Dominicus Custos (Flemish, c1560-1612). After Giovanni Battista Fontana. 'Armamentarium Heroicum'. A set of eight hand coloured portrait engravings each depicting a knight within an ornate architectural alcove with a blank title cartouche below. Published c1603. The portraits include Frederick II, King of Denmark and Norway; Louis II, King of Hungary and Bohemia; Giovanni Maria Fregosa and Ferdinandus Consaluus of Cordoba. Each sheet 48.5 x 33.5cm. Framed and glazed (8)
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James Watson (1740-1790). Portrait of James Beattie, L.L.D, depicted in Doctors robes holding a volume labelled Truth, behind him the figure of Justice represses a demon. After Joshua Reynolds. Mezzotint, published 1775 by John Boydell. Plate size 36 x 41cm. Condition Report: Generally good condition, with a few small marks to the image and some fraying to the edges of the sheet.
John Hamilton Mortimer (1740-1779). Portrait of Ophelia theres fennel for you and Columbines. Etching, plate size 40 x 33cm. Also, three etchings from a series dedicated to Sir Joshua Reynolds. The Frontispiece, with a dedicate to Reynolds, a portrait Salvator Rosa and Banditti on the Lookout. All published 1778 by Mortimer. Plate size 30 x 20cm. (4).
Attributed to Richard Cosway. Portrait of Elizabeth Stephenson, Countess of Wexborough, standing on terrace with a landscape beyond. Graphite and watercolour. Inscribed below Richardus Cosway R.A.A. Primavius Pictor Serenissioni Walliae Principus Pieit London 1806. Framed and glazed. Image size 26.5 x 17.5cm.
Isabel Naftel (British, 1832-1912), portrait of Lady Sarah Wellesley. Watercolour and pencil. Framed and glazed. Label verso. Image size approximately 49 x 39cm.Condition Report: Generally good condition for its age, with small indented marks to the area on the left of the picture surface and some general foxing to the picture consistent with age.
18th/19th century English School. Portrait of an actor in costume, inscribed verso Mr Bowles in the character of Hamlet. Watercolour and graphite. Dated lower left 1805. 23 x 18cm. Note there is record of actor/manager Henry Robert Bowles, Norwich Theatre Royal who played several leading Shakespearian roles, including Hamlet, in the early 1800s
A collection of 19th century watercolour portraits. A finely dressed woman holding a bouquet of flowers, watercolour, unsigned. 22 x 11.5cm. A scene from Cymbeline, watercolour on paper laid to card. Attributed below and verso to Gilbert Stuart Newton RA. 18 x 24cm. Two women by a window, signed E. Benwell Pinxit lower right. Watercolour, 26 x 22.5cm. (3) Condition Report: General wear to Pinxit picture, especially to the edges, which are quite frayed. Extensive wear to the portrait of the lady with the flowers, with foxing. Extensive damage and foxing to the support of the Newton picture; the picture itself is in fairly good condition, with general fading and foxing.
English Provincial School, 1612, Portrait of Mrs Smyth and her young son, Inscribed and dated 1612, Oil on panel, 66 x 53 cm.The portrait almost certainly depicts the wife and son of John Smyth (1567-1641), historian and author of The Berkeley Manuscript.The work was published under the title The Berkeley Manuscripts: The Lives Of The Berkeleys, Lords Of The Honour, Castle And Manor Of Berkeley, In The County Of Gloucester, From 1066 To 1618, With A Description Of The Hundred Of Berkeley And Of Its Inhabitants.Smyth wrote the manuscripts for the Berkeley family who retain their seat at Berkeley Castle to this day, in an unbroken line of more than 850 years.The Manuscript details the lives of people that Smyth himself would have known and is credited with providing an extraordinary insight to the lives and times of the 1500s and 1600s.Smyth also completed two other important works: The Lives of the Berkeleys and Men and Armour for Gloucestershire in 1608.The child in this portrait is John Smyth the Younger (1611-92), who followed his father as steward of the Gloucestershire lands of Lord Berkeley and continued his practice of writing and archiving papers. The inscription above the childs head in the portrait notes that he is pictured in his first year, which tallies with the 1612 date inscribed opposite.For the practical purpose of toilet training, from the mid 16th to late 19th century, it was the custom of well-to-do families to dress all young children in gowns like this