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283287 Los(e)/Seite
Los 750
Collection of Vienna porcelain to include pair of candlesticks, two side plates, two saucers and two teacups, each painted with a Classical exterior scenes on a cobalt blue ground with gilded highlights; together with similar twin handled sucrier and twin handled vase, each decorated with a portrait of an eminent lady (10)
Los 1194
§ Francis Bacon, 1909-1992, oil on canvas, part of a painting circa 1953/4, painted as a study for a Francis Bacon Pope portrait. The canvas shows what the yellow, white and black edge and leg of a chair, and some of the white Papal clothing, on a black and blue ground, bearing similarities to the Bacon painting "Study after Velázquez`s Portrait of Pope Innocent X (1953)". On stretchers, the reverse showing a still life painted in 1958, inscribed verso, `The Studio at Orchard Avenue` signed by Lewis Todd (1925-2006). Height 36", width 24" (additional 3" height and 4" width obscured where the canvas is nailed to stretchers).. PROVENANCE: Part of a Francis Bacon work gifted by John Kesterton of the Heffer Gallery in Cambridge to the local artist Lewis Todd to allow him to use the reverse for his own paintings. This was done on the understanding that the canvases were to be cut up before use for his own work. Bacon always painted on the reverse of his canvases, the gift was made so that the impoverished young artist could made good use of them. Bequeathed direct by Todd to the present vendor. This work was inspected and authenticated by the Authentication Committee of the Francis Bacon Catalogue Raisonné in November 2012 A copy of the letter signed by Martin Harrison and confirming this attribution is sold with this work "..no doubt as to their authenticity." This and other authenticated pieces were included in The Bacon Estate sponsored PhD course at Northumbria University in which samples have been analysed. Preliminary results confirm that all pigments and binding medium used are typical of Francis Bacon works of the 1950s and 1960s. 36 x 2.40in. (91 x 6cm)
Los 1196
§ Francis Bacon, 1909-1992, oil on canvas, part of a painting circa 1953/4, painted as a study for a Francis Bacon Pope portrait. The canvas shows typical vertical black stripes as a background. Bacon frequently used a striped background for his portraits during this period. Title of a Lewis Todd painting written in pencil along with "A Francis Bacon Screaming Pope" inscribed verso. On stretchers, the reverse showing a still-life oil painting by Lewis Todd (1925-2006). Height 24", width 18" (additional 3" height and 3" width obscured as canvas nailed to stretchers).. PROVENANCE: Part of a Francis Bacon work gifted by John Kesterton of the Heffer Gallery in Cambridge to the local artist Lewis Todd to allow him to use the reverse for his own paintings. This was done on the understanding that the canvases were to be cut up before use for his own work. Bacon always painted on the reverse of his canvases, the gift was made so that the impoverished young artist could made good use of them. Bequeathed direct to the present vendor. This work was inspected and authenticated by the Authentication Committee of the Francis Bacon Catalogue Raisonné in November 2012 A copy of the letter signed by Martin Harrison and confirming this attribution is sold with this work "..no doubt as to their authenticity." This and other authenticated pieces were included in The Bacon Estate sponsored PhD course at Northumbria University in which samples have been analysed. Preliminary results confirm that all pigments and binding medium used are typical of Francis Bacon works of the 1950s and 1960s. 24 x 18in. (61 x 46cm)
Los 1199
§ Francis Bacon, 1909-1992, oil on canvas, part of a painting circa 1953/4, painted as a study for a Francis Bacon Pope portrait. Deep blue and black vertical lines. Inscribed verso in pen "Apples - by Lewis Todd" and "Francis Bacon - cast off! in 1950`s" on stretchers. The reverse showing a still life of apples signed by Lewis Todd (1925-2006). Height 20", width 16" (additional 2" height and 2.5" width obscured as canvas nailed to stretchers).. PROVENANCE: Part of a Francis Bacon work gifted by John Kesterton of the Heffer Gallery in Cambridge to the local artist Lewis Todd to allow him to use the reverse for his own paintings. This was done on the understanding that the canvases were to be cut up before use for his own work. Bacon always painted on the reverse of his canvases, the gift was made so that the impoverished young artist could made good use of them. Bequeathed direct to the present vendor. This work has not been submitted to the Authentication Committee of the Francis Bacon Catalogue Raisonné but has come from the same source as the other five canvases in the sale and is attributed with the confidence of that Provenance. 20 x 16in. (51 x 41cm)
Los 1482
Collection of British Quad film posters from the 1960`s including, The Last Voyage (1960), Portrait In Black (1960), Seven Thieves (1960), The Sundowners (1960), Nearly A Nasty Accident (1961), The Grip Of Fear (1962), H.M.S. Defiant (1962), It`s A Mad, Mad, Mad, Mad World (1963), Move Over Darling (1963), Night Must Fall (1964), The Carpetbaggers (1964), The High Bright Sun (1966), Robbery (1967), New Face In Hell (1968), folded, A-C (14)
Los 1624
Quantity of British Quad film posters including The Godfather (1972), Gumshoe, Postman Always Rings Twice, Death Wish, Portrait In Black, Sea Of Love, Scent Of A Woman, Green Ice, Mackintosh Man, Witness, Mosquito Coast, Mississippi Burning, No Mercy, Fight Club, Fourth Protocol and others, folded, (40)
Los 28
Louis XVI late rectangular Verre- Eglomise gold snuff box by Toussaint-François Pillieux (fl. 1786-1806) marked Paris 1789 later struck with two post-1838 French provincial restricted warranty marks for gold, the miniatures by Viller, signed on the cover and base. decorated with scenes from classical history all etched on a gold ground against a slate blue background, within reeded gold mounts, gross weight 117.8 Provenance; Provenance consigned from a private collector. one of four in the sale, sold Christies London King street Important Portrait Miniatures and Gold Boxes sale 28th November 2006
Los 29
Late 18th century Swiss oval gold and blue enamelled snuff box the cover decorated en grisaille with a scene depicting two maidens before Minerva in a capriccio landscape, surround by multiple borders the four side pilasters engraved with gold urns, gross weight 121.6 Provenance consigned from a private collector. One of four in the sale, previously purchased Christie`s, Geneva, 19 November 1997, lot 237. and by the present vendor at Christies London King street Important Portrait Miniatures and Gold Boxes sale 27th November 2007. 3½in. (8cm)
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283287 Los(e)/Seite