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283284 Los(e)/Seite
Los 42
John (Augustus) Autograph Letter signed to Thomas Earp, 1 p., on paper headed Fryern Court, Fordingbridge, Hants., dated 'Dec. 15' at head, sending an article he contributed "to this new and I fear still-born magazine"... "I read your Stendhal book with intense interest and pleasure & am more than ever a Beyliste. We are considering an excursion in you direction soon and there is the portrait still waiting in the library", creasing and folds, 8vo.⁂ Thomas Earp - art critic.
Los 55
Owen (Wilfred) Poems, first edition, portrait frontispiece, tissue guard, title browned, browning to endpapers, original cloth, paper label to spine, spine slightly browned, spine ends and corners a little bumped, light marking and fading to covers, sm.4to, 1920.⁂ The most important book of poetry from the first world war. The power of Owen's poetry is as significant today as it was when first written, under the encouragement of Siegfried Sassoon (who wrote the introduction to this posthumously published collection), in the trenches of Flanders, mostly in 1917 and 1918. Owen was killed one week before the armistice was signed in 1918.
Los 21
A BRIGAND oil on board 40 x 34cm Robert painted a number of studies of Italian life, following a loan from his patron which allowed him to travel to Rome. In Italy, Robert conceived a plan to paint a series of works depicting the four seasons, and within these four of the peoples of Italy. Charles X of France bought the work depicting Spring and Summer Reapers arriving in the Pontine Marshes is now in the Louvre. Unfortunately, Robert found himself unable to complete his painting of Florence in the Autumn owing to his unrequited love for Princess Charlotte Napoleon and so travelled to Venice. Robert is mentioned in Dumas' Count of Monte Cristo as the artist of a fictional portrait of a character. Provenance: Christie's, 19th Century European Art Including Orientalist Art, London, 27.4.2012, Lot 121
Los 40
A FOLIO OF DRAWINGS AND LITHOGRAPHS: INCLUDING FIGURE STUDIES AND ARCHITECTURAL STUDIES various media various sizes unframed Albert de Belleroche was Welsh-born, though he spent most of his childhood in Paris and England. He studied at Carolus-Duran's school in Paris at the same time as John Singer Sargent, and the two made numerous sketches of each other. It has been suggested that the two shared an intimate relationship, although de Belleroche went on to marry the sculptor Jules Edouard Visseaux's daughter. de Belleroche, like Sargent was friends of Oscar Wilde, Emile Zola, Renoir and Henri Toulouse-Latrec; de Belleroche painted the latter's portrait. -8
Los 117
DESIGN FOR THE FIRST WORLD WAR MEMORIAL IN ALBURY CHURCH signed l.l.: GERALD METCALFE watercolour on board 38 x 25cm The artist lived at Westside, Albury Heath. His death is recorded in the Albury parish register. He was born in India and studied at the South Kensington, St John's Wood and R.A. Schools. He was a portrait painter, miniaturist, mural painter and modeler, and exhibited widely. Metcalfe was local to Albury and the model for the relief figure was a local postman. The arch and decoration reflect the Romanesque character of the Church exterior.
Los 158
THE BLACK HAT Signed l.r.: J. Proudfoot '40 oil on canvas 46 x 38cm James Proudfoot was born in Perth where he was educated at Perth Academy before going on to St Andrews University. After a short time working in his father's carpet business he moved to London to study at Heatherley's and Goldsmith's College. A dashing figure and married to the actress Ellen Pollock be became a well know painter of landscape and portraits of well known actors of stage and screen. He received a honourable mention for his portrait of Peter Ustinov in the 1956 Paris Salon. He exhibited at the Royal Academy, New English Art Club and Royal Scottish Academy.
