch, carved as a portrait of a lady, unmarked, a rectangular carved jet brooch (pin lacking), another brooch, a pair of earrings and a Garrard & Co Ltd case.
DAY, Richard, A Booke of Christian Prayers, collected out of the ancient Writers. Small 4to, circa 1608. Commonly known as Queen Elizabeth's Prayer Book, it was first published in 1569 and there were further edition in 1578, 1590 and 1608. This copy begins on HI (folio 25) and ends on LLI (folio 125). Lacking portrait frontis of Queen Elizabeth kneeling, first 28 leaves and 15 leaves at the end. Folio 119 has only a stub left and folio 118 is missing half the leaf. Every page is surrounded by a woodcut border from the designs of Albrecht Durer, Hans Holbein and others, many showing emblems of mortality. Old calf, neatly rebacked, red edges. Sold with all faults. Lowndes p 1951-2.
BOOK OF MARTYRS. FOX (or FOXE), John, Acts and Monuments of Matters Most Special and Memorable happening in the Church, with a universal history of the same. Folio, 9th edition 1684, volumes 1 and 2 bound together, lacking volume 3. Lacking portrait frontis and three plates. One folding plate only present, which is defective. Several woodcuts in text. With an inscription at the head of the title page: 'The gift of Mrs Elizabeth Tallents, formerly wife to Mr William Figes of Great Ash, to the Chappel of Tilstock. April 1st 1698 (Tilstock is near Whitchurch, Shropshire). Contemporary panelled calf, remains of original clasps. Sold with all faults, not subject to return.
Interesting Japanned metal strongbox marked 'J.N Williams Esquire Mayor Carmarthen 1906-7', containing various items including; Union flags, a Queen Elizabeth Grammar School Boy Scouts tunic and cord shorts, a Mayoral fore and aft hat and a portrait believed to be of said Mayor. (B.P. 21% + VAT)
Attributed to P J Moore, two oil paintings the first depicting a horse in stables. 24 x 35 cm with gilt slip and oak frame, the second with horse and saddle. 48 x 23 cm with gilt slip and oak frame. CONDITION REPORT: The portrait format picture is in generally good condition with no issues to the canvas or paintwork. The frame is in generally good condition. The portrait picture frame is in good condition. There are no holes to the canvas board but there is some shrinkage to the paint particularly around the right-hand side and all legs. This should be visible on our image.
Maud Alice Earl (1863-1943) Portrait of John Hetherington of Cricklewood, Middlesex (1840-1907) on horseback with hounds, accompanied by a lady, thought to be his daughter Mildred (1874-1943) and a lady in a pony trap, presumably Mrs Hetherington oil on canvas90 x 70cmProvenance: By descent from the sitters to the present owner,Heydon Grange, NorfolkThe painting is executed in oil on a canvas support which is unlined. The tacking edges appear slightly fragile but overall the canvas tension is good. There is a tear in the upper half of the picture with an area of paint loss surrounding it. Stretcher bar marks are evident in the paint layer following the wooden stretcher behind. The paint layers have developed a network of age cracks, some of are slightly raised and lifting. There are a few small, scattered areas of loss present. Apart from these issues, the paint layer is a good, original condition. The varnish has yellowed and appears dull with some dark, scattered spots around. There is a light layer of surface dirt present.Framed 105 x 95cm
William Nicholson RSA (1781-1844) Portrait of Major Alexander James Ross, 21st Royal North British Fusiliers, circa 1814, bust-length, wearing a regimental uniformwatercolour on paper23 x 19cmRoss was severely wounded when serving as a Major in the 21st Fusiliers at the Battle of New Orleans in 1814. Although he subsequently returned to service with his regiment, he died of his wounds many years later in Edinburgh. Nicholson retained this watercolour amongst others, presumably for a volume of Edinburgh worthies that he intended to publish.33 x 29cm (framed)
Circle of Jacopo Amigoni (c. 1685-1752) Portrait of a lady, half length, in white silk dress with blue bows and a pink cloakoil on canvas73 x 60.5cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers are stable overall apart from a few localised areas of raised and flaking paint with a few small, scattered losses. Areas of overpaint are mainly located to the edges of the picture. The varnish has yellowed with age and is slightly dull but even. There are a few scuffs to the surface.Framed 93 x 81cm
After Sir Anthony van Dyck Portrait of Prince Rupert of the Rhinethe reverse bearing wax seals and old inscription 'Prince Rupert after Van Dyck', the frame later inscribed 'Given to me by Orovida Pissarro, who was devoted to him and for whom I painted a miniature to wear in a brooch - Jean Grahame' oil on panel21.5 x 17cmProvenance:Orovida Camille Pissarro (1893-1968) by whom given to Jean Grahame (according to inscription verso);Collection of the late Susan Mason, removed from Mulberry House, Titchwell, NorfolkThis composition derives from the circa 1637 portrait of Prince Rupert, Count Palatine (1619-1682), attributed to the Studio of Van Dyck, in the National Gallery, London (NG6363).
