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283284 Los(e)/Seite
Los 589
Five mid-20th century gouache portrait miniatures each of a maiden in period costume, including a circular example of a maiden in a blue and white trimmed dress within a circular gilt metal frame, 12cm overall, three miniatures in oval frames and another miniature in an ebonised frame signed Dimarh (5).
Los 657
MASSEY (F), PORTRAIT SKETCHES IF CHESHIRE HUNTING MEN FROM 1850 to 1890, gilt red cloth with green spine, George Falkner & Sons, The Deansgate Press Manchester 1903Additional InformationBoards heavily stained and worn, significant foxing and staining to the internal pages. Further general wear throughout.
Los 695
ENGLISH SCHOOL EARLY 19TH CENTURY; pair of pastels, portrait of a husband and wife, in verre eglomise mounts and gilt wood and gesso frames, one with a partial label verso for Claridges Hotel, 29cm x 25cm (2).Additional InformationImages with general dirt specks and some slight blooming to the darker areas. His portrait with a small raised patch just above his hand, not clear if this is sitting on the surface of the image or not. Frames with general wear and some slight chips.
Los 696
19TH CENTURY ENGLISH SCHOOL; watercolour on paper, portrait miniature of a lady in a black dress, 9.5 x 7.5cm in ebonised papier mache frame, and a smaller 19th century gouache on paper miniature of a lady in a blue ribbon tied lace up bonnet, 7.5 x 5.5cm, a a silhouette of Martha Griffin aged sixteen years and dated 1844 (3).
Los 702
EARLY 17TH CENTURY SPANISH SCHOOL WITH POSSIBLE ATTRIBUTION TO SOFONISBA ANGUISCIOLA; a large oil on board, portrait of a lady in black dress with white lace collar and cuffs, a white veil over her head and holding a handkerchief in her right hand, unsigned, 98 x 68cm. This lot is accompanied by various correspondences from the previous vendor and the National Portrait Gallery (August 1961), various other correspondences including E & J Tawil, City of Manchester Art Galleries, etc, also information regarding the restoration undertaken in April 2008 by Gillian MH Walker.Additional InformationWhen inspected under UV light there is evidence of extensive retouching throughout the picture, particularly to the face and hands, but is does persist throughout the picture where old splits to the panel have been gone over, the original panel is obviously covered up by a modern board which we have not removed, but the evidence is clear of numerous splits to this original panel, craquelure throughout. There is a chip to the lower right of the painting and indeed appears to be a section of the original, although we cannot confirm this. Splits, chips and losses to the frame.
Los 1129
A good Regency satinwood and painted bookcase on cupboard, the moulded pediment above two glazed doors, each centred with an oval portrait medallion above a base with painted top centred with a Classical roundel, two swag adorned drawers and two cupboard doors, both set with large oval panels painted with Classical scenes and raised on turned gilt feet, height 184, width 99cm, depth 35cm.Provenance: From a private Worcestershire collection.Additional InformationThis piece was purchased from Spadesbourne Antiques in 1975 and prior to purchase, it has clearly had some restoration work, noticeably to the gilding throughout, the applied mouldings to the glazed doors. It now has later simple glass shelves to the interior. The vertical gilt return bar which sits between the two cupboard doors is a replacement. General surface scratches, however overall the piece remains in good condition and is of a good colour, bar some old repairs and re-gilding.
Los 1146A
An Edwardian Sheraton revival pained satinwood four fold screen, each section with an oval cane work top centered with an oval portrait of a different maiden, the front and back with patterned upholstery, height 183.5cm, width 184cm (upholstery to one side at fault)Provenance: From a private Worcestershire collection.
Los 1271
Dominicus Custos (Flemish, c1560-1612). After Giovanni Battista Fontana. 'Armamentarium Heroicum'. A set of eight hand coloured portrait engravings each depicting a knight within an ornate architectural alcove with a blank title cartouche below. Published c1603. The portraits include Frederick II, King of Denmark and Norway; Louis II, King of Hungary and Bohemia; Giovanni Maria Fregosa and Ferdinandus Consaluus of Cordoba. Each sheet 48.5 x 33.5cm. Framed and glazed (8)
Los 1502
Attributed to Tilly Kettle (British, 1735- 1786). Portrait of a Lady, half length, seated and wearing a red, ermine trimmed gown. A number of books and papers surround her with various inscriptions including 'Decree of His Majesty' and 'To his Majesty in Council' A Seal in the foreground is thought to be that of the Privy Council.Oil on canvas 91.5 x 74.
