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Los 1200

Gordian III. AD 238-244. AV Aureus (19mm, 4.39 g, 12h). Rome (or Antioch?) mint, 1st officina. 8th-11th emission, AD 240-243. IMP GORDIANVS PIVS FEL AVG, laureate, draped, and cuirassed bust right / AETER N ITATI AVG, Sol, radiate, naked except for cloak over shoulders and left arm, raising right hand and holding globe in left hand. RIC IV 97; Calicó 3186a var. (break in rev. legend); Biaggi 1352 var. (same); cf. Hunter 41. Superb EF, minor deposits, die break on reverse. Unusual portrait style. Perhaps minted at Antioch.

Los 1317

Justinian II. First reign, 685-695. AV Solidus (17mm, 4.36 g, 6h). Constantinople mint, 3rd officina. Struck 692-695. I?S CRIStOS R?X R?gNANtI?M, facing bust of Christ Pantokrator / D I?StINI–AN–[?S S?R? C?RIS]tI, Justinian standing facing, holding cross potent on steps in right hand, akakia in left; G//CONO–P. DOC 7c.2; MIB 8a; SB 1248. Superb EF, lustrous. Excellent early portrait of Christ.

Los 1700

ANGLO-SAXON, Kings of Mercia. Offa. 757-796. AR Penny (16mm, 1.31 g, 12h). Light coinage. Non-portrait type. Caentwarabyrig (Canterbury) mint; Eoba, moneyer. Struck circa 785-792/3. T¯F within lozenge with crosses at corners; R ? X m with pellets and trefoils around / ? O B A within angles of cross fleurée, with saltire of pellets in annulet at center. Naismith, Offa 36 (this coin); Chick –; SCBI –; BMC; North –; SCBC 904. Near VF, toned. Extremely rare – the only known example of this obverse type. From the Joseph R Lasser Collection for the benefit of The Colonial Williamsburg Foundation. Purchased from Davissons, April 2010. Ex Spink (25 March 2010), lot 11. Found in north Yorkshire, 2009.During the eighth century AD, Mercia, under its king, Offa (757-796), was the largest and most powerful Anglo-Saxon kingdom in England. As such, this kingdom maintained diplomatic and cross-cultural, and economic contacts with the Carolingian Empire on the Continent (see J. Nelson, “Carolingian Contacts,” in M.P. Brown and C.A. Farr, Mercia [London & New York, 2005]). The coinage reform begun by Pepin I and implemented by his son and successor, Charlemagne (see lot 1371) produced deniers struck on broad flans of good metal. This new coinage became the denominational standard throughout the Carolingian Empire, replacing the earlier, smaller Merovingian silver issues and the sceats found in northern Europe and across the English Channel. In Anglo-Saxon England, these earlier coin types were replaced with a new denomination, the penny. Based on the Carolingian denier, these coins first appear in two very rare issues of the Kentish kings, Heaberht and Ecgberht. It was Offa, however, who introduced the penny to a much wider audience in England, with both heavy and light issues in various portrait and non-portrait types. So successful was this new denomination that it continued to be the sole English silver denomination until the introduction of the groat, halfpenny, and farthing under Edward I in 1279.

Los 1701

ANGLO-SAXON, Kings of Mercia. Offa. 757-796. AR Penny (17.5mm, 1.26 g, 2h). Light coinage. Portrait type. Lundene (London) mint; Æthelweard, moneyer. Struck circa 785-792/3. + : O·FFA · R·EX +, bust right; ornamental spray at end of legend / ?ð · ·EL· ·VA· Ld, short cross batonnée over short cross in saltire; all within circle and set on long voided cross pommée with globule in each limb. Chick type 9; SCBI 9 (Oxford), 5 var. (arrangement of rev. legend); BMC –; North 310; SCBC 905. VF, toned. From the Joseph R Lasser Collection for the benefit of The Colonial Williamsburg Foundation. Purchased from Davissons, May 2010.

Los 1702

ANGLO-SAXON, Kings of Mercia. Offa. 757-796. AR Penny (17mm, 1.21 g, 11h). Light coinage. Portrait type. Caentwarabyrig (Canterbury) mint; Ealhræd, moneyer. Struck circa 785-792/3. Bust right; OFFA before; REX downward behind (R retrograde) / EA LR E D on limbs of Celtic cross with trefoil-tipped scepters in angles. Chick type 97a (same dies) = SCBI 20 (Mack), 559; cf. BMC 9; North 291; SCBC 905. VF, toned, minor roughness. From the Joseph R Lasser Collection for the benefit of The Colonial Williamsburg Foundation. Purchased from Davissons, May 2010. Found in Cambrai.

Los 1717

ANGLO-SAXON, Kings of All England. Æthelred II. 978-1016. AR Penny (20mm, 1.38 g, 10h). First Hand type (BMC iia, Hild. B1). Eoferwic (York) mint; Ælfstan, moneyer. Struck circa 979-985. + ÆÐELRED REX ?(NG)L•, diademed bust right / + ?LFZT?N M–O EOF, manus Dei descending from clouds; barred ? ? flanking. SCBI 26 (East Anglia), 1149 (same dies); cf. Hild. 608; BMC –; North 766; SCBC 1144. EF, toned, reverse a little off center. Lovely portrait.

Los 1730

NORMAN. Henry I. 1100-1135. AR Penny (20mm, 1.32 g, 3h). Pointing Bust and Stars type (BMC vi). Lundene (London) mint; Ælfwine, moneyer. Struck circa 1107. + hENRI RE, crowned bust facing slightly right, holding scepter over right shoulder and pointing with left hand; two stars to right / + ELPINE : ON : LVN, cross potent over cross batonnée in saltire; two stars in each quarter. SCBI –; EMC 2014.0260 (this coin); BMC –; North 862; SCBC 1267. VF, light marks, slightly crimped flan. Attractive portrait. Very rare. Found Hart, Hartlepool, 2014 (EMC 2014.0260).

