283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 10
Hogarth, William - Thomas Cook, engraver Hogarth Restored. The Whole Works of... William Hogarth London: John Stockdale, 1806. Folio, portrait frontispiece and 122 engraved plates on 94 leaves, original red half morocco over boards, original paper label to upper board, boards and several plate mounts repaired with white tape, a little creasing and slight foxing to title and frontispiece, a little marginal dampstaining to most plates and to the index, 2 folding plates with some edgewear, boards worn
Los 140
Henry VII, King Part of document, signed to an unknown recipient, 8 lines, signed with monogram "H.R." at head, referring to the 'Armes Royall for a substanciall [?].. invade the Realme of Scotland in any abov [our owne person]', end of each line cropped with loss of text, 7 x 16cm., no place or date, stuck down onto paper with 18th century engraved portrait of Henry VII by M. van der Gucht
![Burns, Robert [with Autograph Letter] Poems chiefly in the Scottish Dialect Edinburgh: Creech, 1787. Second edition [first Ed](https://cdn.globalauctionplatform.com/ac47fa07-b5db-4c84-a9e3-abb40121ff60/4e9402cc-5f9c-43c6-bcc0-abc200d510da/468x382.jpg)
Los 179
Burns, Robert [with Autograph Letter] Poems chiefly in the Scottish Dialect Edinburgh: Creech, 1787. Second edition [first Edinburgh edition], 8vo, engraved portrait frontispiece, with half-title, with the misprint "Boxburgh" and "skinking" correctly spelt, full crimson morocco by Ramage, spines decorated gilt in compartments, inner gilt dentelles, a.e.g., contained in a black morocco, silk lined box, lettered in gilt "Burns Poems - 1787", faint inscription on the title-page, faint offsetting from the portrait to the title, [Egerer 2]; with 5 letters bound in, including 1 autograph letter initialled from Burns, and one annotated "Kirkwood's Acct." by Robert Burns (see Note for details) Note: The following autograph letters are bound in: (i) Letter of 16 Nov. 1829 from D. Bridges to Charles Kirkpatrick Sharpe, with cover addressed to Sharpe at 93 Princes Street, Edinburgh. The letter is about the recently discovered portrait of Burns by Reid. (ii) Unsigned letter from Charles Kirkpatrick Sharpe presumably to D. Bridges regarding Sharpe's opinion of the Reid portrait and its authenticity. [iii] Letter of 16 Jan, 1851, from Robert Chambers to Charles Kirkpatrick Sharpe, commenting on the loss of correspondence between Sharpe's father and the poet save for a whimsical letter written by the poet in the character of a vagrant fiddler. [iv] Account dated 11 April, 1788 from the engraver James Kirkwood addressed to Robert Burns, 'To 36 India paper, quarto, for proof impressions of your head, 3d, to backing paper for D[itt]o and printing 36 proofs, 1d... J. Kirkwood will settle with Mr Creech for the above, when he gets his three copies of the Poems'. Kirkwood subscribed for three copies of the Edinburgh edition and settled his account by printing copies of the Beugo engraving of Burns after Naysmith for him, to send to his friends. It is docketed by Burns as "Kirkwood's acc[omp]t." [v] Autograph Letter Initialled, from Burns to Thomas Sloan of Dumfries, stating that his black mare has hurt one of her hind legs so ill that she cannot travel, mentioning that he called on Capt. Riddell and saying "excuse this brief epistle from a broken arm", undated, one page, with integral address panel. Thomas Sloan, a native of Wanlockhead, became acquainted with Burns when travelling between Ellisland and Ayrshire during the first year of his occupancy of the farm. He is mentioned in a letter to Captain Riddell from Burns. De Lancey Ferguson, 2ed. 340
Los 182
Burns, Robert Poems Chiefly in the Scottish Dialect Edinburgh: T. Cadell, 1793. Second Edinburgh edition, 2 volumes, 8vo, without portrait frontispiece, half-titles, contemporary quarter calf over boards with vellum corners, volume 2 leaf H1 with a small tear to lower margin but no loss to text, small hole to volume 2 leaf L1 with loss to a couple of letters [ESTC T91542] (2)
