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Los 282

[MISCELLANEOUS] Betham, Matilda. A Biographical Dictionary of the Celebrated Women of Every Age and Country, for Crosby, Tegg & Castleman, and Lloyd, London, 1804, quarter leather, engraved multi-portrait frontispiece, octavo; and Bunyan, John. The Pilgrim's Progress: from this world, to that which is to come: delivered under the similitude of a dream, twenty-second edition, for Clarke and Brotherton, London, 1728, full leather (re-backed), engraved illustrations, octavo, (2).

Los 307

A 19TH CENTURY PHOTOGRAPH ALBUM comprising approximately forty-one carte-de-visite and eight cabinet portrait photographs, leather-bound.

Los 113

A three colour gold and enamel oval snuff box A three colour gold and enamel oval snuff box, prestige marks including maker s mark LC below a fleur-de-lys and the discharge mark of Julien Alaterre, possibly German, late 19th century, the lid centred with a plaque painted with two young women before a seated Roman youth, framed by chased floral garlands and scrolls, the borders similarly decorated, the reserve, side and base enamelled in translucent green over reeded engine-turning and further enriched with rosettes and loop motif enamelled in opaque white, the side with pilaster divisions supporting chased portrait medallions, the base centred with a plaque painted with a Roman soldier on horseback, 8.7cm wide Provenance: purchased pieces in Germany in the 1920s, and later in New York in the 1940s ** This lot is subject to 5% Temporary Import Duty and the buyer must pay Temporary Import Duty on both the hammer and the buyer's premium at a rate of 5%.

Los 132

Dufalga, Geneva, a gold and enamel open face pocket watch, circa 1800 Dufalga, Geneva, a gold and enamel open face pocket watch, circa 1800, verge fusee movement, three armed balance, disc regulator, pierced and engraved balance cock, engraved Dufalga, a Geneve, white enamel dial, Roman numerals, outer Arabic numeral minute index, fancy hands, winding aperture between 1 and 2 o'clock, the two piece hinged case with foliate and husk borders, the back cover with an enamelled portrait of a gentleman in a beaded oval shaped reserve, diameter 40mm Dufalga, is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Geneva in 1775 with gold and enamel.

Los 16

After Picasso Abstract still life and a portrait Colour prints, a pair 26cm x 20.5cm (2)

Los 20

After Rubens ¬hillies Armatus' Engraving 45.5cm x 46; And a mezzotint portrait of a lady (2)

Los 26

English School (20th Century) Portrait cricketer Oil on board Unsigned 39cm x 28cm

Los 60

Reg Gammon (1894-1997) Portrait of a young lady Oil on board Signed lower left 29.5cm x 17cm

Los 62

Follower of Jan Lievens (1607-1674) Portrait of a bearded old man, bust-length, wearing a beret with hands in a muff, sand timer behind Oil on panel Unframed 19 x 15 cm

Los 629

Good quality Victorian portrait miniature on ivory of a Naval Midshipman - possibly East India Company, in a relaxed pose, in a velvet-lined leather easel book frame, 7.7cm x 5.2cm

Los 277

James Moynahan, Abstract portrait of a man and a woman, unframed, oil on canvas, 76 x 102cm

Los 146

A Fine Quality Shell Cameo Brooch, Oval Shaped set in a 9ct gold mount. Hallmark London 1970. Portrait Of a young woman. 2" in height, 14.4grams. Excellent Condition.

Los 163

19thC Portrait Miniature Painted On Porcelain Plaque Depicting A Young Woman Wearing Roses In A Slightly Archaic Setting, 4.5x3 Inch Oval Plaque Housed In A Broad Ebonised Frame, Unsigned, Possibly French

Los 786

A Pair Of Impressive Bohemian Portrait Ruby & Cameo Glass Vases, Circa 1880's with gold overlay. Each stands 8.5'' in height. Chips to top rim area.

