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Los 1208

English School, a pair of portrait miniatures, of an elderly gentleman and wife, oval, on ivory, 4.5cm x 3.5cm, gilt metal frames; another, Wellington, 4cm x 3cm (3)

Los 1209

English School, early 19th century, a portrait miniature, Napoleon, in uniform, on ivory, oval, 7cm, ebonised frame, acorn suspension loop, 14cm overall, c.1815; others, young beauty, with hair in plaited bun, wearing a fur stole; another; etc (3)

Los 1210

English School, late 18th/early 19th century, portrait miniature, Lady Companion of Miss Bower, on ivory, oval, 8.5cm x 7.5cm copper and blue enamel frame

Los 1212

Michele Albanesi (Italian, 1816-1878), a portrait miniature, of H. Conte de Mandato, Consule Generale Ponteficio, Naples, half-length, slightly turned to dexter, wearing naval uniform with gilt-embroidered collar with anchors, epaulettes, sword and sash, a medal pinned at his breast and a bicorn hat in hand, the background with Mount Vesuvius draped by a curtain, signed, dated 1852, oval, watercolour on ivory, 8cm x 3.5cm, contemporary gilt easel oval easel frame, engraved titled cartouche to base, 9.5cm high overall, dated 1852

Los 1272

A 19th century Italian Grand Tour marble portrait profile, of Michelangelo, after Enea Vico, bust-length, red mount, oval giltwood frame, 18cm x 13cm overall, Antonio Frilli of Florence retailer's label to verso, c. 1870

Los 1421

A late 18th/early 19th century wax portrait profile, of a 16th century lady, bust-length, fully turned to dexter, wearing cap, ruff and dress, early 19th century ebonised frame with gilt inset, 15cm high, 12.5cm wide overall, R. Jackson & Sons, Liverpool, 1912, label to verso

Los 194

An Austrian silver and enamel rectangular snuff box, hinged cover centred by a portrait miniature of a cocker spaniel, engine turned and decorated in tones of yellow and pale blue, Greek key border, gilt interior, 9cm wide, c.1915

Los 203

An early Victorian silver-gilt travelling portrait miniature case, hinged cover centred by an oval aperture, enclosing a photograph frame, 9cm over loop, London 1842

Los 431

A Spencer (early 20th century)Impressionist Portrait, A Lady of Fashionsigned, dated 19**, inscribed to verso, oil on canvas, 54.5cm x 45cm

Los 448

*Please note this is a Grand Tour copy of the portrait of Leonardo da Vinci* Continental School (19th century)Portrait of a Bearded Manoil on canvas, 71cm x 55cm

Los 451

Continental School (early 19th century)Portrait of a Naval Officer, half-length, wearing uniformoil on canvas, 66cm x 54cmThe canvas inscribed Jean Martini Peintre under relining.

Los 461

English School (early 19th century)Portrait of a Lady, half-length, seatedoil on canvas, 87cm x 72cm

Los 463

English School (early 20th century)Portrait of a Lady, half-length, seatedinscribed Robert I.M., oil on canvas, 54cm x 45cm

Los 464

English School (early 20th century)Portrait, The Young Madam, half-length, her long golden hair surmounted by a pom pom beret, her face with eye blues and rouged lips, a string of blue beads round her neck, wearing a white pinafore and holding her workboxoil on canvas, 69cm x 46cm

Los 466

English School (third-quarter, 18th century)Portrait of a Country House Estate Hand, nearly full-length, wearing a straw hat, a knotted cravat at his neck and a red and white pinstripe waistcoat, standing contrapposto at his labours, with a garden urn by his sideoil on canvas, 143cm x 112cm

Los 135

Three 19th century bronze medals - Joseph Moore 1817-1892- medallist and die-sinker, portrait of Joseph Moore to obverse, reverse reading 'The Medal was engraved at the earnest request of his family and many friends, by Joseph Moore in his 75th year 1891, in case as issued, Lawson Tait 1845-1899, pioneer surgeon and father of genealogy, portrait of Lawson Tait to obverse, reverse reading 'This medal of Lawson Tait was engraved from the life by his friend Joseph Moore 1890' under a coat of arms, cased, and a Royal Geographic Society prize medal to Martin Stewart 1870, cased as issued

Los 150

David Stein - two portraits, a head and shoulder portrait of a man wearing a bow tie and jacket, pastel, signed lower left and dated IV.9.1960, 10 1/4" x 8 1/2" and another of a woman, pastel, signed lower left and dated 1968, 11 1/2" x 10", both framed and glazed

Los 211

Mid 20th century Continental School - a full length nude portrait of a woman, oil on canvas, 16" x 20", in a black and gilt frame

Los 241

A Victorian gold plated brooch, the rotating centre set with an ivory panel of a stag and scrolls, with a photographic portrait to the reverse, in an entwined wire frame

