James Elder Christie (Scottish, 1847-1914) Portrait of Richard Carte (1808-1891), English flute-maker, flautist and composeroil on canvasmonogrammed and dated '8534 x 24cm***CONDITION REPORT***One of Richard Carte's sons was the impresario Richard D'Oyly Carte, producer of the Gilbert and Sullivan operas. For related lots to the D'Oyly Carte Opera Company see Gorringe's Music Sale 23rd October.Oil on original canvas in good clean condition, slight stretcher marks showing down the sides, a little dusty but no real faults noted, housed in the original gilt gesso frame which has a few small losses and later title plaque for the sitter, old typed label verso giving details of the sitter, along with various loose notes including one giving further details stating he was director of the Instrument makers company Rudal Rose & Carte.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Helen Donald-Smith (1880-1930) Portrait of a girl wearing a blue dress standing upon an armchairoil on canvassigned and dated '91110 x 85cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, under glass in what looks to be the original frame but paint beneath it does look a little dirty with some patches of fine but stable craquelure, a small 1 inch tear on the right side near 3 o'clock, and dirt and dust inside the glass, signed and dated lower right, housed under glass in what looks to be an original Florentine frame, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Sydney Watts White (British, fl.1892-1917) Portrait of Antony Bartonoil on canvassigned and dated 194535 x 29.5cm***CONDITION REPORT***Oil on original canvas in honest and if slightly neglected condition, rather dirty with a few white scratch marks, signed and dated lower right, housed in the original painted frame which is now rather grubby, old Stacy Marks label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sir Gerald Festus Kelly RA, KCVO, PRA (British, 1879-1972) Portrait of Mademoiselle Gabby Aumontoil on canvasinscribed verso44 x 37cm***CONDITION REPORT***Oil on original French canvas in good clean condition albeit rather dark, possibly signed lower right, inscribed with the title 'Gabie' verso, later burr wood frame with title plaque giving the details of painted in 1904 and Exhibited Royal Academy and Diploma Gallery 1954.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sir Herbert James Gunn RA PRP RSW (Scottish, 1893-1964) Portrait of Silvanus Nicol, The President of the British Wood Pulp Association from 1947-1949oil on canvassigned90 x 70cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, would benefit from a clean, housed in the original ornate scroll frame which is in good order, Bourlet labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Sydney Horne Shepherd (English, 1909-1993) Portrait of the artist's wifeoil on canvas75 x 59cm***CONDITION REPORT***Oil on original canvas, paint perhaps a little dirty with some fine craquelure running throughout, feels a little dry and may just be starting to lift, one small patched hole in the lower left corner, not signed, housed in a later gilt scroll frame, purchased by the vendor directly from the artist.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Portrait of a young ladyoil on canvassigned and dated 19..58 x 42cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, perhaps a little dirty, what looks to be a discoloured line running down vertically through her hair, unpainted canvas at the bottom in the lines of her dress, signed and indistinctly dated lower right, housed under glass in the original gilt frame which has some losses, Army & Navy Warehousing label verso dated 1947PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Cecil Rochfort D'Oyly John (British, 1906-1993) Portrait of a the artist's wife Joan, wearing a straw hatoil on boardsigned52 x 42cm See Kelleway & Mayhew - D'Oyly-John Living In The Sun, page 20 for another portrait of Joan.***CONDITION REPORT***Oil on board in original untouched condition, now rather dirty, small areas particularly in her dress where the plain board has not been painted, signed on the left, housed in a black painted frame. No labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Mary Fedden OBE R.A. PPRWA (1915-2012) Portrait of Professor Robert Donington, playing the Viola de Gambaoil on canvassigned and dated 194860 x 50cm Robert Donington (1907-1990) was educated at St Paul's School, London, and studied at the University of Oxford. His expert knowledge of early instruments and the interpretation of pre-classical music owed much to a period of study with Arnold Dolmetsch at Haslemere, Surrey. He was appointed OBE in the 1979 Birthday Honours.In the late 1940's Donington shared a studio with his friend Julian Trevelyan. Here he met Mary Fedden and although already married became enamoured with her. By repute in an effort to cool his pursuit of Mary his wife encouraged him to commission work from her and thus place their relationship on a more professional basis. Mary painted his portrait as well as a view of Robert's holiday home, a converted fishermans' hut at Cadgwith. He also acquired a further work from her; 'The Lion and the Lamb'. As history records regardless of Robert's affections, Mary married Julian.