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Los 129
16TH/17TH CENTURY ENGLISH SCHOOL PORTRAIT OF QUEEN ELIZABETH I (AFTER THE PHOENIX PORTRAIT) oil on panel(28cm x 24.5cm (11in x 9.5in))Footnote: Provenance: Christie’s, London, 3rd November 1972, lot 191, The Property of the late 5th Duke of Sutherland, George Granville Sutherland-Leveson-Gower (1888-1963). Note: The present work relates to the 'Phoenix' portrait of the Queen, associated with Nicolas Hilliard and executed circa 1575, now in the National Portrait Gallery (NPG 190).
Los 132
CIRCLE OF SIR GODFREY KNELLER HALF LENGTH PORTRAIT OF ISABELLA, WIFE OF JOHN NORBORN OF GREAT Inscribed and dated 1685, feigned oval, oil on canvas(76cm x 63.5cm (30in x 25in))Footnote: Note: Isabella was the mother of Mary, wife of Charles Bertie 11 Provenance: Uffington, Lincolnshire; Ayton Castle, Berwickshire
Los 226
JOHN JACKSON R.A. (BRITISH 1778-1831) PORTRAIT OF FREDERICK, DUKE OF YORK AND ALBANY (1763-1827) oil on canvas(75cm x 62cm (29.5in x 24.5in))Footnote: Provenance: Private Collection, England. Formerly in the collection of Derek Sherborn. Note: John Jackson R.A. (1778- 1831) was a celebrated English painter, best known for his high society portraits. Jackson received early support from the landed gentry, notably Sir George Beaumont, 7th Baronet, who offered him residence at Castle Howard, where he could study and copy from Beaumont’s extensive collection. He also received £50 per year which permitted him to attend the Royal Academy Schools. He was then elected as a member of the Royal Academy on 10th February 1817. Jackson was a prolific portraitist, with numerous notable sitters including the Duke of Wellington, the explorer Sir John Franklin, and Prince Frederick, Duke of York and Albany. Prince Frederick (1763- 1827) was the second son of King George III and Queen Charlotte, and served as the Commander-in-Chief of the British Army during the Napoleonic Wars. On 27th November 1784, Frederick was created Duke of York and Albany as well as Earl of Ulster. From 1820, he was the heir presumptive to his elder brother, King George IV, until his death in 1827. This portrait of the Duke of York and Albany is an excellent example of Jackson’s skill as a portraitist. Jackson was particularly influenced by Sir Thomas Lawrence and Henry Raeburn, which is notable in this piece in the remarkable realism and personality evoked, as well as his dramatic and unusual use of lighting. Several versions of this portrait were made by Jackson, which allows us to speculate that this was painted circa 1822, by comparing it to another very similar composition after John Jackson in the National Portrait Gallery in London, also dated circa 1822.
Los 291
An unusual 19th Century Palais Royal sewing box with some fittings, the box veneered in burr ash and of elongated octagonal form, the sides painted with garlands of flowers, the lid with steel straps and faceted pin border and painted with elegant figures and sedan chairs around a fountain below a pair of cherubs and an oval female portrait medallion surrounding a pointed oval mother of pearl plaque engraved ‘Souvenir’. The interior with damaged lid mirror over a flush fitted green velvet tray with embroidered pin cushion, one only of four snowflake winders in circular mirror compartments, a stiletto with pansy motif, handle repaired, a pair of scissors with leaf carved arms below oval loops, a damaged thimble, a mother of pearl quiver of arrows needle case with damage to end and a cut glass scent bottle with screw cover, escutcheon lacking, the lid originally with a steel carrying handle, box 19.5 x 13.5 x 7.5cms.
Los 474
Five needle packet boxes and books, comprising a falling side square section example, green silk interior with central thimble box complete with thimble and pin roll, 12cm high, a wooden pointed top pine box ‘The Gothic Needle Case, Morris and Yeomans’, 13.5cms high, a mirror top needle packet box with internal concertina and four W. Hall and Co. needle packets, 6.2cms, a green leatherette needle book internally labelled ‘The Ladies’ Rust-Proof Needle Case, W. Bartleet….’, 11 x 7.5cms, and another with oval portrait cover titled ‘Coffinieres’ for the French General Grégoire Coffinieres (1811-1887), 9.5 x 6.5cm. (5) From the collection of Margaret Blakeley
Los 575
Four pairs of scissors, comprising a pair with steel blades to floral silver arms and loops, 10cm, a good pair of polished steel button holing scissors with shaped arms and fancy loops, 9.5cm, another pair with diamond section tapering blades to elongated leaf decorated loops, 9cm, and a larger pair the arms with oval portrait panels of German sovereigns, 14.5cm. (4) From the collection of Margaret Blakeley
Los 631
A rare Charles II commemorative silver thimble, with two oval panels, one depicting a wedding bust portrait of Charles II and letters ‘C.R.’, the other Catherine of Braganza and ‘Q.K.’, the frieze engraved with the initials ‘A.K.’ and clearly struck marker’s mark ‘G’ in a shield. This thimble is illustrated in Taunton(N): Antique Needlework Tools, Page 18, colour plate 6. As well as describing the thimble it states “this thimble was found by an excavator during November 1991 near Brandon Parva, Norfolk, is in excellent condition and has been well authenticated’. The thimble records the marriage of Charles II to Catherine of Braganza, who landed at Portsmouth in May 1662. The marriage actually took place on 23 April 1662, by proxy, in Lisbon. Catherine was Queen of England, Scotland and Ireland from 1662 to 1685. A very similar thimble is illustrated and described in Holmes’ ‘Thimbles’, page 15, plate 6, 6th right, stating that a similar thimble is in the British Museum Collection, which in turn is illustrated on page 27, plate 15, bottom row (c). Taunton makes reference to the British Museum version, another in the Museum of London, and at least three (of which this is one) in private collections, noting that there are variations in the design and maker’s marks. Acquired by the vendor from Sonia Cordell.
