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283284 Los(e)/Seite
A large and rare embroidered portrait wall hanging, English, circa 1700, worked in wools in long and short and split stitch with a central regal figure in wrapping robe, with ermine trimmed mantle, holding a portrait of a handsome boy in lace cravat, armour breastplate, with blue garter sash, high, powdered wig, she holds a be-ribboned laurel wreath which also appears on the boy's head, angels offer her fruits and blooms and hold back blue and scarlet drapes which reveal a landscape with Pegasus, two figures, a hound and a fallen figure, 224 by 161cm There are several suggestions as to the identity of the sitter. The most likely is that of Queen Anne I (reigned 1702-1714).The oval portrait in that case would be her son. She married Prince George of Denmark in 1683 and experienced eighteen pregnancies but only one babe survived infancy - William, Duke of Gloucester (1689-1700) He suffered from encephalitis and died at the age of eleven. He was awarded the garter at the age of six and a half. A portrait by Godfrey Kneller painted in 1699 shows the young Duke similarly attired. (NPG image 5228). A portrait of Princess Anne by Kneller in 1694 could have been used as a design source for the main figure.
A Cecil Beaton portrait of Madame Bernadette, May 1946, the reverse bearing Beaton signature stamp and Conde Nast copyright stamp, 24 by 20cm, 91/2 by 8in; together with a brief letter from Beaton to 'Honaria' on his Pelham Place stationary setting up a meeting with her, 17 by 13cm, 63/4 by 5in, (2)
A group of hats, 1980s-90s, approx. twenty four, including tall black leather conical hat, unlabelled but probably Lacroix for Patou, Anouska Hempel bicorne, large black velvet portrait hat by Lacroix, and also Elke Martensen, Denise Sarrault and others; and a photograph of the Princess wearing one of the hats, (qty)
Sergei Petrovich Ivanov, 1893-1983, portrait of a lady on a chaise longue, signed in Latin, oil on canvas, 86.5 by 101.5cm., 34 by 40in. Ivanov studied at the Moscow Institute of Painting, Sculpture and Architecture and the Imperial Academy of Arts, and established his career in Paris with two series of works entitled 'Cathedrals of France' and 'Hotel Druot'. In the 1950s he lived in the United States and travelled throughout the Americas, before returning to Paris in the 1960s. He participated in numerous exhibitions and was best known for his portraits of such major arts figures as Alexander Benois, Serge Lifar and Vyacheslav Ivanov, and leaders of the Catholic Church, including Pope Pius IX (1937).
A porcelain coffee cup and saucer with a portrait of an officer, Gardner Manufactory, circa 1820, wearing the sash and order of Saint Andrew, the cup and saucer decorated with instruments of war on a gilt burnished ground, with impressed factory mark on the base of the saucer, the cup with an impressed 'L', height of cup: 6.5cm., 2.5in (2)
A 9ct gold and oval shell cameo ring, carved with the bust portrait of a lady, a pair of 9ct gold and oval shell cameo earrings, designed as the bust portraits of ladies, the backs with post and butterfly clip fittings, a 9ct gold, opal and red gem set seven stone ring and a 9ct gold ring, claw set with an oval cut smoky quartz.
A gold curb link bracelet on a snap clasp, with a safety chain as fitted, a gold curb link bracelet, mounted with two faience green scarabs at intervals and on a snap clasp, with a safety chain as fitted, (af) and an oval shell cameo pendant locket, designed as the bust portrait of a lady, in an engraved surround.
A group of seven assorted pictures, including a watercolour of the Buddhist Temple, Kandy, Ceylon, by T Hollier, an oil still life of roses, signed D W Barratt, a watercolour woodland scene, a watercolour of a windmill, a pencil and wash view of a farm, two prints and an unframed, unstretched portrait of a lady, oil, with still life verso (8).
A set of four reproductions of engravings of classical ruins, each 24x41cm, together with a pair of watercolours by John W Varnham of desert scenes with figures riding camels, both signed, each 25x35cm, a pastel by Arthur Rathbone, portrait of a girl, signed and dated 1956, oval, 40x33.5cm, a panoramic view of Oxford, sepia reproduction and a print after George Morland, The Alehouse Kitchen, 42.5x32.5cm.

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283284 Los(e)/Seite