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Preisdatenbank abonnierenRick Astley signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at BBC Radio London 2016. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Ronan Keating signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at ITV Studios London 2014. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Rhys Ifans signed 10 x 8 colour Portrait Photo, from in person collection autographed at London Premiere 2011. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Simon Callow signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Theatre 2017. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Stephen Rea signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Theatre 2016. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Sam Neill signed 10 x 8 colour The Tudors Portrait Photo, from in person collection autographed at London Film festival 2008. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Sam Neill signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Film festival 2008. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Samantha Bond signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at London Theatre 2013. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Suzannah York signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at Theatre London 2010. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Toby Stephens signed 10 x 8 colour Robin Hood Portrait Photo, from in person collection autographed at Theatre London 2013. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Tony Curtis signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at ITV Studios London 2008. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Tim Allen signed 10 x 8 colour Portrait Photo, from in person collection autographed at Wild Hogs London Premiere 2007. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Tom Hollander signed 10 x 8 colour Portrait Photo, from in person collection autographed at Theatre London 2017. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Tilda Swinton signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at An Event In London 2013. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Tyne Daly signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at ITV Studios London 2012. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Tobacco silks etc, Royalty, The Gentlewoman, 2 large Souvenir silks, portrait of Her Most Gracious Majesty Queen Victoria and their Royal Highnesses The Duke and Duchess of Cornwall & York and Family (both with frayed edges, gen gd). Sold with a large paper supplement issued with Weldon's Illustrated Dressmaker showing a colour montage 'A Souvenir of the Coronation June 26 1902' (some sl creasing mainly gd)
Trade cards, Topical Times, selection, sets, part sets & odds, Footballers (Triple Portraits) (set), Footballers Panel Portraits (coloured) (set, 16 cards), 50+ large other b/w portrait cards, plus three special miniature panel portrait albums, all complete, Stars of Today, Great Players & Football Stars (all vg)
AN ENGLISH RAPIER, CIRCA 1630 with tapering blade formed in two stages, the upper portion of flattened diamond-section and the lower fullered and with a portrait medallion (rubbed), chiselled iron hilt (one small early repair) comprising a pair of straight quillons with bud-shaped finials, knuckle-guard interrupted by a central moulding en suite with the quillons, a scrolling frontal bar joined to the outer ring-guard, the latter decorated with a central bouquet in an urn, urn-shaped pommel with further flowers, decorated throughout with fruit, scrolls and delicate fluting (worn, grip missing) 86.8 cm; 34 1/4 in blade
A SMALL-SWORD WITH BLUED IRON HILT, MID-18TH CENTURY AND ANOTHER, 19TH CENTURY the first with tapering blade of flattened-hexagonal section, etched over the lower portion with scrollwork and portrait medallions, blued iron hilt comprising small double shell-guard, a pair of large arms, short quillon with globular terminal, ovoid pommel and the grip bound with plaited wire between 'Turk's Heads'; the second with slender blade, iron hilt set with faceted studs, including down-turned shell-guard, integral grip and urn-shaped pommel, in its scabbard (areas of rust) the first: 76.2 cm; 30 in blade (2)
A RARE FRENCH SILVER-HILTED SMALL-SWORD, CIRCA 1780 with slender hollow-triangular blade with traces of a signature at the forte including 'Fourbisseur du Roy', silver hilt cast, pierced and chased in low relief, including double shell-guard decorated with bouquets and a trellis arrangement of beadwork carrying two ovals decorated with later (perhaps spurious) coats-of-arms on the outer face, the inner fitted with a pair of hinged frames, probably fitted with portrait plaques previously, quillon and knuckle-guard each decorated with conventional foliage, pommel with trophies-of-arms and the side with trellis en suite with the shell, and later grip of plaited wire and ribband between 'Turk's Heads', in associated leather scabbard with silver mounts 82 cm; 32 1/4 in blade
A SILVER-HILTED SMALL-SWORD FOR A BOY, LONDON, 1731 with tapering hollow-triangular blade inlaid with brass scrollwork at the forte on one face, silver hilt cast and chased in low relief, including double shell-guard decorated with differing portrait busts in scrollwortk cartouches carried by trophies-of-arms on each face, quillon-block, knuckle-guard with central moulding and pommel all decorated en suite, and the grip with an early binding of plaited silver wire between chased silver collars 63.0 cm; 24 3/4 in blade
ËœA FINELY CARVED FRENCH HIPPOPOTAMUS IVORY POWDER-FLASK, DIEPPE, LAST QUARTER OF THE 19TH CENTURY with curved body, flattened inner face carved with a classical portrait profile in a wreath of laurel and the crowned French Royal arms, curved outer face decorated with a stag hunting scene involving two mounted hunters in a woodland, the nozzle carved as a wolf's head in the round, and two loops for suspension 22.0 cm; 8 5/8 in
A FINE SOUTH GERMAN GILT-BRASS CASKET, LATE 16TH/EARLY 17TH CENTURY formed of an engraved framework of brass fitted on the front, back and sides with engraved gilt-brass panels decorated with differing portrait profiles within an architectural framework, hinged lid decorated en suite (the mechanism missing), fitted with moulded handle, the base boldly engraved with scrolls of foliage and fitted with later bun feet 7.2 cm 2 ¾ in length x 4.7 cm;1 ¾ in width x 5.0 cm high This casket was intended for storing small valuables such as jewels and belongs to a well-known group of similarly decorated Mannkästchen. The name derives from the fact that a number of the group are signed either by Michel or Conradt Mann. Michel Mann was born in Augsburg and trained in Nuremburg. He became a master in Augsburg and subsequently worked at Fürth and Wöhrd near Nuremburg. He died in the latter place around 1630. Little is known of his brother and it is likely that they worked together. See Blair 1974, p. 486.