Los 920

Daniel Macnee 1806 - 1882 19th Century Portrait of The Young Aristocratic Lady Elsie Ann Lochart, Full Length In a Black Dress Oil on Canvas. Signed. Painting Size 38.3/8 x 27.7/8 Inches. Provenance ' Christies London 2002 26th November '- Lot 178, Page 212 of Catalogue. GB £5000-£7000.

Los 450

19th century school, portrait of a seated man, charcoal, 23cm by 18cm

Los 496

An assortment of 19th century and later prints including a portrait of Captain John Harvey of the ship Brunswick, two from Bystander, HMS Yarmouth and others

Los 2310

A gilt metal mounted ring box, the lid with a heightened military portrait, together with a Kigu compact, original box. Nesting oriental lacquered boxes and one other oriental lacquered box etc.

Los 2395

A miniature portrait of a boy in gilt pendant frame and with gilt leather easel case by Jarrold & Co, Sloane Street.

Los 2433

A good William IV oval portrait miniature, by J.R.Galland, showing a young lady, her hair in ringlets across one shoulder a diaphanous scarf, her grey dress fits low to her shoulders, signed with initials and dated 1831, 6.8 x 5.5cm. (See illustration) Condition Report: painted on ivory, in good condition dated 1831 beneath the initials JRG

Los 2524

An Indian portrait miniature of Munmutaz Mahal, she sits in a green robe holding a rose, 8 x 6cm.

Los 321

A pair of 18th century portrait engravings by Gardner after Watson.

Los 435

A portrait of the lug sail cruiser 'Dawn' by Beken, Cowes No.44158, together with ephemera.

Los 55

A Staffordshire Pottery Portrait Figure Of Wesley Together With A Victorian China Fairing