until the age of six or seven when they were breeched or first put in trousers.Smyth the Youngers writing shed light on how families were reluctant to take sides in the Civil War.J.H. Cooke, referred to on the auction catalogue cutting pasted to the verso, was James Herbert Cooke, Land Steward to the Right Honourable Lord Fitzhardinge, the illegitimate grandson of the 5th Earl of Berkeley. Cooke was also the Local Secretary of the Bristol and Gloucestershire Archaeological Society, founded in 1876, and a Fellow of the Society of Antiquaries.In 1873 he published the book A Sketch of the History of Berkeley, and was author of other books too.He is credited with writing a number of articles for the society, including On the Great Berkeley Law-Suit of the 15th and 16th Centuries, A Chapter of Gloucestershie History (1878-79), and Wanswell Court, and its Occupants for Seven Centuries (1881). The articles appear in Volumes 3 and 6, respectively of the societys Transactions and both draw on the Smyth papers.Provenance: A label on the reverse suggests the picture belonged to a J. H. Cooke Esq, and was included in his collection sale held on March 24th 1886, lot no 120.Condition Report: General wear to the picture, consistent with age, with small surface scratches across much of the board. Chipping and cracks to back of the board and edges. Approximately 1cm deep indentation along all edges of the board, indicating previous framing. Long, thin vertical crack from top to bottom of the left-hand side of the board, with accompanying vertical section of canvas lining to reverse of the picture, indicating repair work.
Frank Percy Wild (British, 1861-1950), portrait of a gentleman (1901). Signed and dated top right. Annotated verso. Image size 53 x 43.5cm.Condition Report: Clear wear to the canvas, with scratches and several small tears to the picture surface. There is particularly prominent wear to the edges of the canvas, where the oil surface has been chipped away in places. The picture would benefit from restoration.
Follower of Sir Henry Raeburn RA (British, 1756-1823), Portrait of Mr Bartley, half-length, wearing a double breasted coat and cravat, oil on canvas, in giltwood and gesso frame, bearing antique label verso 'Portrait of Mr Bartley father of Alexander Bartley of 243 Oxford Street, London....by Georgiani, a pupil of Raeburn', 74.5 x 61.5cm
§ Sheree Valentine-Daines (British, b. 1959), portrait of a lady. Oil on board. Monogrammed in pencil lower right, and dated Christmas '88 verso. Framed. Image size 29 x 17cm.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information
REVISED ESTIMATE AND DESCRIPTION. Attributed to Robert Walker. Seventieth-century British School, portrait of an army officer. Oil on canvas. Framed. Image size 77 x 62cm.Condition Report: Generally good condition for its age, with consistent cracking (craquelure) across the picture surface, along with areas of wear along the edges of the canvas (especially towards the left).
§ Lionel Ellis (British, 1903-1888), portrait of a young woman. Oil on canvas. Image size 71.5 x 61cm.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.PROVENANCE from the estate of the artist to the late Barbara Shaw thence to this auction. The proceeds of the sale will go to Ms Shaw's chosen charity.
§ Lionel Ellis (British, 1903-1888), 'My Mares at Saddlescombe', self-portrait on horseback (1953). Oil on canvas. Signed and dated lower left. Framed. Label verso. Image size 51.5 x 61.5cm.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more informationPROVENANCE from the estate of the artist to the late Barbara Shaw thence to this auction. The proceeds of the sale will go to Ms Shaw's chosen charity.Condition Report: § General wear to the canvas, with areas of dirt across the entirety of the picture surface. Prominent area of possible staining/discolouration towards the top left of the canvas. The picture would benefit from being cleaned.
§ Lionel Ellis (British, 1903-1888), self-portrait on horseback. Oil on canvas. Image size 51 x 61cm.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.PROVENANCE from the estate of the artist to the late Barbara Shaw thence to this auction. The proceeds of the sale will go to Ms Shaw's chosen charity.Condition Report: § Extensive wear to the canvas, with pervasive areas of dirt across the entirety of the picture and some surface scratches. Would benefit from being cleaned.