A VERY RARE 18 BORE DECORATED FLINTLOCK MUSKET, LATE 16TH/EARLY 17TH CENTURY, ENGLISH OR DUTCH converted from matchlock, with tapering barrel formed in four stages and shortened in its early life to carbine length, chiselled with slender triangular panels at the median, fluted between two raised mouldings each cut for sighting behind and octagonal over the breech, rounded lock retained by two side nails, full stock (adapted for the lock in its early life, small repairs and losses), profusely inlaid over the greater part of its surface in engraved staghorn and mother-of-pearl, including tendrils, pellets, ball flowers, marine monsters and hounds within segmental frames over the fore-end, the underside including a mother-of-pearl grotesque mask rondel, faceted fish-tail butt decorated en suite and including a pair of cherubs supporting a rondel filled with a Classical portrait profile on the left and the same design including a King on the left, later butt-plate finely engraved with a green man mask, iron trigger-guard and later iron ramrod 76.5 cm; 30 1/8 in barrel Provenance Bonhams, Knightsbridge, 14th April 2005, lot 311 Another musket decorated in a closely related manner was exhibited, The Art of The Armourer, Victoria and Albert Museum, 1963, p. 51 cat. no. 165. Another, dated 1619, decorated with the arms of the Stationer's Company and with the arms JR for James I is preserved in the Royal Collection, Windsor Castle (RCIN61444). A more elaborately decorated example, dating to the late 16th Century, is preserved in the Schwarzenburg Palace, Prague, see Godwin 2019, pp.31-6.
PATERSON (DANIEL)Paterson's British Itinerary. Being a New and Accurate Delineation and Description of the Direct and Principal Cross Roads of Great Britain, 2 vol., FIRST EDITION, engraved hand-coloured double-page engraved frontispiece, engraved title-pages, dedication leaf and 358 strip maps on 180 engraved pages, contemporary green morocco, gilt-tooled Greek key pattern border ons sides, g.e., FINE COPY, Carington Bowles, 1785--GOSTLING (WILLIAM) A Walk In and About the City of Canterbury, second edition, engraved frontispiece portrait, folding engraved plan of the city with a facing printed folding 'key' plate, 22 engraved plates and maps (2 folding), some light off-setting, straight-grained red morocco gilt by Kalthoeber (with his ticket), gilt corner-pieces, g.e., gilt bookplate of George Harwood, Canterbury, Simmons and Kirkby, 1777--HUTTON (WILLIAM) A History of Birmingham... Third Edition, With Considerable Improvements, folding engraved map as frontispiece, 16 engraved plates (one folding), contemporary calf, gilt morocco spine label, slightly rubbed, Birmingham, Thomas Pearson, 1795, 8vo (4)This lot is subject to the following lot symbols: •
FUSSELL (L.)A Journey Round the Coast of Kent, folding engraved map, extra-illustrated with a total of 16 engraved plates (some mounted), later cloth, Baldwin, 1818--BOWEN (EMANUEL) An Accurate Map of the County of Kent Divided into its Lathes, folding engraved map, hand-coloured in outline, dissected and laid on later linen, slipcase, 530 x 710mm., J. & C. Bowles and Sayer, [c.1750]--IRELAND (W.H.) England's Topographer, or a New and Complete History of the County of Kent, 4 vol., engraved title to volume 1, folding engraved map and numerous plates, occasional foxing, contemporary mottled calf, rebacked, G. Virtue, 1828-1830--SOMNER (WILLIAM) The Antiquities of Canterbury. Or a Survey of that Ancient Citie, with the Suburbs, woodcut arms on verso of title, folding map and 2 plates (one repaired), some dampstaining, small hole in title just affecting imprint, last leaf repaired, contemporary calf, rebacked [ESTC S121902], 4to, J[ohn] L[egat] for Richard Thrale, 1640--KILBURNE (RICHARD) A Topographie, or Survey of the County of Kent, FIRST EDITION, engraved portrait, A3 and much of 3H2 supplied in manuscript facsimile, one or two marginal tears and repairs, ownership signatures of John Austen and Arthur Hussey (1847), later calf gilt, rebacked [ESTC R11347], Thomas Mabb for Henry Atkinson, 1659, 8vo unless otherwise stated; and a quantity of others on Kent, and occasionally Sussex (quantity)This lot is subject to the following lot symbols: •
[GOLDSMITH (OLIVER)]The Life of Richard Nash, of Bath, Esq., Extracted Principally from his Original Papers, FIRST EDITION, C6 a cancel as usual, engraved portrait, some soiling and browning, contemporary sheep, covers detached [Rothschild 1022], J. Newbery & W. Frederick, Bath, 1762--FORSTER (T.F.) Flora Tonbrigensis: or, a Catalogue of Plants Growning Wild.., 3 hand-coloured plates, captions pasted below (one cropped), nineteenth century half calf, J. & A. Arch and J. Sprange, 1816--JENNER (EDWARD) A Flora of Tunbridge Wells, 2 copies, each with 2 hand-coloured plates and list of subscribers, the second copy interleaved with blanks as issued, publisher's brown and green cloth respectively, Tunbridge Wells, J. Colbran, [c.1845]--CAREY (GEORGE SAVILLE) The Balnea: or, an Impartial Description of All the Popular Watering Places in England, second edition, contemporary red half morocco gilt, rubbed, W. West, 1799--POWELL (ROBERT HUTCHINSON) A Medical Topography of Tunbridge Wells, folding map, 2 plates, publisher's cloth, Tunbridge Wells, John Colbran, 1846--SCUDAMORE (CHARLES) A Chemical and Medical Report of the Properties of the Mineral Waters of Buxton, Matlock, Tunbridge Wells..., later boards, for the author, 1820, 8vo; and 8 others on Spa Towns, Mineral Waters etc. (15)This lot is subject to the following lot symbols: •