Los 1737

STUART. Charles I. 1625-1649. AV Crown (19mm, 2.22 g, 5h). Group B. Tower (London) mint; im: heart. Struck 1629-1630. (heart) CAROLVS · D : G : MA : BR · · FR : ET · HI : REX, bust 3 left, crowned and mantled; V (mark of value) behind / · CVLTORES · SVI · DEVS · PROTEGIT (heart), crowned and garnished coat-of-arms. Brooker 196-7; Schneider –; North 2182; SCBC 2712. EF, toned, scratch. Excellent portrait.

Los 1833

ANGLO-GALLIC. Edward the Black Prince. As Prince of Aquitaine, 1362-1372. AR Demi gros (25mm, 2.09 g, 8h). First issue. Poitiers mint. + ?D’ : PO : Gn’S : REGIS : AnGLI? : P (double annulet stops), half-length figure of Edward right, wearing floral wreath, holding sword over right shoulder and raising left hand in benediction, within tressure of arches / GLA In · ? XLC · D? ?T In · T? RA · PAX/ PRn CPS AQI TAn, long cross pattée, trefoils in quarters. SCBC 8130; Elias 179b; Duplessy, Féodales 1124; Elias Collection –; Boudeau 510; Poey d`Avant 2985. Good VF, light cleaning scratches in fields, test cut on edge. Strong portrait. From the Michael Joffre Collection.

Los 1836

ANGLO-GALLIC. Edward the Black Prince. As Prince of Aquitaine, 1362-1372. AR Demi gros (24mm, 2.14 g, 2h). Second issue. La Rochelle mint. + : ?D’ : PO : GnS : REGIS : ?nGLI? : R (double pellet and double rosette stops), half-length figure of Edward right, wearing floral wreath, holding sword over right shoulder and raising left hand in benediction, pellet below, within tressure of arches / GL? · In ? XLC D? ?T · In · T? R? · P?X/ : PRn CPS ?QI T?n, long cross pattée, trefoils in quarters. SCBC 8131; Elias 182; Duplessy, Féodales 1124A; Elias Collection 276; Boudeau 510; Poey d`Avant –. VF, toned, some weakness on portrait. From the Michael Joffre Collection.

Los 1839

ANGLO-GALLIC. Edward the Black Prince. As Prince of Aquitaine, 1362-1372. AR Esterlin – Sterling (18mm, 0.98 g, 11h). Second issue. Dax mint. + : ?D’ : PO : GnS : REGIS : (AS) (double pellet-in-annulet stops), half-length figure of Edward right, wearing floral wreath, holding sword over right shoulder and raising left hand in benediction / : PRn CPS AQI TAn (double pellet-in-annulet stops), long cross pattée, trefoils in quarters. SCBC 8133; Elias 189; Duplessy, Féodales 1125A; Elias Collection 285; Boudeau 511; Poey d`Avant –. Good VF. Excellent portrait. Rare. From the Michael Joffre Collection.

Los 1852

ANGLO-GALLIC. Edward the Black Prince. As Prince of Aquitaine, 1362-1372. AR Hardi d’argent (19.5mm, 1.05 g, 3h). ?D PO · GnS · R ?GI · ?GI?, half-length figure of Edward facing beneath Gothic canopy, holding sword in right hand and raising left in benediction / · PRn CPS · ?QI ?n? (rosette stops), long cross pattée; lis in first and fourth quarters, leopard in second and third. SCBC 8134; Elias 208a; Duplessy, Féodales 1126; Elias Collection 317; Boudeau 513; cf. Poey d`Avant 3095. VF, toned. Attractive portrait. Rare. From the Michael Joffre Collection. Ex Classical Numismatic Group 61 (25 September 2002), lot 2694 (part of).

Los 425

KINGS of THRACE, Macedonian. Lysimachos. 305-281 BC. AR Tetradrachm (29.5mm, 17.11 g, 10h). Amphipolis mint. Struck circa 288/7-282/1 BC. Diademed head of the deified Alexander right, with horn of Ammon / BASI?EOS ?YSIMAXOY, Athena Nikephoros seated left, left arm resting on shield, transverse spear in background; monogram to inner left and outer right. Thompson 199; Müller 548. EF, toned, with some iridescence around the portrait. From the Patrick H. James Collection. Ex Triton III (30 November 1999), lot 419.

Los 445

KINGS of MACEDON. Philip II. 359-336 BC. AR Tetradrachm (24.5mm, 14.44 g, 1h). Amphipolis mint. Struck circa 355-349/8 BC. Head of Zeus right, wearing laurel wreath / FI?I?-?OY, Philip, wearing kausia, chlamys, tunic, and boots, raising right hand and holding rein in left, on horseback left; M below raised foreleg. Le Rider 47 (D25/R40); SNG ANS 467; SNG Copenhagen 547; Bement 701; Hermitage Sale II 645; Hirsch 1038. EF, die shift on reverse. Bold high-relief portrait of Zeus. Ex Triton XII (6 January 2009), lot 170.

Los 468

KINGS of MACEDON. Philip III Arrhidaios. 323-317 BC. AV Stater (19mm, 8.59 g, 3h). Kolophon mint. Struck under Menander or Kleitos, circa 322-319 BC. Head of Athena right, wearing crested Corinthian helmet decorated with coiled serpent / FI?I??OY, Nike standing left, holding wreath in extended right hand and cradling stylis in left arm; tripod in left field. Price P41; SNG Saroglos –; SNG Copenhagen 1072 (same dies); Triton V, lot 1301; Hess-Divo 320, lot 118. EF, lustrous, a little die wear on reverse. Well centered and struck. Very rare, only two in CoinArchives. From the RH Collection.Rare Alexander type struck contemporary with the famous “Alexander portrait” type of Philip II staters (see previous lot).

