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283287 Los(e)/Seite
Los 12
J. Thomason (fl. 1786- circa 1800) Silhouette portrait of a gentleman and two of ladies The ladies named verso Eleonora Mrs Montgomery and Mrs Montgomery my great grandmother; the other Mrs Holmes Painted on plaster 8.5cm x 6.7cm, ovals In pressed brass oval frames, two with trade label no. 3 (Dublin) and one with a fragment (3)
Los 49
ϒ T. London (fl. circa 1798- circa 1810) Portrait of a lady called Mrs Mary Stillingfleet of Worcester Portrait of a lady called Mrs Elizabeth Stillingfleet (née Hale) of Worcester Portrait of a lady Portrait of a lady called Anne Fisher dated 1817 Silhouettes painted on ivory, the first three with shaded backgrounds The first three 6.7cm x 5.3cm; the last 7.2cm x 5.7cm, ovals In rectangular papier mache frames, the first with trade label no. 2, the second just a long inscription and wax seal with the arms of Hale, third unnamed ex Joll collection, the last with remains of trade label no. 2 (4) The date, 1817, on the third would seem to indicate a longer working period for London than assumed before. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Los 9
ϒ H. de Janvry (fl. 1793-1800) Profile portrait of a gentleman Watercolour on ivory en grisaille, with tones of pink and sepia, signed and dated 1797 below the truncation 4.8cm x 3.8cm, oval In a plain gilt metal oval frame ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Los 29
Walter Jorden (fl. 1775-86) Portrait of a gentleman called Francis Russell, 5th Duke of Bedford (1765-1802) Silhouette painted on flat glass 12.7cm x 9.8cm, oval In a pressed brass oval frame with a trade label verso with address at 7 Soho Square Ex Montague Guest collection; L. Morgan May collection (labels). McKechnie notes in her biographic entry on Jorden that she had not come across a trade label for him. In 1795, when the government levied a tax on hair powder, as a form of protest the duke abandoned the powdered and tied hairstyle commonly worn by men of that era in favour of a cropped, unpowdered style. The new style became known as the Bedford Level, a pun on an area of The Fens reclaimed by the family and also known as the Bedford Level, as well as referring to Bedford's radical political views. Although natural, the Bedford crop was usually styled with wax
Los 51
Edward Foster (1762-1864) Portrait of a lady Portrait of a gentleman Painted in red embellished with gold, on card Each signed, the lady dated 1825, the gentleman 1824 The lady 9.2cm x 7.7cm, the gentleman 8.7cm x 6.7cm In rectangular papier mache frames (2) The lady ex Joll collection (label)
Los 45
Arthur Lea (1768-1828) Portrait of a gentleman Silhouette painted on curved glass with verre églomisé border 9.3cm x 7.5cm, oval In a rectangular papier mache frame Ex Christie collection. See McKechnie, p. 730, fig, 1544 for this profile where an incomplete inscription verso is noted and dated 2nd December 1799.
Los 44
ϒ Jacob Spornberg (b. 1768- d. after 1840) Portrait of a young lady called Christiana Emma Gore Silhouette painted en grisaille on ivory Signed and dated 1809 lower middle Signed, dated and with Cheltenham and at No 5 Old Bond St. Bath 8.8cm x 7.2cm, oval In a rectangular papier mache frame ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
![John Field (1772-1848) Portrait of a lady called Mrs General Alfred Richards [Rhoda] Silhouette on plaster with bronzing](https://cdn.globalauctionplatform.com/9a7d3810-b4e7-4326-bb8c-aaed011fc6af/2be7ffd7-8401-4203-84f0-aaed0121c385/468x382.jpg)
Los 63
John Field (1772-1848) Portrait of a lady called Mrs General Alfred Richards [Rhoda] Silhouette on plaster with bronzing 7.8cm x 6.5cm, oval In a rectangular papier mache frame with Miers & Field trade label no. 1 Ex Joll collection Major-General Alfred Richards (1781-1852), CB, Colonel Commandant 31st Bengal Native Infantry. In a portrait held by the National Army Museum he wears civilian dress. This painting is a companion to the portrait of his wife, Mrs Rhoda Richards (1997-04-145).