GRAZIO (ANTONIO)Corona florida medicinae, sive De conservatione sanitatis, FIRST EDITION, 126 leaves (including 2 blanks), Roman type, 55-57 lines, 2 columns, the title printed in red, printer's woodcut device at end, ?later floral cartouche in coloured inks, large opening initial 'D' and ornamental circular heraldic panel on title, index rubricated, capital spaces filled in blue, ink and silver in a later hand (some off-setting of ink onto facing pages), lower margin of title strengthened, short tear repaired to margin of ai, 2 small wormholes in lower margin of final few leaves, small repair to corner of one blank and errata leaf, a few marginal annotations in an early hand, eighteenth century Italian half calf over boards, flat spine with blue and brown morocco lettering labels and portrait medallion device, small losses to worming [ISTC ig00111000; BMC V 341; Goff G111; GW10563; HC7501*], folio (315 x 218mm.), [colophon:] Venice, Johannes and Gregorius de Gregoriis, de Forlivio, 20 June 1491This lot is subject to the following lot symbols: •
RUSSIA - ZVENIGORODSKOI COLLECTIONKONDAKOV (NIKODIM PAVLOVICH) Histoire et monuments des emaux Byzantins [Collection de Mr. A. W. Zwenigorodskoi], FIRST EDITION, LIMITED TO 200 COPIES printed in French, this copy number '34', introduction by A. Zvenigorodskoi, chromolithographed dedication to Tsar Alexander III printed on an embossed silver foil ground, engraved portrait frontispiece on india-proof paper, additional chromolithographed pictorial title, title printed in red and black within a decorative chromolithographed border, 31 chromolithographed plates, chromolithographed divisional titles, decorative initials and ornaments throughout, limitation leaf printed in gilt and black, decorative endpapers, very light spotting to a few plates, original white morocco, sides and spine with elaborate embossed design blocked in gilt and black, edges printed in various colours, page edges gauffered and richly ornamented in gilt, silver gilt, red and green, original bookmark of multi-coloured and gilt threads attached by thread, very small scuffmark to extreme edge, contemporary cloth-backed silk-lined solander box, red morocco gilt lettering label on spine (some wear at extremities) [Fekula 6705, 'magnificent'; Vengerov, Old Russian Books, 77], folio (358 x 265mm.), Frankfurt, [A. Osterrieth], 1892This lot is subject to the following lot symbols: •
STRADA (JACOBUS DE)Imperatorum Romanorum onmium orientalium et occidentalium verissimae imagines ex antiquis numismatis quam fidelissime delineatae, title within decorative woodcut border, 118 full-page woodcut medallion portraits by Rudolf Wyssenbach after Rudolf Manuel Deutsch, each within an architectural border, text on verso within woodcut border of putti, fruit and grotesques, and with arabesque ornaments by P. Flotner, with blank a6, without blank v6, title and dedication leaf strengthened with old strip of paper at fore-edge without affecting printed area, final 9 leaves (f.111-118 and index leaf) with some losses to printed area (touching portrait on f.118), f.109 and 110 with small hole and old paper repair, light dampstain to one corner of a few leaves, later blindstamped vellum over boards, some loss to upper cover, spine worn [Adams S1919, the 3 copies all without the blanks], folio (480 x 370mm.), Zurich, Andreas Gesner, 1559This lot is subject to the following lot symbols: •
CORNARIUS (JANUS)De conviviorum veterum Græcorum, & hoc tempore Germanorum ritibus, moribus ac sermonibus, italic type, woodcut historiated initials, final leaf with colophon, a little light browning, early inscriptions on title (partially crossed through), modern panelled calf gilt [Adams C2637; Bitting 99; Vicaire 211], Basel, [colophon: Joannes Oporinus], 1548--ATHENAEUS OF NAUCRATIS. Dipnosophistarum sive coenae sapientum libri XV, title with large woodcut printer's device, some dampstaining (title frayed and repaired, last leaf repaired with loss), modern calf-backed boards [Oberlé 8-10], folio, Venice, Francesco Ziletti, 1572--RABELAIS (FRANCOIS) Les oeuvres, 4 vol., frontispiece with portrait of Rabelais by De Launay after Sarabat, contemporary mottled calf gilt, spines gilt with paper shelf labels and one or two chips, 12mo, Geneva, [Cazin], 1782--GIOVIO (PAOLO) De Romanis piscibus libellus, doctus, copiosus & elegans, iam recens æditus, full-page woodcut device on last page, lacking preliminary leaves a4-5, nineteenth century calf-backed boards, decorative gilt spine, 8vo, Antwerp, Jean Graphaeus, 1528--[MARTIN (LOUIS)] L'eschole de Salerne en vers burlesques. Et Poema macaronicum, de bello Huguenotic, third edition, title and 2 following leaves repaired with slight loss, lacking frontispiece, later vellum [Vicaire 334], 4to, Paris, Jean Henault, 1650--RAPIN (RENE) Hortorum libri 4 editio altera, fine engraved title, privilege leaf at end, contemporary calf, 12mo, Paris, Sebastien Mabre-Cramoisy, 1666; and works by Juvenal (1608), Ovid and Virgil (12)This lot is subject to the following lot symbols: •
COOK (JAMES) AND JAMES KINGA Voyage to the Pacific Ocean. Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere. Performed under the Direction of Captains Cook, Clerke, and Gore, in His Majesty's Ships the Resolution and Discovery, in the Years 1776, 1778, 1779, and 1780, 4 vol., half-titles in volumes 2-4 (as called for), list of subscribers, engraved portrait frontispiece in volume 1, one engraved folding map, 49 engraved plates (2 folding, one misbound), contemporary calf, red and green gilt morocco spine labels, rubbed with a few small scuff marks [Forbes 70], 8vo, John Fielding, 1785-1786--SODERSTRÖM (JAN) A. Sparrman's Ethnographical Collection from James Cook's 2nd Expedition (1772-1775), 34 plates, later cloth, 4to, Stockholm, Aktiebolaget Thule, 1939--MURRAY-OLIVER (ANTHONY, editor) Captain Cook's Artists in the Pacific 1769-1779, limited to 2000 numbered copies, 130 plates (some colour), publisher's half morocco, slipcase, oblong folio, New Zealand, Avon Fine Prints Ltd, 1969 (6)This lot is subject to the following lot symbols: •