![Burns, Robert Autograph letter signed ('Robt. Burns') One page, 278 x 178mm, [Mossgiel, ca. 1 August 1786], to James Smith, r](https://cdn.globalauctionplatform.com/ac47fa07-b5db-4c84-a9e3-abb40121ff60/5793cc23-b01d-496e-b7ef-abc200d521fc/468x382.jpg)
Los 191
Burns, Robert Autograph letter signed ('Robt. Burns') One page, 278 x 178mm, [Mossgiel, ca. 1 August 1786], to James Smith, regarding his turbulent courtship with Jean Armour; washed and pressed with residual soiling, green morocco portfolio by Riviere, green silk moire guards, gilt dentelles; [together with] A stipple-engraved portrait of Rogers after Nasmyth, light staining, minor marginal losses, one portfolio flap detached Note: Transported by the raptures of young love, Burns commits "the sin of rhyme." In a letter to his Mauchline friend James Smith, Burns paraphrases from Addison's Cato (Act I, scene 6): O Jenny, thou hast stolen away my soul! In vain I strive against the lov'd idea: They tender image sallies on my thoughts, My firm resolves become an easy prey! In spite of hi claims of yielding to Jean's beguiling charms, he vehemently declares: "Against two things however, I am fix'd as Fate: staying at home and owning her conjugally. - The first, by Heaven I will not do!. The last, by Hell, I will never do!" At Mauchline, Burns had fallen in love with Jean Armour (b. 1767), who, along with Smith's sister, was one of the "six proper young belles" celebrated in his poem of that place. By spring of 1786 it was apparent that Jeans was expecting Burns's child. According to the custom of the country and the morals of the people, Burns gave her a document acknowledging her as his lawful wife. Her father, a master mason and "Auld Lichter", bristled at the idea of his daughter wed to a poor ploughman of the "New Light" persuasion, and insisted the union be dissolved. Jean surrendered the document, and Burns was stung with indignation. Obtaining £20 from the sale of the Kilmarnock edition of his poems, he contemplated emigrating in late summer of 1786 to Jamaica with Mary Campbell ("Highland Mary" with whom he had started an affair that May). Jean's father obtained a warrant against Burns which would force him to provide for Jean's child. She gave birth to twins on 3 September 1786. Burns abandoned his plan for the West India expedition and finally married Jean in 1788, with whom he had nine children. "If you see Jean tell her, I will meet her. So help me Heaven in my hour of need!" Burns plaintively beseeches his friend at the end of his letter. Burns's correspondence with Smith (this being one of only six recorded letters) is of particular interest for details of the poet's turbulent courtship of Jean, revealing his unguarded thoughts on sex and marriage. Smith, son of a Mauchline merchant, revolted against his strict and repressive upbringing by forming with Burns and Richmond the infamous "Court of Equity" - "a happy triumvirate in village revelry". When his business failed in 1788, he emigrated to St. Lucia in the West Indies, where he was thought to have died about 1808. Mackay: Letters of Robert Burns , I, p.117. Provenance: John Gribbel (sale, Park-Bernet, 30 October 1940, lot 104)
Los 209
Beerbohm, Max - Maugham, W. Somerset Collection of 8 volumes, comprising Beerbohm, Max Zuleika Dobson. London: William Heinemann, 1911. First edition, publisher's advertisements, half-title printed in brown, title page printed in black and brown, original brown cloth; Maugham, W. Somerset Don Fernando. William Heinemann Ltd, 1935. First edition, limited issue, on large paper, number 40 of 175 copies signed by the author, original green buckram; Don Fernando William Heinemann Ltd, 1935, first edition, half-title, black cloth; [Idem] Strictly Personal. New York: Doubleday, Doran and Company Inc., 1941. First edition, number 75 of 115 copies signed by the author, half-title, photogravure portrait, original plum buckram boards; [Idem] A Writer’s Notebook. William Heinemann Ltd, 1949. First edition, number 121 of 1,000 copies signed by the author, original half vellum with navy blue buckram boards; [Idem] Cakes and Ale. New York: The Modern Library, 1950. Green cloth boards, dust-jacket; [Idem] The Vagrant Mood. William Heinemann Ltd, 1952. First edition, number 4 of 500 copies signed by the author, original half mushroom calf, navy blue calf, top edge gilt, glassine wrappers, slipcase, rubbed; [Idem] Cakes And Ale. William Heinemann Ltd, [1954]. "Eightieth Birthday" edition, number 286 of 1000 signed by author and artist, original lithograph and decorations by Graham Sutherland, facsimile reproduction of the first and last two pages of the original manuscript, half mushroom calf, navy blue calf boards; all 12mo or 8vo (8)