Los 727
A Collection of Late 18th Century and 19th Century Chemist and Druggists Labels from the Beaminster Pharmacy, Established in 1790 by Richard Hine A group of twenty two elegant printed labels circa 1820 for medical lozenges, of oval form printed on rectangular paper comprising – Peppermint / Bath Lozenges / Acidulated Rose Lozenges / Fruit Lozenges / Ginger Lozenges / Otto of Rose Lozenges / Heartburn Lozenges / Aniseed Lozenges / Magnesia Lozenges / Tamarind Lozenges / Orange Lozenges / Cinnamon Lozenges / Coltsfoot Lozenges / Paregoric Lozenges / Black Currant Lozenges / Dawson’s Lozenges / Rose Lozenges / Lavender Lozenges / Camphor Lozenges / Nitre Lozenges / Pectoral Lozenges from the Balsam of Tolu / Tolu Lozenges, the last two portrait the others landscape featuring fancy lettering, vases, ribbons, paterae, tasselled drapes, one with small hole to margin, generally very good, approx.. 7 x 5cms. (22)
Los 475
An English Parian globular jug, in relief with portrait medallions and flowers, 25cm high, c.1840; another, smaller, 16cm high; a Spode Copeland ornamental jug, c1891; a Minton jug. painted with pink and yellow roses, c1845-50; a English porcelain two handled vase, painted with summer Flowers on an apple green ground, 20.5cm high, c.1870; etc
Los 833
A late 18th century pocket knife commemorating Shakespeare probably produced for David Garrick’s Jubilee of 1769, the silver foiled scales with titled bust portrait between panels of masks and musical instruments, six only of eight blades present, one apparently stamped ‘Dyke’, scales 8cms.
Los 251
A 19th Century Indian/Burmese sword with hammered silver hilt and scabbard, L. 96cm, presented to Major General Sir Owen Tudor Burne (1837–1909), private secretary to the Earl of lytton in India, together with a framed engraved portrait and a red leather covered government dispatch box (lock currently functioning), engraved portrait size 53 x 42cm dispatch box size 46 x 31 x 23cm. Prov. Ownership by descent to Major General Sir Owen Tudor Burne and being offered for sale by a relative.
Los 155
HOFNARREN IM SCHLITTEN. HOFNARREN IM SCHLITTEN. Meissen. Datierung: 1924-1934. Meister/Entwerfer: Modell J.J. Kaendler. Technik: Porzellan, farbig und gold staffiert. Beschreibung: Als Dame verkleideter sächsischer Hofnarr und Postmeister Johann Gottfried Schmiedel auf einem Schlitten sitzend. Hinter ihm mit Spitzhut der Hofnarr Fröhlich. Vor den beiden ein Affe mit einer Schale Möhren. Maße: Höhe 15,5cm. Marke: Pfeiffermarke, 251, Bossierernr. 86, Malernr. 7. Literatur: - Adams, Len and Yvonne: Meissen Portrait Figures, Leicester 1992, Modell sh. S. 194. - Walcha, Otto: Meißner Porzellan, Dresden 1973, S. 480, Abb. 96. - Die Arbeitsberichte des Meissener Porzellanmodelleurs J. J. Kaendler 1706-175(Edition Leipzig), Leipzig 2002, S.52, 53. In Kaendlers Taxa heißt es hierzu: "Ein völliger, und mit einem Pferd bespannter Renn-Schlitten, worinnen ein Frauenzimmer sietzend, hintenauf sitzet Joseph Fröhlich und umbarmet dieß Frauenzimmer, auf dem Schlitten befindet sich ein Affe und eine Eule.". Erläuterungen zum Katalog Meissen Deutschland Porzellan 20. Jahrhundert Figur Kaendler, Johann Joachim HOFNARREN IM SCHLITTEN. PORCELAIN GROUP OF COURT JESTER IN SLEIGH. Meissen. Date: 1924-1934. Maker/Designer: Model J.J. Kaendler. Technique: Porcelain, enriched in colours and gold. Description: Saxon court jester, dressed as a lady, and postmaster Johann Gottfried Schmiedel sitting on a sleigh. Behind him with pointed hat the court jester Fröhlich. In front of them a monkey with a bowl of carrots. Measurement: Height 15,5cm. Mark: Pfeiffermark, 251, porcelain former no. 86, painter no. 7. Literature: -Adams, Len and Yvonne: Meissen Portrait Figures, Leicester 1992, model cf. p. 194. -Walcha, Otto: Meißner Porzellan, Dresden 1973, p. 480, ill. 96. -Die Arbeitsberichte des Meissener Porzellanmodelleurs J. J. Kaendler 1706-175(Edition Leipzig), Leipzig 2002, pp.52, 53. Kaendler's taxa states: 'Ein völliger, und mit einem Pferd bespannter Renn-Schlitten, worinnen ein Frauenzimmer sietzend, hintenauf sitzet Joseph Fröhlich und umbarmet dieß Frauenzimmer, auf dem Schlitten befindet sich ein Affe und eine Eule.' ('A complete, horse-drawn racing sled, in which a lady sits, on the back sits Jospeh Fröhlich, ensnaring this woman, on the sled there are a monkey and an owl.'). Explanations to the Catalogue Meissen Germany Porcelain 20th century Figurine Kaendler, Johann Joachim
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283284 Los(e)/Seite