Los 567

KINGS of BITHYNIA. Prousias I Cholos. Circa 228-182 BC. AR Tetradrachm (36mm, 16.94 g, 12h). Diademed head right / BASI?EOS ?POYSIOY, Zeus Stephanephoros standing left; to inner left, thunderbolt above two monograms. RG 9b; HGC 7, 614; SNG von Aulock 6878; BMC 2; Dewing 2155; Gulbenkian 955 (same obv. die); Hunt II 454; Ward 592 (same obv. die). Near EF, attractively toned. Well centered on a broad flan. Fine quality Hellenistic portrait.

Los 577

MYSIA, Kyzikos. Early–mid 4th centuries BC. EL Stater (17mm, 15.71 g). Bearded head right, wearing laurel wreath; below, tunny right / Quadripartite incuse square. Von Fritze I 197; Greenwell 81; SNG France 337 (this coin); SNG von Aulock –; ACGC 965; Boston MFA 1561; Dewing –; Gillet –; Gulbenkian –; Jameson 2207 = Pozzi 2177; Kraay & Hirmer 721; Rosen –. VF, lightly toned. From the Edoardo Levante Collection. Deaccessioned from the Départment des Monnaies, Médailles et Antiques, Bibliothèque Nationale de France.J.P. Six (NC 1898, pp. 197-198) first suggested that the bearded male portrait on this stater was that of the Athenian general Timotheos (d. 354 BC), who had raised the siege of Kyzikos in 363 BC (Diod. Sic. 15.81.6), noting a similarity between the coins and a marble portrait in the Capitoline Museum (no. 46). Other authors subsequently took different views. However, in "The Cyzicenes: A Reappraisal," AJN 5-6 [1993-1994], pp. 9-11, Mildenberg defended Six`s hypothesis. He noted that Kyzikos was under Persian control from 540 BC until 445 BC, and then from 387 BC until the end of the Achaemenid Empire. During the almost sixty year interval, Kyzikos was allied with Athens as a member of the Delian League. Kyzikos, however, was not banned from continuing to strike electrum staters (per League rules), because Athens saw the coinage as a valuable means of payment and in its best interest. Thus, when Athenian forces under the command of Timotheos successfully raised the Persian siege of Kyzikos in 363 BC (Diod. Sic. 15.81.6), the citizens placed the portrait of the victorious general, complete with laurel wreath, on this issue of staters to show their appreciation of his services and subtly honor him in an already-accepted Athenian associated context.Timotheos was the son of Konon and a Thracian mother (Ath. 13.577a). A prominent citizen, Timotheos was an associate of both the philosopher Plato and the Athenian orator Isokrates. Between 378 BC and 356 BC he frequently served as strategos, in which capacity he was able to secure an Athenian alliance with Kephallenia, and friendship with the Akarnanians and the Molossians. In 373 BC he was assigned command of a fleet to relieve Korkyra from Spartan control. Because the expedition was underfunded, the relief was delayed, prompting Timotheos to be brought to trial. Through the intervention of his allies, including Jason, the ruler of Pherai and the tagos (ta???) of the Thessalian League, Timotheos was acquitted. Following his acquittal, and with the assistance of Amyntas III of Macedon, Timotheos took Korkyra (Diod. Sic. 15.47). For this, a statue was raised in his honor in Athens (Aeschin. In Ctes. 243). In 363 BC, Timotheos raised the siege of Kyzikos, for which these staters may have been issued (Diod. Sic. 15.81.6). In 366 BC, Timotheos was sent to aid Ariobarzanes, the satrap of Phrygia, but when he discovered that the satrap was in revolt against the Great King, Timotheos turned his attention to the northern Aegean. There, he captured Samos after a siege of 10 months, followed by similar conquests along the Thraco-Macedonian coast. A legal action brought against him by Apollodoros (the speech of which is attributed to Demosthenes), is noteworthy for illustrating the reversal of fortune of the once-great and honored general. Timotheos was once again in command during the Social War (357-355 BC), but competing personalities among the leadership again brought Timotheos to trial. Found guilty and unable to pay the heavy fine imposed on him, Timotheos retreated to Chalkis in Euboia, where he died. In remorse for their treatment of the once-favored general, the Athenians forgave a greater part of the debt that had passed on to his son, Konon. They also brought his ashes back to Athens, burying them in the Keramikos a