DANTE ALIGHIERIIl Dante con argomenti, & dechiaratione de molti luoghi, novamente revisto, & stampato, Roman and italic type, title-page with woodcut medallion portrait of Dante (early ownership signature struck through and printed border of portrait gone over in ink), publisher's woodcut device on verso of final leaf, light dampstaining in upper margins, contemporary Italian dark brown morocco gilt, sides with 2-line fillet border broken at the sides with small cusps, enclosing a central cartouche of floral sprays with initials 'L' (originally 'C') on upper, and 'S' on lower cover, leafy fleuron tool in inner corners, spine with small spray in 4 compartments and raised bands, gilt gauffered edges, extremities of spine restored, preserved in morocco-backed solander box by James Brockman lined with velvet [Adams D96; Cartier, de Tournes 79], 12mo, Lyon, Jean de Tournes, 1547This lot is subject to the following lot symbols: •
AMERICAN CIVIL WAR - ULYSSES S. GRANTOfficial portrait, signed below the image ('U.S. Grant'), steel-engraved by the US Bureau of Engraving & Printing, showing him as President in civilian clothes, head-and-shoulders within an oval, turned to his right, the Bureau's imprint below, some paper tears within the plate and an old ink-stain in the margin, some light spotting, traces of mounting verso, but nevertheless still an attractive image, 200 x 130mm., [c.1870]
MYSNINGER VON FRUNDECK (JOACHIM)Apotelesma, hoc est, corpus perfectum scholiorum, ad institutiones Justinianeas pertinentium, title printed in red and black with woodcut device, and portrait of the author on verso, woodcut arms on B8, and large device on final leaf, Helmstadt, Jakob Lucius, 1588; HOTMAN (FRANCOIS) Vetus-Renovatus. Commentarius in quatuor libros institutionum juris civilis, title printed in red and black with woodcut device, Lyon, Anton Candide, 1588, 2 works bound in 1 vol., contemporary blindstamped pigskin over pasteboard, BY GEORGE KAMMBERGER THE YOUNGER, OF WITTENBERG, sides panelled with a series of fillets, a narrow heads-and-shields roll, a cresting roll, and a five virtues roll signed by Wittenberg roll cutter 'F.H.', on the upper cover a central panel with the arms of Christian I, Elector of Saxony, and on the lower those of Christian's mother, Anne of Denmark, both of which signed 'G.K.', spine in 6 compartments with raised bands and ink lettering within 2, page edges speckled and decorated with stripes in blue and red wash inks, age soiling, folio (345 x 224mm.)This lot is subject to the following lot symbols: •
ORDER OF THE BATHStatutes of the Most Honourable Order of the Bath, half-title, woodcut device of the Order of the Bath on title, contemporary red morocco gilt, sides with elaborate border incorporating single fillet, Greek Key pattern roll and floral tool, spine flat with repeated design in 6 compartments, g.e., London, [no publisher], 1772--PENNANT (THOMAS) The Literary Life of the Late Thomas Pennant, Esq. by Himself, FIRST EDITION, engraved frontispiece portrait and 2 plates, contemporary calf, spine gilt with morocco lettering label, Benjamin and John White, 1793, 4to (2)This lot is subject to the following lot symbols: •
VIDA (MARCUS HIERONYMUS)The Silkworm: A Poem, engraved frontispiece, 1750; Scacchia, Ludus: A Poem on the Game of Chess, engraved frontispiece, 1750, 2 works bound in 1 vol., translated into English verse by Samuel Pullein, early half calf, joints tender, 8vo, Dublin, S. Powell, for the Author--BEATTIE (JAMES) The Minstrel; or, The Progress of Genius. With Some Other Poems, engraved frontispiece portrait, some spotting towards end, contemporary red blind- and gilt-stamped morocco by L. Staggemeier & Welcher (with ticket), g.e., 4to, Edinburgh, William Creech, Manner and Miller, 1803--MONTGOMERY (JAMES) and others. Poems on the Abolition of the Slave Trade, 13 engraved plates (including additional title) after Robert Smirke, letterpress note to binder bound in at end, light spotting, contemporary half morocco gilt, worn, 4to, R. Bowyer, 1809, FIRST EDITIONS (3)This lot is subject to the following lot symbols: •
BACON (FRANCIS)The Historie of the Raigne of King Henry the Seventh, FIRST EDITION, first issue, engraved portrait frontispiece, title within woodcut architectural border, without initial blank, a little very light dampstaining, early ink marginalia, nineteenth century polished calf [ESTC S1406; Gibson 116a], W. Stansby for M. Lownes and W. Barret, 1622--[CAMDEN (WILLIAM)] The Historie of the Most Renowned and Victorious Princesse Elizabeth, 4 parts in one vol., lacks frontispiece and 2 leaves of Table, title browned and repaired, burn-hole in 4 leaves with loss of a few words, a handful of wormholes, 2 leaves of Table frayed, modern morocco [ESTC S4171], B. Fisher, 1630--[RENAUDOT (EUSEBE)] A General Collection of Discourses of the Virtuosi of France, imprimatur leaf, without final blank, light toning, modern half sheep [ESTC R1662], T. Dring and J. Starkey, 1664--The Tryal of Dr. Henry Sacheverell, imprimatur leaf, first few leaves creased, last few with light waterstain, paper flaw on B1 touching page number, bookplate of John Fowles, modern half morocco [ESTC T51985], J. Tonson, 1710; and 4 others, folio and 4to (8)This lot is subject to the following lot symbols: •
CALVERT (EDWARD)[CALVERT (SAMUEL)] A Memoir of Edward Calvert Artist by His Third Son. Illustrated with Reproductions of His Own Paintings and Sketches, FIRST EDITION, NUMBER 32 OF 350 COPIES, SIGNED AND NUMBERED BY THE AUTHOR, half-title, frontispiece portrait, 34 plates on 31 sheets after Calvert, 45 illustrations in the text, occasional light spotting and toning, one or two plates working loose, publisher's buckram gilt with ticket of 'Leighton Son and Hodges' inside lower cover, t.e.g., folio (370 x 270mm.), Sampson Low, 1893This lot is subject to the following lot symbols: •
