*Barry (Claude Francis, 1883-1970). City of Carcassone-Evening Light, 1935, aquatint with etching, signed and dated lower right, plate size 44 x 50.5cm (17.25 x 20ins), framed and glazed, together with a mixed collection of engravings including Stanley Angus, Wast Water, drypoint, plus Corfe Castle, portrait on an elderly man etc (7)
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*Cruikshank (George, 1792-1878). Sketch study of soldier standing with sword outstretched and of two male heads, pen & ink sketch on wove, signed lower margin, 19 x 15cm (7.5 x 6ins), framed and glazed, together with Neapolitan school, Portrait of a bearded fisherman in red hat, early 20th century, watercolour on wove head & shoulders portrait, indistinctly signed lower right, 25 x 16cm (10 x 6.5ins), framed and glazed, with Hargitt (Edward, 1835-1895, attrib.), St. Catherine's Point, Isle of Wight, monotone watercolour on wove, unsigned, some spotting, 15 x 23.5cm (6 x 9.25ins), framed and glazed, plus Pinotti (G., late 19th century), Coastal scene in southern Italy, watercolour on wove, signed lower left, 22 x 33cm (8.75 x 13ins) (4)
[Owen, Hugh & John Brickdale Blakeway]. A History of Shrewsbury, 2 volumes, 1st edition, 1825, additional engraved title to each, numerous engraved and lithograph plates and plans, some light offsetting and scattered spotting, marbled endpapers with contemporary booksellers label of W. & J. Eddowes of Shrewsbury and modern bookplate of Roy & Nina Merley pf Plaish Hall, contemporary calf, gilt decorated spines and board borders, upper joint of volume 1 split and other joints cracked, 4to, together with [Acton, Frances Stackhouse], The Castles & Old Mansions of Shropshire, Shrewsbury: Leake and Evans, 1868, lithograph frontispiece and plates, title in red & black, endpapers renewed, original cloth gilt, modern rebacked spine and corners in navy morocco, 4to, with Leighton (Stanley), Shropshire Houses Past & Present Illustrated from Drawings, 1901, half-title, portrait frontispiece and numerous plates, Plaish Hall bookplate, top edge gilt, remainder untrimmed, modern half morocco, 4to, with Kelly's Directory, Shropshire, 1909, folding hand-coloured map, scattered spotting, Plaish Hall bookplate, original red cloth gilt, frayed at head & foot, large 8vo, plus two others, A History of Shrewsbury School... illustrated by Alfred Rimmer, 1889, and The Natural History of Stafford-Shire by Robert Plott, facsimile edition, 1973 (7)
*Middleton (John, 1827-1856). Clovelly, North Devon, 1850, watercolour on paper, signed and dated lower left, 47 x 33cm (18.5 x 13ins) mount aperture, framed and glazed Phillips, Fine English Drawings, Watercolours & Portrait Miniatures, London 22 April 1991 (lot 258), #9007 hammer price. Youngest and last important member of the Norwich School, John Middleton was taught by John Berney Ladbrooke and Joseph Stannard. He died from consumption at the age of just 29. (1)
*Spurrier (Mabel Annie, 1880- ). Dusk - Eton College, watercolour of the chapel at Eton College at dusk, signed lower edge, 37 x 30cm (14.5 x 11.75ins), decorative gilt moulded frame, caption label to verso, together with Ludlow, Shropshire, Timber framed buildings in Bridge Street, Ludlow, circa 1920s, oil on canvas, monogram J.E. lower left, 45.4 x 35.5cm (18 x 14ins), framed and glazed, plus other oil painting and watercolours, including a 19th century watercolour miniature portrait of a gentleman, and an oil on board landscape of Stockley's Farm, near Oakhampton in the style of John Anthony Park (19)
Phillips (John). A General History of Inland Navigation, Foreign and Domestic: Containing a Complete Account of the Canals already Executed in England, with Considerations on those Projected. To which are added, Practical Observations, 1st edition, 1792, folding hand-coloured engraved map frontispiece, four folding engraved plates at rear, 20th century sheep gilt, morocco title labels, 4to, together with Priestley (Joseph), Historical Account of the Navigable Rivers, Canals, and Railways, of Great Britain, as a reference to Nichols, Priestley & Walker's New Map of Inland Navigation, 1831, folding engraved map frontispiece offset to title, folding hand-coloured plate at rear, late 19th/early 20th century cloth gilt, 8vo, with Phillips (John), A General History of Inland Navigation, Foreign and Domestic: containing a complete account of the canals already executed in England, with considerations on those projected , 5th edition, [1805], half-title, one folding engraved plate, occasional toning, edges untrimmed, contemporary green half vellum, early 19th century book label to