Los 578

MYSIA, Kyzikos. Early–mid 4th centuries BC. EL Stater (16mm, 16.05 g). Bearded head right, wearing ivy wreath; below, tunny left / Quadripartite incuse square. Hurter & Liewald I 23a, illustrating Prinkipo 84 (same dies); otherwise unpublished. Good VF, a few light deposits. Historically interesting and extremely rare with ivy wreath, only three examples known, all from the Prinkipo hoard. Ex Triton XV (3 January 2012), lot 1316 (sold for hammer $50,000, but not paid).J.P. Six (NC 1898, pp. 197-198) first suggested that the bearded male portrait on this stater was that of the Athenian general Timotheos (d. 354 BC), who had raised the siege of Kyzikos in 363 BC (Diod. Sic. 15.81.6), noting a similarity between the coins and a marble portrait in the Capitoline Museum (no. 46). Other authors subsequently took different views. However, in "The Cyzicenes: A Reappraisal," AJN 5-6 [1993-1994], pp. 9-11, Mildenberg defended Six`s hypothesis. He noted that Kyzikos was under Persian control from 540 BC until 445 BC, and then from 387 BC until the end of the Achaemenid Empire. During the almost sixty year interval, Kyzikos was allied with Athens as a member of the Delian League. Kyzikos, however, was not banned from continuing to strike electrum staters (per League rules), because Athens saw the coinage as a valuable means of payment and in its best interest. Thus, when Athenian forces under the command of Timotheos successfully raised the Persian siege of Kyzikos in 363 BC (Diod. Sic. 15.81.6), the citizens placed the portrait of the victorious general, complete with laurel wreath, on this issue of staters to show their appreciation of his services and subtly honor him in an already-accepted Athenian associated context.Timotheos was the son of Konon and a Thracian mother (Ath. 13.577a). A prominent citizen, Timotheos was an associate of both the philosopher Plato and the Athenian orator Isokrates. Between 378 BC and 356 BC he frequently served as strategos, in which capacity he was able to secure an Athenian alliance with Kephallenia, and friendship with the Akarnanians and the Molossians. In 373 BC he was assigned command of a fleet to relieve Korkyra from Spartan control. Because the expedition was underfunded, the relief was delayed, prompting Timotheos to be brought to trial. Through the intervention of his allies, including Jason, the ruler of Pherai and the tagos (ta???) of the Thessalian League, Timotheos was acquitted. Following his acquittal, and with the assistance of Amyntas III of Macedon, Timotheos took Korkyra (Diod. Sic. 15.47). For this, a statue was raised in his honor in Athens (Aeschin. In Ctes. 243). In 363 BC, Timotheos raised the siege of Kyzikos, for which these staters may have been issued (Diod. Sic. 15.81.6). In 366 BC, Timotheos was sent to aid Ariobarzanes, the satrap of Phrygia, but when he discovered that the satrap was in revolt against the Great King, Timotheos turned his attention to the northern Aegean. There, he captured Samos after a siege of 10 months, followed by similar conquests along the Thraco-Macedonian coast. A legal action brought against him by Apollodoros (the speech of which is attributed to Demosthenes), is noteworthy for illustrating the reversal of fortune of the once-great and honored general. Timotheos was once again in command during the Social War (357-355 BC), but competing personalities among the leadership again brought Timotheos to trial. Found guilty and unable to pay the heavy fine imposed on him, Timotheos retreated to Chalkis in Euboia, where he died. In remorse for their treatment of the once-favored general, the Athenians forgave a greater part of the debt that had passed on to his son, Konon. They also brought his ashes back to Athens, burying them in the Keramikos and erecting statues to him in the Agora and on the Akropolis.

Los 601

IONIA, Achaemenid Period. Tiribazos. Satrap of Lydia, 388-380 BC. Æ (11.5mm, 1.73 g, 12h). Klazomenai mint. Head right, wearing kyrbasia / Tripod; K?A to right. Unpublished. VF, dark brown patina. Apparently unique. Ex Classical Numismatic Group Electronic Auction 278 (25 April 2012), lot 102.While the satrapal portrait on this coin cannot be identified as an exact representation of Tiribazos, the extreme stylistic similarity between satrapal issues of Cilicia struck during the time of Tiribazos’ rule there (cf. Casabonne pl. 4, 4–6), a contemporary bronze issue from Sardis (cf. Klein 254), and the portrait here suggests that this coin was an issue struck under Tiribazos.Initially the satrap of Western Armenia, which was one of the main Persian satrapies, the Persian general, Tiribazos, was a highly regarded ally of Artaxerxes II, who granted him a number of additional satrapies during the course of his career. During the civil war with Cyrus the Younger, as related in The Anabasis of Xenophon, Tiribazos sided with Artaxerxes II, a move for which he was richly rewarded. When the vassal-king of Cilicia sided with Cyrus the Younger and was thereby dethroned because of it, the territory became an ordinary satrapy under the sphere of influence of the satrap of Western Armenia. Shortly thereafter, Tiribazos was appointed satrap of Western Asia (with its capital at Sardis), which was another of the main satrapies of the Persian Empire. It too counted a number of smaller regional districts under its sphere of influence. Among these smaller districts were the cities of Ionia, including Klazomenai. The influence of this satrapy and of Tiribazos in particular was such that he personally brokered negotiations between the the belligerent Greek states during the Corinthian War (395-387 BC). Although Tiribazos was briefly replaced by the satrap Struthas in punishment for his actions, Artaxerxes soon returned the ex-satrap to his post in 387/6 BC. This time, he was granted command of the Persian fleet against Evagoras of Salamis. Again, Tiribazos was punished for his actions, and again restored to favor. The subsequent reneging by Artaxerxes of favors on Tiribazos turned the satrap against his king. In the end, Artaxerxes caught wind of a plot by Tirbazos and had his once-esteemed courtier slain.

Los 625

IONIA, Phokaia. Circa 387-326 BC. EL Hekte (10mm, 2.53 g). Bearded head left, wearing Persian tiara bound with diadem; to right, small seal downward / Quadripartite incuse square. Bodenstedt Em. 101; SNG von Aulock –; Boston MFA –; BMC –; Traité II 63; Nomos 1, lot 107 corr. (Bodenstedt citation). Good VF, toned. Extremely rare, Bodenstedt only noted one example (in Paris), and this piece is one of only two in CoinArchives. As noted in the Nomos sale, this coin appears to depict the portrait of the Persian satrap Pharnabazos, based on the strong similarity of the portrait compared to issues traditionally given to Kyzikos that are signed in his name (cf. Kraay & Hirmer 618 and SNG von Aulock 1216). If the identification is correct, it calls into question the chronology of the piece, Bodensted’s dates are clearly too late for a lifetime issue of the satrap, but it is plausible if the type was chosen for a commemorative purpose.