COWPER (WILLIAM)Autograph letter signed ('Wm Cowper'), to William Hayley ('my dearest brother!'), confessing that his melancholia has crippled him as a letter-writer ('...I began a letter to you yesterday, my dearest brother! and proceeded through two sides of the sheet, but so much of my nervous fever found its way into it, that, looking it over this morning, I determine not to send it. I have risen, though not in good spirits, yet in better than I generally do of late, and therefore will not address you in the melancholy tone that belongs to my worst feelings...'); thanking him nevertheless for his concern ('...Your wishes to disperse my melancholy would, I am sure, prevail, did that event depend on the warmth and sincerity with which you frame them, but it has baffled both wishes and prayers, and those the most fervent that could be made, so many years, that the case seems hopeless...'); looking forward to the receipt of Romney's portrait ('...I began to be restless about your pourtrait, and to to [sic] say, How long shall I have to wait for it? I wish'd it here for many reasons; not only because the sight of it will be a comfort to me as you very justly suppose, for I not only love but am proud of you as of a conquest made in my old age, but am impatient also 'till I see your amiable physiognomy supersede the odious representation of mine... Johnny goes to town on Monday, and purposes to call on Romney...The name of a man whom I esteem as I do Romney, ought not to be unmusical in my ears, but his name will be so, 'till I shall have paid him a debt justly due to him, by doing such poetical honours to it as I intend. Heaven knows when that intention will be executed, for the Muse is still as obdurate and as coy as ever...'); and hoping that 'when my Mary, like your little Tom, shall cease to be an invalid, I may recover a power, at least, to do something'; integral address panel, seal and post-marks, 4 pages, traces of mounting on blank section above the address, some light browning and minor wear at edges, but overall in attractive condition, 4to, Weston [Underwood], 13 October 1792
ELIZABETH IInitial letter portrait, showing the Queen enthroned with orb and sceptre, with historiated first line incorporating the Tudor rose, drawn in pen-and-ink, on what appears to be an exemplification of common recovery pertaining to the Manor of Cheppeley, or Clopton, by Chipley Abbey, Poslingford, Suffolk, held by William Clopton of Long Melford and by Francis and his wife Elizabeth Clopton of Long Melford, Suffolk, subscribed in the name of Thomas Meade, Francis Wyndham and William Periam, Justices of the Common Pleas; collection stamp on verso of Erik Borje Israelson (1881-1931), Swedish manuscript collector and bookseller, on one sheet of vellum, Great Seal and associated tab lacking, some slight marking but overall in unusually fine, fresh and attractive condition, c.320 x 615mm., Westminster, 31 May [1583]
FLORIO (JOHN)Queen Anna's New World of Words, or Dictionarie of the Italian and English tongues... Whereunto are added Certaine Necessarie Rules and Short Observations for the Italian Tongue, title within architectural woodcut border, woodcut initials and headpieces, lacking portrait, without first and last blanks and blank 3F4, G1 torn and repaired with a little obscured text supplied in manuscript, 3L4 torn and repaired with some loss, chip to upper corner of title, a few other marginal paper repairs, modern half morocco [ESTC S121353], folio (280 x 178mm.), Melch. Bradwood for Edw. Blount and William Barret, 1611This lot is subject to the following lot symbols: •
JONSON (BEN)The Works... to Which is Added a Comedy, Called The New Inn. With Additions Never Before Published, third folio edition, engraved frontispiece portrait by William Elder after Robert Vaughan, woodcut ornaments on title, old pencil scribble on A3 (and the laurel of portrait touched), lower fore-margin of the opening 40 or so leaves softened with small loss not affecting letters, 4 leaves toned, contemporary reverse calf, worn [ESTC R15282; Pforzheimer 561; Wing J1006], H. Herringman, E. Brewster [and others], 1692--DRYDEN (JOHN, translator) The Works of Virgil... Translated into English Verse; by Mr. Dryden, issue with cancel title printed in red and black (small hole repaired), engraved allegorical frontispiece (laid down, small area of loss to image), 101 engraved plates (a few shaved), light spotting, early half calf, worn [ESTC R26296], Jacob Tonson, 1697, folio (2)This lot is subject to the following lot symbols: •
LIVIUS (TITUS)The Romane Historie, first edition in English, translated by Philemon Holland, large woodcut device on title, woodcut portraits of Queen Elizabeth I on verso of title and of Livy on [A]4v, without initial or final blanks, title strengthened on verso without obscuring portrait, occasional pink spots, a few side-notes shaved, wormhole at foot of 150 leaves, repairs to first 3 gatherings and 6F3-5 touching a few words, 6E6 with margin repair, paper flaw on 5V4 affecting text, modern calf [ESTC S114001; Pforzheimer 495], folio (300 x 200mm.), Adam Islip, 1600This lot is subject to the following lot symbols: •
SPENSER (EDMUND)The Works, engraved frontispiece, title printed in red and black, short tear at blank gutter margin of frontispiece, contemporary calf, spine tooled in gilt, joints worn [ESTC R7177], small folio, Jonathan Edwin, 1679--LOCKE (JOHN) The Works, 3 vol., fifth edition, engraved portrait frontispiece and dedication leaf, contemporary calf, gilt morocco spine labels, worn with loss of 2 headbands, S. Birt, and others, 1751--JONSON (BEN) The Works, 9 vol., engraved frontispiece, calf by Bickers & Son, red and black morocco spine labels, worn with small losses to a couple of spines, 8vo, Bickers, 1875 (13)This lot is subject to the following lot symbols: •