Los 137
A 9ct yellow gold, garnet, and pearl ring, size Q, together with a bloodstone and yellow metal swivel pendant fob, a yellow metal mounted swivel fob pendant set with onyx and bloodstone, attached to a T-bar, a rose metal watch chain with T-bar, applied mark 15ct to chain, with base metal portrait pendant, two gilt costume necklaces, a silver vesta case, etc.Condition report: Ring, 3.2 grams; 18ct marked T-bar chain and fob, 28 grams; 15ct chain, 21 grams.
Los 779
Pietro Annigoni signed 8x5 vintage black and white photo. Pietro Annigoni (7 June 1910 - 28 October 1988) was an Italian artist, portrait and fresco painter, best known for his portraits of Queen Elizabeth II, and medallist. [1] His work was in the Renaissance tradition, contrasting with the modernist style that prevailed in his time. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 13
Ian Rank-Broadley (British, 1952)Torso of Aron bears monogram 'IRB' (on rear of left thigh) bronze32 cm high (12 5.8in high).Edition of 10Footnotes:The torso acknowledges the classical tradition of representing the athlete as hero. Ian Rank-Broadley is one of the foremost figurative sculptors working today with works in the British Museum, National Portrait Gallery, Ashmolean Museum., St Paul's Cathedral and the Royal Collection. His effigy of HM Queen Elizabeth II appeared on all UK and Commonwealth coinage from 1998-2015, and the artist's initials appear below the portrait. In 2007 he completed the sculpture for the Armed Forces Memorial, the largest war memorial in the UK. His memorial to Diana, Princess of Wales commissioned by TRH The Duke of Cambridge and The Duke of Sussex will be unveiled on 1st July at Kensington Palace.For further information on this lot please visit Bonhams.com
Los 19
Henry Lamb (British, 1883-1960)Portrait of a Petersfield Boy signed 'H. Lamb' (on the overlap)oil on canvas40.5 x 33 cm. (16 x 13 in.)Painted c. 1923Footnotes:ProvenanceThe Artist, by whom gifted toRichard CarlinePrivate Collection, U.K.ExhibitedLondon, Gallery Edward Harvane, Henry Lamb and his Friends, 29 May-28 June 1974, cat.no.7 Richard Carline recalled in 1974 that the present work was painted by Lamb whilst the artist stayed with Stanley Spencer at Petersfield. Gilbert Spencer suggested that the sitter may have been the son of the local vicar.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 76
Duncan Grant (British, 1885-1978)Self-portrait in spectacles bears signature 'D Grant' (lower right) and inscription 'Adrian Stephen' (on the reverse)charcoal and gouache28.2 x 30.2cm (11 3/8 x 11 7/8in.)unframedFootnotes:ProvenancePaul Roche, thence by descentPrivate Collection, U.S.A.The present work was previously believed to depict author and psychoanalyst Adrian Stephen (1883-1948), however it is now thought to be a self-portrait dating to the early 1960s.We are grateful to Richard Shone for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 87
Horst P. Horst (German/American, 1906-1999)Portrait of a handsome man (Fred) bears an inventory number in the negative, hand stamp 'Photographed by Horst' and signed 'Horst' (on the reverse)gelatin silver print 25.4 x 20.3cm (10 x 8in).Executed c. 1940Footnotes:ProvenanceSwann Galleries, New YorkFor further information on this lot please visit Bonhams.com
Los 90
Circle of David Loggan (British, 1635-1692)Portrait of a gentleman in a lace cravat and armour, his hair worn long indian ink on vellum, oval9.5 x 8.5cm (3 3/4 x 3 3/8in).Footnotes:ProvenanceCollection of Lord Dellamere (according to an old label on the reverse)For further information on this lot please visit Bonhams.com
Los 88
Sliman MANSOUR (Bir Zeit 1947)My Grandchildern, 2013Huile sur toile 120 x 96 cm Signé en arabe "Sliman Mansour" et en anglais "Sliman Mansour 2013" en bas à gauche. Provenance : C ollection particulière à Jérusalem (acquis directement auprès de l'artiste). Ce lot est présenté en importation temporaire. Le présent ouvrage intitulé « My Grandchildern » est une œuvre importante dans la carrière de l’artiste. Représentant deux enfant qui jouent à la balançoire, suspendus dans l’air et dans le temps. Dans cette toile, l’artiste décide délibérément de ne pas mettre l’accent sur l’identité visuelle des protagonistes. Le titre, nous indique cependant qu’il s’agit de ses petits-enfants, qu’il emmenait jouer au parc à Jerusalem. Cette scène, censée représenter la joie, offre des visages figés, suspendu, comme dans l’attente ! elle nous invite au rêve, seul échappatoire de ses enfants ; la liberté qu’ils cherchent depuis toujours, dans une attente suspendue. *** Parmi les artistes palestiniens les plus reconnus et les plus distingués, Sliman Mansour, connu surtout