Los 719

SELEUKID KINGS of SYRIA. Antiochos V Eupator. 164-162 BC. AR Tetradrachm (32mm, 16.18 g, 1h). Ptolemaïs (Ake) mint. Struck 164 BC. Diademed head of Antiochos V as a young child right; AY monogram to left / BASI?EOS ANTIOXOY, Apollo Delphios seated left on omphalos, testing arrow in his right hand, left hand on bow set on ground to right; AY monogram to outer left, NE monogram to outer right, ?B and HP monograms in exergue. SC 1581a = Houghton & Le Rider II 1 (D1/R1) = CSE 772 (this coin); HGC 9, 751b. Superb EF, toned, hairline flan crack. Very rare, and among the finest known. Ex Numismatica Genevensis SA V (2 December 2008), lot 139; Arthur Houghton Collection (Numismatic Fine Arts XVIII, 31 March 1987), lot 335.The unusually youthful portrait on this very rare issue of Ptolemaïs led Houghton and Le Rider to speculate that these tetradrachms may belong to a coregency of Antiochos IV and V during the former`s eastern campaign. The absense of the title Eypator from this issue, which would have been assumed by Antiochos V at the time of his father`s death, suggests this issue was struck when Antiochos IV was still living. While Antiochos IV was in the east, Lycias, the Seleukid vice regent, was campaigning in Judaea to put down the revolt of the Maccabees, and it is possible that he required coinage to be produced at the mint of Ptolemaïs for this purpose. Interestingly, the monogram on the obverse of this issue, which is different from all other obverse controls at Ptolemaïs, could be resolved as the first letters of Lysias`s name.

Los 792

PTOLEMAIC KINGS of EGYPT. Kleopatra VII Thea Neotera. 51-30 BC. Æ Diobol – 80 Drachmai (28mm, 16.70 g, 12h). Alexandreia mint. Diademed and draped bust right / BACI?IC[CHC K?EO?A]TPAC, eagle standing left on thunderbolt; cornucopia to left, ? to right. Svoronos 1871; Weiser 183; SNG Copenhagen 419–21; Noeske 380–2; BMC 4–5. EF, brick red-brown patina with sandy green around the edges, minor cleaning marks. Stunning portrait of Kleopatra.

Los 833

BAKTRIA, Greco-Baktrian Kingdom. Apollodotos I Soter. Circa 180-160 BC. AR Tetradrachm (34mm, 16.88 g, 12h). Diademed and draped elderly bust right, wearing kausia; all within bead-and-reel border / BASI?EOS to right, A?O??O?OTOY to left, Athena seated left, holding Nike in extended right hand, spear in left, resting her left elbow on shield; monogram in exergue. Bopearachchi 1A; Bopearachchi & Rahman 194 (same obv. die); SNG ANS –; MIG –. EF, toned, a couple of minor flan cracks. Magnificent high relief portrait. Extremely rare, the finest known.

Los 88

CILICIA, Tarsos. Mazaios. Satrap of Cilicia, 361/0-334 BC. AR Stater (24mm, 10.76 g, 3h). Crowned figure of Artaxerxes III in the guise of Baaltars seated right on throne with back terminating in swan’s head, holding lotus flower in right hand, lotus-tipped scepter in left; B’LTRZ (in retrograde Aramaic) to left, M (in Aramaic) to lower right / Lion recumbent left; bow above. Casabonne Series 6; SNG France 422 (Myriandros); SNG Levante Supp. 26 var. (legend not retrograde; Myriandros); Jameson 1621; Sunrise –. Near EF, lightly toned, a little die wear. Very rare, and the first specimen at auction since NFA XXV in 1990. From the Sunrise Collection. Ex Prospero Collection (New York Sale XXVII, 4 January 2012), lot 587.The attribution of the walking-lion series of Mazaios had originally been given to the mint of Tarsos, but Newell argued that they more likely were struck at Myriandros in his study of that mint in AJN 53 (1919). Later, J.D. Bing, in AJN 1 (1989), argued for an alternative attribution of the Myriandros coinage to the mint of Issos. While most numismatic works continue to follow Newell, Casabonne’s significant study of Cilicia during the Persian period convincingly returns these coins of Mazaios to the mint of Tarsos (cf. Casabonne, pp. 215–7).The appearance of Baaltars on this issue is significantly different from the relatively standard depiction of the deity on other coins of Tarsos. While the diety is typically shown nude to his waist, here the figure is fully clothed with attire that closely resembles that on the figure that appears on the royal Persian coinage struck at Sardes. More importanly, though, is the headdress on the figure. Baaltars typically wears a laurel wreath or no headdress, while this portrait shows the figure wearing an elaborate headdress. In a recent article, Frank Kovacs analysed the type, and argues that this figure is actually the Great King Araxeres III Ochos, in the guise of Baaltars, and the headdress is the combined crown of Upper and Lower Egypt, thus his appearance here is as pharaoh of Egypt (cf. F. Kovacs, "Two Persian Pharaonic Potraits" in JNG L [2000]; see also M. Thompson, in MN XII [1968], pp. 11–2, who notes the figure wearing a "high crown of Egyptian type"). This is plausible, as Araxerxes was the first pharaoh of the Thirty-First Dynasty of Egypt, and the date of his rule there, 343-338 BC, comports well with this issue under Mazaios.O. Casabonne, while acknowledging that the figure here may represent a synthesis of Baaltars and the Great King, disagrees with the identification of the headdress as the Egyptian crown. Instead, he views the headdress as being a Phrigian style cap that is often depicted in contemporary art as being worn by warriors (cf. Casabonne, p. 121, fig. 8), but is here shown with the cheek guards in a raised position.Nonetheless, it is doubtless that the figure here is a synthesized portrait of Baaltars and the Persian Great King. The fractional silver of this issue (see the following lot), interestingly, may be most instructive, as the headdress on the figure is shown wearing a crown that is identical to that on the figure of the royal Achaemenid coinage and his robes have interlocking circles reminiscent of the darics of Carradice Type IV Late (cf. M. Thompson, op. cit., p. 12).