upper board for the Uttoxeter Book Society, 8vo, and De Salis (Henry Rodolph), Bradshaw's Canals and Navigable Rivers of England and Wales..., 1904, folding colour lithograph map in rear pocket, original green cloth gilt, 8vo, and Smiles (Samuel), Lives of the Engineers, with an Account of their Principal Works; comprising also a History of Inland Communication in Britain, 3 volumes, 1861-1862, engraved portrait frontispiece to each volume and numerous wood engraved vignette illustrations, scattered spotting, original cloth, 8vo, plus a defective copy of A General History of Inland Navigation, Foreign and Domestic, by J. Phillips, 1795, four engraved plates, lacking folding map, title torn and damp soiled (lined to verso) & following leaves damp soiled, modern cloth, 4to (8)
Harris (Joel Chandler). Uncle Remus, His Songs and His Sayings, The Folk-Lore of the Old Plantation, 1st edition, 3rd issue, New York: D. Appleton and Company, 1881, ink authorial signature dated 1881 to blank reverse of wood engraved frontispiece, portrait vignette to title, wood engraved plates & illustrations, publisher's advertisements at rear, generally lightly toned, pale waterstain to gutter of frontispiece and title, printed butterfly pattern endpapers, with remnants of pencilled ownership name to front pastedown, front hinge strengthened, original pictorial green cloth gilt, with gilt and black design to front cover, rubbed to extremities, rear joint neatly strengthened, 8vo With the word "presumptuous" in the last line on p.9 and this title mentioned in the advertisements. Copies of 'Uncle Remus' with the author's signature are rare. (1)
*Wallis (J. & E., pub.). Historical Pastime. A New Game of the History of England, circa 1832, hand-coloured engraving, featuring 132 numbered pictorial medallions arranged in a spiral, with a portrait of William IV in the centre, in twelve sections mounted on linen, some offsetting and one or two small marks, together with 24pp. booklet of Rules and Directions (giving publication date of 1828), spotted in places and corners curled, original wrappers (a little rubbed and creased), 48.5 x 48cm (19.25 x 19ins), housed together in original marbled slipcase (rubbed) with hand-coloured engraved title label on front (spotted and toned) Whitehouse, p.29: the second issue, with a portrait of William IV replacing that of George IV. (1)
Dulac (Edmund, illustrator). Rubaiyat of Omar Khayyam, rendered into English verse by Edward Fitzgerald, Hodder & Stoughton, circa 1920?, 12 mounted colour plates, including frontispiece, each with captioned tissue guard, one with small surface abrasion at top, intermittent spotting mainly at head, half-title with ink presentation inscription, original gilt-decorated blue cloth, some minor marks, slight fading to board edges, price-clipped dust jacket, front panel with mounted colour plate, lightly toned (more so to spine), some chips to top edge and spine ends, spine and folds somewhat rubbed (one fold with small hole), 4to, together with Edmund Dulac's Picture-Book for the French Red Cross, Published for the Daily Telegraph by Hodder and Stoughton, [1915], 19 tipped-in colour plates, including frontispiece (one with a corner crease), one black & white portrait plate, three leaves with a short edge tear, original pale green cloth, with dark green lettering and decoration, both boards faded (front board rather mottled), somewhat soiled and toned dust jacket, front panel with mounted colour plate, a few chips and minor edge tears, head of spine creased and frayed, 4to (2)
Kent (Rockwell, illustrator). Moby Dick, or The Whale by Herman Melville, first trade edition, New York, Random House, 1930, woodcut illustrations throughout by Rockwell Kent, including some full-page, occasional light spots, and two inscriptions in pale ink by the original owner (pages 1 and 597) across the page, upper inner hinge cracked (with remains of sellotape to inner margin), rear joint also restrengthened, contemporary presentation inscription to front blank, and a small mounted portrait photograph, dated June 1931, top edge gilt, contemporary blue crushed half gilt-decorated morocco, a little rubbed to edges, upper joint partly cracked at foot, 8vo (1)
