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Peter van der AA (Dutch 1659-1753)Theatrum in Ripa Athesis PositumEngraving, unframed, joined and folded97 x 47cm; 18½ x 38inWith a group of c.36 prints of architectural views and features including 9 of column capitals, a view of the Queen's Palace at Windsor and one of Eton college, a portrait by Jean-Jacques de Boissieu and a small drawing of a boy on a donkey (c.37)
Peter Rittig (German 1789-1840)Portrait of a pensive boy with a study of a branch of an oak treePencil, with a Neo-Classical building in a town, probably the outskirts of Rome under backing board verso17.25 x 12.25cm; 6¾ x 4¾inProvenance:Ketterer Kunst GmbH, Germany, 27th October 2007, Lot 1224++One or two pinprick fox marks on the figure of the boy, a few other foxmarks scattered, possibly a little faint mount staining
λ French School c 1634Portrait miniature of a nobleman, head and shoulders, wearing a white embroidered jacket and wide lace ruffInscribed: Pour l'infini le fini ie reiette Anno Domini 1634 Aetatis Suae 50, also charged with a coat of arms and the initials P.C.L.V.E.Oval, in a gilt frame65 x 51mmProvenance:Limner Antiques London in the early 1970's, believed to have been purchased by them from Sotheby's London
λ John Cox Dillman Engleheart (1782/4-1862)Portrait miniature of a young lady, head and shoulders in a red velvet dress and white lace collarSigned verso, dated 1815 and inscribed 88 Newman Street, London Given to H.M. Richards by Mrs G. HibbertRectangular, in a good ormolu frame88 x 66mmProvenance:Sotheby's London, 1971
Eugène Devéria (French 1808-1865)Portrait of Mrs Elizabeth Copeland, sister of John George Housefield and aunt of Dora de Blaquière, head and shouldersSignedPastel, oval 51 x 44cm; 20 x 17¼in.Provenance:Inscribed on a label verso by previous owner, M. Tuker++A fox mark on her right shoulder on the white scarf with some evidence of previous restoration, and a few other scattered similar marks mainly in the background, a few light abrasions, some light speckling in the paler areas of the background, frame with quite a few cracks, old restoration and one or two minor losses
λ Mrs Henry Moseley (c.1800-1867)Portrait miniature of Mrs Robert Holford chatalaine of Westonbirt House and of Dorchester House, Park Lane, London, c.1845In a cased frame with arched mount (half frame missing)160 x 125mmBoth properties were built by the sitter's husband, Dorchester House held the famous Holford Collection of Old Master paintings amongst many other treasures. This magnificent house, equal to any of the other great London private palaces, was pulled down in 1929 and the present Dorchester Hotel put in its place.
λ C.V. (c.1773)Double portrait miniature of a gentleman and a lady, head and shoulders, in painted ovals with a painted floral borderSigned with initials and dated 1773In a tortoiseshell case (loose)74 x 116mmWith a late 19th Century miniature portrait of Mary Queen of Scots and a small tortoiseshell purse (3)
After Cornelius Johnson Portrait of Mary, Lady Harbord (c.1600-1664)Head and shoulders, wearing a white dress, adorned with pearl clasps and brooch, a pearl necklace, earrings and pearls in her hairOil on canvas, oval, in a carved wood frame75 x 62cm; 29½ x 24½inProvenance:Earls of Suffield, Gunton Park, Norfolk; by descent until Irelands, on site at Gunton Park, 25 September 1980, lot 1664;James Rees (1952 - 2014), Markham, VA, USA [Former President and Chief Executive Officer of George Washington's Mount Vernon].Literature:(probably) Duleep Singh, Portraits in Norfolk Houses, Vol. 1, Norwich 1927, no. 28, p.192.Extract from Duleep Singh:|Mary, daughter of John Van Alst of Flanders, of the noble family of Baron Van Alst; born 1602; married 1626 Sir Charles Harbord, Kt., of Stanninghall, Surveyor General to Kings Charles I and II. She died 5th September, 1664, aged 64. See slab at Besthorpe|