Los 221
Dickens, Charles Five books, comprising The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition, 8vo, portrait, 39 plates, contemporary half calf, a little spotting and darkening, a few plates slightly torn, bookplate of Joseph Samuel Lescher; [Idem] Dealings with the Firm of Dombey and Son. London: Bradbury & Evans, 1848. First edition, 8vo, frontispiece, 38 plates, contemporary half calf, some darkening, one plate loose, bookplate; [Idem] The Life and Adventures of Martin Chuzzlewit. London: Chapman and Hall, 1844. First edition, 8vo, frontispiece, 33 (of 37) plates only, contemporary half calf, some foxing and browning, bookplate of Francis G. Landys; [Idem] The Mystery of Edwin Drood. London: Chapman & Hall, 1870. First edition bound from parts but with part 6 wrappers only, portrait, 12 plates, contemporary half calf; and Household Words in original cloth, bound, 1851-1858 (5)
![Graves, Robert Good-Bye to All That London: Jonathan Cape, [1929]. First edition, first issue including the references to Spi](https://cdn.globalauctionplatform.com/ac47fa07-b5db-4c84-a9e3-abb40121ff60/3b993335-37fb-4ee9-ba8c-abc200d5683d/468x382.jpg)
Los 240
Graves, Robert Good-Bye to All That London: Jonathan Cape, [1929]. First edition, first issue including the references to Spiritualism on p.290 and Siegfried Sassoon's poetic letter on pp.341-343, 8vo, frontispiece portrait and 7 plates (1 double), orange cloth gilt, some very slight dust-soiling to portrait, hinges slightly split in places, several leaves uncut
Los 245
Grieve, Christopher Murray - "Hugh MacDiarmid" Annals of the Five Senses Montrose: C.M. Grieve, 1923. First edition, 8vo, inscribed "To my very great friend Alexander McGill, with compliments and best wishes. Hugh MacDiarmid ... 1938", original grey cloth, an occasional light spot, binding slightly marked, very slightly rubbed; with A.L.S. from Gordon Bottomley to Mr MacGill, referring to a letter from MacDiarmid, arrangements for dinner at Glasgow, one page, Silverdale, 29 May 1928; [Idem] Selected Lyrics. Verona: Kulgin D. Duval and Colin H. Hamilton / Officina Bodoni, 1977. 8vo, limited to 135 copies, number VIII of 35 copies not for sale, frontispiece portrait, original quarter vellum gilt, t.e.g., slipcase (2)
Los 249
James, Henry 9 volumes, first or early editions, comprising Portrait of a Lady. Boston: Houghton, Mifflin & Co., 1882. Second edition, American issue, secondary binding of dark brown cloth, [Edel A16b], bookplate, rubbed; [Idem] Essays in London. London: James R. Osgood &c., 1893. First edition, owner's inscription and bookplate on endpapers, original salmon cloth, [Edel A40a], slightly rubbed, slightly soiled; [Idem] Terminations. London: Heinemann, 1895. First edition, first issue, [Edel A45], original blue cloth, slightly rubbed, lacks first blank leaf; [Idem] What Maisie Knew. London: Heinemann, 1898, First edition, original blue cloth, rubbed and slightly soiled, [Edel A49a]; [Idem] A Little Tour in France. London: Heinemann, 1900, First English edition, limited issue, number 9 of 150 copies, white vellum boards, [Edel A23e], small split at foot of upper joint, a few light marks; [Idem] The Golden Bowl. London: Methuen, 1905, First English edition, [Edel A60b], original blue cloth, rubbed; [Idem] A Small Boy and others. London: Macmillan, 1913. First English edition, original cloth, [Edel A71a], original blue cloth; [Idem] The Letters. London: Macmillan, 1920, 2 volumes, first edition, original cloth (9)
Los 250