Los 166

Nine Westminster Collections Coin First Day Covers in folding vinyl presentation packs, comprising 6x Silver examples, 4th and 5th Portrait decimal coin covers and 175th & 60th Anniversary Coronation coin cover

Los 407

A small collection of Nazi memorabilia comprising, Adolf Hitler 1889-1939 circular profile portrait plaque, 90mm diam, Fliegerkorps circular alloy plaque, 82mm diam, Freiwilliger photo-ID card with stamps, two Nazi red & white arm bands, demi-lune blue & white cloth Eagle patch, six various metal and enamel badges and two books including Mein Kampf

Los 469

George Harcourt Sephton (1885-1923), Half-length portrait of a young boy seated back-to-front on a stick-back chair and holding an apple, inscribed to reverse Thomas Allan Workman, signed with monogram 'GS' and dated '1911,' also inscribed verso with both the sitter and artist's full name, enamel on copper, 12x11cm. (A portrait of Queen Victoria by George Harcourt Sephton is in the Museum of London)

Los 518

English School (early 20th century)Equine Portrait, Three Horses in an Open Fieldoil on board, 32cm x 43cm

Los 524

Jacob Kramer (1892-1962)Portrait of Nellie Pickeringsigned, dated '23, charcoal, oval, 35.5cm x 28cm

Los 541

English School (early 18th century)Portrait of James VI and I, King of Scotland and England, bust-length, wearing a breastplate and an orange sashoval, oil on mahogany panel, 22cm x 16cm

Los 544

After Sir Anthony Vandyck (18th century)The Equestrian Portrait of Charles Ioil on canvas, 65cm x 50cm

Los 550

W. Armstrong (early-mid 20th century Equine portrait, Dewhurst, Hunter in Stablesigned, titled to verso, oil on canvas, 51cm x 61cm

Los 554

Oswald Garside (1879 - 1942)Portrait of a Young Girlsigned, watercolour, 26cm x 17cm

Los 557

Continental School (19th century)Portrait of an Elderly Manoil on board, 34cm x 24cm

Los 935

A pair of Kerr and Binns Worcester pate-sur-pate baluster vases, applied in white with portrait busts of Milton and companion, within gilt laurel leaves on blue ground, gilt dentil rims, 17.5cm high, printed marks

Los 101

A Georgian yellow metal brooch circa 1800 of rectangular form depicting a silhouette portrait of a man in side profile by John Miers, signed, with snake border, length 30mm, width 23mm, gross weight 6g. Condition: No signs of any damage, possible replacement of clasp and loop to rear, general surface wear and minor tarnishing present, overall appearance is very good.

Los 349

A collection of Victorian/Edwardian photographs, mainly portrait photography with a couple of local scenes.

Los 45

An early 19thC ivory Grand Tour style carved portrait, of a lady side profile, signed, L. Jean. Gray, in circular frame, 7cm dia.

Los 534

After Raphael. The Three Graces after an original red crayon study, a classical Old Master engraving, a pencil drawing portrait of a woman's head and two others. (5)

Los 537

C.M. Griffiths. A portrait of a woman mending fishing nets, pen and ink, signed 30cm x 24cm.

Los 585

After Kirehoff. Arch Duke Charles of Austria portrait, mezzotint, published 1801, 50cm x 35cm.

Los 191

A pair of Sherwin and Cotton dust-pressed tiles in a deep brown majolica glaze, early 20th century, relief moulded with a portrait of a classically style dressed female amongst bull rushes and a young girl knocking on a door, framed, overall width 15cm and height 19cm

Los 329

J Wood, Portrait of Margarite Whitaker, three quarter length seated on a garden bench, oil on canvas, 76 x 60cm

Los 331

Florence F Wilmot, Portrait of Hilton Chambers Shekell, half length portrait, inscribed and dated 1892 verso, oil on canvas, 58 x 38cm

Los 343

After Sir William Beechey. Portrait of Mrs Siddons, mezzotint, 60 x 49cm (SH)

Los 344

After Peter Lely, Portrait of the Earl of Shaftesbury, copper engraving, 36 x 21cm (SH), together with a late 19th century tapestry of a peacock and eleven assorted prints.

Los 348

E Hayes, portrait of a lady wearing a black shawl, signed and inscribed 'Dublin' lower right, watercolour, oval 24cm high together with a collection of assorted prints (Quantity)

Los 94

Brass desk lamp with frilled glass shade, Overton Jones Seascape, watercolour signed lower left and an oleograph family portrait.

Los 106

19th Century portrait print of Sir Philip De Malpas Grey Eggerton Bart and five other 19th century prints (6).

Los 134

Pastel portrait of a boy, oval gilt frame and three other pictures.

Los 180

Large black marble and pink rouge mantel clock with breget escapement, two train movement, lion mask ring handles and portrait mount to front plinth, 54cm high. Red marble on front cracked right the way through. Small losses throughout. Metal mounts tarnished. Have not had this running but movement appears complete. Cannot guarantee working order.