Circle of Sir Joshua Reynolds P.R.A.Portrait of a lady, believed to be Mrs. Elizabeth Viscount Davies (1730-1794) with her husband's ship 'Hope' beyondOil on canvas76 x 63cm; 30 x 25inProvenance:By direct descent in the family of the sitter in America until sold in 2011 with the portrait of her husband, whose provenance was the sameElizabeth Davies, of Dutch origin, was the wife of Capt. Benjamin Davies (1728-1777), a New York Master Mariner whose family had emigrated from Bristol in 1750. He sailed to England many times and was painted by Sir Joshua Reynolds c.1758-61 (Ref. Mannings catalogue No. 485). Reynold's sitter's book and ledgers indicate sittings for 'Mr' Davies or Davis: Nov. 6th 1758 (and in 1761) and also for 'Miss' Davies or Davis during the same week: 9th, 11th, 21st November 1758 (Cat. No. 486, part of). There was also a payment of 20gns 'Capt. Davies for a Lady' recorded in 1761
English School 16th CenturyPortrait of Richard Tomkyns (d.1605), half length wearing doublet and cape and decorated with a coat of armsOil on panel in a carved wood frame97 x 76cm; 38 x 30inProvenance:By descent in the Baskerville family to the current ownerInscribed on a label dated 25/11/1928 verso: Richard Tomkyns of Mon** on Wye married Katherine dau. and co-heir of James Baskerville of Kyre Park, Co. Herefordshire son of Philip Baskerville, 3rd son of Sir James Baskerville of Eardsley Castle Co. Hereford, Richard Tomkyns had 13 children, he died January 20th 1605
Circle of Sir Peter LelyPortrait of Elizabeth Baskerville neé Griffin, seated with a pet lamb in a landscapeOil on canvas104 x 97cm; 41 x 38inProvenance:By descent in the Baskerville family to the current ownerInscribed on a later label verso Elizabeth Griffin daughter of Edward Griffin of Bickmarsh, Co. Warwicks married in 1660 to James Baskerville Esq. Aberdour [Aberedw?] Court, Co. Radnor
NO RESERVE WG Boyd A Portrait Of Capitalism (Burgundy)Screenprint in colours with hand embellishments, 2012, signed and numbered from the edition of 10 in pencil, on cream wove paper, the full sheet, 610 x 458mm (24 x 20in) (unframed)Every 'A Portrait of Capitalism' print features a hand written name tag inked with Sakura archival blue ink, making each print unique. This work is accompanied by a certificate of authenticity signed by the artist.
PAIR OF SILVER PLATED ON COPPER GEORGIAN STYLE CANDLESTICKS, each with scroll borders and base, 9 ½" (24.2cm) high, together with a TWO HANDLED OVAL TRAY WITH PIERCED BORDER, 14 ½" x 10 ¼" (36.8cm x 26cm), WAITER WITH ENGRAVED CENTRE, TWO HANDLED PRESENTATION ONE PINT MUG, and a STYLISH OVAL TWO HANDLED BRASS ASHTRAY, with George V portrait roundel to the centre
Regency painted profile, John Miers of Bath, a silhouette-like portrait of a gentleman of the Beaufoy family, trade label verso, 8 x 6.5cm, framed; a painted profile lady seated with a puppy, signed J M Co, Bath, 23 x 18cm in a maple frame; another painted profile, inscribed verso Henry Beaufoy M.P; another, a Regency lady; and a silhouette, (5).
18th Century French School Miniature: A rare and important head and shoulder "Oval Portrait of a French Nobleman," in an elaborate blue coat, set in a decorated oval gold frame, and mounted in a circular maple and tortoiseshell box with circular gold inset on a base, diameter overall approx. 6.25cms (2 1/2"). (1)
Early 20th Century Continental School, Lampt, etc. Miniatures: A large half length "Portrait of an Elegant Lady in a Garden Setting," approx. 11cms x 9cms (4 1/4" x 3 1/2"), in fine heavy brass and bronze Adams style frame; also an oval "Half length Portrait of Young Lady with long pleat in hair, and low cut dress," oval, 7.5cms (3") high, in black frame. (2)

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