Los 116

A FINE FRENCH SMALL-SWORD WITH CHISELLED AND GILT IRON HILT, CIRCA 1770, RETAILED BY CULLUM, CHARING CROSS, BY TRADITION THAT OF CAPTAIN ALEXANDER HOOD AND A PORTRAIT MINIATURE OF CAPTAIN ALEXANDER HOOD R.N., ATTRIBUTED TO RICHARD BULL (ACTIVE 1777-1809), CIRCA 1785 the first with tapering blade (not visible, seized in its scabbard), iron hilt chiselled in low relief against a gilt matted ground, comprising double shell-guard decorated with differing trophies-of-arms partially enclosed by fronds within a framework of scrolls on each side, quillon-block, knuckle-guard and ovoid pommel decorated en suite with the shell, globular quillon decorated with foliage, and a pair of arms, and original grip bound with plaited silver wire and ribband between 'Turk's heads', in its parchment-covered scabbard with iron locket, chape and middle band, all decorated en suite with the hilt, the locket and middle band each with a ring for suspension and the former signed by the retailer, together with an early paper tag inscribed in ink 'Sword of Captain Alexander Hood killed in Mars at capture of L'Hercule'; and the second with powdered hair, blue coat, white facings and white jabot, on ivory, gilt-metal frame, glass lacking the sword: 79.5 cm; 31 3/8 in (in scabbard) oval 4.8 cm; 1 7/8 in (2) Alexander Hood was born on 23 April 1758 at Netherbury, Dorset and the second son of Samuel Hood, a purser in the navy and first cousin of Samuel Hood, Viscount Hood, and of Alexander Hood, Viscount Bridport. His elder brother, Arthur, also served in the navy, and was lost in the sloop Pomona in August 1776. His younger brother was Sir Samuel Hood, baronet, and naval officer. Alexander's entry into the navy is a matter of uncertainty, as an Alexander Hood appears on the books of two ships simultaneously, namely the Romney, carrying his cousin Samuel's broad pendant on the North American station, between 15 April 1767 and 9 November 1770, and the yacht Katharine, commanded by his father, from 4 July 1768 to 4 March 1772. Although the Dictionary of National Biography places him in the Romney, it is not known by what authority, as his passing certificate for lieutenant mentions only the yacht, from which he was discharged into the Resolution (Captain James Cook) for the latter's second voyage of exploration. In 1776 Hood went to North America under the patronage of Lord Howe, by whom he was promoted lieutenant in the Raisonable on 18 July 1777. In March 1780 he was appointed to command the cutter Ranger, which in the early part of 1781 was sent to the West Indies, where Sir George Rodney gave him the rank of commander on 17 May 1781. On 27 July he was appointed to the Barfleur as flag-captain to his cousin Sir Samuel Hood, then in temporary command of the station. As captain of the Barfleur he took part in the action off Cape Henry on 5 September 1781, and again in that at St Kitts on 25-6 January 1782. A few days later he was appointed to the frigate Champion, one of the repeating ships in the actions off Dominica on 9 and 12 April, specially attached to the Red squadron under Sir Samuel Hood, with whom she was afterwards sent to the Mona passage; there she had the fortune to capture the corvette Cérès, with whose captain, the baron de Parois, a nephew of the Comte de Vaudreuil, Alexander Hood became friendly. On the arrival of the squadron at Port Royal he was moved into the Aimable, another of the prizes, which he took to England in the summer of 1783. In 1790-92 and again in 1793 he commanded the frigate Hebe in the channel, and in the following year he was appointed to the Audacious, but was compelled by ill health to leave her. He was unable to resume active service until February 1797, when he was appointed to the Mars (74 guns), attached to the Channel Fleet, then commanded by Lord Bridport. He experienced the mutinies at Spithead and St Helens, and was one of the captains sent on shore by the mutineers on 11 May. In the following spring the Mars was with the fleet off Brest, and late on the morning of 21 April 1798, in company with the other ships of the inshore squadron, the Ramillies and the Jason, discovered a French ship, the Hercule (74 guns), making for the harbour. About 9 p.m. the Mars, by herself, found the Hercule at anchor off the Pointe du Raz, waiting for the tide to turn. The darkness and the strength of the current prevented any attempt at manoeuvring. After an interchange of broadsides the Mars fell alongside the Hercule with the effect that the anchors at the bows became hooked together with the two ships touching, and the guns, which could not be run out, were fired in many cases from inboard. Such conditions led to the Hercule's losing 315 men killed or wounded and with her guns dismounted she struck her colours. Casualties on the Mars, a similarly sized but older ship, totalled no more than ninety. Early in the action Hood had been shot in the thigh by a musket-bullet which cut the femoral artery. He was carried below, and expired just as the sword of the French captain, who also died later, was placed in his hand. That sword is now preserved in the National Maritime Museum (see below). Hood's body was taken to England, and buried in the churchyard of Butleigh, Somerset, beneath a monument erected by his widow, Elizabeth, daughter of John Periam of Butleigh. Although Hood undoubtedly benefited by his family connections, and he also showed some signs of being excessively strict, which resulted in his being put ashore in 1797, examples of his consideration also exist, and he was clearly an officer of ability and good powers of leadership. His will, leaving all to his wife, was made after he received his fatal wound, and gives no indication of his financial position. He was survived by their two children, of whom Alexander (d. 1851) succeeded to the baronetcy conferred on his uncle Sir Samuel Hood; his children in turn included Sir Arthur William Acland Hood, naval officer. Abridged and taken from the Oxford Dictionary of National Biography. Two further swords belonging to Captain Alexander Hood, including that presented to him on his death from the French Captain of the Hercule, are preserved in the National Maritime Museum, Greenwich. See May and Annis 1970, p. 358.

Los 229

A 40 BORE GERMAN FLINTLOCK SPORTING GUN FOR A BOY, CIRCA 1740 with two-stage sighted barrel formed with a short flat and inlaid with a brass portrait profile over the breech, grooved tang, bevelled lock engraved with rococo scrolls, walnut half-stock carved with a foliate moulding about the tang, the butt with carved raised cheek-piece on the left, brass mounts including pierced side-plate decorated en rocaille, engraved butt-plate and trigger-guard each decorated with scrolls and shell ornament, horn fore-end cap, and horn-tipped wooden ramrod 64.1 cm; 25 1/4 in barrel