Joyce, James A Collection of 15 volumes, comprising Haveth Childers Everywhere. London: Faber & Faber, 1931. 8vo, original green printed wrappers; and another copy; [Idem] Two Tales of Shem and Shaun. London: Faber and Faber, 1932. 8vo, original green paper-covered boards, dust-jacket not price-clipped; another copy without the dust-jacket; [Idem] Chamber Music. London: Jonathan Cape, 1945. 7th impression, 8vo, dust-jacket not price-clipped; and another copy, 1927 4th impression, in dust-jacket with the ownership signature of Neil M. Gunn; [Idem] Portrait of the Artist as a Young Man. London: Jonathan Cape, [1926]. Fifth impression, 8vo, original cloth; [Idem] Ulysses. New York: The Modern Library, 1934. 8vo, original cloth; [Idem] - James Liddy Esau my Kingdom for a Drink. Dublin: The Dolmen Press, 1962. 8vo, original green printed wrappers; and 2 further copies; Beja, Morris Joyce, the Artist Manqué and Indeterminacy. Gerrards Cross: Colin Smythe, 1989. 8vo, original printed wrappers; Eliot, T.S. Introducing James Joyce. London: Faber and Faber Ltd., 1942. 8vo, dust-jacket not price-clipped; Budgen, Frank James Joyce and the Making of Ulysses. London: Grayson & Grayson, 1934. First edition, 8vo; Golding, Louis James Joyce. London: Thornton Butterworth Ltd., 1933. First edition, 8vo (15)
![Sandburg, Carl August (1878-1967), American Poet, & Arthur Eustace Morgan (1886-1972) [McGill University, Montreal] A col](https://cdn.globalauctionplatform.com/ac47fa07-b5db-4c84-a9e3-abb40121ff60/3a388660-60dd-47e8-b858-abc200d58767/468x382.jpg)
Los 263
Sandburg, Carl August (1878-1967), American Poet, & Arthur Eustace Morgan (1886-1972) [McGill University, Montreal] A collection, comprising Cornhuskers. New York: Henry Holt & Co., 1918. First edition, 8vo, signed by the author on title, original drab boards lettered in black, spine worn, upper cover detached; Sandburg, Carl Chicago Poems. New York: Henry Holt & Co., March 1922. 8vo, signed by the author on title page, original dark green cloth, binding slightly marked, foot of spine slightly rubbed; Sandburg, Carl Time Exposures by Search-Light. New York: Boni & Liveright, 1926. Second printing, presentation copy to A.E. M[organ], with long inscription referring to the portrait of Sandburg at p.55, original yellow cloth, slightly soiled, spine somewhat darkened; Sandburg, Carl Smoke and Steel. New York: Harcourt, Brace & Co., 1921. Presentation copy inscribed "A.E. Morgan, with respect and good wishes, Carl Sandburg, Montreal, 1936", also inscribed in pencil on front endpaper "AE Morgan", original green cloth lettered in red, spine slightly faded and slightly marked; Sandburg, Carl Slabs of the Sunburnt West. New York: Harcourt, Brace & Col., 1922. First edition, signed by the author on title, original orange cloth lettered in green, spine slightly faded; Sandburg, Carl The People, Yes. New York: Harcourt, Brace & Co., 1936. Second printing, presentation copy inscribed "For A.E. Morgan, as between good neighbours - Montreal October 1936 Carl Sandburg", original blue buckram, spine darkened, covers damp-marked; McGill University Old McGill 1936. Published by the Undergraduates of McGill University. Volume 39. (depicting A.E.Morgan as Principal), 4to, original cloth; McGill University A collection of 25 large mounted photographs of new University buildings by Arnott & Rogers, Montreal, photographs 234 x 193mm., mounts 356 x 305mm., brown buckram folder, unlettered, the folder spotted, the photographs clean
![Sitwell, Edith Gold Coast Customs London: Duckworth, 1929. First edition, [one of 1500 copies], 8vo, portrait frontispiece wi](https://cdn.globalauctionplatform.com/ac47fa07-b5db-4c84-a9e3-abb40121ff60/145ff868-88c2-4d2d-9c99-abc200d58eea/468x382.jpg)
Los 268
Sitwell, Edith Gold Coast Customs London: Duckworth, 1929. First edition, [one of 1500 copies], 8vo, portrait frontispiece with Sitwell's signature beneath, presentation copy to Fytton Armstrong [the poet John Gawsworth], dated March 1930, with on the free endpapers, covering both sides, Edith Sitwell's holograph manuscript, signed, 26 lines, headed "the ending of Gold Coast Customs", these final lines not printed until in The Collected Poems of 1930 [June], also with holograph note on p. 28, original black cloth lettered in red, cloth upper cover slightly faded/marked, very slight wear at spine ends
