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283287 Los(e)/Seite
Los 568
A pair of bronze oval portrait plaques, 19th century, one Field Marshall Sir Arthur Wellesley, 1st Duke of Wellington (1769-1852), depicted in dress uniform, the other a gentleman, possibly George IV, portrayed togate, each in an ebonised oval frame, 29 x 26cm overallProvenance: From the private collection of Sir David and Lady Scholey
Los 621
Y An ivory and silver coloured mounted rectangular card case, with an applied silver coloured C-scroll pierced and engraved panel, 11cm (4 1/4in) high; an ivory circular box and cover, the cover with a painted circular portrait of a woman, 6cm (2 1/2in) diameter; two ivory rectangular tooth pick boxes; two turned ivory handles, the largest 12.5cm (5in) long; a 9 carat gold bow brooch, Birmingham 1903, 3.5cm long, 3g gross; and a gilt metal clover brooch
Los 333
A 19th century oval pen and ink portrait silhouette of the Scottish cleric John MacDonald, biography verso, 4 1/2" x 3 1/2", in gilt frame, and an early 19th century cut paper silhouette of a child with a toy horse, 6" x 4"Condition:Silhouette of child is fine, no visible issues.Silhouette of Cleric John MacDonald has a fold and tear horizontally across the centre. Crease above the head and discoloration to paper
Los 644
Harrington & Byrne "King George V & George VI Silver Crown Set" comprising George V rocking horse crown 1935 and George VI crown 1937, with certificate of authenticity, boxed, The Royal Mint "The 65th Anniversary of the Coronation of Her Majesty The Queen" comprising UNITED KINGODM silver proof five pound £5 coin 2018, with certificate of authenticity number 3035 of 6650, boxed, NIUE Elizabeth II two dollars $2 coin 2017 with Star Wars Darth Vader portrait to the reverse, boxed, The Royal Mint "Designing the Future: Nations of the Crown" UNITED KINGDOM Elizabeth II silver proof Piedfort one pound £1 coin 2017 with certificate of authenticity 4154 of 4500 with further certificate from Harrington & Byrne boxed and a Coin Portfolio Management CPM "Queen Elizabeth II 90th Birthday Silver 1oz" Baird & Co. one ounce 9999 fine silver commemorative coin with certificate of authenticity, (6 coins)
Los 733
BANK OF ENGLAND twenty pound £20 banknote Pictorial Issue Page D04 581308 BE205e, £10 banknote Portrait Issue Page B48 BE155c, three ten pound £10 banknotes Pictorial Issue Page C46, C75 and N26 BE158c, five ten pound £10 banknotes Somerset X07, X14, X24, W07 and W14, BE160c, five pound £5 banknote Portrait Issue Fforde X71 BE101c, five pound banknote Portrait Issue Page 19D BE105c, a consecutive run of ten Portrait Issue one pound £1 banknotes O'Brien BE59c and eight other banknotes, (thirty banknotes with FV of £137)
Los 736
BANK OF ENGLAND five pound £5 banknote Helmeted Britannia Issue O'Brien B49 444557 BE97c, ten pound £10 banknote Portrait Issue Hollom A36 678684 BE153b, ten pound banknote Pictorial Issue Page A55 313560 BE158b, ten pound banknote Pictorial Issue Gill HR07 653155 BE164b, five pound banknote Pictorial Issue Page BW32 944679 BE112c, one pound £1 Peppiatt C03H 977526 BE47d, one pound banknote Peppiatt BE52a, one pound banknote Beale BE54i etc., (25 notes with FV of £56) and two cheques from Barclays Bank to the Bank of England, one to Customs and Excise for £2000 1931 and Martin's Bank for £2000 1931.
