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283287 Los(e)/Seite
An Edward VII hallmarked silver Warwick vaseDecorated in relief with portrait busts, grapes and foliate by Edward Barnard & Sons, London 1902, height 21cm, width 30cm, approx. weight 60.48oz An Edward VII hallmarked silver Warwick vaseDecorated in relief with portrait busts, grapes and foliate by Edward Barnard & Sons, London 1902, height 21cm, width 30cm, approx. weight 60.48oz Appears in good solid condition with some minor surface marksSee photos
Agnese Postempshi Nata Rufini (Italian, 19th/20th Century) - 'Portrait de Femme, La Bella after Palma Vecchio'Oil on porcelain panel, signed lower right, contemporary framed and glazed, 26x23cm Agnese Postempshi Nata Rufini (Italian, 19th/20th Century) - 'Portrait de Femme, La Bella after Palma Vecchio'Oil on porcelain panel, signed lower right, contemporary framed and glazed, 26x23cm Has been broken into several pieces and repaired See photos
Chester Wilson (British, 19th Century) - Oval portrait study of a young girl holding a fanSigned to bottom and dated 1875, oil on board, inset into a heavy foliate moulded gilt frame and bearing old label to reverse for William Lomax Oxford Street, Manchester, 28x22cm Chester Wilson (British, 19th Century) - Oval portrait study of a young girl holding a fanSigned to bottom and dated 1875, oil on board, inset into a heavy foliate moulded gilt frame and bearing old label to reverse for William Lomax Oxford Street, Manchester, 28x22cm Some wear and cracks to frame, otherwise goodSee photos
Antonio Enrico Fiorentino (Italian, 1894-1962) - Portrait of elderly bearded gent in a blue hatWatercolour, signed lower right, framed and glazed, 32x22cm Antonio Enrico Fiorentino (Italian, 1894-1962) - Portrait of elderly bearded gent in a blue hatWatercolour, signed lower right, framed and glazed, 32x22cm Appears in god condition Colours appear good and clear
Continental School (19th Century) - Portrait of a man smoking a clay pipe whilst seated on a barrelOil on panel, indistinctly signed lower right, in a moulded gilt frame, 24x18.5cm Continental School (19th Century) - Portrait of a man smoking a clay pipe whilst seated on a barrelOil on panel, indistinctly signed lower right, in a moulded gilt frame, 24x18.5cm
British School (19th Century) - Portrait of a Smartly dressed gent in landscape settingWatercolour, unsigned, inset inset into a rosewood finish frame, 30x22cm British School (19th Century) - Portrait of a Smartly dressed gent in landscape settingWatercolour, unsigned, inset inset into a rosewood finish frame, 30x22cm
Early 19th Century English School portrait miniature, watercolour on card, 'Portrait of a Gentleman', 6.3 cm x 5.1 cm, framed and glazed, together with after Thomas Gainsborough (1727-1788) reproduction print, 'The Painter's Daughters Chasing a Butterfly', 12 cm x 9.5 cm, framed and glazed (2)
Watercolour Painting and Portrait of Lieutenant Marcus Thurlow Wright Loyal North Lancashire Regiment & Royal Flying Corps, Shot Down and Taken Prisoner of War in 1917, fine watercolour showing him in officers uniform with Royal Flying Corps pilots wings to the breast. Signed to the lower corner L Copland. Mounted into a modern glazed frame which measures 53cm x 40cm. Accompanied by another portrait of him in uniform of the Loyal North Lancs which has had RFC pilots wings added at a later date. This picture has also been mounted into a modern glazed frame which measures 56cm x 42cm. Lieutenant Marcus Thurlow Wright was born in Leigh, Lancashire, in 1896. He gained a commission as a 2nd Lieutenant in the 5th Battalion Loyal North Lancashire Regiment in 1915. He qualified as a Pilot in December 1916 and in 1917 he was seconded to the Royal Flying Corps and served with No9 Squadron on the Western Front. On the 16th August 1917, during the Third Battle of Ypres, whilst piloting his R.E.8 aircraft on a counter attack patrol, he was shot down and taken prisoner of war along with his Observer Lieutenant A E S Barton, who was badly wounded by a bullet beneath his right eye. Both Wright and Barton were two of the first officers to be sent to Holzminden Prisoner of War camp, in Saxony, Germany. It was at this prisoner of war camp that the first “Great Escape” took place, with 29 men escaping through a tunnel, 10 of which evaded capture.