***CONDITION REPORT***Honest untouched condition, would benefit from a clean but no real faults noted, housed in a crude pine frame.Provenance - by family descent.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Mary Fedden OBE R.A. PPRWA (1915-2012) Fishermen’s hut at Cadgwithoil on canvassigned and dated 194850 x 40cm Robert Donington (1907-1990) was educated at St Paul's School, London, and studied at the University of Oxford. His expert knowledge of early instruments and the interpretation of pre-classical music owed much to a period of study with Arnold Dolmetsch at Haslemere, Surrey. He was appointed OBE in the 1979 Birthday Honours.In the late 1940's Donington shared a studio with his friend Julian Trevelyan. Here he met Mary Fedden and although already married became enamoured with her. By repute in an effort to cool his pursuit of Mary his wife encouraged him to commission work from her and thus place their relationship on a more professional basis. Mary painted his portrait as well as a view of Robert's holiday home, a converted fishermans' hut at Cadgwith. He also acquired a further work from her; 'The Lion and the Lamb'. As history records regardless of Robert's affections, Mary married Julian.***CONDITION REPORT***Oil on original canvas in honest untouched condition, very slight undulation to the canvas, paint looking a little dirty with some fine but stable craquelure in patches, the artist has used scratching into the paint as part of the image which shows below the right hand lobster pot, below the left hand black leaves and elsewhere, housed in an old and probably original wooden frame that has some rather large wormholes, label on the back of the stretcher for Linds Photo & Art Supply, Iowa City, Iowa.Provenance - by family descent.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Mary Fedden OBE R.A. PPRWA (1915-2012) 'The Lion and the lamb'oil on canvassigned and dated 195062 x 74cm Robert Donington (1907-1990) was educated at St Paul's School, London, and studied at the University of Oxford. His expert knowledge of early instruments and the interpretation of pre-classical music owed much to a period of study with Arnold Dolmetsch at Haslemere, Surrey. He was appointed OBE in the 1979 Birthday Honours.In the late 1940's Donington shared a studio with his friend Julian Trevelyan. Here he met Mary Fedden and although already married became enamoured with her. By repute in an effort to cool his pursuit of Mary his wife encouraged him to commission work from her and thus place their relationship on a more professional basis. Mary painted his portrait as well as a view of Robert's holiday home, a converted fishermans' hut at Cadgwith. He also acquired a further work from her; 'The Lion and the Lamb'. As history records regardless of Robert's affections, Mary married Julian.***CONDITION REPORT***Oil on original canvas in honest untouched condition, a little fine but stable craquelure running through some of the green paint, housed in a scrubbed pine frame with separating at the corners, Bourlet label verso and some old chalk inscriptions.Provenance - by family descent.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sherree Valentine Daines (1959-) Portrait of a young ladyoil on canvassigned and dated '8540.5 x 30cm, unframed***CONDITION REPORT***Oil on original canvas in good untouched condition, possibly needs a light clean, old printed extract verso giving details of the artist, lacks framing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George III Royal Presentation gold mounted and garnet set oval pendant, with inset miniature portrait of a gentleman to dexter, verso engraved 'The Gift of Queen Charlotte to E. Whitfield, 1770, overall 29mm, gross weight 3.8 grams CITES Submission reference 4A6TBT6P***CONDITION REPORT***Possibly converted from a brooch. Two stones missing. Small knock to the border.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Two engraved glass rummers,early 19th century, probably later engraved, the first engraved 'Lord Nelson, OCTR 21 1805', with a three masted ship verso, 15.7cm high, the second engraved 'England Expects That Every Man This Day Will Do His Duty', to the border, with a portrait of Nelson titled 'Trafalgar', and ships at sail, 15cm highCondition ReportBoth glasses are free from chips and cracks, with surface wear and minor scratches. While the larger glass shows some signs of fritting to the engraving (suggesting it is possibly period), we believe it is likely to be later but on period glasses.
A George III oak and mahogany crossbanded longcase clock,with a painted arched dial, having subsidiary second and date dials, and a painted portrait of Frederick Augustus Duke of York and Albany, the four pillar eight day movement striking on a bell, complete with weights and pendulum,56cm wide26cm deep230.5cm highCondition ReportCase split to the lower section. Case otherwise in good order with minor knocks and wear. Finials are loose and with knocks/tarnishing.
A collection of nine late 19th Century Victorian rolled gold frame portrait miniatures. The miniatures mostly depicting young children, as well as two adults. One silver plated as opposed to rolled gold, each marked. Many portraits being hand coloured. Presented in four matched crushed morocco case. Largest to measure approx. 3cm in diameter.
