John Slater (fl.1800-1847) Portrait of a gentleman said to be The Reverend John James, Canon of Peterborough, born 1783 half-length study; together with a companion portrait of a lady (his wife) said to be Elizabeth James (nee Bell), half-length study each signed inscribed and dated London 1808 bottom left graphite drawings with colour washes each 27 x 33cm. * Josiah Slater was a fashionable portrait painter of the time and thought to have been a pupil of Sir Thomas Lawrence (1769-1830) Provenance: Edgeworth Manor, Stroud, Gloucestershire
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English School 18/19th Century Portrait of a gentleman thought to be John James the second (d.1723) pastel drawing, oval 31.5 x 25cm, together with a group of various other portraits and prints from the family. (7) Provenance: Edgeworth Manor, Stroud, Gloucestershire 416. Robert Frain (? British, 19th Century) Portrait of a fisherman, said to be Jock Scott full-length standing signed and dated 1852 bottom right coloured chalk drawing 60 x 38cm. £600-800
L. Fabrice - Miniature Tondo Head and Shoulders Portrait of a Youth wearing a White Chemise and Lilac-toned Jacket, a Landscape beyond, late 19th/early 20th Century watercolour on ivory, signed, diameter approx 5.5cm, within a turned wood frame, together with a 19th Century watercolour, Portrait Miniature of a Gentleman.
A printed postcard titled `Worthing Football Club Season 1903-4 from a photo by Bristow, Chapel Road` depicting a team group portrait with inset portraits of S.S. Harris and E.G.D. Wright, together with another printed postcard titled `Worthing F.C. 1907-8` with vignette portraits of the team.
SHAKESPEARE, William. The Plays of William Shakspeare… notes by Samuel Johnson and George Steevens, the second edition, revised and augmented [and] The Supplement. London: 1778-1780. Together 12 vols., 8vo (218 x 128mm.) Portrait frontispiece to vol. I. (Some spotting and browning.) Contemporary calf gilt, the flat spines in six compartments, lettering pieces to the second and fourth, the others with repeat decoration in gilt (spines slightly rubbed, 1 joint split, a few chipped at head or foot). Provenance: Geo. Bateson (armorial bookplates).
GIRALDI, Giambattista Cinzio. Orbecche Tragedia. [N.p. but Venice:] Aldus, 1543. 8vo (146 x 92mm.) Etched portrait verso of title, woodcut printers` devices. (Title-page with crude paper overlay obscuring an ownership signature, two worm holes to portrait, one repaired.) Old speckled calf (spine cracking and chipped, repaired at head and foot).
CHARLES I, King of England. Eikon Basilike. The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings. [N.p. but London:] 1649. 8vo (204 x 123mm.) Folding engraved frontispiece, engraved portrait, extra-illustrated with a cropped engraving of related interest mounted on rear pastedown. (Some light browning and heavy damp-staining, minor worm damage). Near contemporary calf (worn). Provenance: Henry White (ownership inscription dated 1813 to front pastedown).
PARIS, John Ayrton. The Life of Sir Humphry Davy. London: 1831. 2 vols., 8vo (207 x 123mm.) Portrait frontispiece, vol. I extra-illustrated with a mounted 1p. a.l.s. from Davy and two exhibition advertisements. (Letter worn, exhibition advertisements spotted, occasional other spotting.) Later cloth (extremities bumped).
* JOHANNES NOTZ (SWISS, 1802-62, IN LONDON 1827-1842), portraits of Sir John Owen BT. M.P. Orielton, his first wife Charlotte Lady Owen, (after a portrait by Sir Thomas Lawrence) and (presumably) his second wife, pencil and watercolours, signed. 14.5" x 10.5". Ornate period gilt frames. Provenance:- By Descent from Jordan`s of Pigeonsford Mansion.
CLARENCE WOODBURN (BRITISH, MID 20TH CENTURY), a folio of sketches, mainly portraits, some architectural. Together with four sketch books of costume, portrait and other studies, some prints of the artists work and a group of loose watercolours and other sketches being landscapes, engraving studies and portraits, some nude sketches etc. (1 large box).

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