pour son œuvre de 1973 "Camel of Hardship" représentant un vieux porteur portant Jérusalem sur son dos. Né à Birzeit, Mansour a étudié aux beaux-arts à la Bezalel Art Academy à Jérusalem. Il est maintenant considéré comme un leader culturel clé en Palestine. Mansour a largement contribué au développement d'une infrastructure pour les beaux-arts en Cisjordanie. Il a été à la tête de la Ligue des artistes palestiniens de 1986 à 1990 tout en dirigeant le collectif New Visions après la première Intifada. En 1994, Mansour a cofondé le centre d'art al-Wasiti à Jérusalem-Est et en a été le directeur de 1995 jusqu’à sa fermeture en 1996. Le travail de Sliman Mansour se base sur l'histoire sociale palestinienne. Loin d’une image idéalisée ses représentations de la nation. Evoquent un temps perdu où l’identité de l’individu était façonnée dans un cadre stable et pacifique. Pour Mansour, l'art contribue à la continuation et à la renaissance de l'identité palestinienne. Par intermittence, tout au long de sa carrière, il s’attache au portrait en reproduisant, le plus souvent, des membres de sa famille. Ces représentations se font souvent dans une posture de repos. Pendant qu'ils se reposent dans leurs chaises, l'artiste capture des détails intimes de ses sujets, créant un album de famille distinct d'individus. Dans sa démarche, l'artiste puise également ses sujets d'anciennes photographies de famille, revisitant les relations avec les individus disparus. Donnant à ses œuvres un caractère nostalgique. Cette envie de se libérer d’un fardeau national reste un rêve qu’il nous présente en créant l’atmosphère dans laquelle ses individus se reposent. George Al'Ama, critique d'art palestinien, Jérusalem.
![[*] Artists' Ball, Munich -- Group portraits of costumed members of the artists' society "Stubenvoll", Munich. 1853. 2 extens](https://cdn.globalauctionplatform.com/7d1a1ea4-b052-48e9-a52b-ad2e00903413/8af5145d-38ea-4aee-9f62-ad2e0093d732/468x382.jpg)
Los 4004
[*] Artists' Ball, Munich -- Group portraits of costumed members of the artists' society "Stubenvoll", Munich. 1853. 2 extensively hand-painted salt prints. Each 26 x 21 cm. Mounted to board, sitters' names and annotated Narrenball 1853 im Odeon in ink below the images on the mount.The portrayed participants of this artists' ball in Munich are Füssli, Thomberg, Dr. v. Wenzel, Liersen and C. Freiherr v. Seckendorf. The society was named after the Munich artists' club Stubenvoll, where it was founded in 1844. In this same year Friedrich Wilhelm Schoen painted a 50 figure portrait of the group which is now in the collection of the Münchner Stadtmuseum. Very rare, early salt prints, heavily painted and theatrically posed. – In very good condition.
Los 4009
British India -- Photographer: Samuel Bourne (1834-1912). Individual portraits of a Lepcha man and woman, Darjeeling. 1869. 2 albumen prints. Circa 28,2 x 23,5cm. Both signed and numbered 1907 and 1908 in the negative in lower left corner, number in pencil on the verso. Some light handling marks, minimal fading in edges, male portrait with small tear in left edge, otherwise in very good condition.Lit.: Ludger Derenthal/Raffael Dedo Gadebusch/Katrin Specht (eds.). Das koloniale Auge. Frühe Porträt-Fotografie in Indien. Leipzig 2012, ill. pp. 64-65.
Los 4033
Buffalo Bill's Wild West Show -- Photographer: John C.H. Grabill, Elliot & Fry and unknown. 1885-1910/printed 1930s. Images of Buffalo Bill's Wild West show. 20 gelatin silver prints and 20 celluloid copy negatives (20 x 12,5 cm). Each circa 11,5 x 16 cm or reverse. 2 with text in the negative in lower area.The images show many of the important figures of the earlier days of Buffalo Bill's Wild West show (1887) such as Annie Oakley, John Nelson, Sitting Bull, and of course Buffalo Bill himself. Some later shots circa 1910 were taken during the performances. Also includes a group portrait of Indian chiefs by John C.H. Grabill, Deadwood from 1891. – Edges curled, some fading in edges, otherwise in very good condition.
![[*] Daguerreotypes -- Photographer: Carl Staritz (active in Breslau, 1845-1850s). Portrait of a man. 1846. Sixth-plate gold-t](https://cdn.globalauctionplatform.com/7d1a1ea4-b052-48e9-a52b-ad2e00903413/60c07b07-81d8-43c0-b4f1-ad2e0094c746/468x382.jpg)
Los 4042
[*] Daguerreotypes -- Photographer: Carl Staritz (active in Breslau, 1845-1850s). Portrait of a man. 1846. Sixth-plate gold-toned daguerreotype with gilt ornamental surround and ornamental gilt tape around glass (small piece missing at bottom), taped behind glass.A clear image in very good condition.Lit.: Zygmunt Wielowiejski. The Beginnings of Photography in Breslau. Instytut Sztuki Polkiej Akademii Nauk, Wroclaw 2012.