Los 266

A GERMAN MILITARY SABRE, EARLY 17TH CENTURY with associated curved blade double-edged towards the point, formed with a long slender fuller along the back-edge on each face, etched with brief inscriptions, portrait profiles and sprays of foliage, iron hilt of moulded bars including vertically recurved quillons with flattened terminals, the upper formed as a monster head (the lower adapted, plate missing, loose), associated sheet-brass grip and brass Lionhead pommel 68 cm; 26 ¾ in blade

Los 499

A silver thimble by James Swan and Son, enamelled by Peter Swingler with portrait of Winston Churchill and panel inscribed 'Winston Churchill 1874 1974-PS'.(From The Collection Of Sylvia Norton)

Los 500

A rare silver thimble commemorating the wedding of Queen Victoria, with oval double bust portrait inscribed 'Victoria and Albert' within a border of roses, shamrock and leaves, seam a little parted, faceted rim.(From The Collection Of Sylvia Norton)

Los 77

Four Mauchline ware pincushions, comprising; a bellow form example (Blackgang Chine, I.W.), 9.2cm, a shield form example (Burns' Monument/Made of ˜ Doon), slight chip to back panel, 5cm, a disc form example (Braemar Castle/Linn of Quoich, Braemar), 5cm diameter, and a Tartan ware example (Princess Louise/portrait photograph), 3.5cm diameter. (4)

Los 545

J.A.A. BERRIE, FRAMED ANTIQUE PASTEL PORTRAIT OF A GENT, APPROXIMATELY 71cm x 53cm

Los 100

An early 19th century oil on canvas framed portrait of Lord Byron reading a book, 12 x 14 A/F

Los 57

A 19th century rosewood framed oil on canvas portrait of a gentleman, 24 x 29

Los 151

Victorian gold guard chain, with clip, stamped 9 ct , 43 cm long with a portrait pendant

Los 832

Two yellow metal framed portrait brooches, a similar small base metal box inset with photographed top with integral ink stamp, pearl necklaces, an elephant badge relating to 19th century (Alexandra P.W.O) Hussars, a City of Liverpool Fire Brigade badge, a boxed dragonfly lens etc.

Los 561

A EUROPEAN CARVED IVORY HEAD PORTRAIT PLAQUE, early 19th century, the male turned to sinister and with short curly hair, 1 3/4" high, fixed onto a velvet ground with gilt filet, under an oval bevelled glass set in a carved gilt wood hanging frame, 8 1/2" high overall

Los 201

A COLLECTION OF FOUR TASSIE TYPE SEALS comprising an oval transparent green seal depicting a classical head portrait, a clear oblong seal with a classical boy's head portrait "Aeaio"(?), a dark red example with a cherub and a larger oval amethyst coloured seal carved with Cupid, largest 1 1/4" x 1"

Los 279

A 9CT GOLD HOLLOW CURB LINK CHAIN BRACELET, hung with four 19th century and later hardstone set seals including a bloodstone intaglio carved with a head portrait and a cornelian with initials

Los 315

A VICTORIAN 15CT GOLD PROPELLOR BROOCH centred by an oval sardonyx plaque carved in high relief with a female head portrait in a chased open border with two graduated pearls to each shoulder, 2 3/4" long, together with two oval shell cameo brooches and a small dark blue glass perfume flask (4)

Los 443

EMILY EYRES (c.1850-c.1910), Portrait of a Gentleman, head and shoulders, pencil heightened with pastel, signed, 17 1/2" x 15", gilt gesso frame

Los 467

TERESA NORA COPNALL (1928-2007), Portrait of a Lady wearing a White Silk Blouse, half length, oil on canvas, signed, 20" x 20", gilt frame (subject to Artists Resale Right)

Los 474

WILLIAM WOODHOUSE (1857-1939), Portrait of a Horse, oil on board, signed, 15" x 18", gilt frame

Los 477

CLIFFORD HALL (1904-1973), Portrait of a Woman, head and shoulders, oil on board, signed, 16" x 12", gilt frame (subject to Artists Resale Right)

