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283284 Los(e)/Seite
Los 374
Portrait of an American Indian, oil on canvas. Gregory Perillo is a western painter and sculptor, who continues to live in New York but who makes frequent trips West to refresh his vision. He was one of the first western artists to combine portraits of animals and humans on canvas; in fact he does all facets of the American West including wildlife in a style that combines realism and impressionism. Signed and dated lower left, Perillo '82. Overall size: 27 1/2 x 23 1/2 in. Sight size: 19 1/4 x 15 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 375
Large portrait of a woman, painted In the manner of J. A. Whistler. Oil on canvas, indistinctly signed. Overall size: 65 x 32 1/4 in. Sight size: 62 1/4 x 29 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 6
"The Stubborn Child" Signed lower right. Overall size: 35 x 32 in. Sight size: about 27 x 24 in. Philip Lyford was a commercial artist and magazine illustrator who created imaginative advertising for a diverse range of clients, and a patriotic WWII recruiting poster. He painted historical events, boats, Maine scenes, portraits and did book illustrations. He was a nationally known portrait painter and did illustrations for a number of national magazines, including The Saturday Evening Post. During World War I he painted many posters for the war bond drives and in 1937 was awarded the Poor Richard Medal for outstanding achievement in the field of advertising art. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.
Los 107
TADE (TADEUSZ) STYKA (POLISH 1889-1954)Portrait of Jayne Manners, circa 1940-1945 oil on canvas 104.5 x 76.5 cm (41 1/8 x 30 1/8 in.) signed lower left PROVENANCEGift of the artist to the sitter; sitter's collection until 1991Thence by descent in the familyLOT NOTESBorn in 1889 in the southern Polish city of Kielce into the family of famed historical painter Jan Styka (a student of Jan Matejko), Tadeusz Styka was, from a tender age, enveloped in the arts. Under his father’s tutelage, Tadeusz, together with his brother Adam (who likewise went on to become a painter, best known for his Orientalist portraits) began painting around the age of six. In 1900, the family relocated to Paris. Not two years later, Tadeusz — aged thirteen — had already exhibited at the Paris Salon, showing a copy of his father’s portrait of Leo Tolstoy (who later wrote to them both with thanks). By fifteen, he counted three exhibitions at the Salon.Simultaneously, Tadeusz collaborated with his father on a series of preparatory paintings for illustrations to the novel Quo Vadis. Recognizing his son's talent as an animalist, Jan Styka eventually put Tada in charge of the animal figures. The completed series was exhibited at the St. Louis Purchase Exposition of 1904, together with five independent works by the younger Styka. Although eleven of the fifteen paintings in the cycle were destroyed in a fire at the Exposition, the father-and-son duo received laudable reviews in the American press, which was particularly enamoured with the preteen artist. In a 1905 article dedicated to the elder Styka in Hearst’s International magazine, author Annabel Parker McCann named Tada "the wonder of European artists", who seems to have been born with so remarkable a perception of art and so great facility of the hand, so sure an eye for form and color, that the years of drill which most artists must spend in learning how to achieve technical facility are needless for him.The same attention followed Tadeusz throughout his early career and grew exponentially when he began spending time between Europe and the United States in the 1920s. By then he was largely sought after for his socialite portraits, frequently likened in style to those of Giovanni Boldini. Particularly sensationalized in the press was his portrait of and relationship with film star Pola Negri, especially when the latter became engaged with Charlie Chaplin. Famed actresses Marion Davies and Dolly Grey likewise sat for him. So did Sara Delano Roosevelt, who in 1934 — having perhaps come across Styka thanks to his recent exhibition at the Wildenstein & Co. Gallery — commissioned a portrait as a gift for her son, president Franklin D. Roosevelt, for the White House. Though the Great Depression took a toll on Styka's finances, and though his renown gradually abated, he continued appearing on the New York