19th century French School, oil on canvas, Portrait of a young lady, stamp verso, 33 x 27cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Early 19th century English School, oil on canvas, Three quarter length portrait of a young girl wearing a coral necklace, 23 x 19cm, ornate gilt frame***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
W. R. Earthrowl (Modern British), watercolour, Portrait of a South American elder, signed and dated 1996, 46 x 37cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Walter Ernest Webster (1878-1959), oil on board, Portrait of a lady holding a Japanese fan, 38 x 28cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
19th century naïve school, oil on board, Portrait of a lady, together with an oil on board of a river landscape, largest 36cm x 28cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Circle of Ruskin Spear (1911-1990), oil on canvas, Portrait of L.S. Lowry, c.1950, 98cm x 80cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Arthur William Devis (English, 1763-1822), watercolour, Portrait of Lieutenant Colonel Cockburn, bears signature and date 1797 but thought to be a 19th century work, 42 x 31cm***CONDITION REPORT***Watercolour on paper, looks a little a flat so may well be laid down, perhaps slightly faded but colours still good, one or two small scattered dirt and fox marks but essentially good order. Housed in an old washline mount giving details of artist and sitter, Victorian glazed gilt gesso frame now rather tatty. No labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
CIRCLE OF GEORGE DANCE ( 1741-1825) 'SAMUEL ROGERS', unsigned half-length portrait of a gentleman, titled beneath portrait, Henry Scipio Reitlinger collection stamp to bottom right corner, pencil on paper, approximate size of paper 29cm x 23cm, Condition Report: paper discoloured, creased in places, small tear to right edge, dirty marks to the mount (PROVENANCE: Arnold Fellows Collection)
SIX 20TH CENTURY OIL PAINTINGS, comprising two still life flower studies by John M. Dowler, approximate sizes 50cm x 40cm, an unsigned full length nude female figure study, approximate size 89cm x 32cm, an unsigned half-length portrait of a female figure wearing a sheer dress, approximate size 39cm x 29cm, a landscape with cottage signed and dated Hardy '49 and a view inside a picture gallery, initialled M.H.H.
BERNASCONI: A VICTORIAN PORTRAIT OF A FEMALE FIGURE, she wears a coat with a coat with fur collar, a hat and flowers in her hair, signed and dated Geo? Bernasconi 77, oil on canvas, approximate dimensions 35cm x 30cm, Condition Report: the varnish has bloomed towards the edges, painting is loose in the frame, frame has losses
M.L.A. BOGGIS (18TH-19TH CENTURY) NINE FRAMED PICTURES, watercolours to include a view of a fishing village, signed and dated 1912, watercolour on paper, approximate size 32cm x 22cm, a view of a coastal village with sea birds, signed and dated 1912, a woodland glade with pool signed and dated (19)11, Italian alpine village signed bottom right, a landscape depicting a harvested field signed bottom left, three other signed Boggis watercolours together with a portrait of an Edwardian lady, pencil heightened with coloured chalk, approximate size 27cm x 18cm
A COLLECTION OF EARLY 20TH CENTURY OIL PAINTINGS ETC, to include a river landscape with angler signed W. Barkley, approximate size 19cm x 24cm, two landscapes initialled F.W., an unsigned landscape with two wood cutters, two maritime scenes with working boats, unsigned portrait of a fortune teller with crystal ball, unsigned portrait of a St Bernard dog, assorted other paintings and prints etc
VIVIAN CROME (BRITISH ?-C. 1626) A PORTRAIT OF A FEMALE FIGURE WITH DOG, the figure is depicted half-length in a seated pose, the head and paw of the dog are at her lap, monogrammed and dated 1879 bottom right, oil on relined canvas, approximate size 90cm x 69cm, Condition Report: the painting has been cleaned and relined at some point but will require another light clean as the surface has insect droppings, craquelure across the whole surface, losses to the frame
VIVIAN CROME (BRITISH ?-C. 1626) A PORTRAIT OF A VICTORIAN GENTLEMAN, he is seated at a desk, his right hand is resting on an indenture, signed and dated 1878 bottom right, oil on relined canvas, approximate size 90cm x 70cm, Condition Report: two small spot of paint loss to the lapel of the jacket, the painting has been cleaned and relined at some point but will require another light clean as the surface is dirty and has insect droppings, losses to the frame
![*Rachel May nee Forrester [b. 1989] two stoneware bowls one decorated to the interior with a female portrait, the companion w](https://cdn.globalauctionplatform.com/c0b07d83-1871-48cc-8296-b07c00d0eec9/bf3ef846-bae4-4d4c-8039-b08900ae7e34/468x382.jpg)
![Alessandro Bottasini [Italian, late 20th century school]
Portrait of a Clown
signed lower right and further inscribed verso
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Portrait of a Village. By Francis Brett Young. Engravings on wood by Joan Hassall. 1st edition 1937. Published by Heinemann, London. Publisher's dark blue boards, titled and decorated in gilt. 6½" x 9¼". 180 pages with many full page engravings. From single vendors book collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99. 30kg box UK £15, EU £40, ROW £60
Queen Elizabeth II, 22ct Gold Proof Sovereign, 2022, Royal Mint, Obverse portrait by Jody Clark. R. In recognition of Her Late Majesty The Queen’s historic Platinum Jubilee, reverse design by Timothy Noad, weight 7.98gms, in original presentation box of issue with numbered certificate. Estimate: £320-360
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283284 Los(e)/Seite