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283284 Los(e)/Seite
Los 667
A GREAT WAR TRIO OF MEDALS TO CAPTAIN G.A.K. HERVEY, 28TH BATTALION, THE LONDON REGIMENT comprising the 1914-15 Star (2835 Pte. G.A.K. Hervey. 28-Lond. R.), British War Medal 1914-20 and Victory Medal (both Capt G.A.K. Hervey.), officially impressed, unmounted; together with a coloured bust portrait photograph of the recipient (as a Lieutenant) in khaki uniform.
Los 340
A late 18th century/early 19th century portrait miniature on ivory of a lady in yellow dress enclosed with blue enamel oval frame, the reverse with hair and pearl panel in seed pearl surround (the hair panel is inscribed First Born) all mounted in yellow metal (tested as gold), the oval frame 7.2cm - total weight 51g
Los 589
Julia Kelly, A Charcoal Portrait of Raphael, in a black and gilt frame 59 x 45cm, together with another by the same hand 'Portrait of a Beautiful Young Woman' heightened in white, both signed, 59 x 45cm, together with An Oil on Canvas, Women & Boy with Fish, monogrammed C.S. * l.r., in a modern gilt frame. 53 x 63.5cm. (3).
Los 127
18th Century English School - Oval oil on canvas - Portrait of Thomas Wrightson (1674-1724) of Cusworth near Doncaster, inscribed 'Thomas Wrightson, High Sheriff Of Yorkshire, 1714', 77.5cm x 65cm, unframed Condition: Re-lined and fully restored at some point, some evidence of inpainting/touching-up, the picture is unframed - **General condition consistent with age
Los 234
19th Century Bohemian clear glass baluster shaped vase having allover gilded foliate decoration, oval painted white glass panel decorated with a portrait of a lady with flowers and pearls in her hair, 28.5cm high Condition: Some light wear to the gilded decoration, portrait has one small chip to the top right edge measuring approx 4mm - **General condition consistent with age
Los 125
Bert W. Longworth (20th Century) - Oil on canvas - Portrait of Frederick Courteney Selous, signed Bert W. Longworth, London 1919, 81cm x 63cm Frederick Courteney Selous (1851-1917) was a British explorer and famed big game hunter. His adventures in Africa inspired Sir H. Rider Haggard to create the fictional Allan Quatermain Condition: The canvas is boxed-in at the back so unable to tell if it is re-lined, although we think not - **General condition consistent with age
Los 167
John Smart (1740-1811) - Oval miniature - Portrait of an unknown lady wearing an ermine trimmed blue dress, signed with initials and dated 1770, 4.25cm x 3.5cm, in a yellow metal pendant mount Condition: Glass has an internal flake to top area, there is an area between 9 o'clock and 12 o'clock to the extreme edge which could well have been touched-up as the surface appears to be a little 'orange peel' like and a similar area between 12 o'clock and 3 o'clock although this is even more to the extreme edge - **General condition consistent with age
Los 96
After Sir William Orpen (1878-1931) - Oil on canvas - The Refugee (B), unsigned, 76.5cm x 63.5cm, unframed This portrait is a contemporary copy of 'The Refugee (B)' of 1917-18, which is in the collection of the Imperial War Museum (IWM ART 3005). The original is one of two portraits Orpen painted of his French mistress, Yvonne Aubicq, when he was serving as an official war artist on the Western Front. The other portrait known as The Refugee (A) is a larger half length and is also in the Imperial War Museum collection (IWM ART 2964). Aubicq was the daughter of the mayor of Lille and not a refugee, this is the misleading title Orpen gave to the work. Worse, he had originally called it 'A Spy' which upset the official censor and resulted in a reprimand for Orpen. In May 1918 a large exhibition of Orpen's war paintings and drawings, including the two 'Refugee' portraits, were exhibited at Agnew's gallery in London. It was very well attended. Correspondence now in the IWM's large Orpen archive includes a letter dated 12 July 1918 from Colin Agnew, on behalf of his business partner Charles Romer Williams, requesting permission for the 'most excellent copyist' working at Agnew's to copy both portraits of 'the pretty refugee woman'. (Imperial War Museum, First World War Artists Archive, File number: 78A/3.) The copyist is not named, but permission