Los 4048
Ermakov, Dimitri N. -- Studio group portrait of women in national dress. 1880s. Albumen print. 13,7 x 10,5 cm. Number 12011 and title in lower edge in the negative.Dimitri Ermakov was active as a professional photographer as of 1868. He traveled to various regions of Georgia, the Caucasus, Persia, Turkey and central Asia. Ermakov is the most important documentartist of Georgian life of the nineteenth and early twentieth century. A small part of his negatives are in the collection of the National Museum of Georgia. – Some light handling marks, otherwise a strong print in very good condition.Lit.: Masters of 19th Century Photography. Dmitri Ermakov. Photographer and Collector. Georgian National Museum, Tbilisi, 2014.
Los 4074
Mill, John Stuart -- Photographer: Stereoscopic Company, London. Portrait of John Stuart Mill (1806-1873). 1870/printed circa 1906. Vintage photogravure on vellum. 19,5 x 14,5 cm (45,5 x 33,5 cm). Photographer's name, title and Photographische Gesellschaft in Berlin printed and blindstamp Photographische Gesellschaft in Berlin below the image.Some toning in edges, otherwise fine tonal print in very good condition.
Los 4078
Plüschow, Guglielmo -- Male portrait. Circa 1900. Albumen print. 22,5 x 16,5 cm. Number 6863 in blue crayon and photographer's stamp on the verso. Some fading in edges, a few light handling marks, otherwise in good condition.Lit.: Ulrich Pohlmann (Text). Guglielmo Plüschow. Ein Photograph aus Mecklenburg in Italien. Grevesmühlen 1995, ill. unpaginated (variant).
Los 4079
Portrait Album -- Commemorative portrait album for Dr. W. Hertzberg in Elbing. 1858. 13 salt prints (most oval). Each circa 14,5 x 11,5 cm. Each mounted to gilt-edged album page (slightly soiled, light foxing) and with gilt decorative frame line, bound in contemporary red velvet and gilt-stamped album (some scuff marks, lower corners slightly bumped).This very richly decorated commemorative album for "Dr. W. Hertzberg, Director der höheren Bürgerschule in Elbing", with a handwritten and drawn title page, contains a collection of intriguing portraits of teachers. There is also a very rare view of Elbing at the front, probably one of the earliest known views of this town. – Some with slight fading in edges, otherwise most with rich tones and in very good condition.
Los 4084
Schliemann, Sophia -- Photographer unknown. Portrait of Sophia Schliemann wearing the Treasure of Priam. 1873. Photogravure in oval printed by the Graphische Kunstanstalt von H. Riffarth, Berlin. 11,2 x 7,5 cm. Letterpress text and facsimile signature of S. Schliemann below image. A few small spots in margins, otherwise in very good condition.
Los 4153
Feininger, Lore -- Portrait of an unidentified dancer. Late1920s. Vintage gelatin silver print. 17 x 12.5 cm. Photographer's stamp and annotated in pencil on the verso. The German portrait and architectural photographer Lore Feininger was the first daughter of the German-American painter Lyonel Feininger. In 1918, Lore Feininger began studying painting at the University for Fine Arts in Berlin. She then apprenticed with the portrait photographer Suse Byk, a family friend in Berlin. After three years of training, she worked in the studio of the fashion and portrait photographer Karl Schenker until 1924. In 1927, she opened her own photo studio for portrait, architectural, and object photography. During this time, she made numerous portrait photographs of artists. Lore Feininger was bombed out twice in Berlin, and her photo lab and negative archive were completely destroyed in 1943. Photographs by Lore Feininger are in the collection of numerous museums, including the Museum Folkwang and the Museum of Modern Art. – Small loss of emulsion in right edge, otherwise a fine tonal print in very good condition.
Los 4158
Film Photography -- Photographer unknown. Portrait of Marlene Dietrich for "Dishonored". 1931. Vintage ferrotyped gelatin silver print. 23,5 x 17,8 cm. Typed press text and two newspaper stamps on the verso.Some handling/crease marks, a few light surface scratches, slight oxidation mirroring in lower edge, otherwise in good condition.
Los 4167
Fischer, Arno -- Portrait of the actresses Angelika Domröse, Jutta Hoffmann and Anne Katrin Bürger. 1960s/printed later. Vintage ferrotyped gelatin silver print on doubleweight paper. 40 x 30,3 cm. Photographer's stamp and collection stamp on the verso.A few handling creases near right edge and some irregularities to ferrotype surface, otherwise in good condition.
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283284 Los(e)/Seite