Milne (Alan Alexander). When We Were Very Young; Winnie the Pooh; Now We Are Six; The House at Pooh Corner, mixed editions, (Now We Are Six, 1st edition, 1927; House at Pooh Corner, 1st edition, 1928), Methuen, 1925-1928, black & white illustrations by E. H. Shepard, partial toning to some endpapers or first & final leaves, Now We Are Six and House at Pooh Corner with a few minor marks, each book with ink ownership name to half-title or preliminary blank, first three half-titles with mounted portrait newspaper clipping, When We Were Very Young with additional clipping mounted to verso of front free endpaper, top edges gilt, remainder rough-trimmed, original cloth gilt, House at Pooh Corner rear cover with small mark to lower corner, dust jackets, a few light spots, spines a little darkened, top edges and spine ends with some chips and short tears, Now We Are Six with 5cm tear and separate small loss to rear panel, all 8vo (4)
*Thurber (James). Thurber's Dogs, A Collection of the Master's Dogs, written and drawn, real and imaginary, living and long ago, 1st edition, New York, 1955, numerous monochrome illustrations, original cloth gilt in frayed and slightly chipped dust wrapper, with author's inscription to front endpapers in blue ink 'For Elly, Good Wishes, Good Winter from Jim and Helen, James Thurber', accompanied by a portrait of a 'thurberhound', 8vo, together with Alarms and Diversions by James Thurber, 1st edition, 1957, monochrome illustrations, original cloth in dust wrapper, one or two short closed tears, spine with some fading at foot, inscribed by the author to front endpaper 'Merry Christmas to Ellen Jim & Helen', both 8vo (2)
Omar Khayyam. Rubaiyat of Omar Khayyam, edited by Nathan Haskell Cole, 2 volumes, Joseph Knight, Boston, 1896, portrait frontispieces, titles printed in red and black, manuscript verse at end of volume II, a few small annotations, a little light spotting, front hinge of volume II reinforced, top edge gilt, original cream cloth gilt, spines toned, a little soiled, 8vo, Variorum Edition de luxe 176/250, together with Rubaiyat of Omar Khayyam, edited by Nathan Haskell Cole, 2 volumes, Multi-Variorum edition, Boston & London, 1898, illustrations, bookplates, top edge gilt, original cream cloth gilt (slight soiling), red cloth wrappers, light fading to spines, 8vo, with three others including Eben Francis Thompson's The Rose Garden of Omar Khayyam, privately printed, 1910, inscribed by the author, and Francis Hindes Groome's Edward Fitzgerald: An Aftermath, 1902, limited edition of 600 (7)
Evelyn (John). Silva: or a discourse of Forest-Trees, and the propagation of Timber in his Majesty's Dominions:.., together with an historical account of the sacredness and use of Standing Groves..., with notes by A. Hunter, M.D. F.R.S., published York and printed by J. Dodsley, T. Cadell, J. Robson and T. Durham London and W. Creech and J. Balfour, Edinburgh, 1776, engraved portrait frontispiece by F. Bartolozzi, title, dedication, preface and list of subscribers, forty uncoloured engraved plates (including one folding), folding explanatory table and index bound at rear, bookplate of John Goodford to front pastedown and old printed auction description to first front blank, hinges and joints cracked, contemporary mottled calf with contrasting red morocco gilt label to spine, a little frayed at head and foot of spine, some wear to boards, large 4to (1)
Golden Cockerel Press. The Voyage of the Challenger. A Personal Narrative of the Historic Circumnavigation of the Globe in the Years 1872-1876 by Navigating Sub-Lieutenant Herbert Swire, 2 volumes, limited edition, Waltham St Lawrence: Golden Cockerel Press, 1938, printed in Perpetua type on Van Gelder paper, colour frontispieces and plates, fore and bottom edges untrimmed, original two-tone cloth, original blue cloth slipcase (slightly rubbed), folio, number 10 of 300 copies, together with: A Voyage round the World with Captain James Cook in H.M.S. Resolution, by Anders Sparrman, limited edition, Waltham St Lawrence: Golden Cockerel Press, 1944, printed in Perpetua type on Arnold's mould-made paper, woodcut frontispiece and vignettes by Peter Barker-Mill, top edge gilt, others untrimmed, original cloth, folio, number 334 of 350 copies; Shelley at Oxford. The Early Correspondence of P. B. Shelley with his Friend T. J. Hogg, limited edition, Waltham St Lawrence: Golden Cockerel Press, 1944, printed in Perpetua type on Arnold's mould-made paper, 4 portrait plates, top edge gilt, others untrimmed, original orange quarter niger, backstrip slightly mottled, 4to, number 223 of 500 copies (3)
Hardy (Thomas). The Dynasts, 3 volumes, Macmillan and Co., Limited, 1927, etched portrait frontispiece by Francis Dodd, signed by the artist in pencil, title pages printed in red and black, headings and shoulder-notes printed in red, fore and bottom edges untrimmed, original vellum-backed patterned paper boards, folio Purdy pp. 134-5. Deluxe edition on large paper, limited to 525 copies signed by Hardy. (3)