Los 497

JOHN A BLAKEY (b.1952), Portrait of an Allotment Keeper, watercolour and pencil, signed and dated (20)05, 28 3/4" x 20 3/4", ebonised frame (subject to Artists Resale Right)

Los 514

JACOB KRAMER (1892-1962), Portrait of a Gentleman, head and shoulders, oil on canvas, signed, 24" x 19 1/2", unframed (subject to Artists Resale Right) (Illustrated)

Los 525

JACOB KRAMER (1892-1962), Portrait of a Young Woman in a Pale Blue Dress, half length, pastel, signed, 21 3/4" x 15 3/4", stained frame (subject to Artists Resale Right)

Los 532

ENGLISH SCHOOL (Late 19th Century), Portrait of Miss Hare "Brooklands", North Park Avenue, Roundhay, Leeds, oil on canvas, unsigned, label verso, 29 3/4" x 25", gilt frame

Los 54

A VIENNA PORCELAIN CABINET PLATE, late 19th century, of plain circular form, centrally painted in pastel colours by H. Reldats, with the bust portrait of a young lady wearing a crescent brooch and pins in her curled hair, a pearl choker, evening gloves and holding an open fan painted with a pink rose, within a raised and burnished gilt band and gilt highlighted cobalt blue border, signed, blue on-glaze shield, title rubbed, indistinctly impressed, 9 1/2" diameter

Los 1118

English School, c.1900,PORTRAIT OF A LADYoval;A silhouette of a cleric; and a newspaper cut out of a John Nash silhouette

Los 1197

An early 19th century Meissen Marcolini porcelain can, painted with a portrait of a man, en grisaille, on a blue ground, underglaze crossed swords mark and incised '5', 7cm high

Los 1204

A pair of Wedgwood circular green sage Jasper ware panels, with portrait busts of Julius Caesar and Vitellius, both cracked and repaired, 8cm diameter, in gilt frames, 13cm diameter

Los 1212

English School 1773, Portrait of a Young Cleric, Died Aged 23, 27 October 1773, Standing with Hand to Heart, a Bible in one Hand, a Globe to one Side, oil on copper, 17.3 x 13.8cm, and an unusual leather tobacco box and cover, the cylindrical applied with a brass mount stamped 'Hewitt's Universal Tobacco Box, register'd 1852' below a beheaded bird, 12.5cm

Los 1237

English School, c1820PORTRAIT OF A LADY Oil on panel, labelled 'PORTRAIT SPECIMEN' of art by A BilstonTea tray painted, in a rosewood frame14 x 12cm

Los 1356

A Burmantofts faience pottery roundel, moulded with a portrait silhouette, signed P Mallet, 28cm

Los 1736B

... Goeler (?)PORTRAIT OF A YOUNG MANSigned and dated 1840Oil on canvas20 x 16cm

Los 1756

Richard Dighton (1795-1880)PORTRAIT OF MR WILLIAM LOWE, FULL LENGTH, STANDING, IN PROFILE, IN AN INTERIORInscribed and dated 1844 verso, pencil and watercolour27 x 21.5cm;and a coloured etching after Richard Dighton of MR LOWE, 182331 x 23cm

Los 248

19th Century English school, miniature portrait study of a seated lady by a window wearing lace bonnet and mourning dress, 15cm x 12cm

Los 505

Chester family of Poyle park interest, a late 18th / 19th Century portrait study of Sir Robert Chester, unsigned oil on canvas, 55cm x 45cm, contained in a decorative gilt foliate frame; together with a study of Henry Chester Junior, in the uniform of the 1st Battalion Company of the 3rd Regiment of Loyal London Volunteers, indistinctly signed watercolour within a black and gilt mount and frame (AF); R T Holding, study of Poyle Park, signed watercolour 35.5cm x 54.5cm; and a print of Cockenhatch, Herts, seat of the Chester family, (see label verso) N.B. Sir Robert Chest was one of the Gentleman Ushers of the Privy chamber to Henry VIII and Sheriff of Herts. & Essex, (4)

Los 525

After Messonier, portrait study of a seated figure smoking a pipe, unsigned oil on canvas, 53cm x 43cm

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