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English School (19th Century), Portrait of a lady, wearing a blue dress, and high choker of pearls, oil on card, oval, in a gilt frame (loose) 36 x 31cm Out of its gilt frame, card is bent and has damages. Oil on card. Card support has suffered from water damage and creases. Areas of paint loss following creases. Scratches across the paint surface. Thin paint layers. Matt and yellowed varnish and surface dirt.
An Italian early 19th century Regency period marble oval Portrait Miniature depicting a female in profile (facing left), mounted in a rectangular oval recessed gilt metal mounted frame decorated with an acanthus reeded border, signed verso Luigi Bellucci, Firenze, the marble plaque 15.5cm x 10cm CONDITION REPORT: The frame appears to be generally good with no major problems noted, quite dark and dusty, the gilt metal surround appears in good order, the white marble is dirty in places where you would expect the dirt has congealed but all appears to be in good order with no major cracks, chips, repairs or problems noted.
A 19th century Jasperware Portrait Miniature of a Roman dignitary in profile (facing left), contained within a rectangular oval recessed gilt metal mounted frame together with a 19th century reverse glass painted silhouette of a military gentleman (facing left), contained within a circular gilt frame (A/F), (2)
A 19th century gilt metal mounted and tortoiseshell circular Box with hinged cover, the cover decorated (probably on ivory) with a circular quarter-length female portrait study miniature, 8.5cm diameter CONDITION REPORT: There is chipping to edge of circular box at the foot, the chipping is approx. match head size, see images, also staining to the painting.
English School, 18th century "Mister Isaac Willcocks Junior", Oil on Board Portrait of a gentleman in a navy blue dress coat, white shirt and waistcoat with hair tied in a ribbon, annotated verso "Wright Fecit November 1784", the oval board contained within an oval beaded gilt frame, 26cm x 21cm
English School, early 19th century Watercolour Portrait miniature of a gentleman in profile, contained within an oval beaded gilt frame, together with an English School 19th century Watercolour "Pastoral Landscape", depicting a seated farmer before a riverside cottage, gadrooned oval gilt framed and glazed (2)
A late 17th/early 18th century Oil on Canvas Portrait Study of a lady wearing flowers in her front-curled hair, pearl necklace, central brooch etc., facing left, apparently unsigned, later gilt frame, 73.5cm x 61.5cm CONDITION REPORT: Provenance: ex. a deceased antiques dealer with a good eye who was dealing in the 1960's and 70's in the Bristol area.
A late 18th century half-length Oil on Canvas Portrait of a lady, attributed to Enoch Seeman (Polish, 1694-1744), the subject is possibly Lady (Mary) Gascoigne (née Hungate) of Lotherton Hall, Leeds; her hair with front curls and wearing a single-strand pearl necklace, double pearl earrings and an elaborate red overcoat bejewelled with pearls and semi-precious stones etc., facing right, 74cm x 61.5cm (craquelure) CONDITION REPORT: Provenance: ex. a deceased antiques dealer with a good eye who was dealing in the 1960's and 70's in the Bristol area. The surface of the painting exhibits Craquelere, crazing and cracking etc., the rear of the painting shows a small repair to the right hand side (see images).
NICHOLSON, PETER "Practical Carpentry, Joinery and Cabinet-Making; being a new and complete System of Lines for the Use of Workmen..." revised by Thomas Tredgold, Kelly & Co 1857, frontis portrait with tissue-guard, engraved vignette on half-title, numerous plates (not collated), foxing throughout, front board detached, full speckled leather gilt-tooled edges, loss to lower spine; [NICHOLSON, PETER] "The New and Improved Practical Builder. Masonry, Bricklaying and Plastering... Volume II, 1839" and "The Five Orders of Architecture...Volume III, 1837" , Thomas Kelly, numerous engraved plates to both volumes (not collated), some plates folding, marbled boards, half-leather gilt title and decorations to backstrips; NEWLAND, JAMES "The Carpenter and Joiner's Assistant..." Blackie and Son, n.d., numerous plates, text bound to the back of the book, plates complete, folio marble boards, carved leather backstrip, worn gilt titles, all four volumes have bookplates inside front boards (4)
Pardoe, Miss, "The Beauties of the Bosphorus... from Drawings by William H. Bartlett", Virtue and Co, n.d., frontis portrait with tissue-guard engraved vignette on half-title, three of 86 plates missing: p99, p115 and p132, half-leather gilt rules, raised bands and gilt titles to backstrip, aeg, rather bumped.
