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Ephemera, Photographs, an album contain Scouting photographs together with a carte-de-viste/cabinet album contain photographs set on coloured lithograph pages, also includes a large collection of loose postcards, cabinet photographs, carte-de-viste, mostly portrait including RP Newsagents interior 1910, Together with a small selection of greetings cards. (parcel)
BEN ENWONWU R.A. (NIGERIAN 1917-1994) TRIO OF DANCING FIGURES Signed and dated 1951, gouache 49.5cm x 12cm (19.25in x 4.75in) Provenance: Inherited by the current vendor from their uncle-in-law who was governor of education in Nigeria during the 50s until decolonisation. He is thought to have known Enwonwu personally during this period. Note: Odinigwe Benedict Chukwukadibia Bonaventure Enwonwu is recognised as one of Africa's eminent artists of the 20th century and an important figure in Nigerian Modernist painting. Further, he is widely considered to have pioneered the appreciation of this movement in the period post-colonialization and has enjoyed international representation in cities including London, Lagos, Milan, New York, Washington D.C., and Boston. Though sometimes working in the medium of sculpture and often inspired by the landscape of his home country, his work is largely figurative and a favourite subject was the depiction of traditional dancers, using stylised forms to create a sense of movement and rhythm. The work shown here for sale is a typical example, executed shortly after he had finished his artistic training. His studies were extensive; beginning under Kenneth C. Murray at Government Colleges, Ibadan and Umuahia, 1934-37. Enwonwu then went on to gain qualifications from Goldsmith College, London, in 1944, Ruskin College, Oxford, from 1944 to 1946 and ultimately the Slade School of Fine Arts, Oxford, 1946-48, from which he graduated with first-class honours. His career has been both fascinating and at times exceptional. Enwonwu has, for example, had a bronze portrait commissioned directly by Queen Elizabeth II in 1956, and has undertaken a postgraduate in Anthropology from the University College London. Perhaps most fantastically of all, the Enwonwu crater on planet Mercury is named in his honour.
An indenture, with seal, George III, 1762, being a judgement by Sir Charles Pratt Chief Jusdtice of the Common pleas in a dispute between Charles Stafford Gentleman and Francis Plumtre, gentleman over rights to the manor of Cottered Yardley, Herts., with land in Rushden, Hitchin, Great Wymondlen and Walsworth totalling 5 houses with land, 3 dovehouses and a total of 1500 acres bringing in a yearly rent of £3 - 10s - 8d per annum, vellum 33 x 26in (84 x 68.5cm), with portrait of Geiorge III top left and engraved header, great seal with tin attached at foot, loose in modern gilt and glazed frame. Charles Stafford was a descendant of the notable Tudor courtier, William Stafford of Cottered, MP. Francis Plumtre was the fourth son of John Plumtre of Plumtre and Nottingham (1679-1745) and younger brother of John Plumtre MP of Fredville Park, Kent, ancestor of the present Lord FitzWalter.
A Victorian carved oak settle The chisel carved top rail featuring two carved portrait busts, above the back panel carved with figurative tavern scenes, the hinged seat with carved Anthemion motif enclosing storage space, and further carved panel beneath, raised on paw feet, width approx 106cm. CONDITION REPORT: No obvious damage or woodworm, a few scratches and knocks. In need of a polish
Attributed to Hugh Douglas Hamilton (c.1740-1808) Portrait of Jane Campbell and her husband, William Deane Esq seated in a library, extensively inscribed on an old label verso, with family history, pastel and coloured chalks, 36.5 x 41.5 cm, oval Jane was the fourth daughter of Colonel Josias Campbell, a cadet of the Scottish family of Campbell, Earls of London, he served in Spain with Lord Peterborough in 1704, and came to Ireland after the Boyne in 1690. William Deane was a wealthy lawyer of Dublin who upon dying left Jane a large fortune.
Sir George Hayter (1792-1871) Portrait of William Hanmer Esquire (1792-1872) half length wearing period costume together with a red cape, signed and dated 1826, also inscribed M.A.S.L, a further old label attached to the stretcher, with details of the sitter, and the artists name, oil on canvas, 92 x 71 cm, **The artist studied at the Royal Academy schools and in 1815 was awarded 200 guineas by the British Institution, and in that year was appointed miniature painter to Princess Charlotte and the Prince of Saxe-Coburg. He studied in Italy 1815- 1818, and in 1825 his picture of the "Trial of Lord William Russell" became widely known through it being produced as an engraving. He was appointed as portrait and history painter to Queen Victoria in 1837, painting her coronation ceremony, as well as her state portrait, for which he was knighted in 1842. He enjoyed a lucrative practice as a fashionable portrait painter.
Follower of John Linnell (19th century) Portrait of Joseph Hodgson (1788-1869) seated in a red chair holding a document, a quill ink well and other objects on a desk nearby, oil on board, with arched top corners, 25 x 20 cm **Joseph Hodgson was the son of a Birmingham merchant, he went to King Edward VI school and later became a doctor attending Sir Robert Peel in his last illness. **See Journal of the American Medical Association Vol 19, November 27th 1967 **The work also bears ' Hodgson's signature on an old label together with a wax seal, initials, J.H
English School (19th century ) Portrait of Mrs Mary Parr (nee Eyre) wearing a blue dress, lace trimmed bonnet and red sash, indistinctly inscribed on an old label verso, oil on canvas, 76 x 63.5 cm, **Mary Parr was the second wife of Doctor Samuel Parr, who enjoyed considerable notoriety during his life and is well chronicled on the internet. They were married in December '1816, Mary died at Kenilworth in 1848. oil on canvas, 76.5 x 63.5 cm

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