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283284 Los(e)/Seite
Los 1162
Two late 19th century portrait miniatures on ivory depicting young gentlemen, the larger indistinctly signed to right side, 8.2 x 6.5cm, larger glazed, both in gilt metal frames, smaller with easel back. (2)Additional InformationMisshaping to both frames, tarnish, rubbing to the gilt, the unglazed example with some surface marks and spotting, the second example indistinctly signed as stated, both backings somewhat worn.
Los 1562
A Victorian yellow metal mourning brooch featuring glazed watercolour portrait miniature of a young girl to front and glazed compartment to reverse, apparently unmarked, 4.7 x 4cm, and a contemporary gilt metal brooch with central filigree work within glazed compartment (2). Additional InformationWear and tear commensurate with age, condensed scratches, rubbing to gilt metal etc throughout.
Los 1076
ALAN BRASSINGTON (born 1959); two watercolours, rowing scene and portrait of African lady, both signed and dated '89 lower right, former 31 x 49.5cm, two smaller watercolours by Valerie Wright, and a gilt framed mirror (af) (5).Additional InformationMirror damaged with multiple losses throughout.
Los 703
HENRY SCOTT TUKE (1858-1929), signed oil on canvas, dated 1923 "Portrait of Captain Robert Seton Hooke Henderson", (documented in David Wainwright's book "Under Canvas"copy of book to be sold with painting) 30" x 22" Commissioned by his Widow May Bull after his death. Tuke had an association with May Bull and is rumoured to have considered marrying her, was said to be upset by her eventual engagement to Captain Henderson, 21 years her junior and he refused to attend the wedding in 1911- additional information available from the Auctioneers
Los 112
JACOBITE INTEREST. AN ENAMEL BONBONNIERE WITH CONCEALED MINIATURE, FRENCH, 19TH C the inner lid set with a miniature of Prince Charles Edward Stuart, gouache, the slightly domed lid and waisted box in tartan enamel, 7cm diam++Some old restoration mainly confined to the part of the lid near the hinge. The portrait in apparently good condition firmly set beneath bevelled glass
Los 550
ENGLISH SCHOOL, EARLY 19TH CENTURY PORTRAIT OF JOHN WADSWORTH OF NOTTINGHAM seated half length in a brown coat and yellow waistcoat at a desk before red drapery, oil on canvas, 75 x 62.5cm John Wadsworth (1803-1861) Solicitor of 25, Fletcher Gate, Nottingham.++According to a note on the reverse, restored in 1922 when lined. Some evidence of over painting in certain passages, varnish discoloured with age and dirt, two small spots of flaking. In Victorian giltwood and composition net patterned frame which has been gold painted
Los 581
o†ARTHUR SPOONER, RBA (1873-1962) PORTRAIT OF JAMES SNOOK THE NOTTINGHAM TEXTILE MERCHANT bust length, signed, oil on canvas, 75.5 x 60cm For an essay on this lot please visit www.mellorsandkirk.com/auctioninsights ++Good condition, cleaned in recent years, unlined in 18th c giltwood frame
Los 528
ENGLISH SCHOOL, 17TH CENTURY PORTRAIT OF A GENTLEMAN bust length in ruff and black hat, charged with a shield of arms and date '1611' upper left, oil on canvas, 74 x 63cm, unframed Please note: An old label on the stretcher possibly a cutting from a catalouge, reads 'John Newman of ...wood Essex' The arms are those of Newman, or, a fesse indented gules between three eagles displayed, sable and were granted in 1611 to George Newman (c1562-1627) of St Margaret's Canterbury and Doctor's Commons, who had issue (4 sons and 4 daughters).++Lined in probably the later 19th c with old restoration, very dirty and slightly speckled with white paint
Los 523
JOHN HUNTER THOMPSON (1808-1890) PORTRAIT OF JOHN NICHOLSON, 'THE AIREDALE POET' (1790-1843) head and shoulders, signed, dated and inscribed verso (This Portrait of John Nicholson the AIREDALE POET John H Thompson Pinxit 1833) oil on canvas, 30.5 x 26cm John Nicholson the Poet of the West Riding was born near Harewood, Yorkshire. Educated privately, he was engaged as a wool sorter in his father's factory, which was to remain his lifelong occupation interrupted by periods of 'dissipation' (DNB) and his writing.H work first appeared in print in 1821, but his poetic ability was recognised four years later with the appearance of Airedale in Ancient Times. Although ill educated some of his shorter compositions are not without originality and even grace (DNB). The Belfast born artist John Hunter Thompson was a sociable and popular member of the thriving Bradford artistic milieu of painters writers and poets that included Branwell Bronte, whose 'salon' and place of annual re-union was The George Hotel, a coaching inN run by the hospitable Margaret Reaney (1815-1893). The present portrait of John Nicholson may be the one mentioned by Butler Wood in 'Some Old Bradford Artists (the Bradford Antiquary 1895, pp 208-209). A friend and contemporary of both men and Branwell Bronte in his ultimately futile attempt to pursue a career as an artist, was the Bradford born portrait painter and early photographer William Overend Geller (1804-1882) who, although spending much of his career in London, maintained strong local connections. It is his portrait of the by then renowned Airedale Poet, similar in composition to the present small scale head and shoulders, by which Nicholson's appearance is known to posterity.++Three old patched repairs on the reverse of the support otherwise unlined, paint shrinkage and retouched cracqueleur, varnish dirty
Los 256
EARL OF ST VINCENT. A BLACK TRANSFER PRINTED PEARLWARE COMMEMORATIVE JUG, HERCULANEUM POTTERY, C1805-10 finely printed in black with oval portrait of the Earl engraved by George Martin, the rims and handle outlined in black enamel, 17cm h, impressed HERCULANEUM, printed title THE EARL OF ST VINCENT ++Good condition
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283284 Los(e)/Seite