Churchill, T.O., "The Life of Lord Viscount Nelson..." Harrison and Rutter 1810 London, second edition, frontis portrait, plates complete, facsimile of a letter from his lordship to Thomas Lloyd Esq., folding plates "The Funeral Car" and "Lord Nelson's Coffin", folio, contemporary marble boards, half-leather, very rubbed
"THE HISTORY OF ENGLAND by Hume and Smollett with a Preliminary Essay by the Rev. Henry Stebbing D.D.", George Virtue, London, three volumes n.d., frontis portrait, engraved vignette on half-title, numerous plates (not collated) contemporary marble boards, half-leather, raised bands, gilt titles and decoration and paste-downs to backstrip. MERLE D'AUBIGNE, J.H., "History of the Reformation in the Sixteenth Century", three volumes, 1845 Blackie and Son, plates, bookplate inside front board, full leather, gilt rules, blind stamp decoration to front boards. DUGDALE, THOMAS "Curiosities of Great Britain - England and Wales Delineated ..." three volumes published by Tallis, London, numerous plates, plans and maps (not collated), full-leather, blind stamped, gilt decorations and paste-downs to spines, all edges marbled, bookplate inside front boards; "A New History of England from the time of its first invasion by the Romans... " four volumes 1757, and one other binding, "An Abridgment of the History of England from the invasion of Julius Caesar..." 1805 (14) (1 box)
Caulfield, James. "The History of the Gun-Powder Plot: with several Historical Circumstances Prior to That Event...", London 1804, for Vernor and Hood, 31 Poultry; frontis portrait showing the plotters, nine plates, appendix, appendix advertisement for books published by Vernor and Hood, contemporary marble boards, quarter leather, rather rubbed
BIRDWOOD, Herbert M., the full-leather 1858 handwritten diary of the final year Cambridge undergraduate, Herbert Mills Birdwood, inscribed with the diarist's name and 'Pet. Coll. Cambridge'. The diary, which begins in the new year and ends on December 16th, records his final year at home before embarking for India where he was to lead a long and illustrious Civil Service career. Many interesting entries, including Wednesday, April 21st (page 92) which has a drawing of Isambard Kingdom Brunel's soon-to-be-completed Royal Albert Bridge. The entry for the day, which precedes the illustration reads: "Went to Plymouth by the 9.40 train. First to the Naval Bank and drew £10 . Then by omnibus to North Corus, thence by steamer to Saltash to see Mr Brunel's railway bridge. This consists of two tubes which are the arks of a circle and support the roadway thus:" The text continues belowthe drawing: "Only one tube was up. The roadway will be 100 feet above highwater - the span is 240 feet. Saw hulks and funboats in the anchorage, also the 'King William' and the American ship, 'Niagara', which with the 'Agamemnon', is going to lay down the Atlantic cable... walked to Plymouth along the canal to see the new viaducts which are building for the Tavistock Line."; "HEYWOOD'S AUTHENTIC SERIES OF PRESS BIOGRAPHIES - Mr. H. M. Birdwood, Barrister-at-Law", together with his brother, George's publication: "The Industrial Arts of India" (George C.M. Birdwood) Chapman and Hall Limited 1880, plates, bookplate inside front board, full-leather with gilt decorations and royal armorial crest 'VR' with photogravure portrait of the author (3)
BROWN, the Rev. John, "A Dictionary of the Holy Bible..." Samuel Leigh 1814 London, two volumes, folding coloured map to both volumes, full tree-calf lrather, gilt decorations, paste-downs to backstrip, "Concordance to the Holy Scriptures" Mathews and Leigh 1811, frontis portrait, full-leather; HOLY BIBLE printed by T Wright and W Gill 1769 Oxford, folio full-leather, backstrip worn and with loss; HOLY BIBLE Oxford University Press 1882, full-leather with brass clasp, bumped and worn, HOLY BIBLE printed by George E Eyre and William Spottiswoode 1861, full-leather with gilt blind stamp decorations, covered with buckskin wrapper (6)
Equine Interest - Herald silver lever half hunter pocket watch, Birmingham 1922, the cuvette inscribed 'Cato 1909-1923', the dial with Arabic numerals and subsidiary seconds, the case back engraved with a horse portrait, 52mm (with 'Farewell Forget Me Not' stitched watch paper) Condition Report: Movement - requires attention as not running consistently appearing over wound Dial - good Glass - good Hands - matching, good Case - typical surface marks, case back lightly bruised Condition reports are provided for guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots.