was evidently given because A. Yockney at the Ministry of Information saw one of these copies and reported in a letter to Orpen on 22 July 'it seems to be remarkably good'. It is very likely that the present painting is this copy, as there was hardly time for the larger Refugee (A) to have been copied yet. As Orpen's official war portraits were presented to the nation he was regularly asked for copies. The IWM archives show he often used another artist, Alfred Hayward (1875-1971), to lay them in for him. Orpen 'particularly' used Hayward to help make copies, which suggests he employed other artists for the work. However, the copyist of The Refugee (B) seems to be the unnamed 'excellent copyist' working at Agnew's. Research by Sheena Stoddard BA, M.Litt Condition: Some very slight wear to the extreme edges where the picture was once in a frame, would benefit from a light clean, the picture is not framed - **General condition consistent with age
![[MISCELLANEOUS] The Female Instructor; or Young Woman's Guide to Domestic Happiness, Kelly, London, circa 1817, half calf (cr](https://cdn.globalauctionplatform.com/056fd0a9-773a-4d87-8f1a-a66d011c74fd/2075df20-12ca-4cf4-b06b-054d700dc99c/468x382.jpg)
Los 150
[MISCELLANEOUS] The Female Instructor; or Young Woman's Guide to Domestic Happiness, Kelly, London, circa 1817, half calf (crudely rebacked), frontispiece, vignette title, six plate illustrations, octavo; and The Works of the Late Rev. John Gambold, formerly Minister of Stanton-Harcourt, Oxfordshire, and late one of the bishops of the Unitas Fratrum, or United Brethren [Moravians], Hazard, Bath, 1789, full calf, portrait frontispiece, vignette title, octavo, (2).
Los 142
A sepia photograph of Queen Victoria in gilt and ebonised frame, with easel support, 29cm, a 19th century pair of portrait prints of Queen Victoria and Albert with inscription and royal cipher, published 1840, 30cm by 22cm, and a coloured print of a racehorse in a landscape, 22cm by 26cm, (NC)
Los 179
1970 Royal Mint Standard Last Ever Pre Decimal Proof 8 Coin Set, a 1980 Royal Mint Standard Proof 6 Coin Set , a 2007 Diamond Wedding crown Brilliant uncirculated FDC, a 2007 Diamond Wedding crown UNC, Prince William 21st Birthday Commemorative Crown 5£ Coin Alderney Royal Mint '03, Commemorative Crown Coin to celebrate Queen Elizabeth II's 80th Birthday. Case included, Battle Of Britain 50th Anniversary Commemorative Medallion In Royal Mint Folder FDC, a fifty pence commemorative coin for the 50th Anniversary of the DE-day landings FDC, a 1995 Brilliant uncirculated two pounds 50th Anniversary of the end of World War II, a Silver Jubilee Commemorative Crown UNC, a Twenty-Five pence Queen Mother 80th Birthday Commemorative 1980 UNC, three Twenty-Five pence of the Royal Wedding Commemorative1981 in hard case UNC, a first issue crown 1953 Queen on horseback UNC, a Five pounds coin Prince Charles' 50th Birthday with a portrait of Prince Charles and in the background words relating to the work of The Prince's Trust. A circumscription of FIFTIETH BIRTHDAY OF HRH PRINCE OF WALES and below FIVE POUNDS flanked by anniversary dates of 1948 and 1998 UNC, a Two pounds 300th Anniversary of the Bank of England, Brilliant Uncirculated, a Two pounds 50th Anniversary of the end of the World War II FDC, a set of Decimal coins in a presentation folder, a Five pounds Queens Elizabeth II 80th Birthday FDC
Los 1511
* RENE BOUCHE (FRENCH 1905 - 1963),THE PORTRAIT OF LADY ANNE GLENCONNERoil on canvas, signed, titled and dated 1960 verso58cm x 35.5cmFramedNote: Daughter of the 5th Earl of Leicester. Lady-in-waiting to Princess Margaret. A Maid-of-Honour at Queen Elizabeth II's Coronation. In 1956 Anne married Colin Tennant, Lord Glenconner. She was an avid socialite.
Los 12
A collection of unframed prints, drawings, watercolour and oils to include: an English school, early 20th century, watercolour, Mediterranean, beach scene, a drawing of a castle signed Jones, two drawings of North Italian peasants, an oil on canvas depicting Jesus, a late 19th century marine watercolour, a gouache of Loch Katrine signed G.Irwood and a late 19th century oil on canvas laid on board, portrait of a lady.
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283284 Los(e)/Seite