Los 314
Boyle, Robert The works... in five volumes London: for A. Millar, 174. 5 volumes, folio, engraved frontispiece portrait, titles in red and black,15 folding engraved plates, contemporary mottled calf, some joints cracked, lacking a few lettering-pieces [Fulton, Boyle 240]Provenance: Lord Sandys, armorial bookplates Note: The first collected edition of Boyle's works, including correspondence and non-scientific works
Los 330
India: a photograph album Presented by Lieut. Col. C.S. Noble, D.Y. Commr. Bara Banki, to Pundit Rughober Dyal Misra, OFFG. Tahsildar, Nawabganj Comprising 13 albumen prints, showing a 'Welcome' fête or gathering; a welcoming crowd; a banquet in a tent; a formal gathering or presentation (presented as a panorama with three images attached together); a group wrestling match (presented as a panorama); a person bowing before an official and his entourage; a group portrait; horses and carriages at the gathering; a military parade or gathering; a group portrait including two Europeans on a platform; elephants bathing and drinking; men and women by a river; a young goatherd and camels; the album dated November 1884, each single photograph c.22 x 28cm, some fading to photographs and foxing to album leaves
Los 337
Alexander Calder A selection of photographs Comprising a portrait of Alexander Calder at work originally taken by Herbert Matter and subsequently re-taken for MoMA by Soichi Sunami, 23.5 x 19.5cm, and 9 additional silver gelatin prints of Calder's work, photographed by Sochi Sunami for MoMa (10)
![Larsson, Stieg [The Millennium Trilogy], 2010, Sangorski & Sutcliffe binding London: Maclehose Press, Quercus, 2010. 8vo,](https://cdn.globalauctionplatform.com/ac47fa07-b5db-4c84-a9e3-abb40121ff60/b5bd9d23-099e-4681-94df-abc200d633a3/468x382.jpg)
Los 367
Larsson, Stieg [The Millennium Trilogy], 2010, Sangorski & Sutcliffe binding London: Maclehose Press, Quercus, 2010. 8vo, 3 volumes, boxed set edition, maps by Emily Faccini, SPECIALLY BOUND IN A UNIQUE BINDING BY SANGORSKI AND SUTCLIFFE in crushed black morocco, gilt designs on upper covers illustrating the themes in the titles of dragon, hornet's nest and fire, spines with black onlays lettered in silver together forming the author's name, additional onlays in red and white with titles of each volume (the first also with the original title, "Men Who Hate Women"), row of five silver studs on the upper covers, these interlocking with square red grooves on lower covers, all edges gilt, red endpapers, all within binder's black morocco case incorporating an additional folder with a letter of rejection in Swedish from the Institute of Applied Psychology in Stockholm (addressed to the author as "493 S. Larsson" informing him at the request of the Joint Committee of Colleges of Journalism, that [translation] "unfortunately your performance in the written selection test was not up to standard of other applicants. We are therefore unable to offer you a place at any College...in the autumn of 1972..."), WITH AN ORIGINAL PENCIL PORTRAIT BY STEIG LARSSON ON THE REVERSE, some slight wear to case Note: The Girl with the Dragon Tattoo , The Girl who Played with Fire and The Girl who Kicked the Hornets' Nest , known as The Millennium Trilogy, presented in a spectacular and unique binding. Alison Strachan, the binding director at Sangorski & Sutcliffe / Shepherd's, has commented on the special design of the binding: "...There was... a strong impression in my mind of Lisbet's physical appearance, which was echoed in the violence in her character as well as that shown against her by male characters in the book. The studs were a manifestation of this male/female theme and the sado-masochism of some of the male characters. The way the studs each fit into the cover of the next book, was a symbol of how the protagonists work together, their close relationship... the hand-tooled designs of each front cover were designed to echo the images of the titles and the tattoos that cover Lisbet..."