Los 804
Windsor Mint REPUBLIC OF CHAD "Greatest Explorers" gold proof ten-coin set 2019 comprising ten gold proof 3,000 Franc CFA coins, each with a different explorer's portrait on the reverse, (coin spec: 10x0.5g, 999 or 24ct gold), each capsulated and held within hinged case with information booklet and certificate of authenticity
Los 392
A quantity of books relating to art, to include Rembrandt, The Catalogue of Rembrandt's Etchings Vol 1 & 2, Rembrandt by Emile Michel, Rembrandt Drawings, A Treasury of Masters Drawings, Leonardo Da Vinci, Portrait Drawing Techinics, Leonardo's Rules of Painting, Michael Angelo Models, Master Drawings and Florentine in Paintings. (13)
Los 48
A GEORGE III IRISH SILVER DISH RING, Dublin c.1775, mark of Ambrose Boxwell, of circular waisted form, with lattice-work body bedecked with continuous drapery swags and oval panels of an urn, engraved thistle and a portrait medallion, (c.12 troy ozs). 20.2cm diameterCondition Report: house clearancesmall solder repairs to foot rim, discreet, professionalscratch weight 12.50engraved with thistle crest see images
Los 138
A collection of jewellery to include a portrait miniature depicting a gentleman in a black coat and white collar in profile, cast scrolling border, with a glazed hair set panel to reverse, unmarked; a banded agate set tie pin, unmarked, and another set with a carved hardstone; a sapphire and seed pearl set brooch stamped 9ct; and a ruby set bar brooch, stamped 9ct(Portrait miniature: 3.5cm x 3cm)
Los 141
A collection of jewellery to include a 9ct gold swizzle stick, a single strand cultured pearl necklace; a Victorian portrait pendant, set with small half pearls and glazed panel to front and rear, stamped 15c; a Scottish style agate set brooch, a small horse-shoe pendant and St Christopher, both stamped 9ct; a Japanese Komai style bracelet and two pocket watches(Length of swizzel stick: 7.3cm)
Los 335
An impressive cased George III silver-gilt twin handled cup and cover Benjamin Smith II & James Smith III, London 1810, the cup of traditional Neo-Classical urn form with a cast foliate border, two high relief Classical Bacchus masks to either side in a swag border of applied vines, with leaf-clasped fluted handles and applied acanthus leaves to the lower half of body, the stem with an everted gadrooned border to a circular foot with a flat chased foliate border; the pull off cover with a gadrooned border and a small central pull off lid with a leaf clasped emerging bud finial, presented in original fitted red leather case(Height: 34cm, weight: 104.8oz)Provenance: The cup was presented to William Jeffrey Lockett (1768-1839) a lawyer who received the cup and cover in lieu of payment for an apparent indiscretion of the Duke of Devonshire, and thence by descentFootnote: Note: By 1800 the vast wealth amassed from the Industrial Revolution had created a wealthy emerging middle class, this prosperity is clearly illustrated with the silver commissioned during this period. Requests for huge dinnerware services to presentation holloware were not unusual and highlight how this success was enjoyed. This prosperity was not only centred around London but was shared with emergent cities such as Glasgow, Sheffield and Birmingham and allowed silversmiths such as Benjamin Smith and his brother James to really make a mark for themselves as skilled silversmiths and chasers. Of the two brothers, Benjamin was the more prolific, born in Birmingham in 1764, he began his carrier with Matthew Boulton, before moving to London and later embarking on a partnership with his friend and silversmith Digby Scott in 1802. Their workshop in Greenwich supplied Rundell & Bridge, where they would have worked alongside eminent silversmith Paul Storr; many believe their work comparable in quality to his. His collaboration with Scott was a particularly fruitful one, it was at this time they were commissioned to create ‘The Duke of York Baskets’ for Prince Frederick, Duke of York and Albany (1763-1827), the second son of George III, previously exhibited in the Powerhouse Museum in Australia; and also the Jamaica Service, created in 1803 for William IV (1765-1837), then Duke of Clarence, still in the Royal collection today. This was no doubt facilitated by their connection with the Crown jewellers Rundell & Bridge, who were the retailers responsible for supplying all banqueting plate and jewellery of the Royal family. It would seem that Benjamin preferred to work in partnership with other silversmiths, rather than independently, however these collaborations were always short lived, though why is unclear. By 1809 he had left Scott and joined forces with his brother James; and though this only lasted until 1812, it was during this time that this this impressive cup and cover were commissioned. They may well have continued to produce for Rundell & Bridge, but regardless their craftsmanship remained impeccable, and their pieces typify the style of the period. In the wake of George III’s failing health and as he was deemed unfit to rule, the Prince of Wales succeeded as Prince Regent in 1811 until his father’s death in 1820. This period offered new beginnings with more influences from the continent and the French Empire style filtering through. The swags of applied fruiting vines, foliate motifs and Bacchus masks are a clear nod to the emerging Regency style, while the symmetry and sumptuous opulence of the piece have their origins in the French influence. For a similar example, see Christies 10th June 2010 auction, Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes, lot 352 for The Doncaster Races Cup, 1805, also by Digby Scott & Benjamin Smith. This cup and cover with the presentation leather case is a rare example of not only an eminent silversmithing family but that of a new and exciting period where wealth was to be shown in the home with great commissions of silver and even grander examples of silver-gilt ware.
Los 1706
George V Art Deco hallmarked silver photograph frame, to suit 5x3 inch photo, with oak easel back to suit portrait or landscape use, Birmingham 1924, maker Charles S Green & Co Ltd, together with an oval hallmarked silver photograph frame with easel back, height 11cm and a plated photograph frame, height 22cm
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283287 Los(e)/Seite