social scene (often accompanying heiress Huguette Clark) and receiving high-profile commissions, such as that of President Harry S. Truman.The present painting depicts American Broadway actress Jayne Manners, née Jane Oppermann in Monticello, Georgia in 1908. In 1925, aged seventeen, the singer-actress relocated to New York, where she performed at the Shubert Theatre. Selected here are images of her billed (as "The Unpredictable" Jayne Manners) alongside the iconic Dean Martin and Jerry Lewis comedy duo, as well as posing beside Ray Bolger (best known for his role as Scarecrow in The Wizard of Oz) during the 1942 production of "By Jupiter." It was during her early Broadway career that Manners likely met Styka, who made the numerous nude études and a painting of the young Jayne included here. The two remained in contact throughout Manners' lifetime, as evidenced by the present portrait, produced at least a decade following their acquaintance, as well as later sketches of her brother, sister, and parents. Shown here en face, her graceful hands holding the sleeve of a fur coat draped over one shoulder, Manners epitomises not only the classic "American beauty" type Styka preferred to paint, but the vitality of colors and brushstrokes for which he was so sought after in his lifetime and remembered for today. CONDITIONObserved in frame, the painting appears in excellent original condition. Minor surface abrasions apparent in limited areas around the perimeter (lower left and right, upper right edge). Inspection under UV light shows no apparent signs of restoration. N.B. The painting is unvarnished. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 155
NIKOLAI EVGRAFOV (RUSSIAN 1904-1941)Portrait of a Woman oil on canvas 76.2 x 55.9 cm (30 x 22 in.) CONDITIONObserved in frame, the painting is in very good original condition with some fine and stable craquelure throughout. Otherwise, no issues apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 186
DAVID BURLIUK (RUSSIAN 1882-1967)Marriage Portrait (I have a horse...) oil on canvas board 45.5 x 38 cm (17 7/8 x 15 in.) signed lower right, inscribed on verso: I have a horse / you have a cow / let us be married / now PROVENANCECollection of Ella Jaffe Friedus, longtime collector and friend of Burliuk, Cold Spring Harbor, NYThence by descent in the family CONDITIONObserved in frame, the work is in excellent original condition with no issues to report. Inspection under UV light shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 319
A SOVIET PORCELAIN VASE WITH PORTRAIT OF MAXIM GORKY AFTER ISAAK BRODSKY (RUSSIAN 1884-1939), DOVBYSHSKIY PORCELAIN FACTORY, DOVBYSH, 1949-1955of ovoid form with slightly everted lip, the body decorated with a red-orange band featuring khohloma-inspired floral motifs and gilt details, centered with a half-length portrait of the writer Maxim Gorky after a 1937 painting by Isaak Brodsky within an oval wreath frame, blue overglaze factory mark under base; height: 25 cm (9 7/8 in.)LITERATUREOda k radosti / Ode to Joy (Moscow: Pinakotheke, 2008), p. 419, no. 343 (illustrated) CONDITIONThe vase is in excellent original condition with no issues or signs of restoration to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 320
ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971)On the Bus, 1970 oil on canvas 90 x 102 cm (35 1/2 x 40 1/8 in.) signed, dated and titled on verso EXPERTISEAccompanied by a certificate of expertise from E. Petrova, State Russian Museum, St. Petersburg, 2007LITERATUREL. Zinger, Alexander Samokhvalov (Moscow: Sovetsky khudozhnik, 1982) (illustrated)LOT NOTES Alexander Samokhvalov, one of the foremost representatives of the Leningrad school of painting, began his artistic career in 1914 at the Higher Art School at the Imperial Academy of Arts, where he studied under Kuzma Petrov-Vodkin. Unlike many of his peers at the academy and the Mir iskusstva circle, such as Eugene Lanceray, Anna Ostroumova-Lebedeva, or Alexander Osmerkin, in the late 1920s Samokhvalov enthusiastically embraced the development of Socialist Realism for which he is remembered. As in his most recognizable work - Girl in a Football Shirt, awarded the gold medal at the International Art Fair in Paris (which also exhibited Pablo Picasso's Guernica) - his paintings from the 1930s often showcase the first generation of Soviet women as the face of modernity and strength.At first glance, the present painting, made in