Los 187
William ETTY (1787-1849) Portrait of Miss Mathilda Bicknell, as a Girl Oil on panel Provenance: Commissioned by the sitter's father, Elhanan Bicknell, 1845 Henry Sanford Bicknell Miss Maude Berry Grosvenor Berry Esq. With the Mayor Gallery, London Private Collection Literature: Dr. Waagen, Treasures of Art in Great Britain , 1845, Vol. II, p.350 Alexander Gilchrist, Life of William Etty, R.A. , London, 1855, Vol. II, p.340 Dennis Parr, William Etty , 1958, p.170, no. 185 (Dimensions: 47.5 x 37cm)(47.5 x 37cm)
Los 519
A 19th century ceramic plaque painted with portrait of a young lady in ornate dress wearing gold necklace, unsigned and with indistinct mark verso, diameter 42.5cm, in period ebonised and gilt heightened frame.Additional InformationSome splits to the frame with further rubbing to coloured detail, craquelure to the paint throughout and crazing visible to reverse with general surface wear and dirt. External dimensions of the frame are 62 x 62cm.
Los 1089
JOHN BELLANY CBE, RA (1942-2013); pencil signed artist's proof print,'Botham England XI Somerset XI' depicting a portrait bust of Ian Botham, signed lower right, 50 x 33cm, unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Los 1133
A 19th century English school oval portrait miniature, study of a gentleman, possibly on a printed base in period leather folding travelling case, image size 5 x 4cm.Additional InformationThere is light scuffing to the case as you would expect and some damage around the hinge but the image is apparently good although it has moved slightly within the setting.
Los 12
CIRCLE OF FRANCOIS CLOUET (FRENCH 1510-1572) PORTRAIT OF A NOBLEMAN Oil on panel (Dimensions: 26cm x 20cm (10.25in x 8in))(26cm x 20cm (10.25in x 8in))Footnote: Provenance: Private Collection, Orkney; remnants of two wax collectors' seals verso.Condition report: Under UV lighting scattered retouching is evident to the face.
Los 36
CIRCLE OF FRANCISCO GOYA (SPANISH 1746-1828) PORTRAIT OF A YOUNG LADY Oil on canvas (Dimensions: 41.5cm x 33.5cm (16.25in x 13.25in))(41.5cm x 33.5cm (16.25in x 13.25in))Condition report: Relined and re-stretched. Under UV scatted areas of retouching to the centre of the sitters face around nose and background
Los 18
CIRCLE OF THOMAS GAINSBOROUGH (BRITISH 1727-1788) PORTRAIT OF "MISS DANET" Oil on canvas (Dimensions: 76cm x 64cm (30in x 25in))(76cm x 64cm (30in x 25in))Footnote: Provenance : The private collection of the Boode family; the private collection of the Winthrop family (Sudbury); Lot 109, Christies, March 11, 1955, fully attributed to Thomas Gainsborough as “Portrait of Miss Danet”. Note : Research indicates that the sitter in this fine portrait is Phoebe Pemberton b.1693, wife of the powerful and wealthy Liverpool industrialist John Pemberton. Their granddaughter, Anne Ogden, married the Reverend Thomas Dannett, rector of Liverpool. Their only child, Margaret, became the wife of Lewis Boode, the son of Dutch plantation owners in Demerara. Through marriage, Margaret Boode became the stepmother and relation to members of the Heywood family, whose portraits were painted by both Gainsborough and Reynolds. “Miss Danet” was sold in 1955 along with a Portrait of Andrew Christopher Boode esq by Pompeo Batoni [Lot 108 Christies March 11, 1955]. The preservation of this work, through several generations of the Boode and Winthrop families, may indicate the wealth and status conferred on the female descendants of Phoebe Pemberton.Condition report: Relined and Re-stretched. Retouching visible tot he background mainly to sitters left. Small area of retouching to the area right of the sitters left eye and noseA copy of the Technical Examination of "Miss Danet", prepared by the Courtauld Institute, is available to interested parties upon request.This report contains important X-Ray, Infra-Red and pigment information.
Los 29
THOMAS MURRAY (SCOTTISH 1663-1734) PORTRAIT OF A MAN, POSSIBLY A SELF-PORTRAIT Oil on canvas (Dimensions: 127cm x 102cm (50in x 40in))(127cm x 102cm (50in x 40in))Footnote: Note: Murray was born in Scotland and later moved to London, where he studied with a member of the De Critz family before becoming a pupil of eminent portraitist John Riley. In 1703, he painted Queen Anne for the Society of the Middle Temple in London. He had many noble patrons and his work is held in various institutional collections.Condition report: Relined and re-stretched. Scattered retouching visible under UV
Los 24
CIRCLE OF DANIEL MYTENS (NETHERLANDISH 1590-1647) PORTRAIT OF KING CHARLES I Oil on canvas (Dimensions: 63cm x 53cm (24.5in x 20.75in))(63cm x 53cm (24.5in x 20.75in))Condition report: Relined. Under UV light there is retouching visible in a cross formation to canvas, it is possible that the work was folded up in the past. Retouching also to bottom right quarter
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283287 Los(e)/Seite