A portfolio of figural and portrait studies, 19th century, to include Henry Monro (1791-1814), head study of a woman, pencil; Sir William Gell (1777-1836), portrait of a gentleman in profile, pencil; Suhielz Briesen, study of life in court, pen and ink; Charles Rolls, a courtly procession along castle walls; Engravings by Augustus Esteve; Self portrait by Thomas R Lamont, ink, 1854; Mr Pitt, pencil portrait; small caricatures by William McConnell, c. 1860; Head study of Isaac Parish, initialled "G P 1810"; Pencil head study by Henry Alken (1785-1851); Figural studies by G Pinwell, pencil and ink, initialled; and others (sizes vary)
A portfolio of portrait studies, English School (19th century) To include Lady Jane Evelyn Lindsay, portrait of Francis, 5th Marquess of Hertford (1812-1884), politician, and Lord Chamberlain under Disraeli, pencil, 19 x 15cm; Portrait of the Hon. Caroline Fox by Joseph Slater (1779-1837), pencil and watercolour, 25 x 21cm; Attributed to Sir Thomas Lawrence, Study of a girl, signed lower right, pencil, 16 x 11cm; a Portrait of Walter Sneyd Esq, MP for Castle Rising, Norfolk, of Keele Hall, Staffordshire, pencil, 12 x 10cm; and Portrait of the Hon. Mrs Sidney, pencil, 21 x 17cm; and another portfolio of studies of plants and birds Some foxing, discolouration and one is stuck down to card (Mrs Sneyd).
GREENAWAY (K) Marigold Garden; A Day in a Child's Life; Under the Window; all London: either F. Warne & Co. or George Routledge, no date, colour printed by Edmund Evans, pictorial boards; Painting Book, card covers (chipped spine); Book of Games (worn covers); Kate Greenaway Pictures, from originals presented by her to John Ruskin and other personal friends, London: Frederick Warne 1921, folio, portrait frontispiece, mounted plates, uncut, cloth in lettered dust wrapper (6)
Poetry and literature, 20th century. Shakespeare Head Press, Nimphidia the Court of Fayrie, by Michael Drayton, 1924, printed in pale blue and black, patterned paper cover; HASSALL (Joan; illust.) Portrait of a Village, first edition 1937, cloth; Guild of Handicraft 4pp. offprint 'Songs of the Sea'; few others; also poetry in dust wrappers; John Masefield works, etc.
ACKERMANN (Rudolph). A History of the University of Cambridge, Its Colleges, Halls, and Public Buildings, 2 vols., London: R. Ackermann, 1815, 4to, engraved portrait of the Duke of Gloucester (slightly foxed), fine hand-coloured aquatint plates as called for (but lacking the Founders' plates), tissue guards, armorial bookplates of Henry Carrington Bowles, typical slight offsetting of plates on to text, but otherwise a good fresh copy in original calf gilt (2)

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