§ Lionel Ellis (British, 1903-1888), portrait of a lady wearing a hat (1939). Signed and dated top left. Oil on canvas. Image size 71.5 x 61cm.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.PROVENANCE from the estate of the artist to the late Barbara Shaw thence to this auction. The proceeds of the sale will go to Ms Shaw's chosen charity.Condition Report: Very extensive wear, with dirt and many areas of discolouration to the canvas, as well as markings. Would require restoration and would benefit from being cleaned.
SIR JOHN CAMPBELL LANGSTAFF (AUSTRALIAN, 1861-1941) Portrait of Second Lieutenant Cyril Frederick Hamilton Fenner, probably painted in 1915 when he was commissioned into the Scots Guards.unsigned, oil on canvasInscribed to label verso"Born at Cromer, Norfolk 1889. 2nd Lieut 2nd Scots Guards, wounded in the Ypres Salient June 18th 1916, operated upon successfully for knee trouble by Sir Alfred Fripp at 17 Park Lane.Returned to front with a draft of 600 men and was killed by shrapnel, whilst in command of and leading G & H Companies, 1st Battn Scots Guards, at The Battle of the Somme between Morval and Les Boeufs, Sept 24 1916.Painted by Sir J Longstaffe" 76 x 63cms unframedQty: 1Footnote: Fenner was born on 23rd March 1888 in Cromer, Norfolk to Robert Nathaniel Fenner and Edith Marion Fenner (née Carter) of Cromer. Educated at Shrewsbury House Preparatory School, Surbiton, and then at Fettes, Fenner joined the 2nd Battalion of the Scots Guards on 9th August 1915. He returned home after an accident, but returned back to his unit as soon as he could. He was killed in action in France on 24th September 1916 as described in the Scots Guards War Diaries: 24.09.16 LESBOEUFS: The Commanding Officer held a conference with the Coy Commanders. 2/Lieut P WALLACE went sick. G and LF Coys relieved two Coys of 1st Bn Welsh Guards in the front line. RF and F Coys went into the Y line, 50 yards behind. 2/Lieut C F H FENNER was killed leading F Coy from FLERS line to Y line on top of the new communication trench, which the Germans were shelling. Casualties very light during the relief. 2/Lieut Hon A N A VANNECK took command of F Coy in place of 2/Lieut C F H FENNER. Lieut Hon V A COCHRANE BAILLIE – LF Coy instead of 2/Lieut P WALLACE. Fenner is commemorated on his prep school’s war memorial and that St Peter & St Paul Church, Cromer. He also commemorated on the Thiepval Memorial (Pier & Face 7D). Fenner’s older brother, Lieutenant Commander Athelstan Alfred Lennox Fenner RN, drowned following a collision during a naval exercise on 31st January 1918.
An Antique 15ct gold, Split Pearl and Hardstone Portrait Brooch in Fitted CaseA central round hardstone carving depicting a female figure, surrounded by a single row of split pearls, bordered by a single blue enamel line to a further wide gold textured border. Circa 1870. Fitted box. 28g48mmCondition report: Very good, discoloration to gold on the reverse.
A Cabul 1842 medal on a ribbon with the monarchs profile portrait on the obverse marks on side badly scratched and obscured (Please Note: this lot is subject to the statement made in the Auctioneers Glossary of Certain Terms under 'Militaria & Associated Items' in the Terms & Conditions of Sale)
AFTER TIZIANO ASPETTI (1557/1559 - 1606), A CLOSE PAIR OF LEADED BRONZE FIGURES OF MARS AND JUNO NORTH ITALIAN, 17TH CENTURY Juno depicted with her attribute the peacock, Mars with plumed helmet in the act of drawing a sword, possibly loaded bronze and formerly andironsMars 37.5cm high, Juno 35.5cm high, the alabaster bases 10.5cms wideThe Italian renaissance sculptor Tiziano Aspetti is today perhaps best known not for his legacy of work, but rather from the portrait painting of him by Leandro Bassano which now resides in the Royal Collection. His 1590 figure of Mars is in The Frick Collection, New York (Accession number: 1916.2.56). It stands with his feet on this cuirass, swept socle below. The plainer construction of this lot with the roundel bases suggests they may, like many examples of his work, been emulated and cast for use as andirons. See J. Pope-Hennessy, The Frick Collection - An Illustrated Catalogue, III, Sculpture, Italian, New York, 1970, pp. 183-185.

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