3x Framed Photographs of Imperial German Interest, including a nice framed pair of studio portraits showing one man in both dress tunic then the other image in field uniform with numbered pickelhaube cover; studio portrait of officer wearing Iron Cross medal bar; photograph of NCO in field grey uniform. All housed in period frames. (3 items)
Circle of Michael Dahl (1659-1743) oil on canvas, 'Portrait of a Lady', 54 cm x 41.5 cm, framed55cm x 67cm including frame, varnish has discoloured, possibly figure has been re laid onto new canvas, showing signs of this restoration, with raising to paintwork, not examined under UV, doesnt appear to be original stretcher, few small loses
Late 19th century Continental School oil on canvas - portrait of a lady, head and neck, indistinctly inscribed and signed, 55cm x 46cm CONDITION REPORT Several surface abrasions and small pinprick holes, a larger horizontal hole to her hair, centrally some surface staining and a little crackelure, a few discoloured spots of restoration to face covering small holes, otherwise original condition
Early nineteenth century English school portrait miniature watercolour of a dog named Fairy, other nineteenth century-style portrait miniatures, pair of miniature oils and others CONDITION REPORT Dog picture is on paper, area of paint adhered to surface lower left, miniature is an etching in elaborate ormalu frame 19th century portrait of a lady with lamp is on ivory, other portraits miniature on ivory
Stan Laurel and Oliver Hardy: a signed black and white photograph inscribed "Our Best Wishes Always Oswald", signed by both members of the comic duo, 25cms x 20cms; together with Shirley Temple: signed black and white portrait photograph inscribed "Best Wishes", 17cms x 23cms. Laurel and Hardy signed photo and Shirley Temple signed photo.
OSCAR MELLOR Nude female carrying flowers, oil on canvas, signed upper right dated 1965, 75cm x 55cm, unglazed, a 'female nude pair', oil on canvas, signed upper right 1965, 86cm x 71cm approximately, unframed, unglazed, two nude figures beside waterfall, oil on canvas, signed upper right, 1986, 92cm x 59cm, one other attributed to Oscar Mellor, portrait study of a female wearing glasses, 61cm x 71cm, unsigned, unframed and unglazed (4)
Paul Drury (British, 1903-1987): portrait of Lt. Col. Basil Moseley (Rtd), pencil, signed and dated lower right, framed with original letter from the artist sent to Basil Moseley's son, Drury's godson.Provenance: This is a portrait of the vendor's grandfather, Basil Mosely, known as 'Bobo' to family. Basil was best friends with Paul Drury, having known him from an early age, and Drury was godfather to Bobo's son (the vendor's father), 29 by 23cm, framed and glazed 51.5 by 39.5cm.
A group of Victorian stained glass panels in the Pre-Raphaelite style, attributed to glass painter and artist A E Roe, comprising a family portrait study of a mother two daughters and a young son opening a present, 23 by 27.5cm, complete with leaded oval glass frame, 29 by 38cm, a panel with a portrait of a very similar child, 14.5 by 16cm, a circular leaded panel inset with a study of an infant, 27cm diameter, two glass tiles decorated with a duck and a fish respectively, 19 by 10.5cm and a rectangular panel of the Madonna, signed A E Roe, 18.5 by 25.5cm.A E Roe is purported to have worked on the Victorian windows for the church of St Mary-Le-Bone, in London. (6)

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