Los 47
Lawrence, Thomas Edward A collection of Biographical & Bibliographical Reference Wilson, Jeremy and Nicole T.E. Lawrence, Correspondence with Bernard and Charlotte Shaw, 1922-1926. Fordingbridge: Castle Hill Press, 2000. 4to, one of 40 (of a total of 702 copies) in full bottle green goatskin, volume 1 only; Stewart, Desmond T.E. Lawrence. London: Hamish Hamilton, 1977; Asher, Michael Lawrence, the Uncrowned King of Arabia. London: Viking, 1998; Thomas, Lowell With Lawrence in Arabia. London: Hutchinson & Co., [n.d.] 23rd impression; Aldington, Richard Lawrence of Arabia. London: Collins, 1955; and another copy, second impression; Doughty, Charles M. Passages from Arabia Deserta. London: Jonathan Cape, 1949; Lawrence, A.W. T.E. Lawrence by his Friends. London: Jonathan Cape, 1937; Guillaume, Renée & André An Introduction and Notes Seven Pillars of Wisdom. Oxshott: The Tabard Press, 1998; Wilson, Jeremy Lawrence of Arabia. London: William Heinemann Ltd., 1989; Mack, John E. A Prince of Our Disorder. London: Weidenfeld and Nicolson, 1976; Knightley, Phillip - Colin Simpson The Secret Lives of Lawrence of Arabia. London: Nelson, 1969; O'Brien, Philip M. T.E. Lawrence, a bibliography. New Castle, Delaware: Old Knoll Press, 2000; Brent, Peter Great Lives: T.E. Lawrence. London: Weidenfeld and Nicolson, 1975; Graves, Richard Perceval Lawrence of Arabia. London: Thames and Hudson, 1976; Tabachnick, Stephen E. - Christopher Matheson Images of Lawrence. London: Jonathan Cape, 1988; Mousa, Suleiman T.E. Lawrence, an Arab View. London: Oxford University Press, 1966; Robinson, Edward Lawrence, the Story of his Life. London: Oxford University Press, [1945]; Richards, Vyvyan Portrait of T.E. Lawrence. London: Jonathan Cape, 1936. Second impression; Kiernan, R.H. Lawrence of Arabia. London: George G. Harrap & Co. Ltd., 1936; Ocampo, Victoria 338171 T.E. Lawrence of Arabia. London: Victor Gollancz, 1963 (21)
Los 52
Lawrence, Thomas Edward Revolt in the Desert London: Jonathan Cape, 1927. 8vo, number 281 (of 300 copies) of the large paper edition, colour portrait frontispiece, 18 plates (10 of which are colour) and folding map, original quarter brown morocco gilt, spine very slightly rubbed, some pages uncut
Los 77
Campo, Antonio Cremona Fedelissima Città et Nobilissima Colonia de Romani Cremona: Ippolito Tromba and Ercoliano Bartoli, 1585. Folio, 4 parts in one volume, engraved title-page with engraved portrait of Philip II on verso, woodcut initials, decorative woodcut borders, engraved and woodcut illustrations (mostly portraits), folding engraved map, double-page engraved map, double-page engraved plate (of the cathedral) with further engraved details on versos, later speckled calf, leaf ***4 possibly from a later printing, text at foot of 8*3v obscured, without blank leaf 10*4, woodcut printer's device above colophon, first few leaves and final leaf repaired at edges, engraving on verso of title-page shaved, folding map laid down and slightly damaged, double-page plate slightly torn, joints cracked, binding slightly rubbed [Edit16 8843; IA 130.903; Mortimer, Harvard Italian 100] Note: This seems to be a later state of printing, with the caption "David de Laude Crem. hebreus incid." on the folding map (see Mortimer). The plates were all engraved by Agostino Carracci, according to the note on [2]+2r.