*Alfonso XIII (1886-1941, King of Spain). Signed photograph, 1926, three-quarter length portrait of the seated King in uniform, gelatin silver print, 21 x 16cm, original mount of Kavlak, Madrid, with printed credit lower right, signed and inscribed on the mount in bold black ink to French entertainer Maurice Chevalier and dated 1926, faint and barely perceptible horizontal crease, some toning to mount In 1911, the young Chevalier began a relationship with Mistinguett at the Folies Bergere, where he was her 23-year-old dance partner. He was drafted into the army during World War I and captured by Germany as a prisoner of war. He spent two years in a German prison camp before King Alfonso XIII, an admirer of Mistinguett, intervened to free him through a ruse. Alfonso was the only king of a neutral country who was related to both the British and German royal families, and was able to set up an exchange of captured German and French ambulance workers. Chevalier, posing as an ambulance worker, was freed. (1)
*Charles (Prince of Wales, & Diana, Princess of Wales). Three-quarter length portrait of the arm-in-arm couple, 1990, colour photograph, 12.5 x 10cm, signed by both on mount beneath, 'Diana' and 'Charles', dated 1990 in Diana's holograph, ink a little faded with some loss of legibility of date, mounted in green straight-grain morocco desk frame with gilt-embossed Prince of Wales crest at head, cloth support strut missing, overall 24 x 18cm (1)
*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Full-length portrait of the couple in full ceremonial dress, 1990, black & white photograph, 21 x 16.5cm, signed in ink autopen, 'Elizabeth R' and 'Philip' to lower mount and dated 1990, mounted in dark blue straight-grain morocco desk frame by Paul Longmire of St James's, London, overall 33.5 x 26cm, together with a printed invitation to the coronation of Queen Elizabeth II at Westminster Abbey on 2 June 1953, printed in blue on card with embossed stamp lower right and oval ink Earl Marshal's Office stamp to verso, completed in manuscript for Mr and Mrs David Llewellyn, 22.5 x 27cm, in original postmarked envelope, dated 12 May 1953 (2)
Victoria (Queen of England, 1819-1901). The Early Years of His Royal Highness the Prince Consort, compiled, under the direction of Her Majesty the Queen, by Lieut.-General The Hon. C. Grey, 5th edition, 1868, engraved portrait frontispiece by William Holl after the picture by Doll, some spotting to extreme inner margin of title page, original gilt-decorated maroon cloth, slightly rubbed to extremities, with presentation inscription by Queen Victoria to front blank 'To the Rev: Malcolm Taylor D.D., Crathie Manse, from Victoria R, Balmoral, June 14, 1869', together with an embroidered silk belt, and accompanying small envelope inscribed in ink 'Belt worn by Edward VII when an infant' loosely inserted at front Crathie Manse is the Minister's House close to Crathie Kirk, near Balmoral, where Queen Victoria first visited in 1848. The Royal Family continue to worship at the church, where Queen Victoria's personal attendant John Brown is also buried. (1)
Jardine (Sir William). Humming-Birds, 2 volumes, Naturalist's Library series, Edinburgh, 1834, half-title to volume 2, engraved portrait frontispiece and additional hand-coloured engraved vignette title to each, sixty-four hand-coloured engraved plates (complete), with-out publisher's adverts, occasional marks and toning, endpapers renewed, modern half calf retaining contemporary marbled boards, small 8vo, together with Huxley (Thomas H.), Darwiniana Essays, New York: D. Appleton & Co., 1896, top edge gilt, contemporary half morocco, slight wear to extremities, 8vo, plus The Descent of Man, and Selection in Relation to Sex by Charles Darwin, volume 2 only (of 2), 2nd edition, 3rd impression, 1898, contemporary half calf gilt, red morocco title label, 8vo (4)
Branson (Clive). Poems, 1st edition, privately printed, 1932, top edge gilt, remainder uncut, original red cloth, 8vo, together with British Soldier in India. The Letters of Clive Branson, 1st edition, the Communist Party, 1944, portrait frontispiece and 4 pp. reproductions of sketches, ownership signature of Winifred Branson to front pastedown, original cloth (partly faded) in chipped and torn dust jacket with loss to spine and lower margins, 8vo, together with The Volunteer for Liberty. Journal of the International Brigade Association, May 1944, 2 copies, In Memoriam feature on Branson on pp. 6-8, original printed wrappers, one copy split on spine with wrappers near detached and second copy with covers detached and a little frayed at margins, both slim 8vo, plus British Battalion XV International Brigade, Memorial Souvenir, circa 1938, black & white plates and illustrations, small stain to lower margin of first few leaves, original printed wrappers, a little soiled, 8vo, plus some related cuttings, etc., including two typed letters signed from Harry Pollitt on Communist Party headed paper to Clive Branson's father Major Branson First item: One of 50 copies. No copies offered at auction have been identified and only two copies located at the British Library and the Branson Archive at the Marx Memorial Library. Provenance: From the family of the artist's younger brother Cyril Montague Chimmo Branson (1919-2008). (16)