the year before Samokhvalov's death, appears divergent from the youthful athletic heroism associated with his oeuvre. Here, instead, the painter balances an illustration of working-class Soviet society with an introspective group portrait. The tightly cropped scene, while taking place among supposed strangers, is both a highly intimate and dynamic one. The expressions of the passengers - like the faraway gaze of the blonde man facing the viewer, or of the woman occupying the center left of the painting, or the man beside her glancing upward (as if about to start a conversation) - are oblique yet lively. Each is perpetually at the brink of action: take the woman in the lower right, hands placed on the handle of the seat in front, perhaps ready to disembark, or the one in a striped headscarf, lips questioningly parted.The legible dramatic narrative and typology of early Soviet painting is adapted here to a microcosmic snapshot of daily life, punctuated by an etherial ambiance awarded by the rain-blurred windows. Awash in hazy mauves and umbers, the bus interior, at Samokhvalov's hands, transforms into a meditative landscape. Indeed, public transit, that cornerstone of modern life, has long served as an artist's ideal venue for the convergence of public and private, interior and exterior. From the Socialist Realist subway scenes of the 1930s to the photorealistic paintings of Semen Faibisovich, the Russian painting tradition has never been able to abandon the hidden poetic potential of the day-to-day traveler.CONDITIONObserved in frame, the work is in overall good condition. Inspection under UV light shows scattered areas of retouching, the largest one being a vertical repair, possibly to a tear, along the upper left corner, approximately 30 cm (12 in.) long, and to the center of the beige coat. No more than 5% of the canvas is inpainted.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 324
BORIS KUSTOV (RUSSIAN 1912-1989)Lenin Reading Pravda, 1970 oil on canvas board 79 x 100 cm (31 1/8 x 39 3/8 in.) signed and dated lower right LOT NOTESThe painting is based on a widely-circulated photographic portrait of Lenin taken on October 16, 1918 by Petr Adolfovich Otsup (1883-1963), which became one of several canonical depictions of the Soviet leader. CONDITIONObserved in frame, the painting is in overall good condition, besides some surface mold at the upper paint layer. Inspection under UV light reveals no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 335
NIKOLAI KOZLOV (RUSSIAN B. 1942)Self Portrait, 1995 oil on canvas 50.5 x 41.2 cm (19 7/8 x 16 1/4 in) signed lower right; signed, dated and titled on verso PROVENANCELazare Gallery, Charles City, Virginia CONDITIONObserved in frame, the work is in overall very good original condition, without any issues apparent to naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 36
19TH CENTURY CONTINENTAL SCHOOLPortrait of a Young Girl Sewing oil on canvas 30.5 x 25 cm (12 x 9 7/8 in.) CONDITIONThe painting appears in overall fair and stable condition. Fine, stable and age-appropriate craquelure overall. The canvas is wax-lined. Inspection under UV light reveals limited areas of retouching, mostly confined to the perimeter (outside of the face). N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 85
A CHINESE ANCESTOR PORTRAITCivil Service Court Official pigment on paper 103 x 69 cm (40 1/2 x 27 1/8 in.) CONDITIONObserved in frame, the painting is in overall good condition consistent with age. Major areas if foxing and toning are visible throughout. No other issues to report.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Los 2037
Reginald Grange Brundrit RA, ROI (1883-1960) Portrait of John, son of W Becket Henderson Esq Signed and dated 1950, oil on canvas, 120cm by 90cm Exhibited: Number 3, Royal Academy Exhibition, 1951 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Los 235
Richard Stone *ARR, (b1951), full length portrait of HM Queen Elizabeth the Queen Mother, signed, crayon on paper, 20 x 13cm, bearing a label for City of Plymouth Art Gallery. Richard Stone is renowned portrait artist, perhaps best known for his portraits of the Royal family. At the age of twenty two he became the youngest commissioned Royal portrait painter for two-hundred years. Examples of his work hang in Buckingham Palace and The National Portrait Gallery in London.
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283284 Los(e)/Seite