Circle of Jonathan Richardson (1667-1745) Portrait of a gentleman, half length, in a blue cloak and white cravat, in a feigned ovaloil on canvas75 x 62cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers are in a very good condition overall. There are small touches of overpaint in the sitter’s face. Around the lower edges of the picture are larger, brushy areas of overpaint which are well matched to the original. The varnish is clear, even and glossy.Framed 90 x 68cm
Circle of George Chinnery (1774-1852) Portrait of James Macaulay Higginson (1805-1885) inscribed 'Calcutta 1830' and with the sitter's identity on old backing paper to the reversepastel laid down to canvas59.5 x 50cmSir James Macaulay Higginson (1805-1885) was born in County Antrim, Ireland and educated at Trinity College Dublin. In 1824, he joined the Bengal Army aged 19. The present portrait does not show him in a regimental uniform and was painted in 1830 whilst Higginson was already in the employ of Sir Charles Metcalfe, Bt. (1785-1846) who was born in Calcutta. Sir Charles was later Governor of Agra, Governor-General of India and Lieutenant-Governor of the North-Western Provinces. Sir James Higginson retired to Ireland in autumn 1857, the year he was appointed Knight Commander of the Order of the Bath.We are grateful to Christopher Bryant for his assistance with this catalogue entry.Framed 72 x 62.5cm
Maud Alice Earl (1863-1943) Portrait of Mildred Hetherington (1874-1943) mounted side-saddlesigned and dated '94 lower rightoil on canvas62 x 75cmProvenance: By descent from the sitter to her grandson,Heydon Grange, NorfolkThe sitter was the daughter of John Hetherington of Cricklewood, Middlesex, and married in 1900 Hanslip Long of Balsham (1869-1943).The painting is executed in oil on a canvas support which is unlined and has an artist supplier stamp for Winsor and Newton on the reverse. The canvas tension is good and the picture is in plane. The paint layers are in a good condition overall. The varnish is slightly yellowed and matte but even. Around the head of the sitter and horse the paint appears a little glossier, this appears to be reworking by the artist to emphasise these features against the dark background. There is a light layer of surface dust present and a few accretions.Framed 89 x 92cm
English School, circa 1700 Portrait of a young man of the Ridgeway familythe reverse inscribed '...Son of [3rd?] Earl of Londonderry, killed by a fall from his horse in his youth'oil on canvas11 x 9cmProvenance:Collection of the late Susan Mason, removed from Mulberry House, Titchwell, Norfolk
English School, circa 1799 Portrait miniature of Richard Orlebar (b. 1775)inscribed with the sitter's identity to the reversewatercolour on paper8 x 6.8cmProvenance:By descent from the sitter to the present ownerThe sitter was commissioned Lieutenant in the Bedfordshire Regiment of Militia on 11th June 1798. We are grateful to Christopher Bryant for his assistance with this catalogue entry.Discolouration and minor abrasions and wear to the paper. Scattered dirt spots to the frame.
Joseph Bishop Pratt (1854-1919) after Sir Edwin Landseer The Monarch of the Glensigned in pencil by the engraver, bears remarque portrait of the artist with title and 'Special Plate'mixed-method engraving published by Leggatt Brothers, 189371.5 x 69cm sheet sizeLight foxing throughout. Chipping to the veneer at the bottom of the frame. Not examined out of frame.
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