Los 884

CILICIA, Aegeae. Hadrian. AD 117-138. AR Tridrachm (23.5mm, 9.49 g, 12h). Dated CY 164 (AD 117/8). AYTOKP KAIC TPAIANOC A?PIANOC C?B, laureate bust of Hadrian right, slight drapery / AIG?AION ?TOYC ??P (date), diademed head of Alexander the Great right; below, goat kneeling left, head right. Prieur 715A (this coin); SNG Levante –; SNG Levante Supp. –; SNG France 2326. VF, toned, light porosity. Rare. From the Edoardo Levante Collection.Some question has arisen regarding the identification of the portrait on the reverse of this issue. Prieur identified it as Perseus, the hero who slew Medusa and rescued the princess Andromeda. SNG France (cataloged by Levante) opted instead for Alexander the Great. While some coins from this region do use the portrait of Perseus as a type, his identifying symbols – the gorgoneion, the winged helmet, and especially the harpa – are always included as identifying elements. The diademed head, on the other hand, is indicative of a Hellenistic ruler. It is possible that since Cilician Aegeae was the namesake of the old Macedonian capital (see reverse legend on lot 886 below), the inclusion of Alexander’s portrait made an attractive reference to the Hellenistic past. At the same time, given that these coins were struck on behalf of the philhellenic Hadrian, the connection between the emperor and the great Macedonian king would not have been missed.

Los 89

CILICIA, Tarsos. Mazaios. Satrap of Cilicia, 361/0-334 BC. AR Obol (9mm, 0.72 g, 9h). Crowned figure of Artaxerxes III in the guise of Baaltars seated right, holding lotus flower in right hand, lotus-tipped scepter in left / Lion walking left; Z (in Phoenician[?]) above. Casabonne Series 6 and p. 218, n. 913; Göktürk –; SNG France 425 (Myriandros); SNG Levante 184 (Myriandros); Sunrise 61 corr. (mint; this coin). Superb EF, toned, a little off center. Exceptional. From the Sunrise Collection.The attribution of the walking-lion series of Mazaios had originally been given to the mint of Tarsos, but Newell argued that they more likely were struck at Myriandros in his study of that mint in AJN 53 (1919). Later, J.D. Bing, in AJN 1 (1989), argued for an alternative attribution of the Myriandros coinage to the mint of Issos. While most numismatic works continue to follow Newell, Casabonne’s significant study of Cilicia during the Persian period convincingly returns these coins of Mazaios to the mint of Tarsos (cf. Casabonne, pp. 215–7).The appearance of Baaltars on this issue is significantly different from the relatively standard depiction of the deity on other coins of Tarsos. While the diety is typically shown nude to his waist, here the figure is fully clothed with attire that closely resembles that on the figure that appears on the royal Persian coinage struck at Sardes. More importanly, though, is the headdress on the figure. Baaltars typically wears a laurel wreath or no headdress, while this portrait shows the figure wearing an elaborate headdress. In a recent article, Frank Kovacs analysed the type, and argues that this figure is actually the Great King Araxeres III Ochos, in the guise of Baaltars, and the headdress is the combined crown of Upper and Lower Egypt, thus his appearance here is as pharaoh of Egypt (cf. F. Kovacs, "Two Persian Pharaonic Potraits" in JNG L [2000]; see also M. Thompson, in MN XII [1968], pp. 11–2, who notes the figure wearing a "high crown of Egyptian type"). This is plausible, as Araxerxes was the first pharaoh of the Thirty-First Dynasty of Egypt, and the date of his rule there, 343-338 BC, comports well with this issue under Mazaios.O. Casabonne, while acknowledging that the figure here may represent a synthesis of Baaltars and the Great King, disagrees with the identification of the headdress as the Egyptian crown. Instead, he views the headdress as being a Phrigian style cap that is often depicted in contemporary art as being worn by warriors (cf. Casabonne, p. 121, fig. 8), but is here shown with the cheek guards in a raised position.Nonetheless, it is doubless that the figure here is a synthesized portrait of Baaltars and the Persian Great King. The fractional silver of this issue, interestingly, may be most instructive, as the headdress on the figure is shown wearing a crown that is identical to that on the figure of the royal Achaemenid coinage and his robes have interlocking circles reminiscent of the darics of Carradice Type IV Late (cf. M. Thompson, op. cit., p. 12).

Los 890

CILICIA, Tarsus. Marcus Aurelius, with Lucius Verus. AD 161-169. Æ (32mm, 18.03 g, 12h). AVT KAIC MAP AVPH?IO ANTON?INOC C?B, laureate head of Marcus right / A?PAINHC TAPCOY MHTPO?O??OC, Marcus, holding volumen in left hand, and Lucius standing facing one another, clasping right hands; star above, OMO/NOIA/ C?BACTON between emperors and continuing into exergue. SNG Levante 1017 (this coin); SNG von Aulock –; SNG France 1452 var. (bust type). VF, dark green patina, light roughness in field before portrait. From the Edoardo Levante Collection.