[PICASSO (PABLO)]SPIES (WERNER) Pour Daniel-Henry Kahnweiler, NUMBER 'XXII' OF 100 COPIES reserved for D.-H. Kahnweiler's friends and collaborators, WITH AN EXTRA SUITE OF 9 LITHOGRAPHS, EACH SIGNED BY THE ARTIST, 'sur velin de Rives', from an overall edition of 1000 (of which a further 100 with the extra suite of plates), this copy with gift inscription (dated 30 March 1966) by Kahnweiler on the half-title, tipped-in photographic portrait of Kahnweiler by Brassai, 8 lithographed plates, publisher's cloth, dust-jacket with lithographed design by Picasso on upper cover, the extra suite of plates loose as issued in cloth portfolio (the flaps of which torn at fold), together in original card slipcase, 4to (300 x 260mm.), Stuttgart, Gerd Hatje, 1965This lot is subject to the following lot symbols: •
NIGHTINGALE (FLORENCE)Notes on Matters Affecting the Health, Efficiency, and Hospital Administration of the British Army, Founded Chiefly on the Experience of the Late War... Presented by Request to the Secretary of State for War, FIRST EDITION, AUTHOR'S PRESENTATION COPY, WITH AN AUTOGRAPH LETTER SIGNED, sending the volume to Edward Marjoribanks, her banker at Coutts, tipped-in with the original addressed envelope, half-title, additional lithographed portrait by her sister of Florence and her owlet Athena, 6 lithographed plates (all but one folding, 'Diagram of the Causes of Mortality in the Army in the East' coloured, 'Plan of Skutari' with short tear but no loss), contemporary brown morocco by M.M. Holloway (signed on front turn-in), double gilt rule borders on covers and in spine compartments, g.e., rubbed at edges, 8vo (210 x 135mm.), Printed by Harrison & Sons, 1858This lot is subject to the following lot symbols: •
NIGHTINGALE (FLORENCE)Notes on Nursing: What It Is, and What It Is Not, FIRST EDITION, issue with 'The right of Translation is reserved' at foot of title, advertisements including 'Burke's... Peerage... for 1860' on endpapers, typed letter from Christie's inserted at rear confirming that the book was sold in 1997 by a direct descendant of Richard Monckton Milnes, publisher's pebbled cloth [Bishop & Goldie 4], Harrison, [1860]--GALTON (FRANCIS) Hereditary Genius. An Inquiry into its Laws and Consequences, FIRST EDITION, 2 folding tables, bookplate of Robert, second baron Houghton, Marquis of Crewe (same provenance as above), 2 folding tables, contemporary half calf, spine gilt, Macmillan, 1869--MARTINEAU (HARRIET) England and Her Soldiers, FIRST EDITION, THE AUTHOR'S COPY, SIGNED on the half-title, and with a loosely inserted autograph letter from Sidney Herbert ('I was only lately aware of your intercourse with Miss Nightingale on the subject of military Sanitary Reform... As regards the book England and her Soldiers I will do all I can to promote its circulation and perusal... Indeed it is a book for authorities rather than the men'), 3 folding mortality diagrams (one coloured, spotted), publisher's decorative cloth gilt, Smith, Elder 1859--HUNTER (WILLIAM WILSON) Rulers of India. The Earl of Mayo, PRESENTATION COPY FROM FLORENCE NIGHTINGALE, inscribed on front free endpaper 'Urith on her wedding day_to leave for India/ With Aunt Florence's love and fervent good wishes/ Florence Nightingale, London Feb. 16/99', folding map, portrait, publisher's cloth, Oxford, Clarendon Press, 1892, 8vo (4)This lot is subject to the following lot symbols: •
SMITH (PHILIP)SMITH (ALI) Hotel World, FIRST EDITION, elaborate painted salmon pink goatskin by Philp Smith (signed and dated 2001 on rear paste-down), covers decorated with maril onlays, upper cover with inlaid turquoise leather square above (stamped 'ore stabit fortis aqui et placet ore stat'), and an inset 2001 penny coin below, lower cover with inlaid shadowy oval female portrait above, open spine painted to match, with triple grey goatskin yoke, central yoke lettered in blind, grey endpapers with salmon pink strips, printed label reading 'The Booker Prize 2001, Finalist, bound by Philip Smith' inserted before title (inscribed 'second copy' on reverse), sheet of 'Maker's Notes' tipped-in on blank endleaf, housed in a felt-lined red cloth solander box, with gilt lettered goatskin title label on front, 8vo (220 x 140mm.), Hamish Hamilton, 2001This lot is subject to the following lot symbols: •
BALLET RUSSES AND NIJINSKYBARBIER (GEORGES) Designs on the Dances of Vaslav Nijinsky, NUMBER 395 OF 400 COPIES 'on vellum paper', foreword by Francis De Miomandre, translated by C.W. Beaumont, 12 colour pochoir plates, light spotting, colour pochoir design on upper cover, short tear to upper cover touching border of title panel, 1913--BEAUMONT (CYRIL.W.) The Art of Lydia Lopokova, 2 portrait plates (after Picasso, and Glyn Philpot), 9 tipped-in HAND-COLOURED PLATES, 3 illustrations and cover design by Arabella York, 1920; The Art of Lubov Tchernicheva, portrait frontispiece by Glyn Philpot, 8 tipped-in HAND-COLOURED PLATES, 2 decorations and cover design by Vera Willoughby, book block loose from wrappers, 1921, publisher's pictorial wrappers, large 4to (322 x 280mm.), C.W. Beaumont (3)This lot is subject to the following lot symbols: •
HARDY (THOMAS)The Works, 37 vol., 'Mellstock Edition', LIMITED TO 500 COPIES, SIGNED BY THE AUTHOR on the limitation leaf in volume 1, engraved frontispiece portrait of Hardy by William Strang, publisher's blue cloth gilt, lightly rubbed at extremities of a few spines but clean and gilt fresh, 8vo, Macmillan, 1919-1920This lot is subject to the following lot symbols: •
JAMES (HENRY)Photograph of the oil portrait of Henry James by John Singer Sargent, signed on the mount by both sitter ('Henry James') and artist ('John S Sargent'), on original mount, some dust-staining and fading of signatures through exposure, framed and glazed, size of image 320 x 260mm., overall 525 x 440mm., [1913]