Graves (Robert). Good-Bye to All That, 1st edition, ist printing, 1st issue with Sassoon poem to pages 341-343, portrait frontispiece, a little light toning, contemporary ownership inscription to front endpaper, original salmon cloth, spine a trifle darkened, dust jacket, laid down, spine toned with losses, a few chips, 8vo (1)
Lilford (Thomas Littleton Powys, 4th Baron ). Coloured Figures of the Birds of the British Islands, 7 volumes, 2nd edition, 1891-97, photogravure portrait frontispiece, list of subscribers, 421 chromolithographed or hand-coloured lithographed plates, mostly after Archibald Thorburn and J.G. Keulemans, mounted on linen stubbs throughout, bookplate of Howard Gould to each volume, top edges gilt, modern dark brown crushed morocco by Zaehnsdorf, inner dentelles gilt with silk doublures, 4to Anker 308; Fine Bird Books, page 119; Nissen IVB 563. One of 450 sets. (7)
Joyce (James). Exiles. A Play in Three Acts, 1st edition, Grant Richards, 1918, scattered light spotting, original cloth-backed boards, spine and edges a little rubbed, 8vo, together with Collected Poems, 1st US edition, 1937, portrait frontispiece, original cloth, dust jacket, a little soiled with small abrasions, 8vo, plus Stephen Hero, 1st edition, 1944, light spotting, original cloth, price-clipped dust jacket, spine toned and chipped, 8vo, with others by or relating to Joyce including Two Tales of Shem and Shaun, 1932 and Edna O'Brien's James and Nora, Lord John Press, California, 1981 (limited signed edition 83/250) (19)
Owen (Wilfred). Poems, 1st edition, 1920, portrait frontispiece, short closed marginal tear to page 15, some light spotting, title and endpapers with some offsetting and toning, previous owner signature to half title and front endpaper, original red cloth, printed label to spine, spine faded with tiny tear at head, small 4to First collection of Wilfred Owen's war poetry, with the introduction by Siegfried Sassoon and promoted by Sassoon and Edith Sitwell. Contains all his best known poems 'Apologia pro Poemate Meo', Anthem for Doomed Youth' and 'Dulce et Decorum Est'. (1)
A Wedgwood and Bentley blue and white jasper portrait medallion of Carolus Linnaeus circa 1775-80, modelled by John Flaxman, oval, 6.2cm high Linnaeus famously introduced a system of classifying plants. In 1775, a bill was submitted by John Flaxman to Wedgwood for 'Moulding and making a cast from a Medal of Lennaeus Mending a wax medal and making a Mould from it'. The wax medal was probably an original by Inlander, modelled in 1773.
AN ELIZABETH II SILVER COMMEMORATIVE PLATE 'BI-CENTENARY OF THE BIRMINGHAM ASSAY OFFICE 1773-1973', of wavy circular form, gadrooned border, the centre engraved with a titled portrait of Matthew Boulton, numbered No.12 on the reverse, makers Joseph Gloster Ltd, Birmingham 1973, diameter 22.5cm, approximate weight 12.4ozt, 386 grams (condition: good, no certificate)
A VICTORIAN SUNDERLAND LUSTRE WALL PLAQUE, of rectangular form with foliate scrolled rim, the centre printed with a three masted ship and poem 'May Peace & Plenty On Our Nation Smile and Trade with Commerce Bless the British Isle', width 23cm x height 21cm, together with a Victorian Staffordshire Pottery portrait jug modelled as The Duke of Wellington in military uniform, height 18cm (2) (condition: plaque in good condition, jug has crazing with staining, some paint loss, chips to the underside of the jug)
VICTORIAN BRITISH SCHOOL, study of child with wheelbarrow and spade, holding hat in one hand and whip in the other, watercolour, approximately 19cm x 16.5cm, framed and glazed, together with a Victorian portrait miniature of a young woman, watercolour, approximately 12cm x 9cm, stained to upper centre, another of a Victorian lady wearing a bonnet, watercolour, approximately 14cm x 10cm, together with two birds eye maple framed monochrome prints titled 'Charles Cotton' and 'Isaak Walton' (5)

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