Los 198
LARGE FOLIO OF PORTRAIT DRAWINGS various media various sizes unframed Kingsley Lawrence studied at the King Edward VII School of Art in Newcastle upon Tyne under Richard Hatton, and then at the Royal College of Art under Sir William Rothenstein. The Nationl Portrait Gallery purchased his portrait of Rothenstein for its collection. He won the Prix de Rome and worked in Italy in 1923. He was elected Royal Academician in 1938 and was a member of the Royal Society of Portrait Painters. His murals are in the Palace of Westminster, the Bank of England and the Laing Art Gallery and Museum in Newcastle. -18
Los 200
A Napoleon III mahogany and gilt metal mounted partners pedestal desk, circa 1870, in the Empire taste, decorated with gilt metal mounts in the neo-classical taste throughout, the rectangular top with gilt tooled leather inset, above three frieze drawers and three opposing false drawers, with a gilt tooled leather inset slide to each shorter end, each plinth section with three drawers, flanked by tapering pilasters surmounted by female portrait terms in the Egyptian taste, on plinth bases, 79cm high, 150cm wide, 85cm deep
Los 254
A French Sevres-style blue-ground porcelain and gilt-metal mounted three piece clock garniture , Japy Freres, second half 19th century, the eight-day bell striking movement stamped with Japy Freres Medaille D'Honneur roundel and serial numbered GV 32064, the pendulum similarly numbered, the garniture painted recto with Watteauesque panels and verso with landscape panels, the case with surmounted with oval portrait above the 3.5inch Roman numeral dial, 45cm high, the garniture 48cm high
Los 44
After Andrea del Verrocchio (1435 ~ 1488), a patinated bronze model of the Equestrian statue of Bartolomeo Colleoni, late 19th century, the general portrayed in full armour, his stern face turned to sinister, his horse with left foreleg raised; later mounted onto a rectangular speckled black marble socle, 59cm high overall, 52cm long The renowned Colleoni Monument is a Renaissance sculpture in the Campo Santi Giovanni e Paolo, Venice, and was executed between 1480 and 1488 by Andrea del Verrocchio. Standing 395cm in height exclding the plinth, it portrays the Venetian general, Condottiero Bartolomeo Colleoni who, on his death famously left a substantial part of his will to the Venetian Republic, on the condition that a statue in his remembrance be set up in the Piazza San Marco. However, no portrait statue could be legally erected in Saint Mark's Square, since the law said that no individual could be honoured above the State, so the government avoided the problem by having the statue erected in its current position, but in front of the Scuola of San Marco instead Verrocchio based the sculpture on Donatello's statue of Gattamelata (1453), as well as on the ancient Marcus Aurelius equestrian group in Rome, the Horses of St Mark's in Venice, and the Regisole (an equestrian group of late antiquity and previously in Pavia, -now lost), amongst other influences; but in a distinct and impressive move away from these earlier groups Verocchio solved the technical problem of the requirement for a support beneath the raised leg of the horse, to support the weight of the group above. Donatello, in his monument at Padua, had only partially solved the problem by putting the raised leg on a sphere. Verrocchio's creation though used a combination of weight distribution and stance in the horse to enable the whole group to be supported on just three legs. In achieving this he could bring a sense of movement to the animal that could not be shown previously, and in doing this Verocchio created one of the great sculptural works of the Renaissance
Los 20
Second World War British Prisoner of War Interest - a Trio, comprising 1939-45 Star, War Medal and Long Service and Good Conduct Medal, awarded to 778004 SJT.J.R.CRANFIELD R.A., bar mounted, together with his No.2 Service dress cap and badge, and a portrait photographic postcard with German stamp **Sergeant Cranfield of C.D. and A.A. branch of the Royal Regiment of Artillery was held as a Prisoner of War, no.11710 at Stalag VIII B/344 Germany
Los 28
A First World War Trio, awarded to 1342 SPR.N.BELSHAW, R.E., comprising 1914-15 Star, British War Medal and Victory Medal, in a framed display with a portrait photograph and a cap badge; a Victory Medal, awarded to 206288 E.A.WOOD. SIG. R.N., in a glazed display with label to reverse inscribed ''Killed in action 1st November 1914 whe HMS Good Hope sunk during the Battle of Coronel'' (2)
Los 30
A First World War Pair, awarded 4917 PTE.J.G.BATEMAN DURH.L.I., comprising British War Medal and Victory Medal, together with a cap badge, 1919 pendant medallion and copy portrait photograph, in a glazed display case; a British War Medal, awarded to 1585 CPL.W.B.CHARLTON, NORTH'D YEO., with box of issue in a glazed display frame (2)
Los 5
A First World War Pair and Bronze Memorial Plaque, comprising British War Medal and Victory Medal, to 787925 PTE.T.J.R.COLLIER.C.M.G.BDE., framed and glazed, together with a Canadian Memorial Cross and a quantity of related ephemera including portrait photographs, letters of condolence, memorial cards, birth certificate, items of correspondence, Canadian Expeditionary Force Death Certificate, Overseas Military Forces of Canada official grave photographs, etc; also a copy of the Times newspaper, December 16th. 1861
Los 74
Assorted Items of Militaria, including pair of Barr & Stroud CF41 7X naval binoculars, A.P No.1900A, Serial No.58609, bearing broad arrow mark (A/F), leather case; chain epaulette; Royal Artillery leather shoulder belt pouch (A/F); two lapetted brass chinstraps; portrait photograph of Royal Artillery soldier and (possibly related) miniature memorial portrait, cased; Greek army poster, framed; R.A.F. officer's peaked cap; four militaria reference books, etc.
Los 95
A Pair of Black Enamelled Brass Binoculars, +5 - 2 7/8'', with pigskin grips, in a blue velvet lined leather case **Retrieved from a downed Allied aircraft during Operation Market Garden, in Holland; a Second World War Miniature Pottery Chamber Pot ''GEST-A-PO'', printed with a caricature portrait of Hitler (2) Binoculars - dent to each eyepiece, some black spotting to internal lenses, generally in good attractive condition.
Los 1353
Antiquarian Book - Medical History - Drake (James, M.D., F.R.S.), Anthropologia Nova: Or, A New System of Anatomy, Defscribing (sic) the Animal Oecnomy (sic), and a Short Rationale of many Distempers Incident to Human Bodies, third edition, two-volumes bound as one, W. and J. Innys (sic), London 1727, engraved portrait frontispiece of Dr Drake by Michael Vandergucht after Thomas Forster, vol I: lacking most of tab. VIII, appendix: lacks tab. XXVII, pull-out engraved anatomical plates, later Victorian quarter-calf and marbled boards, endpapers conforming, 12mo
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283284 Los(e)/Seite