MORRIS (WILLIAM)VALLANCE (AYMER) The Art of William Morris... With Reproductions from Designs and Fabrics Printed in the Colours of the Originals... Also a Bibliography by Temple Scott, FIRST EDITION, NUMBER 2 OF 220 COPIES, photogravure portrait frontispiece, 40 colour plates, numerous others, tissue guards, occasional light spotting, publisher's linen-backed buckram, t.e.g., folio (390 x 280mm.), Chiswick Press for George Bell and Sons, 1897This lot is subject to the following lot symbols: •
WAUGH AND HEYGATECollection of letters to Sir John Heygate, largely concerning Evelyn Waugh, his posthumous reputation and Heygate's elopement with the first Mrs Waugh ('She Evelyn'), correspondents including:(i) Acton (Harold) Eleven autograph letters and a postcard, about Waugh and their mutual friends ('...In reality you did Evelyn the best of turns, certainly from a creative point of view... I like all his books except 'Brideshead Revisited'... A lot of the malignancy seems to me sheer posturing – a public attitude to which it amused him to cling. Eventually the basic sensitiveness seems to have been squashed. Sad in retrospect... Strange that Evelyn's first wife should have been so affected by those diaries, which strike me a mostly tired or drunken jottings as aids to memory... I'm trying to sort out Nancy Mitford's letters, which have been lent to me by various friends. She was a voluminous correspondent. Very lively and malicious. I begin to feel I have bitten off more than I can chew. I was very fond of Nancy personally, but never one of her literary fans... I doubt whether Unity Mitford is a suitable subject for a biography but David P-J thinks he has found some sensational material in Germany – probably not authentic... I dread the publication of Evelyn's diaries...'), 1970-76(ii) Betjeman (John) Some twenty largely typed letters, mostly about their shared passion for railways and railway stations ('...St Pancras is listed and therefore saved if we keep our fingers crossed but all the other city stations are doomed...'), one illustrated with a view of a terminal, 1969-73(iii) Heathcoat-Amory (Mark) Typed letter, written when editor of Waugh's letters ('...if you have kept the postcard referred to... or any other correspondence from Waugh...'), 18 February 1976(iv) Mitford (Diana) Two autograph letters, about the Nuremberg Rally of 1935, Frank Buchman [of MRA fame] and the Pryce-Jones biography of Unity ('...My sister & I were at the 1935 Parteitag... I can't remember whether she saw Buchman, but I know she looked upon him as a bit of joke...'), 1975-76(v) Nightingale (Evelyn, formerly Heygate, formerly Waugh, formerly Gardner) Seven autograph letters, largely about her marriage to Waugh and his biographers: 'I think you will agree that we were all three extremely immature & I know I remained that way until Benedict was born. I hated authority but Evelyn relied on it because it was one of the things that gave him social security. For years I thought that he married me in order to get into what he believed to be the aristocracy – and also because I looked rather boyish', undated [but c.1974-5](vi) Quennell (Peter) Five autograph and typed letters, about his contribution to The World of Evelyn Waugh and other topics ('...Christopher Sykes... certainly ought to meet 'the other Evelyn' – I'm afraid I don't know her present surname. I think that it is particularly important just now, after the publication of those dismal (&, as edited by a Fleet Street hack, largely misleading) diaries...'), 1954 and 1967-73(vii) Reitlinger (Gerald) Series of some thirty-five typed letters, about his art-historical work, especially his Economics of Taste, the Rothko scandal, the Goya portrait of Wellington, etc.; as well as his studies of the Third Reich ('...Yes I did a bit of local-colour hunting on the spot. The best discovery was Himmlers statistician whom I interviewed in a Munich hotel-lounge. Everytime he mentioned Himmlers name the whole passenger list jumped out of their armchairs as if they had been shot. Having tried to live away from the beastly Nazis for more than a year, I am at it again...'); with references to fellow members of the Waugh and Powell circles, including Christopher Sykes ('...I am fascinated that Christopher Sykes is writing a life of Evelyn Waugh but I dont think he is quite the man for it. His speciality is loyalty, the last thing one wants in a biographer...'), 1953-76(viii) Sykes (Christopher) Autograph letter and postcard, written while writing his biography of Waugh ('...I do not wish to give this episode more prominence than it deserves. I see it as the imprudent end to a match imprudently and frivolously undertaken. It inflicted pain on Evelyn Waugh but not permanent or distorting pain... In the account, as I have it in my draft, I have not mentioned your name. I have barely mentioned Evelyn Gardner's...'), postmarked 18 July 1974(ix) Waugh (Auberon) Three autograph and typed letters, discussing the failure of his father's first marriage ('...I don't think any male can blame another for misdemeanours in the sexual field unless his own vanity and affections are involved. Mine aren't, and one could reasonably argue that I owe my existence to your intervention. So perk up...') and asking for his help, thinking it would be amusing to have him listed among the acknowledgements, 1973-76