Los 961

The Triumvirs. Mark Antony. Late summer-autumn 42 BC. AR Denarius (19mm, 3.88 g, 6h). Military mint traveling with Antony in Italy. Head right, wearing beard; lituus to left / Radiate head of Sol right; M • ANTONIVS • III • VIR • R • P • C around. Crawford 496/2; CRI 127; RSC 68; Sydenham 1170; Kestner –; BMCRR East 87; RBW 1754. Good VF, typical weak strike on high point of portrait of Antony, areas of luster. Rare. From the RAJ Collection. Ex Freeman & Sear 17 (15 December 2009), lot 168.

Los 969

The Triumvirs. Octavian and Divus Julius Caesar. 38 BC. Æ Sestertius or Dupondius (32mm, 19.14 g, 11h). Southern Italian(?) mint. Bare head of Octavian right, wearing slight beard; CAESAR downward to right; DIVI • F downward to left / Wreathed head of Divus Julius Caesar right; DIVOS downward to right; IVLIVS downward to left. Crawford 535/1; cf. Alföldi & Giard 34 (for type); CRI 308; Sydenham 1335; RPC 620; Kestner 3826-8; BMCRR Gaul 106; RBW 1822. VF, natural dark green and brown patina, rough and broken in spots around portrait of Caesar. From the R.A.M. Collection.

Los 991

Augustus. 27 BC-AD 14. AV Aureus (20mm, 7.91 g, 9h). Lugdunum (Lyon) mint. Struck 2 BC-AD 12. CAESAR AVGVSTVS DIVI F P?TER PATRI?E, laureate head right / ?VGVSTI F COS DESIG PRINC [IVVEN]T, [C] L CAESARES in exergue, Gaius and Lucius Caesar, on left and right, standing facing, each togate and resting a hand on one of two shields set on ground between them; behind the shields, two spears; above, on left, simpulum right, and on right, lituus left. RIC I 206; Lyon 81; Calicó 176; Biaggi 93; BMCRE 513-8; BN 1648-50. EF, lustrous, traces of die rust and deposits, a few shallow scratches and marks. Portrait of artistic merit. From the collection of the MoneyMuseum, Zurich. Ex Leu 91 (10 May 2004), lot 504.

Los 147

SELEUKID KINGS of SYRIA. Antiochos III ‘the Great’. 222-187 BC. AR Tetradrachm (32mm, 17.12 g, 1h). Antioch on the Orontes mint. Struck circa 223-211/0 BC. Diademed head right / BASI?EOS ANTI-OXOY, Apollo Delphios seated left on omphalos, testing arrow in his right hand, left hand on bow set on ground to right; two monograms to outer left. SC 1041.2; Le Rider, Antioche, Series 1, 161–2 (A11/P110); HGC 9, 447u; Sunrise –. Near EF, lightly toned, minor die breaks on obverse, small spot of flat strike on reverse. Bold portrait. From the Sunrise Collection.

Los 153

SELEUKID KINGS of SYRIA. Antiochos IV Epiphanes. 175-164 BC. AR Tetradrachm (30mm, 16.58 g, 12h). Antioch on the Orontes mint. Series 3, struck 168-164 BC. Bearded head of Zeus right, wearing laurel wreath / BASI?EOS ANTIOXOY TEOY E?IFANOYS NIKEFOPOY, Zeus Nikephoros seated left; no control marks. SC 1398; Le Rider, Antioche, Series IIIA, 225 (A22/P159) = Sunrise 195 corr. (obv. type; this coin); Mørkholm Series III, 14 (A23/P94); SMA 63; HGC 9, 620a. EF, double struck on reverse. Bold portrait. From the Sunrise Collection. Ex Numismatic Fine Arts XXXII (10 June 1993), lot 95.

Los 28

A small cow hide rug, branded with a swastika, reputedly from the farm of a prominent Nazi in Argentina; a small white linen table cloth, the edge crocheted with a design incorporating swastikas; a wooden gavel used by Judge E B Luard in the Court Martial of Cpl Alexander Chisholme in May 1915; a small framed portrait photograph, possibly of a Suffragette; and a certificate from the Borough of Wimbledon, for valuable services to the community, 1935. Average GC

Los 67

A watercolour portrait of a WWI Indian Infantry officer Subedar Manta Singh, in its original gilt frame with gilt window mount, the back bearing the stamp of the Whitehall Theatre of War, 10¾” x 12¼” overall. GC. Subedar Singh was wounded rescuing a wounded fellow officer during the battle of Neuve Chapelle in March 1915, was shipped back to England where he was a patient in the Royal Pavilion and General Hospital in Brighton, where he later died. The portrait was apparently painted at the Royal Pavilion in 1915, by a local artist, M J Barret.

Los 68

A Vic oil painting on canvas by Henry Parker of a Chelsea Pensioner, head and shoulders, in his red uniform, wearing spectacles and reading a copy of the Naval & Military Gazette, 30” x 24”, signed in lower right corner, framed in gilt (minor damage to frame). GC Plate 3 Note: Henry Perlee Parker. HRSA 1795-1873 Genre and portrait painter, known as “Smuggler” Parker because he specialised in pictures of smugglers. Born in Devonport, Devon, moved to Newcastle in 1815 and established himself as a portrait painter and local subjects, exhibited at the RA (1817-59). He was co founder of the Northern Academy of Arts. He became well known for his best work “The Rescue of the Forfarshire Steam Packet by Grace Darling and Her Father”. He became Drawing Master of Wesley College in Sheffield (1841-45), he then moved to London.