Los 32

H Rowan, watercolour of Red hot Poker (Flower) signed, 19th century portrait miniature and a 19th century portrait miniature .

Los 165

A 19th century portrait miniature on ivory depicting a young man in a fur hat, 6 x 4cm, framed and glazed and a further example of a right facing woman (2).

Los 316

Attributed to BENJAMIN WEST PRA (1730-1820); oil on canvas, portrait of a young child in period costume standing in a corner with a broken picture on the floor, printed to frame 'Benjamin West RA', 46 x 34cm, framed. CONDITION REPORT Has been re-framed, crazing to paint throughout, area of bubbling to right hand side where the painting has been repaired.

Los 13

Fruit & Cup A. E. Barnes Original Acrylic  - Mounted and Framed 51x44cmArtsist Statement I was never interested in painting or drawing when I was little. I wanted to read books and study the night sky. I loved to re-decorate my room, and move the furniture around. I was more interested in cerebral things and studied Philosophy and Comparative Religion at the University of West Florida. My parents had an art gallery in downtown Daytona Beach, Florida when I was a baby. 1964, to be precise, during that Aquarian Age of intellectual and social reformation. My mother is a famous southern painter, Diana Barnes. My father is an infamous mathematician and story teller. So, I have certainly grown up in a world of ideas and art. We were a little bit of a gypsy family, touring with my mother on painting trips and for art show events. In May of 1989, I had a crazy idea to paint a portrait of my mom riding a pig in her living room, for a Mother’s Day gift. I got some old plywood and primed it white. Then I began to design the portrait in the afternoon. I stayed up all night working and got up early the next day and began again. I loved painting so much that I continued to find boards, painting on them for the rest of the week.Still lifes, interior scenes of my own house and garden, landscapes from my historic neighborhood. I had finished about 20 paintings in a week. I stopped eating or sleeping; I painted everything I saw and began to use wild colors. I bought a set of good oil paints and borrowed some old brushes from my mom. I had always been in love with the French painters, the Fauves . Henry Matisse, Maurice de Vlaminck and Andre Derain were my new heroes. I checked out every library book on Impressionism and Expressionism. I covered my walls in posters of paintings by Van Gogh and Gauguin.I was hooked on oil painting like a monkey hooked on chocolate covered bananas. There was no turning back. Being an expert at moving furniture, I re-arranged my house, making the living room into a giant art studio. That was week two of my new found painting career. I vowed on the grave of Henri Matisse that I would paint forever! When I first started painting, the Outsider and Folk Art Movement was getting underway in the Southern states. Because I never studied art, I was lumped into this new and upcoming group. I was accepted to prestigious art shows like the Piedmont Art Festival in Atlanta and shows in Miami, Key West, Dallas, Houston and Washington DC. I loved talking to customers and learning about their homes and interests.I started painting special order work for private homes and corporate headquarters. I was able to place my work in wonderful galleries. I was so lucky to be able to sell paintings, enough to pay my bills. I have been painting for 23 years. It seems like yesterday when I first picked up the brush. I love oil paints the best; but I also use acrylics some of the time. I learned early on to use the best canvas and paints, which insures a high quality painting that will last for hundreds of years. I have exhibited in lots of art shows, presented work in great art galleries in the US and Mexico and sold paintings to many wonderful people including Rod Stewart and Reggie Jackson.

Los 208

Framed portrait An original drawing from Life Upon Stone by F.W.WILKIN, 20 Newman street, Cleveland 56.5 x 68cm

Los 209

Framed portrait William Seymour, first Marquis of Hertford From the original of Vandyke, in the collection of THE RIGHT HON, THE EARL OF CLARENDON, Drawn by H.Grease & Engraved with permission by R.Cooper 37.5 x 51.5cm

Los 228

Framed portrait Engraved by W.GILLER, painted by Frederic.R.Say, Abe Clifford 68 x 83cm

Los 230

Framed portrait London Published 1st May 1878, by P&D.Colmaghi & CO 13&14, Pall Mall East & Thomas Mc Lean. Haymarket, Manchester by Thomas Agneur & Sons, Exchange Street, Engraved by Samuel Cousins R.A, Painted by Sir Joshua Reymadds P.R.A 68 x 91.5cm

Los 232

Framed portrait Etching, engraving and stipple, the inscription printed from a separate plate. ... La Comtesse de Lieven ... Bromley Esqr. / London, Published July 1st. 1823  62 x 78cm

Los 236

Framed portrait I. Jackson.R.A H. Meyer, Sculpt, George Ormerod, L.L.D F.R.F. & S.A 58 x 71.5cm

Los 241

Framed portrait Rev James Rowland, Henley on Thames 31.5 x 39cm

Los 245

Framed portrait John Hoole by and published by William Daniell, after George Dance soft-ground etching, published 15 August 1810 (12 October 1793) 60 x 69.5cm

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