WILLIAMSON (HENRY)A collection of 20 works inscribed by the author to John Heygate, fellow author and life-long friend, including: The Linhay on the Downs, inscribed on the front free endpaper 'Never let it be thought by John Heygate Esqre. that Mister Henry Williamson did'nt want to give him a copy of his newest book. 8 November 1934' above a large caricature self-portrait wearing a 'Adventurer's High Hat', saluting 'Heil Hitler!' with one hand and with the other indicating 'How do you do Jesus Christ!', whilst stating 'Damn Hugh Walpole anyway' and '...I wish I was back home in Devon...', Cape, 1934; The Golden Virgin, inscribed 'For John and Dora Heygate... gratitude for much help, friendship..., and hospitality... this first copy, at Bellarena, 31 August 1937', dust-jacket, Macdonald, 1957; The Scandaroon, DEDICATION COPY, with lengthy inscription explaining Heygate's role in the gestation of the book, and stating 'This may be my last published book' [It was], dust-jacket, Macdonald, 1972; Tales of a Devon Village, second impression, inscribed to 'John Heygate, author, squire, fisherman and friend', dust-jacket, Faber and Faber, [1946]; One Foot in Devon, inscribed 'To my old colleague and companion in sunshine, seas and sand John Heygate from H.W., June 1933', and beneath the printed dedication to 'Miss A.T. who did all the works' Williamson has added in ink 'and who was given the works', Maclehose, 1933; The Labouring Life, inscribed 'To A.C.G. Heygate Esqre. from Henry Williamson, April 1932', Cape, 1932; The Children of Shallowford, a 20-line inscription dated 1 September 1957, in which the author after re-reading the book notes 'that it shows the author in a bad light. He was in a bad light: but he should have restrained himself, perhaps, from trying to illumine a shadow...', dust-jacket (loss to half of spine), Faber and Faber, 1939; The Dream of Fair Women, inscribed 'To Evelyn [Heygate, previously Waugh], this book about cads, from the author, June 1931. Also to John, who once dreamed. H.W.', Faber and Faber, 1931; The Ackymals, one of 225 copies signed by the author, additionally inscribed 'If I had'nt had 3 pints in the Higher House & returned late for lunch & dashed off my excitations into notes, The Ackymals ... would never have written... 21/12/29', Windsor Press, 1929; How Dear is Life, PROOF COPY WITH CORRECTIONS by both the author and John Heygate, and with two full-page notes by Williamson, wrappers, lacking upper cover, Macdonald, [1954], unless stated FIRST EDITIONS, unless stated publisher's cloth, 8vo; and 7 others (unsigned) by Williamson (27)This lot is subject to the following lot symbols: •
WATSON (JOHN)Memoirs of the ancient Earls of Warren and Surrey, and their Descendants to the Present Time, 2 vol., first published edition, engraved frontispiece portrait, 53 engraved plates (several folding or double-page, one printed in sepia), engraved head- and tail-pieces, occasional light off-setting, contemporary 'Etruscan' binding of panelled calf, tooled in gilt and blind, g.e., Warrington, W. Eyres, 1782--FOXE (CHARLES JAMES) A History of the Early Part of the Reign of James the Second; with an Introductory Chapter, 2 vol., engraved frontispiece, 2 plates, contemporary blue straight-grained morocco gilt, sides with Greek key, floral and pointillé corner-pieces, g.e., W. Miller, 1808--PENNANT (THOMAS) The History of the Parishes of Whiteford, and Holywell, engraved vignette on title and divisional title, 22 plates (one double-page), B. & J. White, 1796; The Literary Life of the late Thomas Pennant Esq. By Himself, 4 engraved plates (one folding, hand-coloured), B. & J. White, and R. Faulder, 1793, 2 works bound in 1 vol., fine contemporary red straight-grained morocco gilt, g.e., 4to (4)This lot is subject to the following lot symbols: •
CHESELDEN (WILLIAM)Osteographia, or the Anatomy of the Bones, FIRST EDITION, printed on thick paper, engraved frontispiece, large engraved vignette on title, full-page engraved Royal Arms on a separate sheet, engraved dedication with engraved deer skeleton on verso, 29 engraved illustrations (of which 9 full-page), and several decorative initials on 25 leaves of letterpress, 56 full-page engraved plates with descriptive text on verso (excepting plate 56 which as an engraved illustration of an obelisk on the verso) by Jacob Schijnvoet and Gerard van der Gucht, lacking the duplicate set of engraved plates without letters, additional uncoloured aquatint portrait of Cheselden by J. Faber after J. Richardson pasted onto front free endpaper, some spotting, small area of dampstaining in the margin of a few leaves, contemporary calf, rebacked and recornered [Garrison & Morton 395; Heirs of Hippocrates 814; cf. Norman 466], folio (500 x 330mm.), London, [?William Bowyer], 1733This lot is subject to the following lot symbols: •
DARWIN (CHARLES)CAMERON (JULIA MARGARET) Portrait photograph of Charles Darwin, near half-length, facing left, albumen print, signed by the photographer under image 'From Life Registered Photograph (Copy Right)/ Julia Margaret Cameron', mounted on card (with embossed stamp of Colnaghi), framed and glazed [Cox & Ford 644], image 340 x 280mm., mount size 510 x 407mm., [Freshwater, I.O.W., copyright 23 July 1868]
DARWIN (CHARLES)HAIG (AXEL HERMAN) 'Darwin's study a week after his death', etching, signed 'Axel H. Haig', with addition of title and note 'The only proof in my possession. A.H.H.' in pencil beneath image, image 280 x 360mm., [1882]--MAGUIRE (THOMAS HERBERT) Portrait of Charles Darwin, seated facing left, lithograph, mounted above a facsimile signature of Darwin on original card mount, spotting to mount, image 285 x 242mm., mount 475 x 355mm., [1849]--[TISSOT (JAMES JACQUES) Portrait of Charles Darwin [for 'Vanity Fair', captioned 'Natural Selection'], chromolithograph, cropped to size, image to view 310 x 188mm., [1871]--MAULL & FOX. Portrait of Charles Darwin in 1854, photogravure above facsimile signature, some spotting, 265 x 180mm., Maull & Fox, 1912, all framed and glazed; and another photographic portrait of Darwin (5)
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