Los 833

Edwardian hallmarked 18ct Gold ring set with a portrait panel of a cherub (worn), hallmarked for Birmingham 1906

Los 919

Two Victorian large Pinchbeck Brooches, one with Agate panel (cracked), the other with Hair Panel front and Photographic Portrait back, (2)

Los 110

A Vienna-style plate, decorated with a profile portrait of a woman A Vienna-style plate, decorated with a profile portrait of a woman, signed Fritesche titled verso, Vertrauen , 24cm diameter, blue shield mark

Los 25

English School (late 18th century) - Portrait of a lady Portrait of a gentleman A pair, oil on canvas Each 76 x 63 cm (30 x 24 3/4 in)

Los 30

Continental School (19th century) - Portrait of a gentleman in a library interior Oil on canvas 46 x 38 cm (18 x 15 in)

Los 55

Alfred Thomas Derby (1821-1873) - Portrait of Charles I, King of England; Portrait of Henrietta Maria, Queen consort to King Charles I After Van Dyck A pair, watercolour, heightened with gum arabic, black chalk, over pencil, on card The former initialled AD and dated ` lower right 64 x 41 cm. (25 1/4 x 16 1/4 in), and 61.5 x 39.5 cm. (24 1/4 x 15 1/2 in), respectively, (2)

Los 62

Feliks Topolski (1907-1989) - Portrait of Ronald Duncan; Portrait of Mrs Duncan A pair, charcoal on wove paper Both signed lower left and dated 1951 Both initialled T.G.P. Each 35 x 25 cm. (13 3/4 x 9 7/8 in), (2) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 124

Eddie Wolfram (20th century German school). 'Hurricane Madonna', portrait of a woman with trees and sea in the background.

Los 57

A mixed media portrait of seated nude female monogrammed C.V

Los 130

WHITTLE FRANK: (1907-1996) English Royal Air Force Officer, inventor of the jet engine. A Royal Air Force Museum Commemorative cover issued for the 30th Anniversary of the First UK Jet Flight in May 1941 and featuring a colour image of a Gloster-Whittle aircraft. Signed by Whittle in black ink with his name alone to a clear area. Post marked at Cranwell, 15th May 1971. Together with a Commemorative cover issued in honour of Whittle and featuring a colour image of a Gloster aircraft with an inset portrait of Whittle, individually signed by Rolf Dudley-Williams (1908-1987) British Aeronautical Engineer, assisted Whittle in the development of the jet engine, and Stanley G. Hooker (1907-1984) British Aeronautical Engineer with Rolls Royce, assisted Whittle in the development of the jet engine. Signed by each in blue inks with their names alone to clear areas. Post marked 28th March 1978. VG to EX, 2

Los 155

PARK KEITH: (1892-1975) New Zealand Air Chief Marshal of World War II, played a significant role during the Battle of Britain. Signed First Day Cover, the Royal Air Force cover commemorating the 31st Anniversary of the Battle of Britain and featuring a colour image of a Spitfire aircraft in flight. Post marked 18th September 1971. Signed ('K R Park') in blue ink with his name alone to a largely clear area. Together with a First Day Cover commemorating Park and featuring a colour image of various Battle of Britain aircraft and with an inset portrait of the Air Marshal. Post marked on the 38th Anniversary of the Battle of Britain, 16th September 1978. Signed by Ian Park, son of Keith Park, and one other individual. VG to EX, 2

Los 157

WORLD WAR II: A First Day Cover commemorating R.J. Mitchell and the first flight of the Supermarine Spitfire, featuring an image of the aircraft and with an inset portrait of the designer, individually signed by three British fighter pilots of World War II, Douglas Bader, Johnnie Johnson and Robert Stanford Tuck. Post marked on the 40th Anniversary of the first flight of the Spitfire, Southampton, 5th March 1976. Signed by each pilot in bold blue inks with their names alone to clear areas. VG

Los 159

BADER DOUGLAS: (1910-1982) British World War II Ace (22.5 victories), recognised for his important role during the Battle of Britain. Signed First Day Cover commemorating Bader and featuring a colour illustration of a squadron in flight, being led by Bader, and with a small inset portrait. Post marked 12th October 1977. Signed by Bader in bold black ink with his name alone to a clear area. VG

Los 105

BRATBY JOHN: (1928-1992) English Painter. A good original signed and inscribed black pen and ink self-portrait by Bratby. Drawn and signed on an 8vo sheet of notepaper. Rare, VG

Los 187

LUDENDORFF ERICH: (1865-1937) German General of World War I. Vintage signed postcard photograph, being a reproduction of a pencil portrait of Ludendorff in a head and shoulders pose wearing his uniform and Iron Cross. Signed (‘Ludendorff’) in bold pencil with his name alone to a clear area at the base of the image. VG

Los 293

A VICTORIAN CHARCOAL DRAWING Portrait of a Young Girl with Blue Ribbons An Oval 48cm x 38cm

Los 626

HARRY DOUGLAS Portrait of a Lady Oil on Board 50cm x 38cm

Los 634

2OTH CENTURY Portrait of an Elegant Young Lady in a Landscape Oil on Canvas 89cm x 59cm

Los 459

School of Hoppner - Portrait of Mr Grant Lawson, oil on canvas, 74 x 61 cm

Los 62

HENRI MATISSE (French, 1869-1954), 'Portrait of a bearded man' 1944, original linocut on rives paper, 25cm x 32.1cm, framed. (Please Note Clause 6 of Buyer's Conditions)

Los 484

A pair of old carved red wax portrait plaques depicting a King and Queen both wearing crowns,the King holding a sceptre

Los 798

An early 20th Century pastel portrait of a young lady and various other pictures

Los 111

A Victorian watercolour, depicting an oval portrait of a lady and various other pictures, and a framed map

Los 214

A pair of portrait prints, an engraving of river scene and framed tapestry

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