Los 83
Xavier, Francis Torsellino, Orazio De vita B. Francisci Xaverii. Qui primus è Societate Iesu in Indiam & Japoniam Evangelium invexit. Lyons: Pierre Rigaud, 1607. 8vo, engraved title vignette, engraved portrait on a2 verso, later half calf, dampstaining through most of volume, varying in degree, head of spine worn, [USTC 6900829]
Los 9
Hamerton, Philip Gilbert Etching & Etchers London: Macmillan & Co., 1880. Third edition, 4to, woodcut portrait of Rembrandt to title-page and 48 plates after Rembrandt, Ostade, Bergham, Potter, du Jardin, A. Vandevelde, Ruysdael, Vandyke, Zeeman, Primaticcio, Israels, Unger, Beyer, Claude, Méryon, Lalanne, Jacquemart, Jacque, Appian, Lalauze, Martial, Veyrassat, Soumy, Legros, Billet, Turner, Whistler, Haden, Palmer, Chattock, George, Herkomer, Hole & Rajon, contemporary brown quarter morocco, spine peeling a little, occasional slight offsetting
Los 90
Edmundes, Clement Observations upon Caesars Commentaries London: Math. Lownes, 1609. Small folio, portrait frontispiece, engraved title-page, 10 (of 12) plates (9 double-page), contemporary calf, one plate torn with slight loss, some trimming to plates, early ownership signature to title, a few leaves loose [ESTC S121465] Provenance: From the library of Kingcausie
Los 123
A London delftware Royal dish, c.1690, painted in blue with a double head and shoulders portrait of William and Mary, each crowned, William wearing an ermine-lined robe, within narrow blue line borders, broken and riveted, 22cm. Provenance: a private collection from the West Country. William and Mary were proclaimed King and Queen as joint sovereigns in 1689 and reigned together until Mary's death in 1694. A number of fragments found by Garner in Lambeth correspond with this design. See Michael Archer, Delftware, item B2, p 115.
Los 124
A good and rare English delftware King of Prussia plate, c.1757-60, painted in blue with a head and shoulders portrait of Frederick II of Prussia between the letters KP, 22cm. Provenance: a private collection from the West Country. Cf. Leslie B Grigsby, The Longridge Collection, Vol. II, D56 for a similar King of Prussia plate.
Los 187
A Doulton & Watts brown stoneware 'Caudle' spirit flask, 1st half 19th century, one side moulded with Mr and Mrs Caudle tucked up in bed above an inscribed oval plaque, the reserve with a full length portrait of Miss Prettyman carrying a parasol, impressed mark, small chips to the foot, 18.5cm.
Los 288
A Limoges enamel wine taster or taste vin, probably 19th century, the well painted with a profile portrait of Christ, the internal sides with a bold floral border, the exterior with a dense ground of flowers in gilt on a purple ground with jewelled detailing, the underside with a building by water, some chipping, 12.6cm. Provenance: a private collection from Dorset.
Los 342
A large Worcester bell-shaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print RH Worcester for Robert Hancock, a short crack near the handle, 14.5cm. Provenance: the Property of a Noblewoman.
Los 343
A Worcester bell-shaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print RH Worcester for Robert Hancock and with an anchor rebus for Richard Holdship, 11.8cm. Provenance: the Property of a Noblewoman.
Los 1546
RICHARD GEORGE MATHEWS (1870 - 1955) a profile portrait of Ursula Norton Griffiths, coloured chalk, signed and dated Aug 24, 1912, 51cm x 35cm within mount, framed and glazed. * Ursula Norton Griffiths was the mother of Jeremy Thorpe, MP. and leader of the Liberal party (1967 - 1976) Ursula's character was played by actress Patricia Hodge in the BBC. television drama 'A Very British Scandal'. Provenance: by descent to the vendor.
Los 2515
A gold, black and white enamelled and cameo necklace, the principal oval shell cameo carved as a Medusa head, within a black and white enamelled surround, between two smaller cameos, each carved as a youthful portrait within an enamelled surround, fitted to an associated two row neckchain, on a sliding clasp. Illustrated.
Los 2546
A 9ct gold, blue and colourless gem set full eternity ring, two further rings, a 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady, a 9ct gold bracelet, with a heart shaped padlock clasp, a 9ct gold oval pendant locket, a cultured pearl, diamond and pale blue gem set pendant and four further items of jewellery, gross combined weight of four items of gold jewellery 9.8 gms, (11).
Loading...-
283284 Los(e)/Seite